Bibliography

Abbenes, J. 1996. “The Doric of Theocritus, a Literary Language,” in A. Harder, R. Regtuit and 
G. Wakker, eds, Theocritus. Groningen: 1–19.

Abbott, S. and Love, B. 1972. Sappho Was a Right-On Woman: A Liberated View of Lesbianism. New York.

Achilleos, S. 2004. “The Anacreontea and a Tradition of Refined Male Sociability,” in A. Smyth, ed., A Pleasing Sinne. Cambridge: 21–35.

Achilleos, S. 2008. “The Anacreontic and the Growth of Sociability in Early Modern England,” APPOSITIONS: Studies in Renaissance/Early Modern Literature & Culture, vol. 1. http://appositions.blogspot.com [Accessed 25 February 2018].

Achilleos, S. 2011. “‘Ile bring thee Herrick to Anacreon’: Robert Herrick’s Anacreontics and the Politics of Conviviality in Hesperides,” in R. Connolly and T. Cain, eds, Lords of Wine and Oile’:Community and Conviviality in the Poetry of Robert Herrick. Oxford: 191–219.

Acosta-Hughes, B. 2002. Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley, CA.

Acosta-Hughes, B. 2003. “Aesthetics and Recall: Callimachus frr. 226-229 Pf. Reconsidered,” CQ 53: 478–489.

Acosta-Hughes, B. 2010. Arion’s Lyre. Archaic Lyric into Hellenistic Poetry. Princeton, NJ.

Acosta-Hughes, B. and Barbantani, S. 2007. “Inscribing Lyric,” in Bing and Bruss, eds: 429–457.

Acosta-Hughes, B. and Stephens, S. 2012. Callimachus in Context. Cambridge.

Acosta-Hughes, B. and Stephens, S. 2017. “Callimachean ‘Lyric’,” Trends in Classics 9.2: 226–247.

Adkins, A.W.H. 1985. Poetic Craft in the Early Greek Elegists. Chicago, IL.

Agnolon, A., ed. 2016. Caleitroscópio, vol. 6. Belo Horizonte.

Agócs, P., Carey, C. and Rawles, R., eds. 2012. Reading the Victory Ode. Cambridge.

Agrest, D. 1991. Architecture from Without: Theoretical Framings for a Critical Practice. Cambridge, MA.

Albright, D. 1985. Lyricality in English Literature. Lincoln, NE.

Alcock, S.E. and Osborne, R., eds. 1994. Placing the Gods: Sanctuaries and Sacred Space in Ancient Greece. Oxford.

Alexandrou, M. 2016. “Mythological Narratives in Hipponax,” in Swift and Carey, eds: 210–228.

Allan, W.R. 2019. Greek Elegy and Iambus. A Selection. Cambridge.

Aloni, A. 2001. “What Is that Man Doing in Sappho, fr. 31 V.?,” in Cavarzere, Aloni, and Barchiesi, eds: 29–40.

Aloni, A. 2009. “Elegy. Forms, Functions and Communication,” in Budelmann 2009a, ed.: 168–188.

Ambühl, A. 2015. Krieg und Bürgerkrieg bei Lucan und in der griechischen Literatur. Studien zur Rezeption der attischen Tragödie und der hellenistischen Dichtung im Bellum civile. Berlin and New York.

Anderson, G. 2005. “Before Turannoi Were Tyrants: Rethinking a Chapter of Early Greek History,” ClAnt 24: 173–222.

Anderson, M. 1997. The Fall of Troy in Early Greek Poetry and Art. Oxford.

Andreadis, H. 2001. Sappho in Early Modern England: Female Same-Sex Literary Erotics 1550–1714. Chicago, IL.

Andreadis, H. 2011. “The Sappho Tradition,” in H. Stevens, ed., The Cambridge Companion to Gay and Lesbian Studies. Cambridge: 15–33.

Andrewes, A. 1956. The Greek Tyrants. London.

Andújar, R., Coward, T.R.P. and Hadjimichael, T.A., eds. 2018. Paths of Song. The Lyric Dimension of Greek Tragedy. Berlin.

Aneziri, S. 2003. Die Vereine der dionysischen Techniten im Kontext der hellenstischen Gesellshaft. Stuttgart.

Aneziri, S. 2009. “World Travellers: The Associations of Artists of Dionysus,” in Hunter and Rutherford, eds: 217–236.

Anonymous. 1780. “History of the Anacreontic Society,” The Gentleman’s Magazine and Historical Chronicle for May 1780. London.

Anonymous. 1783. The Vocal Enchantress. London.

Anonymous. 1790. An Anacreontic Garland: Being a Collection of Favourite Songs, Sung at the Anacreontic Society, &c. Wolverhampton.

Anonymous. 1805. “The Social Club,” Baltimore Musical Miscellany, or, Columbian Songster, vol. 2. Baltimore, MD: 158–160.

Anonymous. 1808. The National Songster: Containing a Collection of the Most Admired Patriotic, Sentimental, Anacreontic, Comic and Masonic songs, Original and Selected: To Which Is Added a Number of Selected Toasts and Sentiments. Philadelphia, PA.

Antonaccio, C. 2007. “Elite Mobility in the West,” in Hornblower and Morgan, eds: 265–285.

Antunes, C. 2012. Ritmo e Sonoridade na Poesia Grega Antiga. São Paulo.

Antunes, C. 2013. Métrica e rítmica nas Odes Píticas de Píndaro. [Diss: São Paulo].

Apter, E. 1996. “Acting Out Orientalism: Sapphic Theatricality in Turn-of-the-Century Paris,” in E. Diamond, ed., Performance and Cultural Politics. London: 15–34.

Argent, M., ed. 1992. Recollections of R.J.S. Stevens: An Organist in Georgian London. Carbondale, IL.

Athanassaki, L. 2003. “A Divine Audience for the Celebration of Asopichus’ Victory in Pindar’s Fourteenth Olympian Ode,” in G.W. Bakewell and J.P. Sickinger, eds, Gestures. Essays in Ancient History, Literature and Philosophy Presented to Alan L. Boegehold on the Occasion of His Retirement and His Seventy-Fifth Birthday. Oxford: 3–15.

Athanassaki, L. 2004. “Deixis, Performance, and Poetics in Pindar’s First Olympian Ode,” in Felson 2004a, ed.: 317–341.

Athanassaki, L. 2009a. “Narratology, Deixis, and the Performance of Choral Lyric: On Pindar’s First Pythian Ode,” in J. Grethlein and A. Rengakos, eds, Narratology and Interpretation: The Content of Narrative Form in Ancient Literature. Berlin: 241–274.

Athanassaki, L. 2009b. ἀείδετο πὰν τέμενος: οι χορικές παραστάσεις και το κοινό τους στην αρχαϊκή και πρώιμη κλασική περίοδο. Herakleion.

Athanassaki, L. 2010. “Giving Wings to the Aeginetan Sculptures: The Panhellenic Aspirations of Pindar’s Eighth Olympian,” in D. Fearn, ed., Aegina: Contexts for Choral Lyric Poetry: Myth, History, and Identity in the Fifth Century BC. Oxford: 257–293.

Athanassaki, L. 2011. “Pindar’s Seventh Pythian, the Alcmaeonid Temple, and the Politics of Performance,” in Athanassaki and Bowie, eds: 221–254.

Athanassaki, L. 2012a. “Performance and Reperformance: The Siphnian Treasury Evoked,” in Agócs, Carey and Rawles, eds: 134–157.

Athanassaki, L. 2012b. “Recreating the Emotional Experience of Contest and Victory Celebrations: Spectators and Celebrants in Pindar’s Epinicians,” in Χ. Riu, ed., Approaches to Archaic Greek Poetry. Messina: 173–219.

Athanassaki, L. 2016a. “The Symposion as Theme and Performance Context in Pindar’s Epinicians,” in Cazzatto, Obbink and Prodi, eds: 85–112.

Athanassaki, L. 2016b. “Dramatic and Political Perspectives on Archaic Sculptures. Bacchylides’ Fourth Dithyramb (c. 18) and the Athenian Treasury in Delphi,” in Lardinois and Cazzatto, eds: 16–49.

Athanassaki, L. 2018a. “ἐν ζαθέῳ χρόνῳ: Ritual Interaction of Mortals and Immortals in Pindaric Choral Performance,” in L. Athanassaki, C. Nappa and A. Vergados, eds, Gods and Mortals in Greek and Roman Poetry, Ariadne Supplement 2: 81–117.

Athanassaki, L. 2018b. “Sponsoring the Arts: Melic Perspectives,” Classica 31: 9–29.

Athanassaki, L. 2020. “Simonides in Athens: Memories of Choral Agonistic Excellence in Plato’s Protagoras, Xenophon’s Hiero and the ‘Simonidean’ Epigrams xxvii and xxviii Page,” in P. Agócs and L. Prauscello, eds, Simonides Lyricus. Essays on the “Other” Classical Choral Lyric Poet. Cambridge Classical Journal Supplementary Volume 42: 217–235.

Athanassaki, L. and Bowie, E.L., eds. 2011. Archaic and Classical Choral Song: Performance, Politics and Dissemination. Berlin.

Attridge, D. 1974. Well-Weighed Syllables: Elizabethan Verse in Classical Metres. Cambridge.

Auslander, P. 1994. From Acting to Performance: Essays in Modernism and Postmodernism. London.

Auslander, P. 1996. “Liveness: Performance and the Anxiety of Simulation,” in E. Diamond, ed., Performance and Cultural Politics. London: 198–213.

Austin, C. and Olson, S.D. 2004. Aristophanes. Thesmophoriazusae. Oxford.

Austin, J. 1975. How To Do Things with Words, 2nd edn. Oxford.

Bachelard, G. 1964. The Poetics of Space. Trans M. Jolas. Boston, MA.

Bagnall, R., ed. 2009. The Oxford Handbook of Papyrology. Oxford.

Bagordo, A. 1998. “Zu Alkman, Fr. 17 Davies,” Hermes 126: 259–268.

Bagordo, A. and Zimmermann, B., eds. 2000. Bakchylides: 100 Jahre nach seiner Wiederentdeckung. Munich.

Bakker, E.J., ed. 2010a. A Companion to the Ancient Greek Language. Malden, MA.

Bakker, E.J. 2010b. “Pragmatics: Speech and Text,” in Bakker 2010a, ed.: 151–168.

Bakker, E.J. 2017. “Trust and Fame: The Seal of Theognis,” in Bakker, ed.: 99–121.

Bakker, E.J., ed. 2017. Authorship and Greek Song: Authority, Authenticity, and Performance. Leiden.

Bakola, E. 2010. Cratinus and the Art of Comedy. Oxford.

Ball, R. 2005. “Erica Jong’s Sappho and the Classical Tradition,” International Journal of the Classical Tradition 11: 590–601.

Barbantani, S. 1993. “I poeti lirici del canone alessandrino nell’ epigrammatistica,” AevAnt 6: 5–97.

Barbantani, S. 2009. “Lyric in the Hellenistic Period and Beyond,” in Budelmann 2009a, ed.: 297–318.

Barbantani, S. 2010. Three Burials (Ibycus, Stesichorus, Simonides). Alessandria.

Barbantani, S. 2012. “Hellenistic Epinician,” in P. Agocs, C. Carey and R. Rawles, eds, Receiving the Komos. London: 37–55.

Barchiesi, A. 1994. “Alcune difficoltà nella carriera di un poeta giambico: giambo ed elegia nell’epodo XI,” in R. Cortés Tovar, R. and J.C. Fernández Corte, eds, Bimilenario de Horacio. Salamanca: 127–138.

Barchiesi, A. 1996. “Poetry, Praise, and Patronage: Simonides in Book 4 of Horace’s Odes,” CA 15: 5–47.

Barchiesi, A. 2000. “Rituals in Ink: Horace on the Greek Lyric Tradition,” in M. Depew and D. Obbink, eds, Matrices of Genre: Authors, Canons, and Society. Cambridge: 167–182.

Barchiesi, A. 2001. “The Crossing,” in S. Harrison, ed., Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature. Oxford: 142–163.

Barchiesi, A. 2009. “Lyric in Rome,” in Budelmann 2009a, ed.: 319–335.

Barker, A. 1984. Greek Musical Writings. Vol. 1: The Musician and his Art. Cambridge.

Barlow, S.A. 1971. The Imagery of Euripides: A Study in the Dramatic Use of Pictorial Language. London.

Barnes, T. 2016. “Alcman’s Muses: Alcman PMGF 28, The ΦΙ-Case and the Syntax of Divine Invocation in Greek and Indo-European,” JHS 136: 18–38.

Barney, N. 1902. Cinq petits dialogues grecs: (antithèses et parallèles). Paris.

Barney, N. 1920. Pensées d’une Amazone. Paris. (2nd edn 1921).

Barney, N. 1960; 1992. Souvenirs indiscrets. A Perilous Advantage: The Best of Natalie Clifford Barney. Ed. and Trans. A. Livia. Vermont: 3–60.

Barrett, J. 2002. Staged Narrative: Poetics and the Messenger in Greek Tragedy. Berkeley, CA.

Barrett, W.S. 2007. Greek Lyric, Tragedy, and Textual Criticism: Collected Papers. Oxford.

Barron, J.P. 1969. “Ibycus: To Polycrates,” BICS 16: 119–149.

Barron, J.P. 1984. “Ibycus, Gorgias and Other Poems,” BICS 31: 13–24.

Barron, J.P. and Easterling, P.E. 1985. “Early Greek Elegy: Callinus, Tyrtaeus, Mimnermus,” in Easterling and Knox, eds: 87–95.

Bartol, K. 1993. Greek Elegy and Iambus. Studies in Ancient Literary Sources. Poznań.

Bartol, K. 2019. “Structuring the Genre: The Fifth- and Fourth-Century Authors on Elegy and Elegiac Poets,” in Currie and Rutherford, eds: 129–147.

Bascoul, J.-M.-F. 1911. La Chaste Sappho de Lesbos. Paris.

Bather, P. and Stocks, C. 2016. Horace’s Epodes; Contexts, Intertexts, and Reception. Oxford.

Battezzato, L. 2005a. “The New Music of the Trojan Women,” Lexis 23: 73–104.

Battezzato, L. 2005b. “Lyric,” in Gregory, ed.: 149–166.

Battezzato, L. 2009. “Metre and Music,” in Budelmann 2009a, ed.: 130–146.

Battezzato, L. 2013. “Dithyramb and Greek Tragedy,” in Kowalzig and Wilson, eds: 93–110.

Battezzato, L. 2018. “The Structure of Sappho’s Books: Metre, Page Layout, and the Hellenistic and Roman Poetry Book,” ZPE 208: 1–24.

Battis, J. 2003. “‘Dangling Inside the Word She’: Confusion and Gender Vertigo in Anne Carson’s Autobiography of Red,” Canadian Literature 176: 198–203.

Baudelaire, C. 1857; 1964. The Flowers of Evil / Les Fleurs du Mal. Ed. and Trans. W. Fowlie. New York.

Baumann, M. 1974. Die Anakreonteen in englischen Übersetzungen: ein Beitrag zur Rezeptionsgeschichte der anakreontischen Sammlung. Heidelberg.

Baumbach, M. and Dümmler, N., eds. 2014. Imitate Anacreon!: Mimesis, Poiesis and the Poetic Inspiration in the Carmina Anacreontea. Berlin.

Baumbach, S. 2015. Literature and Fascination. Basingstoke.

Bawcutt, P. 1976. Gavin Douglas: A Critical Study. Edinburgh.

Becker, A. 1995. The Shield of Achilles and the Poetics of Ekphrasis. Lanham, MD.

Beecroft, A. 2010. Authorship and Cultural Identity in Early Greece and China: Patterns of Literary Circulation. Cambridge.

Bell, D. 1989. “The Horse Race (keles) in Ancient Greece from the Pre-Classical Period to the First Century B.C,” Stadion 15: 167–190.

Bell, J.M. 1978. “Κίμβιξ καὶ σοφός: Simonides in the Anecdotal Tradition,” QUCC 28: 29–86.

Bell, P. 2000. Psappho: A Novel of Sappho. Auckland.

Beloch, K. 1912. Griechische Geschichte, Vol. I: Die Zeit vor den Persenkriegen, Part 1. Strasbourg.

Benelli, L. 2011. “Beobachtungen zu einigen Stellen des P.Oxy. LIV 3722: Kommentar zu Anakreon,” Aegyptus 91: 51–74.

Benelli, L. 2017. Sapphostudien zu ausgewählten Fragmenten ( 2 vols). Paderborn.

Benjamin, W. 1923 [1991]. “Die Aufgabe des Übersetzers,” in T. Rexroth, ed., Walter Benjamin Gesammelte Schriften, vol. IV. Frankfurt am Maim: 9–21.

Benstock, S. 1986. Women of the Left Bank: Paris, 1900–1940. TX.

Bentley, R. 1869. Q. Horatius Flaccus, ex recensione et cum notis atque emendationibus Richardi Bentleii, 3rd edn. Berlin.

Bérard, C. 1970. Eretria 3: L’héro̯on à la porte de l’ouest. Bern.

Berent, M. 1996. “Hobbes and the ‘Greek Tongues’,” History of Political Thought 17: 36–59.

Beresford, A. 2008. “Nobody’s Perfect: A New Text and Interpretation of Simonides PMG 542,” CP 103: 237–256.

Bergk, T. 1883. Griechische Literaturgeschichte II. Leipzig.

Bernsdorff, H. 2011. “Notes on P.Oxy. 3722 (Commentary on Anacreon),” ZPE 178: 29–34.

Bernsdorff, H. 2020. Anacreon of Teos. Testimonia and Fragments. Oxford.

Bial, H., ed. 2007. The Performance Studies Reader, 2nd edn. London.

Bierl, A. 2009. Ritual and Performativity: The Chorus in Old Comedy. Washington, DC.

Bierl, A. 2011. “Alcman at the End of Aristophanes’ Lysistrata: Ritual Interchorality,” in Athanassaki and Bowie, eds: 415–436.

Bierl, A. 2016a. “Visualizing the Cologne Sappho: Mental Imagery through Chorality, the Sun, and Orpheus,” in Cazzato and Lardinois, eds: 307–342.

Bierl, A. 2016b. “‘All You Need is Love’: Some Thoughts on the Structure, Texture, and Meaning of the Brothers Song as well as on Its Relation to the Kypris Song (P. Sapph. Obbink),” in Bierl and Lardinois, eds: 302–352.

Bierl, A. and Lardinois, A., eds. 2016. The Newest Sappho: P.Sapph.Obbink and P.GC. inv. 105, frs. 1–4. Leiden.

Biles, Z. and Olson, S.D. 2015. Aristophanes. Wasps. Oxford.

Billings, J., Budelmann, F. and Macintosh, F., eds. 2013. Choruses, Ancient and Modern. Oxford.

Bing, P. 1988a. “Theocritus’ Epigrams on the Statues of Ancient Poets,” A&A 34.2: 117–123.

Bing, P. 1988b. The Well-Read Muse. Göttingen.

Bing, P. 1993a. “Impersonation of Voice in Callimachus’ Hymn to Apollo,” TAPA 123: 181–198.

Bing, P. 1993b. “The Bios-Tradition and Poets’ Lives in Hellenistic Poetry,” in R. Rosen and J. Farrell, eds, Nomodeiktes. Ann Arbor, MI: 619–631.

Bing, P. 2000. “Text or Performance/Text and Performance. Alan Cameron’s Callimachus and His Critics,” in R. Pretagostini, ed., La letteratura ellenistica. Rome: 139–148.

Bing, P. 2003. “The Unruly Tongue. Philitas of Cos as Scholar and Poet,” CP 98: 330–348.

Bing, P. and Bruss, J., eds. 2007. Brill’s Companion to Hellenistic Epigram. Leiden.

Black, R. 1999. An Tuil: Anthology of Twentieth-Century Scottish Gaelic Verse. Edinburgh.

Black, R. 2001. An Lasair: An Anthology of Eighteenth-Century Gaelic Verse. Edinburgh.

Blau, H. 1982. Take Up the Bodies: Theatre at the Vanishing Point. Urbana, IL.

Blok, J.H. and Lardinois, A., eds. 2006. Solon of Athens: New Historical and Philological Approaches. Leiden.

Blondell, R. 2010. “Refractions of Homer’s Helen in Archaic Lyric,” AJP 131: 349–391.

Blondell, R. 2013. Helen of Troy. Beauty, Myth, Devastation. Oxford.

Bockmuehl, M. 2010. “Locating Paradise,” in M. Bockmuehl and G. Stroumsa, eds, Paradise in Antiquity: Jewish and Christian Views. Cambridge: 192–209.

Boedeker, D. 1995. “Simonides on Plataea: Narrative Elegy, Mythodic History Author(s),” ZPE 107: 217–229.

Boedeker, D. 2012. “Helen and ‘I’ in Early Greek Lyric,” in J. Marincola, L. Llewelyn-Lloyd and C. Maciver, eds, Greek Notions of the Past in the Archaic and Classical Eras. Edinburgh: 65–82.

Boedeker, D. and Sider, D., eds. 2001. The New Simonides: Contexts of Praise and Desire. Oxford.

Bonanno, M.G. 1980. “Nomi e soprannomi archilochei,” MH 37: 65–88.

Bonanno, M.G. 1997. “All the (Greek) World’s a Stage: Notes on (not Just Dramatic) Greek Staging,” in L. Edmunds and R. Wallace, eds, Poet, Public, and Performance in Ancient Greece. Baltimore, MD: 112–123.

Bonifazi, A. 2001. Mescolare un cratere di canti: pragmatica della poesia epinicia in Pindaro. Alessandria.

Bonifazi, A. 2013. “Deixis (Including 1st and 2nd Person),” in G.K. Giannakis, ed., Encyclopedia of Ancient Greek Language and Linguistics. http://referenceworks.brillonline.com/entries/encyclopedia-of-ancient-greek-language-and-linguistics/deixis-including-1st-and-2nd-person-COM_00000089.

Borges, C. and Sampson, C.M. 2012. New Literary Papyri from the Michigan Collection. Mythographic Lyric and a Catalogue of Poetic First Lines. Ann Arbor, MI.

Bossi, F. 1990. Studi su Archiloco, 2nd edn. Bari.

Boterf, N. 2017. “Alcman Gourmand: The Politics of Eating in Archaic Sparta,” AJP 138: 205–242.

Bowie, A.M. 1981. The Poetic Dialect of Sappho and Alcaeus. New York.

Bowie, E.L. 1986. “Early Greek Elegy, Symposium and Public Festival,” JHS 106: 13–35 (= I. Rutherford (ed.). Greek Lyric. Oxford, 110–149).

Bowie, E.L. 1990. “Miles Ludens? The Problem of Martial Exhortation in Early Greek Lyric,” in Murray, ed.: 224–228.

Bowie, E.L. 1993. “Lies, Fiction and Slander in Early Greek Poetry,” in C. Gill and T. Wiseman, eds, Lies and Fiction in the Ancient World. Exeter: 1–37.

Bowie, E.L. 1997. “The Theognidea: A Step Towards a Collection of Fragments?,” in G. Most, ed., Collecting Fragments–Fragmente Sammeln. Göttingen: 53–66.

Bowie, E.L. 2001. “Early Greek Iambic Poetry: The Importance of Narrative,” in Cavarzere, Aloni and Barchiesi, eds: 1–27.

Bowie, E.L. 2002. “Ionian Iambos and Attic Komoidia: Father and Daughter, or just Cousins?,” in 
A. Willi, ed., The Language of Greek Comedy. Oxford: 33–50.

Bowie, E.L. 2006. “Choral Performances,” in D. Konstan and S. Said, eds, Greeks on Greekness: Viewing the Greek Past under the Roman Empire. Cambridge: 61–92.

Bowie, E.L. 2008. “Sex and Politics in Archilochos’ Poetry,” in D. Katsonopoulou, I. Petropoulos and S. Katsarou, eds, Archilochos and His Age. Athens: 133–141.

Bowie, E.L. 2009. “Wandering Poets, Archaic Style,” in Hunter and Rutherford, eds: 105–136.

Bowie, E.L. 2010a. “Historical Narrative in Archaic and Early Classical Greek Elegy,” in D. Konstan and K. Raaflaub, eds, Epic and History. Oxford: 145–166.

Bowie, E.L. 2010b. “The Trojan War’s Reception in Early Greek Lyric, Iambic and Elegiac Poetry,” in L. Foxhall, H.-J. Gehrke and N. Luraghi, eds, Intentional History: Spinning Time in Ancient Greece. Stuttgart: 57–88.

Bowie, E.L. 2010c. “Simonides of Eretria Redivivus (?),” in ONOMATOLOGOS: Studies in Greek Personal Names presented to Elaine Matthews. Oxford: 6–14.

Bowie, E.L. 2011. “Alcman’s First Partheneion and the Song the Sirens Sang,” in Athanassaki and Bowie, eds: 33–65.

Bowie, E.L. 2012. “An Early Chapter in the History of the Theognidea,” in Riu and Pórtulas, eds: 121–148.

Bowie, E.L. 2013. “Poetry and Education,” in M. Beck, ed., A Companion to Plutarch. Malden, MA: 177–190.

Bowie, E.L. 2015. “Stesichorus at Athens,” in Finglass and Kelly, eds: 111–124.

Bowie, E.L. 2016a. “Cultic Contexts for Elegiac Performance,” in Swift and Carey, eds: 15–32.

Bowie, E.L. 2016b. “How Did Sappho’s Songs Get into the Male Sympotic Repertoire?,” in Bierl and Lardinois, eds: 148–164.

Bowie, E.L. 2018. “The Performance Contexts of Trochaic Tetrameters Catalectic,” Classica 31.2: 31–43.

Bowman, A.K., Coles, R.A., Gonis, N., Obbink, D. and Parsons, P., eds. 2007. Oxyrhynchus: A City and Its Texts. London.

Bowra, C.M. 1938. Early Greek Elegists. Cambridge. MA.

Bowra, C.M. 1961. Greek Lyric Poetry from Alcman to Simonides, 2nd edn. Oxford.

Boychenko, L. 2017. “Sappho or Alcaeus: Authors and Genres of Archaic Hymns,” in Bakker, ed.: 239–264.

Braden, G. 1978. The Classics and English Renaissance Literature. New Haven, CT.

Braswell, B.K. 1988. A Commentary on the Fourth Pythian Ode of Pindar. Berlin.

Braswell, B.K. 2013. Didymus of Alexandria: Commentary on Pindar. Basel.

Bravo, B. 1989. “Areté e ricchezza nella polis dell’età arcaica secondo le testimonianze dei poeti,” Index 17: 47–79.

Bravo, B. 1996. “Una società legata alla terra,” in S. Settis, ed., I Greci. Storia cultura arte società, 
vol. i: Una storia greca, fasc. 2: Formazione. Turin: 527–560.

Bravo, B. 2009. “The Culture of the polis in the Classical Period” [in Polish], in E. Wipszycka, ed., A History of the Ancient Greeks. Vol. ii, The Classical Period. Warsaw: 532–579.

Bremer, J.M. 1981. “Greek Hymns,” in H.S. Versnel, ed., Faith, Hope and Worship. Leiden: 193–215.

Bremer, J.M., van Erp Taalman Kip, A.M. and Slings, S.R., eds. 1987. Some Recently Founds Greek Poems. Leiden.

Bremmer, J.N. 1987. Interpretations of Greek Mythology. London.

Bremmer, J.N. 1994. Greek Religion. Oxford.

Bremmer, J.N. 2002. The Rise and Fall of the Afterlife. London.

Brillante, C. 1987. “Sulla lingua della lirica corale,” QUCC 27: 145–153.

Brock, R. and Hodkinson, S., eds. 2000. Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece. Oxford.

Brown, C. 1984. “The Bridegroom and the Athlete: The Proem to Pindar’s Seventh Olympian,” in Gerber, ed.: 37–50.

Brown, C. 1997. “Iambos,” in Gerber, ed.: 11–88.

Brown, I., Clancy, T., Manning, S. and Pittock, M., eds. 2006. The Edinburgh History of Scottish Literature ( 3 vols). Edinburgh.Brunhara, R. (2019). A Tradução da Lírica Grega Arcaica no Brasil. In R. d. Brose (Ed.), Pervivência Clássica (pp. 77–90). Belo Horizonte: Moinhos.

Bruneau, P. 1970. Recherches sur les cultes de Délos à l'époque hellénistique et à l'époque impériale. Paris.

Bryant, W.C. 1877. “Abraham Cowley,” North American Review 124: 368–382.

Buchheit, V. 1962. Studien zum Corpus Priapeorum. Munich.

Budelmann, F., ed. 2009a. The Cambridge Companion to Greek Lyric. Cambridge.

Budelmann, F. 2009b. “Introducing Greek Lyric,” in Budelmann 2009a, ed.: 1–17.

Budelmann, F. 2009c. “Anacreon and the Anacreontea,” Budelmann 2009a, ed.: 227–239.

Budelmann, F. 2013a. “Alcman’s Nightscapes (Frs. 89 and 90 PMGF),” HSCP 107: 35–53.

Budelmann, F. 2013b. “Greek Festival Choruses in and out of Context,” in Billings, Budelmann and Macintosh, eds: 81–98.

Budelmann, F. 2017. “Performance, Reperformance, Preperformance: The Paradox of Repeating the Unique in Pindaric Epinician and Beyond,” in Hunter and Uhlig, eds: 42–62.

Budelmann, F. 2018a. “Lyric Minds,” in Budelmann and Phillips, eds: 235–256.

Budelmann, F. 2018b. Greek Lyric. A Selection. Cambridge.

Budelmann, F. forthcoming. “Lyric Visuality and the Mingling of Perception and Imagination,” in F. Budelmann and K. Earnshaw, eds. Cognitive Visions: Poetic Image-Making and the Mind: Oxford.

Budelmann, F. and LeVen, P. 2014. “Timotheus’ Poetics of Blending: A Cognitive Approach to the Language of the New Music,” CP 109: 191–210.

Budelmann, F. and Phillips, T., eds. 2018. Textual Events: Performance and the Lyric in Early Greece. Oxford.

Budelmann, F. and Power, T. 2013. “The Inbetweenness of Sympotic Elegy,” JHS 133: 1–19.

Budge, E.A.T. Wallis. 1920. By Nile and Tigris: A Narrative of Journeys in Egypt and Mesopotamia on Behalf of the British Museum between the Years 1886 and 1913. London.

Bühler, K. 1934. Sprachtheorie: Die Darstellungsfunktion der Sprache. Jena.

Bundy, E.L. 1962. Studia Pindarica. Berkeley, CA (repr. 1986).

Burgess, J. 2001. The Tradition of the Trojan War in Homer and the Epic Cycle. Baltimore, MD.

Burgess, J. 2009. The Death and Afterlife of Achilles. Baltimore, MD.

Burgess, J. 2012. “Intertextuality without Text in Early Greek Epic,” in Ø. Andersen and D.T. Haug, eds, Relative Chronology in Early Greek Epic Poetry. Cambridge: 168–183.

Burkert, W. 1987. Greek Religion. Trans. J. Raffan. Cambridge, MA. (German original 1977).

Burnett, A.P. 1983. Three Archaic Poets: Archilochus, Alcaeus, and Sappho. Cambridge, MA and London.

Burnett, A.P. 1985. The Art of Bacchylides. Cambridge, MA.

Burnett, A.P. 1988. “Jocasta in the West: The Lille Stesichorus,” ClAnt 7.2: 107–154.

Burnett, A.P. 2005. Pindar’s Songs for Young Athletes of Aigina. Oxford.

Burns, C.L. 1996. “Fantastic Language: Jeanette Winterson’s Recovery of the Postmodern Word,” Contemporary Literature 37: 278–306.

Burris, S., Fish, J. and Obbink, D. 2014. “New Fragments of Book 1 of Sappho,” ZPE 189: 1–28.

Butler, J. 1990. Gender Trouble. London.

Butler, S., ed. 2016a. Deep Classics: Rethinking Classical Reception. London.

Butler, S. 2016b. “Introduction: On the Origin of Deep Classics,” in Butler 2016a, ed.: 1–20.

Butrica, J.L. 1996. “Hellenistic Erotic Elegy: The Evidence of the Papyri,” Papers of the Leeds International Latin Seminar9: 297–322.

Buxton, J. 1978. The Grecian Taste: Literature in the Age of Neo-Classicism, 1740–1820. London.

Caciagli, S. 2011. Poeti e società. Comunicazione poetica e formazioni sociali nella Lesbo del VII/VI secolo a.C. Amsterdam.

Caillois, R. 2001 [orig. 1961]. Man, Play, Games. Trans. M. Barash. Urbana, IL.

Cairns, D. 2010. Bacchylides: Five Epinician Odes (3, 5, 9, 11, 13). Text, Introductory Essays, and Interpretative Commentary. Cambridge.

Cairns, F. 2005. “Pindar Olympian 7: Rhodes, Athens, and the Diagorids,” Eikasmos 16: 63–91.

Cairns, F. 2010. “The Genre ‘Oaristys’,” Wiener Studien 123: 101–129.

Calame, C. 1983. Alcman: Introduction, texte critique, témoignages, traduction et commentaire. Rome.

Calame, C. 1996. “Sappho’s Group: An Initiation into Womanhood,” in Greene 1996a, ed.: 113–124.

Calame, C. 1999. The Poetics of Eros in Ancient Greece. Trans J. Lloyd. Princeton, NJ.

Calame, C. 2001. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function. Trans. D. Collins and J. Orion. Lanham, MD. [originally published as Les choeurs de jeunes filles en Grèce archaïque. Rome, 1977. New rev. French edition 2019].

Calame, C. 2004. “Deictic Ambiguity and Auto-Referentiality: Some Examples from Greek Poetics,” Arethusa 37: 415–443.

Calame, C. 2012. “La memoria poetica nei canti di Saffo: Performance musicale e creazione sociale,” in Riu and Pòrtulas, eds: 45–98.

Calame, C. 2013. “Dithyramb, a Dionysiac Poetic Form: Genre Rules and Cultic Contexts,” in Kowalzig and Wilson, eds: 332–352.

Calvié, L. 2010. Timothée de Milet, Les perses: grandeur et décadence d’un papyrus grec; textes choisis et présentés par Laurent Calvié. Toulouse.

Cameron, A. 1995. Callimachus and His Critics. Princeton, NJ.

Campbell, A. and Farrier, S., eds. 2017. Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. London.

Campbell, D.A. 1976. Greek Lyric Poetry. Bristol.

Campbell, D.A. 1982. Greek Lyric Poetry. A Selection of Early Greek Lyric, Elegiac and Iambic Poetry, Rev edn. Bristol.

Campbell, D.A. 1983. The Golden Lyre: The Themes of Greek Lyric Poets. London.

Campbell, D.A. 1990. “Herrick to Anacreon,” in M. Griffith and D.J. Mastronarde, eds, The Cabinet of the Muses. Berkeley, CA and Los Angeles, CA: 333–341.

Canevaro, M. 2017. “The Popular Culture of the Athenian Institutions: ‘Authorized’ Popular Culture and ‘Unauthorized’ Elite Culture in Classical Athens,” in L. Grig, ed., Popular Culture in the Ancient World. Cambridge: 39–65.

Canick, H. and Schneider, H., eds. 2007. Brill’s New Pauly, vol. 10. Leiden.

Cannatà Fera, M. 2020. Pindaro: le Nemee. Mondadori.

Cant, R.G. 1992. The University of St Andrews: A Short History. St. Andrews.

Capra, A. 2012. Plato’s Four Muses: The Phaedrus and the Poetics of Philosophy. Cambridge, MA.

Caprioli, M. 2012. “On Alcaeus 42, Voigt,” CQ 62: 22–38.

Cardin, M. 2017. “Oenochoē del Dipylon,” Axon 1.1: 19–30.

Carey, C. 1986. “Archilochus and Lycambes,” CQ 36: 60–67.

Carey, C. 1989. “The Performance of the Victory Ode,” AJP 110: 545–565.

Carey, C. 1991. “The Victory Ode in Performance,” CP 86: 192–200.

Carey, C. 1999. “Ethos and Pathos in Bacchylides,” in Pfeijffer and Slings, eds: 17–29.

Carey, C. 2003. “Ipponatte e la tradizione giambica,” in F. Benedetti and S. Grandolini, eds, Studi di filologia e tradizione greca in memoria di Aristide Colonna. Naples: 213–228.

Carey, C. 2007. “Pindar, Place, Performance,” in Hornblower and Morgan, eds: 199–210.

Carey, C. 2008. “Hipponax Narrator,” AAH 48: 89–102.

Carey, C. 2009a. “Genre, Occasion and Performance,” in Budelmann 2009a, ed.: 21–38.

Carey, C. 2009b. “Iambos,” in Budelmann 2009a: 149–167.

Carey, C. 2011. “Alcman: From Laconia to Alexandria,” in Athanassaki and Bowie, eds: 437–460.

Carey, C. 2015. “Stesichorus and the Epic Cycle,” in Finglass and Kelly, eds: 45–62.

Carey, C. 2017. “Voice and Worship,” in Bakker 2010a, ed.: 34–60.

Carlson, M. 2003. The Haunted Stage: Theatre as Memory Machine. Ann Arbor, MI.

Carrière, J. 1948. Théognis de Megare. Etude sur le Recueil élegiaque attribué a ce poète. Paris.

Carroll, M. 2017. “The Sacred Places of the Immortal Ones: Ancient Greek and Roman Sacred Groves,” in J. Woudstra and C. Roth, eds, A History of Groves. London: 13–33.

Carson, A. 1980 (published originally as Giacomelli, A.). “The Justice of Aphrodite in Sappho 1,” TAPA 110: 135–42. Reprinted in Greene 1996a: 226–232.

Carson, A. 1986. Eros the Bittersweet. Princeton, NJ.

Carson, A. 1988. “Simonides Negative,” Arethusa 21: 147–157.

Carson, A. 1992a. “How Not to Read a Poem: Unmixing Simonides from Protagoras,” CP 87: 110–130.

Carson, A. 1992b. “Simonides Painter,” in R. Hexter and D. Selden, eds, Innovations of Antiquity. New York: 51–64.

Carson, A. 1995. Plainwater: Essays and Poetry. New York.

Carson, A. 1997. “Sappho Shock,” in Y. Prins and M. Shreiber, eds, Dwelling in Possibility: Women Poets and Critics on Poetry. Ithaca, NY: 223–8.

Carson, A. 1998. Autobiography of Red: A Novel in Verse. New York.

Carson, A. 1999. Economy of the Unlost (Reading Simonides of Keos with Paul Celan). Princeton, NJ.

Carson, A. 2002. If Not, Winter: Fragments of Sappho. New York.

Carson, A. 2005. Decreation: Poetry, Essays, Opera. New York.

Carson, A. 2006. Grief Lessons: Four Plays by Euripides. New York.

Carson, A. 2013. Red Doc>. New York.

Case, S.-E. 1996. The Domain-Matrix: Performing Lesbian at the End of Print Culture. Bloomington.

Cassio, A.C. 1993. “Alcmane, il dialetto di Cirene e la filologia alessandrina,” RFIC 121: 24–36.

Cassio, A.C. 1999. “Futuri dorici, dialetto di Siracusa e testo antico dei lirici greci,” in A.C. Cassio, ed., Kata Dialekton: atti del III colloquio internazionale di dialettologia greca. Naples: 187–214.

Cassio, A.C. 2005. “I dialetti éolici e la lingua della lirica corale,” in F. Bertolini and F. Gasti, eds, Dialetti e Lingue Letterarie Nella Grecia Arcaica. Pavia: 13–44.

Cassio, A.C. 2007. “Alcman’s Text, Spoken Laconian, and Greek Study of Greek Dialects,” in I. Hajnal, ed., Die altgriechische Dialekte: Wesen und werden. Innsbruck: 29–45.

Cassio, A.C., ed. 2008. Storia delle lingue letterarie greche. Florence.

Cavallo, G. and Maehler, H. 1987. Greek Bookhands of the Early Byzantine Period, A.D. 300–800. London.

Cavallo, G. and Maehler, H., eds. 2008. Hellenistic Bookhands. Berlin.

Cavarzere, A. 1996. Sul limitare: il “motto” e la poesia di Orazio. Bologna.

Cavarzere, A., Aloni, A. and Barchiesi, A., eds. 2001. Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire. Lanham, MD.

Cazzato, V. and Lardinois, A., eds. 2016. The Look of Lyric: Greek Song and the Visual. Leiden.

Cazzato, V., Obbink, D. and Prodi, E.E., eds. 2016. The Cup of Song: Studies on Poetry and the Symposion. Oxford.

Cazzato, V. and Prodi, E.E. 2016. “Introduction,” in Cazzato, Obbink and Prodi, eds: 1–16.

Ceccarelli, P. 2013. Ancient Greek Letter Writing: A Cultural History (600 BC-150 BC). Oxford.

Chong-Gossard, K.-O. 2008. Gender and Communication in Euripides’ Plays. Leiden.

Christesen, P. 2007. Olympic Victor Lists and Ancient History. Cambridge.

Christesen, P. 2012. Sport and Democracy in the Ancient and Modern Worlds. Cambridge.

Christesen, P. 2014. “Sport and Democratization in Ancient Greece,” in Christesen and Kyle, eds: 211–335.

Christesen, P. and Kyle, D., eds. 2014. A Companion to Sport and Spectacle in Greek and Roman Antiquity. Malden, MA.

Cingano, E. 1990. “L’opera di Ibico e di Stesicoro nella classificazione degli antichi e dei moderni,” AION (sez. filol.-lett) 12: 189–224.

Cingano, E. 1993. “Indizi di esecuzione corale in Stesicoro,” in R. Pretagostini, ed., Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Scritti in onore di Bruno Gentili. Rome: 347–361.

Cingano, E. 2003. “Entre skolion et enkomion: réflexions sur le ‘genre’ et la performance de la poésie chorale grecque,” in J. Jouanna and J. Leclant, eds, La poésie grecque antique. Paris: 17–45.

Cingano, E. 2004. “Tradizioni epiche intorno ad Argo da Omero al VI sec. a.C,” in P. Angeli Bernardini, ed., La città di Argo: Mito, storia, tradizioni poetiche. Rome: 59–78.

Cingano, E. 2005. “A Catalogue within a Catalogue: Helen’s Suitors in the Hesiodic Catalogue of Women,” in R. Hunter, ed., The Hesiodic Catalogue of Women. Constructions and Reconstructions. Cambridge: 118–152.

Claeys, G. and Sargent, L.T., eds. 1999. The Utopia Reader. New York.

Clague, M. 2014. “To Be or Not: Is the ‘Star-Spangled Banner’ Really Based on an Old English Drinking Song?,” [online] Available at http://musicologynow.ams-net.org/2014/01/to-be-or-not-is-star-spangled-banner.html [Accessed 25 February 2018].

Clague, M. 2016. “Separating Fact from Fiction about ‘The Star-Spangled Banner’,” [online] Available at https://constitutioncenter.org/blog/separating-fact-from-fiction-about-the-star-spangled-banner [Accessed 25 February 2018].

Clancy, T., ed. 1998. The Triumph Tree. Scotland’s Earliest Poetry, 550–1350. Edinburgh.

Clancy, T. 2012. “Scottish Literature before Scottish Literature,” in G. Carruthers and L. McIlvanney, eds, The Cambridge Companion to Scottish Literature. Cambridge: 13–26.

Clark, C.A. 1996. “The Gendering of the Body in Alcman’s Partheneion 1: Narrative, Sex, and Social Order in Archaic Sparta,” Helios 23: 143–172.

Clark, C.A. 2008. “The Poetics of Manhood? Nonverbal Behavior in Catullus 51,” CP 103: 257–281.

Clark, H. 1996. Using Language. Cambridge.

Clark, P. 2000. British Clubs and Societies 1580–1800. The Origins of an Associated World. Oxford.

Clarke, M.L. 1959. Classical Education in Great Britain, 1500–1900. Cambridge.

Clauss, J.J. and Cuypers, M., eds. 2010 A Companion to Hellenistic Literature. Malden, MA.

Clay, D. 1991. “Alcman’s Partheneion,” QUCC 39: 47–67.

Clay, J. 1989. The Politics of Olympus. Form and Meaning in the Major Homeric Hymns. Princeton, NJ.

Clay, J. 2010. “Horace and Lesbian Lyric,” in Davis 2010b, ed.: 128–146.

Claytor, W.G. and Verhoogt, A., eds. 2018. Papyri from Karanis: The Granary C123. Ann Arbor, MI.

Cockin, K. 2005. “Cicely Hamilton’s Warriors: Dramatic Reinventions of Militancy in the British Women’s Suffrage Movement,” Women’s History Review 14: 527–541.

Coira, M.P. 2012. By Poetic Authority: The Rhetoric of Panegyric in the Gaelic Poetry of Scotland to c.1700. Edinburgh.

Cole, S.G. 1994. “Demeter in the Ancient Greek City and Its Countryside,” in Alcock and Osborne, eds: 199–216.

Cole, S.G. 2000. “Landscapes of Artemis,” CW 93.5: 471–481.

Coleman, R. 1977. Vergil: Eclogues. Cambridge.

Colesanti, G. 2008. Questioni teognidee, La genesi simposiale di un corpus di elegie. Rome. [2nd edn 2011].

Collins, J.C. 1910. Greek Influence on English Poetry. London.

Colvin, S. 2007. A Historical Greek Reader: Mycenaean to the Koiné. Oxford.

Condello. 2009. “Due presunte elegie lunghe nei Theognidea,” Prometheus 35: 193–218.

Contiades-Tsitsoni, E. 1990. Hymenaios und Epithalamion: Das Hochzeitslied in der frühgriechischen Lyrik. Stuttgart.

Corbett, J. 1999. Written in the Language of the Scottish Nation: A History of Literary Translation into Scots. Clevedon.

Corrêa, P. da C. 2001. “Classical Studies in Brazil,” Classical Bulletin 77.2: 24.

Corrêa, P. da. C. 2013. “On the rise. Classics in Brazil.” Paper presented at The Present and the Future of Hellenic Studies in Latin America, University of Mexico.

Courtney, E. 2003. The Fragmentary Latin Poets, 2nd edn. Oxford.

Crawford, R. 2003. The Tip of My Tongue. London.

Crawford, R., ed. 2006. Apollos of the North: Selected Poems of George Buchanan and Arthur Johnston. Edinburgh.

Crawford, R. 2007. Scotland’s Books: The Penguin History of Scottish Literature. London.

Crawford, R. 2008. Full Volume. London.

Crawford, R. 2009. “Reconnecting with the Classics,” in S. Harrison, ed., Living Classics: Greece and Rome in Contemporary Poetry in English. Oxford: 65–81.

Crawford, R. 2011. “The Classics in Modern Scottish and Irish Poetry,” in P. Mackay, E. Longley and F. Brearton, eds, Modern Irish and Scottish Poetry. Cambridge: 131–146.

Crawford, R. 2016. Vestigial Power. Sherborne.

Crawford, R. 2018. The Scottish Ambassador. London.

Crawford, R. and Imlah, M., eds. 2000. The New Penguin Book of Scottish Verse. London.

Crawford, R. and McBeath, N. 2011. Simonides. Edinburgh.

Cribiore, R. 2001. Gymnastics of the Mind: Greek Education in Hellenistic and Roman Egypt. Princeton, NJ and Oxford.

Crichton Smith, I. 1972. “The Golden Lyric,” in D. Glen, ed., Hugh MacDiarmid: A Critical Survey. Edinburgh: 124–140.

Crielaard, J.P. 2003. “The Cultural Biography of Material Goods in Homer’s Epics,” GAIA. Revue interdisciplinaire sur la Grèce archaïque 7: 49–62.

Csapo, E. 1999. “Later Euripidean Music,” ICS 24/25: 399–426.

Csapo, E. 1999–2000. “Euripidean New Music,” in M. Cropp, K. Lee and D. Sansone, eds, Euripides and Tragic Theatre in the Late Fifth Century. Champaign: 399–426.

Csapo, E. 2003. “The Dolphins of Dionysus,” in E. Csapo and M. Miller, eds, Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece; Essays in Honour of William J. Slater. Oxford: 69–98.

Csapo, E. 2004. “The Politics of the New Music,” in Murray and Wilson, eds: 207–248.

Csapo, E. 2009. “New Music’s Gallery of Images: The ‘Dithyrambic’ First Stasimon Of Euripides’ Electra,” in J. Cousland and J. Hume, eds, The Play of Texts and Fragments: Essays in Honour of Martin Cropp. Leiden: 93–110.

Csapo, E. and Slater, W.J. 1994. The Context of Ancient Drama. Ann Arbor, MI.

Culler, J.D. 2014. “The Language of Lyric,” Thinking Verse 4.1: 160–176.

Culler, J.D. 2015. Theory of the Lyric. Cambridge, MA.

Culpeper, J. and Haugh, M. 2014. Pragmatics and the English Language. London.

Currie, B. 2002. “Euthymos of Locri: A Case Study in Heroization in the Classical Period,” JHS 122: 24–44.

Currie, B. 2005. Pindar and the Cult of Heroes. Oxford.

Currie, B. 2011. “Epinician Choregia: Funding a Pindaric Chorus,” in Athanassaki and Bowie, eds: 269–310.

Currie, B. 2012. “Pindar and Bacchylides,” in I. de Jong, ed., Space in Ancient Greek Narrative. Leiden: 285–303.

Currie, B. 2013. “The Pindaric First Person in Flux,” ClAnt 32: 243–282.

Currie, B. 2015. “Cypria,” in Fantuzzi and Tsagalis, eds: 281–305.

Currie, B. 2017. “Festival, Symposium, and Epinician (Re)performance: The Case of Nemean 4 and Others,” in Hunter and Uhlig, eds: 42–62.

Currie, B. and Rutherford, I., eds. 2019. The Reception of Greek Lyric Poetry 600BC-400AD: Transmission, Canonization, and Paratext. Leiden.

Curtis, P. 2011. Stesichoros’s Geryoneis. Leiden.

Curtius, E.R. 1954. Europäische Literatur und lateinisches Mittelalter. Bern.

Dale, A. 2009. “Callimachus Lyricus: The Lyric Fragments of Callimachus and the Greek Lyric Tradition” (diss., Oxford).

Dale, A. 2011a. “Topics in Alcman’s Partheneion,” ZPE 176: 24–38.

Dale, A. 2011b. “Sapphica,” HSCP 106: 47–74.

Dale, A. 2012. “Dithyramb, Tragedy, and Callimachus: The New Music and its Reception,” in D. Castaldo, F. Giannachi and A. Manieri, eds, Poesia, musica e agoni nella Grecia antica. Galatina: 369–384.

Dale, A.M. 1969. Collected Papers. Cambridge.

D’Alessio, G.B. 1994. “First-Person Problems in Pindar,” BICS 39: 117–139.

D’Alessio, G.B. 1996. Callimaco ( 2 vols). Milan.

D’Alessio, G.B. 1997. “Pindar’s Prosodia and the Classification of Pindaric Papyrus Fragments,” ZPE 118: 23–60.

D’Alessio, G.B. 2004. “Past Future and Present Past: Temporal Deixis in Greek Archaic Lyric,” Arethusa 37: 267–94.

D’Alessio, G.B. 2005. “The Megalai Ehoiai: A Survey of the Fragments,” in R. Hunter and I. Rutherford, eds, The Hesiodic Catalogue of Women: Constructions and Reconstructions. Cambridge: 176–216.

D’Alessio, G.B. 2009a. “Defining Local Identities in Greek Lyric Poetry,” in Hunter and Rutherford, eds: 137–167.

D’Alessio, G.B. 2009b. “Language and Pragmatics,” in Budelmann 2009a, ed.: 114–129.

D’Alessio, G.B. 2012. “The Lost Isthmian Odes of Pindar,” in Agócs, Carey and Rawles, eds: 28–57.

D’Alessio, G.B. 2013. “‘The Name of the Dithyramb’: Diachronic and Diatopic Variations,” in Kowalzig and Wilson, eds: 113–132.

D’Alessio, G.B. 2015. “Review of Davies and Finglass 2014,” BMCR 2015.10.40.

D’Alessio, G.B. 2018. “Fiction and Pragmatics in Ancient Greek Lyric: The Case of Sappho,” in Budelmann and Phillips, eds: 31–63.

D’Alessio, G.B. 2020. “The Problem of the Absent I,” AION 42.1: 1–30.

D’Alfonso, F. 1995–1998. “Anassimene e Ibico alla corte di Policrate,” Helikon 35–38: 55–76.

Daly, M. 1978. Gyn/Ecology: The Metaethics of Radical Feminism. CA.

Danek, G. 2015. “Nostoi,” in M. Fantuzzi and C. Tsagalis, eds, The Greek Epic Cycle and its Ancient Reception. A Companion. Cambridge: 355–379.

D’Angour, A. 2006a. “The New Music: So What’s New?,” in S. Goldhill and R. Osborne, eds, Rethinking Revolutions Through Ancient Greece. Cambridge: 264–283.

D’Angour, A. 2006b. “Metre,” in E. Bispham, T. Harrison and B. Sparkes, eds, The Edinburgh Companion to Ancient Greece and Rome. Edinburgh: 489–494.

D’Angour, A. 2011. The Greeks and the New: Novelty in Ancient Greek Imagination and Experience. Cambridge.

D’Angour, A. 2013. “Music and Movement in the Dithyramb,” in Kowalzig and Wilson, eds: 198–209.

D’Angour, A. 2015. “Music and Movement in the Dithyramb,” in Kowalzig and Wilson, eds: 198–201.

D’Angour, A. 2017. “Euripides and the Sound of Music,” in McClure, ed.: 428–444.

D’Angour, A. 2018a. “The Musical Setting of Ancient Greek Texts,” in Phillips and D’Angour, eds: 47–72.

D’Angour, A. 2018b. “Hearing Ancient Sounds through Modern Ears,” in S. Butler and S. Nooter, eds, Sound and the Ancient Senses. Chicago, IL: 31–43.

Danielewicz, J. 1990. “Deixis in Greek Choral Lyric,” QUCC 34: 7–17.

Daude, S., Davide, S., Fartzoff, M., Muckensturm-Poulle, C. 2013. Scholies à Pindare. Franche-Comté.

Davidson, J. 2013. “Politics, Poetics, and Erôs in Archaic Poetry,” in E. Sanders, ed., Erôs and the Polis: Love in Context. London: 5–37.

Davie, G.E. 1961. The Democratic Intellect: Scotland and Her Universities in the Nineteenth Century. Edinburgh.

Davies, M. 1986. “The Motif of the πρῶτος εὑρετής in Alcman,” ZPE 65: 25–27.

Davies, M. 1988a. “Monody, Choral Lyric, and the Tyranny of the Hand-Book,” CQ 38: 52–64.

Davies, M. 1988b. “The ‘Cologne Alcaeus’ and Paradigmatic Allusiveness,” ZPE 72: 39–42.

Davies, M. and Finglass, P.J. 2014. Stesichorus: The Poems. Cambridge.

Davis, G. 2010a. “Defining a Lyric Ethos: Archilochus lyricus and Horatian melos,” in Davis 2010b, ed.: 105–127.

Davis, G., ed. 2010b. A Companion to Horace. Malden, MA.

Davison, J.A. 1968. From Archilochus to Pindar: Papers on Greek Literature of the Archaic Period. London.

Davoli, P. 2008. “Papiri, archeologia, e storia moderna,” Atene e Roma 1–2: 100–124.

Day, J.W. 2010. Archaic Greek Epigram and Dedication: Representation and Reperformance. Cambridge.

Day, J.W. 2013. “Epigraphic Literacy in Fifth-Century Epinician and Its Audiences,” in P. Liddel and 
P. Low, eds, Inscriptions and Their Uses in Greek and Latin Literature. Oxford: 217–230.

de Brose, R. 2021. “Sappho in Latin America,” in Finglass and Kelly, eds: 433–450.

de Campos, H. 1969. “Píndaro, Hoje,” in A arte no horizonte do provável e outros ensaios. São Paulo: 109–120.

de Fátima Silva, M., and das Graças de Moraes Augusto, M., eds. 2015. A Recepção dos Clássicos em Portugal e no Brasil. Coimbra.

Degani, E. 1991. Hipponactis testimonia etfragmenta. 2nd edn with addenda. Stuttgart and Leipzig.

Degani, E. 2002. Studi su Ipponatte. Hildesheim. (First published Bari 1984).

Degani, E. 2007. Ipponatte: Frammenti. Introduzione, traduzione e note. Premessa di G. Burzacchini. Aggiornamenti di A. Nicolosi. Bologna.

DeJean, J. 1989. Fictions of Sappho: 1546–1937. Chicago, IL.

de Kreij, M. 2014. “5191. Lyric,” The Oxyrhynchus Papyri LXXIX: 50–57.

de Kreij, M. 2015. “Transmission and Textual Variants: Divergent Fragments of Sappho’s Songs Examined,” in A. Lardinois, S. Levie, H. Hoeken and C. Lüthy, eds, Texts, Transmissions, Receptions. Leiden: 17–34.

de Kreij, M. 2020. “The Length of Sappho fr. 44,” ZPE 214: 7–11.

de Kreij, M. 2022 “Sappho’s Second Book,” CP 117:3.

de Kreij, M. forthcoming. “Dark Sappho. P.Oxy. XXIX 2506 in the Biographical Tradition,” in E. Cingano, ed., Commentaries on Greek Texts: Problems, Methods, and Trends of Ancient and Byzantine Scholarship. Rome.

de Libero, L. 1996. Die archaische Tyrannis. Stuttgart.

Dell’Oro, F. 2014. “‘Anacreon, the Connoisseur of Desires.’ An Anacreontic Reading of Menecrates’ Sepulchral Epigram (IKyzikos 18, 520 = Merkelbach Stauber 08/ 01/47 Kyzikos,” in Baumbach and Dümmler, eds: 67–93.

de Martino, F. and Vox, O. 1996. Lirica greca, tomo secondo: Lirica ionica. Bari.

de Melo, W. 2011. Plautus ( 5 vols). Cambridge, MA.

Depew, M. 2000. “Enacted and Represented Dedications: Genre and Greek Hymn,” in M. Depew and D. Obbink, eds, Matrices of Genre. Authors, Canons, and Society. Cambridge, MA: 59–80.

de Polignac, F. 1994. “Meditation, Competition, and Sovereignty: The Evolution of Rural Sanctuaries in Geometric Greece,” in Alcock and Osborne, eds: 79–104.

Derda, T., Łajtar, A. and Urbanik, J., eds. 2016. Proceedings of the 27th International Congress of Papyrology: Warsaw, 29 July – 3 August 2013 ( 3 vols). Warsaw.

Devereux, G. 1970. “The Nature of Sappho’s Seizure in Fr. 31 LP as Evidence of Her Inversion,” CQ 20: 17–31.

Devitt, A.J. 1989. Standardizing Written English: Diffusion in the Case of Scotland, 1520–1659. Cambridge.

Dhuga, U.S. 2011. Choral Identity and the Chorus of Elders in Greek Tragedy. Lanham, MD.

Diamond, E. 1995. “The Shudder of Catharsis in Twentieth Century Performance,” in A. Parker and E. Kosofsky Sedgwick, eds, Performance and Performativity. London: 152–172.

Diamond, E., ed. 1996. Performance and Cultural Politics. London.

Diamond, E. 1997. Unmaking Mimesis. London.

Di Benedetto, V. 1994. “Callimaco di fronte al modello omerico: il F228,” RFIC 122: 273–278.

Di Benedetto, V. 2005. “La nuova Saffo e dintorni,” ZPE 153: 7–20.

Dickey, E. 2007. Ancient Greek Scholarship. Oxford.

Dickie, M.W. 1978. “The Argument and Form of Simonides 542 PMG,” HSCP 82: 21–33.

Diggle, J. 1970. Euripides: Phaethon. Cambridge.

Dignas, B. and Trampedach, K., eds. 2008. Practitioners of the Divine: Greek Priests and Religious Officials from Homer to Heliodorus. Washington, DC.

Dittenberger, W. and Purgold, K. 1966. Olympia: Die Ergebnisse der von dem Deutschen Reich veranstalteten Ausgrabung. Vol. 5. Die Inschriften von Olympia. Eds. E. Curtius and F. Adler. Amsterdam.

Doan, L. and Garrity, J., eds. 2006. Sapphic Modernities: Sexuality, Women, and National Culture. London.

Dobrov, G.W. and Urios-Aparisi, E. 1995. “The Maculate Music: Gender, Genre and the Chiron of Pherecrates,” in G. Dobrov, ed., Beyond Aristophanes: Transition and Diversity in Greek Comedy. Atlanta: 139–174.

Donelli, G. 2016. “Herodotus and Greek Lyric Poetry,” in V. Liotsakis and S. Farrington, eds, The Art of History: Literary Perspectives on Greek and Roman Historiography. Berlin: 11–36.

Donlan, W. 1985. “The Social Groups of Dark Age Greece,” CP 80: 293–308.

Donlan, W. 1997. “The Relations of Power in the Pre-State and Early State Polities,” in Mitchell and Rhodes, eds: 39–59.

Donlan, W. 1999. The Aristocratic Ideal and Selected Papers. Wauconda, IL.

Dornseiff, F. 1921. Pindars Stil. Berlin: Weidmann.

Dougherty, C. 1994. “Pindar’s Second Paean: Civic Identity on Parade,” CP 89: 205–218.

Dover, K.J. 1964. “The Poetry of Archilochus,” in Pouilloux, ed.: 171–213.

Dover, K.J. 1971. Theocritus: Select Poems. London.

Dressler, C. and Stiùbhart, D.U., eds. 2012. Alexander MacDonald: Bard of the Gaelic Enlightenment. Isle of Lewis.

Duarte, A. 2016. “Por uma História da Tradução dos Clássicos Greco-latinos no Brasil,” Translatio 12.

duBois, P. 1995. Sappho is Burning. Chicago, IL.

duBois, P. 2010. Out of Athens: The New Ancient Greeks. Cambridge, MA.

duBois, P. 2011. “Sappho, Tithonos, and the Ruins of the Body,” European Review of History—Revue europeénne d’histoire 18: 663–672.

duBois, P. 2015. Sappho. New York.

Duchan, J.F., Bruder, G.A. and Hewitt, L.E., eds. 1995. Deixis in Narrative: A Cognitive Science Perspective. New York.

Ducrey, P. 2006. “L’activités de l’École Suisse d’Archéologie en Grèce 2005,” Antike Kunst 49: 77–96.

Dunbabin, T.J. 1948. The Western Greeks. The History of Sicily and South Italy from the Foundation of the Greek Colonies to 480 B.C. Oxford.

Dunn, D., ed. 1992. The Faber Book of Twentieth-Century Scottish Poetry. London.

Duplouy, A. 2006. Le prestige des élites: Recherches sur les modes de reconnaissance sociale en Grèce entre les X^e et V^e siècles avant J.-C. Paris.

Duplouy, A. 2018. “Pathways to Archaic Citizenship,” in A. Duplouy and R. Brock, eds, Defining Citizenship in Archaic Greece. Oxford: 1–50.

Easterling, P.E. 1974. “Alcman 58 and Simonides 3,” PCPS 20: 37–43.

Easterling, P.E. and Knox, B.M.W., eds. 1989. The Cambridge History of Classical Literature. Cambridge.

Edmunds, L. 2006. “The New Sappho: ἔφαντο (9),” ZPE 156: 23–26.

Edmunds, L. 2008. “Deixis in Ancient Greek and Latin Literature: Historical Introduction and State of the Question,” Philologia Antiqua 1: 67–98.

Edmunds, L. 2009. “Tithonus in the ‘New Sappho’ and the Narrated Mythical Exemplum in Archaic Greek Poetry,” in Greene and Skinner, eds: 58–70.

Edmunds, L. 2012. “Deixis and Everyday Expressions in Alcaeus frs. 129 V and 130b V,” in V. Bers, ed., Donum natalicium digitaliter confectum Gregorio Nagy septuagenario a discipulis collegis familiaribus oblatum. Center for Hellenic Studies. https://chs.harvard.edu/CHS/article/display/4353.

Eliade, M. 1963. Patterns in Comparative Religion. Cleveland, OH.

Ercoles, M. 2013. Stesicoro. Le testimonianze antiche. Eikasmos Studi 24; Bologna.

Erp Taalman Kip, A.M. van. 1987. “Alcaeus. ‘Aias and Kassandra’,” in J.M. Bremer, A.M. van Erp Taalman Kip and S.R. Slings, eds, Some Recently Found Greek Poems. Text and Commentary. Leiden: 95–127.

Esposito, E. 2005. Il Fragmentum Grenfellianum (P. Dryton. 50): Introduzione, testo critico, traduzione e commento. Bologna.

Fabbro, E. 1995. Carmina convivalia attica. Rome.

Fabre-Serris, J. 2016. “Anne Dacier (1681), Renée Vivien (1903). Or What Does It Mean for a Woman to Translate Sappho?,” in R. Wyles and E. Hall, eds, Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly. Oxford: 78–102.

Fagles, R. 1998. Bacchylides: Complete Poems. Introduction and Notes by Adam M. Parry. New Haven.

Fairchild Ruggles, D. 2018. “Water from Sand: From Desert to Garden in the Islamic World,” Delivered at The Charles K. Wilkinson Lecture Series: Gardens, from Paradise to Parterre. The Metropolitan Museum, New York. March 19.

Fairweather, J.A. 1983. “Traditional Narrative, Inference and Truth in the Lives of the Greek Poets,” Papers of the Liverpool Latin Seminar 4: 315–369.

Falivene, M. 1990. “La mimesi in Callimaco: Inni II, IV, V e VI,” QUCC 36: 103–128.

Falivene, M. 2011. “The Diegeseis Papyrus: Archaeological Context, Format, and Contents,” in 
B. Acosta–Hughes, L. Lehnus and S. Stephens, eds, Brill’s Companion to Callimachus. Leiden: 81–92.

Fantalkin, A. and Lytle, E. 2016. “Alcaeus and Antimenidas: Reassessing the Evidence for Greek Mercenaries in the Neo-Babylonian Army,” Klio 98: 90–117.

Fantuzzi, M. 1980. “La contaminazione dei generi letterarî nella letteratura greca ellenistica: rifiuto del sistema o evoluzione di un sistema?,” L&S 15: 433–450.

Fantuzzi, M. 1993a. “Preistoria di un genere letterario: a proposito degli Inni V e VI di Callimaco,” in R. Pretagostini, ed., Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Rome: 927–946.

Fantuzzi, M. 1993b. “Il sistema letterario della poesia alessandrina nel III sec. a.C.,” in G. Cambiano, L. Canfora and D. Lanza, eds, Lo spazio letterario della Grecia antica, vol. I.2. Rome: 31–73.

Fantuzzi, M. 2007. “Epigram and the Theater,” in Bing and Bruss, eds: 477–495.

Fantuzzi, M. 2010. “Sung Poetry: The Case of Inscribed Paeans,” in Clauss and Cuypers, eds: 181–196.

Fantuzzi, M. and Hunter, R. 2004. Tradition and Innovation in Hellenistic Poetry. Cambridge.

Fantuzzi, M. and Tsagalis, C., eds. 2015. The Epic Cycle and Its Ancient Reception. Cambridge.

Faraone, C. 2006. “Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus,” Mnemosyne 59: 19–52.

Faraone, C. 2008. The Stanzaic Structure of Early Greek Elegy. Oxford.

Faraone, C. 2011. “An Athenian Tradition of Dactylic Paeans to Apollo and Ascelpius: Choral Degeneration or a Flexible System of Non-Strophic Dactyls,” Mnemosyne 64: 206–231.

Farnell, L.R. 1896. The Cults of the Greek States II. Oxford.

Farrell, J. 2003. “Classical Genre in Theory and Practice,” New Literary History 34: 383–408.

Farrell, J. 2007. “Horace’s Body, Horace’s Books,” in S. Heyworth, ed., Classical Constructions: Papers in Memory of Don Fowler. Oxford: 174–193.

Fauconnier, G. and Turner, M. 2002. The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities. New York.

Faulkner, A. 2008. The Homeric Hymn to Aphrodite. Oxford.

Fearn, D.W. 2003. “Mapping Phleious: Politics and Myth-Making in Bacchylides 9,” CQ 53: 347–367.

Fearn, D.W. 2007. Bacchylides: Politics, Performance, Poetic Tradition. Oxford.

Fearn, D.W. 2009. “Oligarchic Hestia: Bacchylides 14B and Pindar, Nemean 11,” JHS 129: 23–39.

Fearn, D.W. 2010. “Imperialist Fragmentation and the Discovery of Bacchylides,” in M. Bradley, ed., Classics & Imperialism in the British Empire. Oxford: 158–185.

Fearn, D.W., ed. 2011a. Aegina: Contexts for Choral Lyric Poetry. Myth, History, and Identity in the Fifth Century BC. Oxford.

Fearn, D.W. 2011b, “Aeginetan Epinician Culture: Naming, Ritual, and Politics,” in Fearn, ed.: 
175–226.

Fearn, D.W. 2011c. “The Ceians and Their Choral Lyric: Athenian, Epichoric, and Pan-Hellenic Perspectives,” in Athanassaki and Bowie, eds: 207–234.

Fearn, D.W. 2013. “Athens and the Empire: The Contextual Flexibility of Dithyramb, and Its Imperialist Ramifications,” in Kowalzig and Wilson, eds: 133–152.

Fearn, D.W. 2017. Pindar’s Eyes: Visual and Material Culture in Epinician Poetry. Oxford.

Fearn, D.W. 2018. “Materialities of Political Commitment? Textual Events, Material Culture, and Metaliterarity in Alcaeus,” in Budelmann and Phillips, eds.: 93–113.

Fearn, D.W. 2019. “Lyric Reception and Sophistic Literarity in Timotheus’ Persae,” in Currie and Rutherford, eds: 205–238.

Fearn, D.W. 2020. Greek Lyric of the Archaic and Classical Periods: From The Past to the Future of the Lyric Subject. Brill Research Perspectives in Classical Poetry (RPCP) 1.1. Leiden and Boston, MA.

Feeney, D.C. 1993. “Horace and the Greek Lyric Poets,” in Rudd, ed.: 41–63.

Feeney, D.C. 2002. “The Odiousness of Comparisons: Horace on Literary History and the Limitations of Synkrisis,” in Paschalis, ed.: 7–18.

Fehr, B. 1990. “Entertainers at the Symposion: The Akletoi in the Archaic Period,” in Murray, ed.: 185–195.

Felson, N. 1999. “Vicarious Transport: Fictive Deixis in Pindar’s Pythian Four,” HSCP 99: 1–31.

Felson, N., ed. 2004a. The Poetics of Deixis in Alcman, Pindar, and Other Lyric. [=Arethusa 37.3.]

Felson, N. 2004b. “The Poetic Effects of Deixis in Pindar’s Ninth Pythian Ode,” in Felson 2004a, ed.: 365–389.

Felson, N. and Klein, J. 2013. “Deixis in Linguistics and Poetics,” in G.K. Giannakis, ed., Encyclopedia of Ancient Greek Language and Linguistics. http://referenceworks.brillonline.com/entries/encyclopedia-of-ancient-greek-language-and-linguistics/deixis-in-linguistics-and-poetics-COM_00000090.

Felski, R. 2008. The Uses of Literature. Malden, MA, and Oxford.

Felski, R. 2015. The Limits of Critique. Chicago.

Fenno, J. 2003. “Praxidamas’ Crown and the Omission at Pindar, Nemean 6.18,” CQ 53: 338–346.

Ferrari, F. 1986. “Formule saffiche e formule omeriche,” ASNP III, 16: 441–447.

Ferrari, F. 2010. Sappho’s Gift: The Poet and Her Community. Trans. B. Acosta-Hughes and L. Prauscello. Ann Arbor, MI.

Ferrari, F. 2021. “Performing Sappho,” in Finglass and Kelly, eds: 113–126.

Ferrari, G. 2008. Alcman and the Cosmos of Sparta. Chicago, IL.

Ferreira, T.L. 1996. História da Educação Luso-Brasileira. São Paulo.

Ferris, C. 2006. “The Music Collections of the Anacreontic Society and the Sons of Handel Society and Music Making in Dublin c. 1740–1865,” Brio 43: 21–33.

Ferris, M., 2014. Star-Spangled Banner: The Unlikely Story of America’s National Anthem. Baltimore, MD.

Fick, A. 1886. “Die Sprachform der altionischen und altattischen Lyrik,” Beiträge zur Kunde der Indogermanischen Sprachen 11: 242–272.

Fielding, I. 2017. Transformations of Ovid in Late Antiquity. Cambridge.

Figueira, T.J. 1985. “The Theognidea and Megarian Society,” in Figueira and Nagy, eds: 112–158.

Figueira, T.J. and Nagy, G., eds. 1985. Theognis of Megara: Poetry and the Polis. Baltimore, MD.

Finglass, P.J. 2007. Sophocles: Electra. Cambridge.

Finglass, P.J. 2012. “Ethnic Identity in Stesichorus,” ZPE 182: 39–44.

Finglass, P.J. 2013a. “How Stesichorus Began His Sack of Troy,” ZPE 185: 1–17.

Finglass, P.J. 2013b. “Demophon in Egypt,” ZPE 184: 37–50.

Finglass, P.J. 2014a. “Introduction,” in Davies and Finglass: 1–91.

Finglass, P.J. 2014b. “Text and Critical Apparatus,” in Davies and Finglass: 93–204.

Finglass, P.J. 2014c. “Stesichorus and the West,” in L. Breglia and A. Moleti, eds, Hespería. Tradizioni, rotte, paesaggi. Paestum: 29–34.

Finglass, P.J. 2014d. “The Glorious Water-Carrier: Stesichorus’ Sack of Troy,” Omnibus 67: 1–3.

Finglass, P.J. 2015a. “Simias and Stesichorus,” Eikasmos 26: 197–202.

Finglass, P.J. 2015b. “Stesichorus, Master of Narrative,” in Finglass and Kelly, eds: 83–97.

Finglass, P.J. 2015c. “Iliou Persis,” in Fantuzzi and Tsagalis, eds: 344–354.

Finglass, P.J. 2017a. “Dancing with Stesichorus,” in L. Gianvittorio, ed., Choreutika. Performing and Theorising Dance in Ancient Greece. Pisa and Rome: 67–89.

Finglass, P.J. 2017b. “Εκδίδοντας τον Στησίχορο,” in M. Tamiolaki, ed., Μεθοδολογικά Ζητήματα στις Κλασικές Σπουδές. Παλαιά Προβλήματα και Νέες Προκλήσεις. Heraklion: 27–47.

Finglass, P.J. 2017c. “Ibycus or Stesichorus? Fr. S166 Page,” ZPE 202: 19–28.

Finglass, P.J. 2017d. “The Sack of Troy in Stesichorus and Apollodorus,” QUCC 115: 11–19.

Finglass, P.J. 2018a. “Stesichorus and Greek Tragedy,” in Andújar, Coward and Hadjimichael, eds: 19–37.

Finglass, P.J. 2018b. “Gazing at Helen with Stesichorus,” in A. Kampakoglou and A. Novokhatko, eds, Gaze, Vision, and Visuality in Ancient Greek Literature. Berlin and Boston, MA: 140–159.

Finglass, P.J. 2018c. “Stesichorus of Himera,” in D. Clayman, ed., Oxford Bibliographies in Classics. New York.

Finglass, P.J. 2018d. “Statius and Stesichorus,” Ariadne. The Journal of the School of Philosophy of the University of Crete 22: 45–65.

Finglass, P.J. 2020a. “Stesicoro e la presa di Troia,” in M. Tulli, ed., Graziano Arrighetti e la produzione letteraria dei greci. Atti del convegno, Pisa, 9–10 gennaio 2018. Pisa: 53–70.

Finglass, P.J. 2020b. “Phaedra between Homer and Sophocles: The Stesichorean Connexion,” in 
P. Cecconi and C. Tornau, eds, Städte und Stadtstaaten zwischen Mythos, Literatur und Propaganda. Berlin: 181–190.

Finglass, P.J. 2021a. “Editing Stesichorus,” in M. Alexandrou, C. Carey and G.B. D’Alessio, eds, Song Regained. Working with Greek Poetic Fragments. Berlin.

Finglass, P.J. 2021b. “The Stesichorean Ethos,” in L. Jansen, ed., Anne Carson/ Antiquity. London: 157–168.

Finglass, P.J. 2021c. “Labour 10: The Cattle of Geryon and the Return from Tartessus,” in D. Ogden, ed., The Oxford Handbook to Heracles. Oxford: 135–148.

Finglass, P.J. forthcoming. “The Dorian Tradition: Alcman, Stesichorus, Ibycus,” in A. Becker and 
J. Lidov, eds, The Oxford Handbook of Greek and Latin Meter. Oxford.

Finglass, P.J. and Kelly, A., eds. 2015a. Stesichorus in Context. Cambridge.

Finglass, P.J. and Kelly, A. 2015b. “The State of Stesichorean Studies,” in Finglass and Kelly, eds: 1–17.

Finglass, P.J. and Kelly, A., eds. 2021. The Cambridge Companion to Sappho. Cambridge.

Finkelberg, M. 1998. The Birth of Literary Fiction in Ancient Greece. Oxford.

Finley, R. 2015. “Marlene Creates’ Boreal Poetry Garden,” in Giesecke and Jacobs, eds: 162–171.

Finnegan, R. 1977. Oral Poetry. Its Nature, Significance and Social Context. Cambridge.

Firinu, E. 2009. “Il primo stasimo dell’Ifigenia Taurica euripidea e i Persiani di Timoteo di Mileto: un terminus post quem per il nomos?,” Eikasmos 20: 109–131.

Fisher, J. 2009. Lyric Subjectivities. PhD dissertation, UC Berkeley.

Fitch, J.G. 1987. “Seneca’s Hercules Furens,” in A Critical Text with Introduction and Commentary. Ithaca, NY.

Fitzgerald, W. 1987. Agonistic Poetry: The Pindaric Mode in Pindar, Horace, Hölderlin and the English Ode. Berkeley, CA.

Fitzgerald, W. 1988. “Power and Impotence in Horace’s Epodes,” Ramus 17: 176–191.

Fletcher, R. and Hanink, J. 2016. Creative Lives in Classical Antiquity: Poets, Artists and Biography. Cambridge.

Flower, M.A. 2008. The Seer in Ancient Greece. Berkeley, CA and Los Angeles, CA.

Fontaine, M. 2010. Funny Words in Plautine Comedy. Oxford.

Ford, A. 2003. “From Letters to Literature: Reading the ‘Song Culture’ of Classical Greece,” in H. Yunis, ed., Written Text and the Rise of Literate Culture in Ancient Greece. Cambridge: 15–37.

Ford, A. 2006. “The Genre of Genres: Paeans and Paian in Early Greek Poetry,” Poetica 38: 277–296.

Forsdyke, S. 2005. Exile, Ostracism, and Democracy: The Politics of Expulsion in Ancient Greece. Princeton, NJ.

Forssman, B. 1966. Untersuchungen zur Sprache Pindars. Erlangen.

Forsyth, N. 1979. “The Allurement Scene: A Typical Pattern in Greek Oral Epic,” ClAnt 12: 101–120.

Foucault, M. 1986. “Of Other Spaces,” Diacritics 16.1: 22–27.

Fowler, R.L. 1987. The Nature of Early Greek Lyric. Three Preliminary Studies. Toronto.

Fowler, R.L. 1998. “Genealogical Thinking, Hesiod’s Catalogue, and the Creation of the Hellenes,” PCPS 44: 1–19.

Foxhall, L. 1997. “A View from the Top: Evaluating the Solonian Property Classes,” in Mitchell and Rhodes, eds: 113–136.

Fraenkel, E. 1950. Aeschylus: Agamemnon. Oxford.

Fraenkel, E. 1957. Horace. Oxford.

France, P. and Glen, D., eds. 1989. European Poetry in Scotland: An Anthology of Translations. Edinburgh.

Fränkel, H. 1975. Early Greek Poetry and Philosophy. A History of Greek Epic, Lyric, and Prose to the Middle of the Fifth Century. Trans. M. Hadas and J. Willis. Oxford.

Freeman, E. 2010. Time Binds: Queer Temporalities, Queer Histories. Durham.

Frost, R.I. 2007. “The Nobility of Poland-Lithuania, 1569–1795,” in H. Scott, ed., The European Nobilities in the Seventeenth and Eighteenth Centuries, 2nd edn, vol. ii. London: 266–310.

Fuhrer, T. 1992. Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos. Basel and Kassel.

Fuhrer, T. 1993. “Callimachus’s Epinician Poems,” in M. Harder, R. Regtuit and G. Wakker, eds, Callimachus. Groningen: 79–97.

Furley, W.D. and Bremer, J.M. 2001. Greek Hymns. A Selection of Religious Hymns from the Archaic to the Hellenistic Period ( 2 vols). Tübingen.

Gabriel, K. 2018. “The Modernist Sappho and the Genre of the Fragment,” paper presented to the AIA and SCS Annual Meeting, Boston, MA, 7 January 2018, viewed 15 March 2018. https://www.academia.edu/35694711/The_Modernist_Sappho_and_the_Genre_of_the_Fragment.

Gage, M.J. 1852; 1978. “Speech at the National Woman’s Rights Convention, September 1852,” in M.J. Buhle and P. Buhle, eds, The Concise History of Woman Suffrage: Selections from “History of Woman Suffrage.” Document 11 (I: 517–530, 535–542): Syracuse National Convention, Syracuse, New York, September 8–10, 1852. Chicago, IL: 116–138.

Gagné, R. 2013. Ancestral Fault in Ancient Greece. Cambridge.

Gagné, R. and Hopman, M. 2013. Choral Mediations in Greek Tragedy. Cambridge.

Gainsford, P. 2016. Early Greek Hexameter Poetry. Cambridge.

Galiano, M.F. 1972. “Anakreon gestern und heute,” Das Altertum 18: 223–235.

Gallant, T.W. 1982. “Agricultural Systems, Land Tenure, and the Reforms of Solon,” Annual of the British School at Athens 77: 111–124.

Gallavotti, C. 1962. Saffo e Alceo, Testimonianze e frammenti, Vol. 1: Saffo, 3rd edn (rev). Naples.

Gallavotti, C. 1967. “Tradizione micenea e poesia greca arcaica,” Atti e Memorie del 1^o Congresso Internazionale di Micenologia, vol. 2. Rome: 831–861.

Gallavotti, C. 1978. “Alcmane, Teocrito, e un’iscrizione laconica,” QUCC 27: 183–194.

Gallo, I. 1968. Una nuova biografia di Pindaro. Salerno.

Gantz, T. 1996. Early Greek Myth. A Guide to Literary and Artistic Sources. Baltimore, MD.

García Romero, F. 2000. “The Dithyrambs of Bacchylides: Their Position in the Evolution of the Genre,” in Bagordo and Zimmermann, eds: 47–57.

Garioch, R. 2004. Collected Poems. Ed. R. Fulton. Edinburgh.

Garland, R. 1994. Religion and the Greeks. London.

Garner, R.S. 2011. “Oral Tradition and Sappho,” Oral Tradition 26: 413–444.

Garvie, A.F. 1986. Aeschylus. Choephori. Oxford.

Garzón Diaz, J. 1990–1991. “Anacreonte: vida, obras, y estilo,” in Memorias de Historia Antigua XI–XII. Oviedo. 47–105.

Gaunt, J. 2014. “The Poet and the Painter: A Hymn to Zeus on a Cup by the Brygos Painter,” in R. Scodel, ed., Between Orality and Literacy: Communication and Adaptation in Antiquity. Leiden: 101–124.

Gavins, J. 2013. Text World Theory: An Introduction. Cambridge.

Gavins, J. 2016. “Text-Worlds,” in V. Sotirova, ed., The Bloomsbury Companion to Stylistics. London: 444–457.

Gavins, J. and Lahey, E. 2016. “World Building in Discourse,” in J. Gavins, E. Lahey and D. McIntyre, eds, World Building: Discourse in the Mind. London: 1–14.

Gedike, F. 1777. Pindars Olympische Siegshymnen. Verdeutscht von Friedrich Gedike. Berlin and Leipzig: George Jacob Decker.

Gehrke, H.-J. 1985. Stasis: Untersuchungen zu den inneren Kriegen in den griechischen Staaten des 5. und 4. Jahrhunderts v. Chr. Munich.

Gehrke, H.-J. 2009. “States,” in Raaflaub and van Wees, eds: 395–410.

Gelzer, T. 1981. “Pindarverständnis und Pindarübersetzung im deutschen Sprachbereich vom 16. bis zum 18. Jahrhundert,” in W. Killy, ed., Geschichte des Textverständnisses am Beispiel von Pindar und Horaz. Munich: 81–116.

Gelzer, T. 1985. “Μοῦσα αὐθιγενής. Bemerkungen zu einem Typ Pindarischer und Bacchylidischer Epinikien,” MH 42: 95–120.

Gentili, B. 1958. Anacreon. Rome.

Gentili, B. 1968. “Epigramma ed elegia,” in L’Épigramme grecque. Geneva: 37–81.

Gentili, B. 1971. “I frr. 39 e 40 P. di Alcmane e la poetica della mimesi nella cultura greca arcaica,” in Studi filologici e storici in onore di V. De Falco. Naples: 57–67.

Gentili, B. 1988. Poetry and Its Public in Ancient Greece. Trans. A.T. Cole. Baltimore, MD.

Gentili, B. et al. 1995. Pindaro: Le Pitiche. Mondadori.

Gentili, B. et al. 2013. Pindaro: Le Olimpiche. Mondadori.

Gentili, B. and Giannini, P. 1995. “Preistoria e formazione dell’esametro,” in M. Fantuzzi and R. Pretagostini, eds, Struttura e Storia dell’Esametro Greco II. Rome: 11–62.

Georgis, D. 2014. “Discarded Histories and Queer Affects in Anne Carson’s Autobiography of Red,” Studies in Gender and Sexuality 15.2: 154–166.

Gerber, D.E. 1969. A Bibliography of Pindar, 1513–1966. Cleveland, OH.

Gerber, D.E. 1970. Euterpe. An Anthology of Early Greek Lyric, Elegiac, and Iambic Poetry. Amsterdam.

Gerber, D.E. 1982. Pindar’s Olympian One: A Commentary. Toronto.

Gerber, D.E., ed. 1984. Greek Poetry and Philosophy: Studies in Honour of Leonard Woodbury. Chico, CA.

Gerber, D.E. 1984. “Semonides, Fr. 1 West: A Commentary,” in Gerber, ed.: 125–135.

Gerber, D.E., ed. 1997a. A Companion to the Greek Lyric Poets. Leiden.

Gerber, D.E. 1997b. “Elegy,” in Gerber, ed.: 89–132.

Giangiulio, M. 2015. Democrazie greche: Atene, Sicilia, Magna Grecia. Rome.

Giannachi, G., Kaye, N. and Shanks, M. 2012. Archaeologies of Presence: Art, Performance, and the Persistence of Being. London.

Giannini, P. 1990. “Cirene nella poesia greca: tra mito e storia,” in B. Gentili, ed., Cirene: Storia, mito, letteratura. Urbino: 51–95.

Giesecke, A. 2007. The Epic City: Urbanism, Utopia, and the Garden in Ancient Greece and Rome. Cambridge, MA.

Giesecke, A. 2014. The Mythology of Plants: Botanical Lore from Ancient Greece and Rome. Los Angeles, CA.

Giesecke, A. 2015. “The Good Gardener and Ideal Gardens of State,” in Giesecke and Jacobs, eds: 78–95.

Giesecke, A. and Jacobs, N. 2012. “Nature, Utopia, and the Garden,” in A. Giesecke and N. Jacobs, eds, Earth Perfect? Nature, Utopia, and the Garden. London: 6–17.

Giesecke, A. and Jacobs, N. 2015. The Good Gardener? Nature, Humanity, and the Garden. London.

Gillespie, S. 2018. Newly Recovered English Classical Translations, 1600–1800. Oxford.

Gillies, W., ed. 1985. Ris a’ Bhruthaich: Criticism and Prose Writings of Sorley MacLean. Stornoway.

Gimbutas, M. 1989. The Language of the Goddess: Unearthing the Hidden Symbols of Western Civilization. San Francisco, CA.

Gimbutas, M. 1991. The Civilization of the Goddess: The World of Old Europe. San Francisco, CA.

Glazebrook, A. and Henry, M.M., eds. 2011. Greek Prostitutes in the Ancient Mediterranean, 800 BCE–200 CE. Madison, WI.

Goethe, J.W. 1813. “Zum brüderlichen Andenken Wielands,” in E. Beutler, ed., Johann Wolfgang Goethe: Gedankenausgabe der Werke und Gespräche, vol. 12. Zürich: 693–716.

Goldberg, J. and Menon, M. 2005. “Queering History,” PMLA 120: 1608–17.

Goldberg, S.M. 2014. “Greek and Roman Elements in Senecan Tragedy,” in G. Damschen and A. Heil, eds, Brill’s Companion to Seneca. Philosopher and Dramatist. Leiden: 639–652.

Golden, M. 1998. Sport and Society in Ancient Greece. Cambridge.

Goldhill, S. 1983. “Narrative Structure in Bacchylides 5,” Eranos 81: 65–81.

Goldhill, S. 1991. The Poet’s Voice: Essays on Poetics and Greek Literature. Cambridge.

Goldhill, S. 2004. Love, Sex and Tragedy. London.

Goldhill, S. 2006. “The Touch of Sappho,” in C. Martindale and R. Thomas, eds, Classics and the Uses of Reception. Oxford: 250–273.

Goldhill, S. and Osborne, R., eds. 1999. Performance Culture and Athenian Democracy. Cambridge.

Goodall, J. 2008. Stage Presence: The Actor as Mesmerist. London.

Goodare, J. 1999. State and Society in Early Modern Scotland. Oxford.

Goodloe, A.T. 2000. “Computer Networks and Services,” in G. Haggerty and B. Zimmerman, eds, Encyclopedia of Lesbian and Gay Histories and Cultures. London: 200–202.

Gostoli, A. 1990. Terpandro. Rome.

Gould, J. 2001. Myth, Ritual, Memory, and Exchange: Essays in Greek Literature and Culture. Oxford.

Gow, A.S.F. 1952. Theocritus ( 2 vols), 2nd edn. Cambridge.

Graf, F. 1998. “s.v. ‘Eros’,” in H. Cancik and H. Schneider, eds, Der Neue Pauly. Enzyklopädie der Antike. Stuttgart: 89–91.

Graham, A.J. 1978. “The Foundation of Thasos,” Annual of the British School at Athens 73: 61–98.

Gras, M. 1982. “Cité grecque et lapidation,” in Du châtiment dans la cité: supplices corporels et peine de mort dans le monde antique. Rome: 75–89.

Graziosi, B. 2002. Inventing Homer: The Early Reception of Epic. Cambridge.

Graziosi, B. and Haubold, J. 2009. “Greek Lyric and Greek Literary History,” in Budelmann 2009a, ed.: 95–113.

Graziosi, B. and Haubold, J. 2015. “The Homeric Text,” Ramus 44: 5–28.

Green, D.J. 2010. “I Undertook Great Works”: The Ideology of Domestic Achievements in West Semitic Royal Inscriptions.Tübingen.

Green, K. 1992. “Deixis and the Poetic Persona,” Language and Literature 1.2: 121–134.

Green, R. 2012. “George Buchanan, Chieftain of Neo-Latin Poets,” in L. Houghton and G. Manuwald, eds, Neo-Latin Poetry in the British Isles. London: 142–154.

Green, R. 2015. “Poetry in Latin,” in C. Sassi, ed., The International Companion to Scottish Poetry. Glasgow: 23–30.

Greene, E., ed. 1996a. Reading Sappho: Contemporary Approaches. Berkeley, CA.

Greene, E., ed. 1996b. Re-Reading Sappho: Reception and Transmission. Berkeley, CA.

Greene, E. and Skinner, M., eds. 2009. The New Sappho on Old Age. Textual and Philosophical Issues. Cambridge, MA.

Greenwood, E. 2005. “If Not, Winter: Fragments of Sappho (Book Review),” JHS 125: 158–159.

Gregory, J. ed. 2005. A Companion to Greek Tragedy. Malden, MA.

Grenfell, B.P. and Hunt, A.S. 2007. “Excavations at Oxyrhynchus (1896–1907),” in Bowman et al., eds: 345–368. These field reports originally appeared in “Oxyrhynchus and its Papyri,” Egypt Exploration Fund: Archaeological Report 6 (1896–7): 1–12; “Excavations at Hîbeh, Cynopolis, and Oxyrhynchus,” Egypt Exploration Fund: Archaeological Report 12 (1902–1903): 1–9; Egypt Exploration Fund: Archaeological Report 13 (1903–1904): 14–17; Egypt Exploration Fund: Archaeological Report 12 (1902–1903): 1–9; Egypt Exploration Fund: Archaeological Report 14 (1904–1905): 13–17; Egypt Exploration Fund: Archaeological Report 15 (1905–1906): 8–16; Egypt Exploration Fund: Archaeological Report 16 (1906–1907): 8–11.

Gribble, D. 2021. “Lyric Location and Performance Circumstances in Sappho and Alcaeus: A Cognitive Approach,” CQ 71.1: 52–70.

Grieve, M. and Aitken, W.R., eds. 1985. The Complete Poems of Hugh MacDiarmid ( 2 vols). Harmondsworth.

Griffith, M. 1975. “Man and the Leaves: A Study of Mimnermos fr. 2,” CSCA 8: 73–88.

Griffith, M. 1977. The Authenticity of the Prometheus Bound. Cambridge.

Griffith, M. 2009. “Greek Lyric and the Place of Humans in the World,” in Budelmann 2009a, ed.: 72–94.

Griffiths, A. 1972. “Alcman’s Partheneion: The Morning After the Night Before,” QUCC 14: 7–30.

Gronewald, M. and Daniel, R.W. 2004a. “Ein neuer Sappho-Papyrus,” ZPE 147: 1–8.

Gronewald, M. and Daniel, R.W. 2004b. “Nachtrag zum neuen Sappho-Papyrus,” ZPE 149: 1–4.

Gronewald, M. and Daniel, R.W. 2007. “429. Sappho.” In Kölner Papyri (P. Köln) XI VII/11: 1–11.

Gubar, S. 1984. “Sapphistries,” Signs 10: 43–62.

Gundert, H. 1935. Pindar und sein Dichterberuf. Utrecht (repr. 1978).

Gurd, S. 2016. Dissonance: Auditory Aesthetics in Ancient Greece. New York.

Gutzwiller, K. 2007. A Guide to Hellenistic Literature. Malden, MA.

Gutzwiller, K. 2014. “Anacreon, Hellenistic Epigram, and the Anacreontic Poet,” in Baumbach and Dümmler, eds: 47–66.

Gutzwiller, K. 2017. “Lyricism in Hellenistic Epigram,” Trends in Classics 9.2: 317–338.

Hadjimichael, T. 2015. “Sports-Writing: Bacchylides’ Athletic Descriptions,” Mnemosyne 68: 363–392.

Hadjimichael, T. 2019. The Emergence of the Lyric Canon. Oxford.

Hagen, F. and Ryholt, K. 2016. The Antiquities Trade in Egypt 1880–1930: The H.O. Lange Papers. Copenhagen.

Hägg, R. 1996. The Role of Religion in the Early Greek Polis. Proceedings from the Third International Seminar on Ancient Greek cult: Prganized by the Swedish Institute at Athens, 16–18 October 1992. Stockholm.

Hall, E. 1989. Inventing the Barbarian: Greek Self-Definition through Tragedy. Oxford.

Hall, E. 1999. “Actor’s Song in Tragedy,” in Goldhill and Osborne, eds: 96–122.

Hall, E. 2004. “Towards a Theory of Performance Reception,” Arion 12: 51–89.

Hall, E. 2006. The Theatrical Cast of Athens: Interactions between Ancient Greek Drama and Society. Oxford.

Hall, J.M. 2002. Hellenicity: Between Ethnicity and Culture. Chicago, IL.

Hall, J.M. 2010. “Autochthonous Autocrats: The Tyranny of the Athenian Democracy,” in A.J. Turner, J.H. Kim On Chong-Gossard and F.J. Vervaet, eds, Private and Public Lies: The Discourse of Despotism and Deceit in the Graeco-Roman World. Leiden: 11–28.

Hall, J.M. 2014. A History of the Archaic Greek World, 2nd edn. Chichester.

Hall, J.M. 2016. “The Determinacy of Space and State Formation in Archaic Greece,” in M. Fernández-Götz and D. Krausse, eds, Eurasia at the Dawn of History: Urbanization and Social Change. Cambridge: 279–290.

Hall, K. 1996. “Cyberfeminism,” in S. Herring, ed., Computer-Mediated Communication: Linguistic, Social and Cross-Cultural Perspectives. Amsterdam: 147–170.

Hallett, J. 1979. “Sappho and Her Social Context: Sense and Sensuality,” Signs 4.3: 447–464.

Hallett, J.P. and Van Nortwick, E., eds. 1997. Compromising Traditions. London.

Hamilton, C. 1910. A Pageant of Great Women. London.

Hamilton, J. 2004. Soliciting Darkness: Pindar, Obscurity and the Classical Tradition. Cambridge, MA.

Hamilton, R. 1989. “Alkman and the Athenian Arkteia,” Hesperia 58: 449–472.

Hamm, E.-M. 1957. Grammatic zu Sappho und Alkaios. Berlin.

Hammer, D. 2004. “Ideology, the Symposium, and Archaic Politics,” AJP 125: 479–512.

Hammerstaedt, J. 2009. “The Cologne Sappho. Its Discovery and Textual Constitution,” in Greene and Skinner, eds: 17–40.

Handley, E. 2007. “Night Thoughts (Archilochus 23 and 196a West),” in P. Finglass, C. Collard and N. Richardson, eds, Hesperos: Studies in Ancient Greek Poetry Presented to M. L. West on His Seventieth Birthday. Oxford: 95–100.

Hansen, M.H. 1991. The Athenian Democracy in the Age of Demosthenes. Oxford.

Hansen, M.H. 1999. Review of Eric W. Robinson The First Democracies. Early Popular Government Outside Athens. BMCR 1999.09.17.

Hansen, M.H. 2002. “Was the Polis a State or a Stateless Society?,” in T.H. Nielsen, ed., Even More Studies in the Ancient Greek Polis. Stuttgart: 9–47.

Hansen, M.H. and Fischer-Hansen, T. 1994. “Monumental Political Architecture in Archaic and Classical Greek Poleis: Evidence and Historical Significance,” in D. Whitehead, ed., From Political Architecture to Stephanus Byzantius. Stuttgart: 23–90.

Harder, M.A. 2012. Callimachus: Aetia ( 2 vols). Oxford.

Hardwick, L. 2003. Reception Studies, Greece and Rome: New Surveys in the Classics 33. Oxford.

Harris, E.M. 1997. “A New Solution to the Riddle of the Seisachtheia,” in Mitchell and Rhodes, eds: 103–112.

Harris, J.R. 1986. “Sappho 105a and the Gaelic Songs of Mary MacLeod: Poetic Representation Vindicated,” Classical Journal 81: 112–118.

Harris, W.V. 1989. Ancient Literacy. Cambridge, MA.

Harrison, S.J., ed. 2007a. The Cambridge Companion to Horace. Cambridge.

Harrison, S.J. 2007b. Generic Enrichment in Vergil and Horace. Oxford.

Harrison, S.J. 2007c. “Lyric and Iambic,” in S. Harrison, ed., A Companion to Latin Literature. Oxford: 189–200.

Harvey, A. 1955. “The Classification of Lyric Poetry,” CQ 5: 159–175.

Haslam, M. 1994. “The Contribution of Papyrology to the Study of Greek Literature: Archaic and Hellenistic Poetry,” in A. Bülow-Jacobsen, ed., Proceedings of the XXth International Congress of Papyrology. Copenhagen: 98–105.

Haslam, M.W. 1977. M.W. Haslam in A.K. Bowman, M.W. Haslam, S.A. Stephens and M.L. West, eds, The Oxyrhynchus Papyri, vol. xlv. London: 1–6.

Hass, P. 1998. Der locus amoenus in der antiken Literatur: Zu Theorie und Geschichte eines literarischen Motivs. Bamberg.

Hawkins, S. 2013. Studies in the Language of Hipponax. Bremen.

Hawkins, T. 2016. “Bupalus in Scheria: Hipponax’s Odyssean Trans-Contextualisations,” in Swift and Carey, eds: 229–252.

Haynes, K. 2003. English Literature and Ancient Languages. Oxford.

Heath, M. 1987. The Poetics of Greek Tragedy. Stanford, CA.

Heidegger, M. 1971. “Building Dwelling Thinking,” in Poetry, Language, Thought. Trans. A. Hofstadter. New York: 145–161.

Henderson, J. 1991. The Maculate Muse: Obscene Language in Attic Comedy, 2nd edn. Oxford.

Henderson, W.J. 2000. “Aspects of the Ancient Greek Symposion,” Akroterion 45: 6–25.

Henrichs, A. 1994/1995. “‘Why Should I Dance?’: Choral Self-Referentiality in Greek Tragedy,” Arion 3: 56–111.

Henrichs, A. 1996. “Dancing in Athens, Dancing on Delos: Some Patterns of Choral Projection in Euripides,” Philologus 140: 48–62.

Herington, J. 1985. Poetry into Drama. Early Tragedy and the Greek Poetic Tradition. Berkeley, CA.

Heyworth, S.J. 2001. “Catullan Iambics, Catullan Iambi,” in Cavarzere, Aloni and Barchiesi, eds: 117–140.

Hill, R.S. 1951. “The Melody of ‘The Star-Spangled Banner’ in the United States before 1820,” in F.R. Goff, ed., Essays Honoring Lawrence C. Wroth. Portland, ME: 151–193.

Hinge, G. 1997. “Kritische Beiträge zum alkmanischen Digamma,” Classica et Mediaevalia 48: 37–51.

Hinge, G. 2006. Die Sprache Alkmans: Textgeschichte und Sprachgeschichte. Wiesbaden.

Hinge, G. 2009. “Cultic Persona and the Transmission of the Partheneions,” in J. Jensen, G. Hinge, P. Schultz and B. Wickkiser, eds, Aspects of Greek Cult: Context, Ritual and Iconography. Aarhus: 215–236.

Hobden, F. 2013. The Symposion in Ancient Greek Society and Thought. Cambridge.

Hodge, S. 2018. “Sappho in Cyberspace: Power Struggles and Reorienting Feminisms,” in C. Dale and R. Overell, eds, Orienting Feminism: Media, Activism and Cultural Representation. Cham: 137–153.

Hodkinson, S. 1999. “An Agonistic Culture? Athletic Competition in Archaic and Classical Spartan Society,” in Hodkinson and Powell, eds: 147–187.

Hodkinson, S. and Powell, A., eds. 1999. Sparta: New Perspectives. London.

Holford-Strevens, L. 2003. Aulus Gellius, Rev edn. Oxford.

Holloway, J. and Black, J., eds. 1975. Later English Broadside Ballads, vol. 1. Oxford and NewYork.

Hölscher, T. 1999. Öffentliche Räume in frühen griechischen Städten. Heidelberg.

Hooker, J.T. 1977. The Language and Text of the Lesbian Poets. Innsbruck.

Hordern, J.H. 2002. The Fragments of Timotheus of Miletus. Oxford.

Hornblower, S. 2004. Thucydides and Pindar: Historical Narrative and the World of Epinikian Poetry. Oxford.

Hornblower, S. and Matthews, E., eds. 2000. Greek Personal Names: Their Value as Evidence. Oxford.

Hornblower, S. and Morgan, C., eds. 2007. Pindar’s Poetry, Patrons, and Festivals: From Archaic Greece to the Roman Empire. Oxford.

Höschele, R. 2017a. “Grenfell Erotic Fragment,” in Sider, ed.: 24–32.

Höschele, R. 2017b. “Anakreon an Sein Deutsches Alter Ego,” in S. Weise, ed., Hellenisti! Altgriechisch als Literatursprache im neuzeitlichen Europa. Stuttgart: 203–218.

Hose, M. 1999. “Anmerkungen zur Verwendung des Chores in der römischen Tragödie der Republik,” in P. Riemer, B. Zimmermann, eds: Der Chor im antiken und modernen Drama, Stuttgart 113–138.

Hubbard, T.K. 2007. “Theognis’ sphrêgis: Aristocratic Speech and the Paradoxes of Writing,” in C. Cooper, ed., Politics of Orality. Leiden: 193–215.

Hubbard, T.K. 2011. “The Dissemination of Pindar’s Non-Epinician Choral Lyric,” in Athanassaki and Bowie, eds: 347–364.

Hughes, J. 2012. “Interview with Norman McBeath and Robert Crawford,” Practitioners’ Voices in Classical Reception Studies, Issue 3. Accessible at http://www.open.ac.uk/arts/research/pvcrs/2012/mcbeath-crawford.

Huizinga, J. 1970. Homo Ludens. Boston.

Hummel, P. 1993. La syntaxe de Pindare. Paris.

Hummel, P. 1997. Philologica lyrica: la poésie lyrique grecque au miroir de l’érudition philologique de l’antiquité à la Renaissance. Louvain.

Hunter, R. 1996. Theocritus and the Archaeology of Greek Poetry. Cambridge.

Hunter, R. 2014. Hesiodic Voices. Studies in the Ancient Reception of Hesiod’s Works and Days. Cambridge.

Hunter, R. 2015. “Sweet Stesichorus: Theocritus 18 and the Helen revisited,” in Finglass and Kelly, eds: 145–163.

Hunter, R. 2019. “Notes on the Ancient Reception of Sappho,” in T. Thorsen and S. Harrison, eds, Roman Receptions of Sappho. Oxford: 45–60.

Hunter, R. and Russell, D. 2011. Plutarch: How To Study Poetry. Cambridge.

Hunter, R. and Rutherford, I., eds. 2009. Wandering Poets in Ancient Greek Culture. Cambridge.

Hunter, R. and Uhlig, A., eds. 2017. Imagining Reperformance in Ancient Culture. Cambridge.

Hutchinson, G.O. 2001. Greek Lyric Poetry. A Commentary on Selected Larger Pieces. Oxford.

Hutchinson, G.O. 2007. “Horace and Archaic Greek Poetry,” in Harrison 2007a, ed.: 36–49.

Hutchinson, G.O. 2012. “Image and World in Epinician Poetry,” in Agócs, Carey and Rawles, eds: 277–302.

Hutchinson, G.O. 2013. Greek to Latin. Frameworks and Contexts for Intertextuality. Oxford.

Hutchinson, G.O. 2020. “Space and Text Worlds in Apollonius,” Trends in Classics 12.1: 114–125.

Iannucci, A. 2002. La parola e l’azione. I frammenti simposiali di Crizia. Bologna.

Ieranò, G. 1997. Il ditirambo di Dioniso: Le testimonianze antiche. Pisa.

Ieranò, G. 2013. “One Who Is Fought over by All the Tribes,” in Kowalzig and Wilson, eds: 368–386.

Ingalls, W.B. 2000. “Ritual Performance as Training for Daughters in Archaic Greece,” Phoenix 54: 1–20.

Irigoin, J. 1952. Histoire du texte de Pindare. Paris.

Irigoin, J. 1993. Bacchylide. Paris.

Irwin, E. 1998. “Biography, Fiction, and the Archilochean αἶνος,” JHS 118: 177–183.

Irwin, E. 2005. Solon and Early Greek Poetry: The Politics of Exhortation. Cambridge.

Isaksson, E. 1997. “Living with Lesbian Lists,” Essay published at http://www.sappho.net/lesbian-lists/lll.html [Accessed 10 May 2018].

Ismail, M.D. 2011. Wallis Budge: Magic and Mummies in London and Cairo. Kilkerran.

Itsumi, K. 2009. Pindaric Metre: The “Other Half.” Oxford.

Jacob, C. 2013. The Web of Athenaeus. Washington, DC.

Jacquet-Rimassa, P. 1995. “KOTTABOS. Recherches iconographiques. Céramique italiote, 440–300 av. J.-C.,” Pallas 42: 129–165.

Jaeger, W. 1945. Paideia: The Ideals of Greek Culture, Vol. I: Archaic Greece: The Mind of Athens, 2nd edn. Oxford.

Jakobson, R. 1960. “Closing Statement: Linguistic and Poetics,” in T. Sebeok, ed., Style in Language. New York: 350–377.

Jakobson, R. 1971. “On Linguistic Aspects Translation,” in Roman Jakobson: Selected Writings, vol. 2. The Hague: 260–266.

Jakobson, R. 1980. “Poetry of Grammar and Grammar of Poetry: (Excerpts),” Poetics Today 2.1a: 83–85.

Janko, R. 2001. Philodemus on Poems: Book One. Oxford.

Janko, R. 2017a. “From Gabii and Gordion to Eretria and Methone: The Rise of the Greek Alphabet,” in Malkin et al., eds: 135–164.

Janko, R. 2017b. “Tithonus, Eos and the Cicada in the Homeric Hymn to Aphrodite and Sappho fr. 58,” in A. Markantonatos and C. Tsagalis, eds, The Winnowing Oar. New Perspectives in Homeric Studies. Studies in Honour of Antonios Rengakos. Berlin: 267–292.

Jansen, L., ed. 2021. Anne Carson/Antiquity. London and New York.

Jarratt, S.C. 2002. “Sappho’s Memory,” Rhetoric Society Quarterly 32: 111–143.

Jay, P. and Lewis, C., eds. 1996. Sappho through English Poetry. London.

Jebb, R.C. 1905. Bacchylides: The Poems and Fragments. Cambridge.

Jeffery, L.H. 1976. Archaic Greece: The City-States c. 700–500 B.C. London.

Jeffery, L.H. 1990. The Local Scripts of Archaic Greece. A Study of the Origin of the Greek Alphabet and Its Development from the Eighth to the Fifth Centuries B.C, 2nd edn. rev. A.W. Johnston. Oxford.

Jenkins, T.E. 2015. Antiquity Now: The Classical World in the Contemporary American Imagination. Oxford.

Jennings, C. 2001. “The Erotic Poetics of Anne Carson,” The University of Toronto Quarterly 70: 923–936.

Jocelyn, H.D. 1967. The Tragedies of Ennius. The Fragments Edited with an Introduction and Commentary. Cambridge.

Johnson, M. 2007. Sappho. London.

Johnson, M. 2014. “Boadicea and British Suffrage Feminists,” Outskirts: Feminisms Along the Edge 31. http://www.outskirts.arts.uwa.edu.au/volumes/volume-31/marguerite-johnson.

Johnson, M. 2021a. “Baudelaire and the Classical Tradition: Virgil, Ovid and Sappho in Paris,” in Rolls and Johnson, eds: 39–58.

Johnson, M. 2021b. “Sappho in the Salons,” in Rolls and Johnson, eds: 59–76.

Johnson, W.A. 2004. Bookrolls and Scribes in Oxyrhynchus. Toronto.

Jones, G. 2014. “Voice of the People: Popular Symposia and the Non-Elite Origins of the Attic Skolia,” TAPA 144: 229–262.

Jong, E. 2003. Sappho’s Leap. New York.

Jouanna, J. 1999. Hippocrates. Trans. M.B. DeBevoise. Baltimore, MD.

Jouget, P. 1901. “Fouilles du Fayoum: Rapport sur les fouilles de Médinet-Mâ'di et Médinet-Ghôran,” BCH 25: 380–411.

Kambylis, A. 1991a. Eustathios von Thessalonike: Prooimion zum Pindarkommentar. Göttingen.

Kambylis, A. 1991b. Eustathios über Pindars Epinikiendichtung: Ein Kapitel der klassischen Philologie in Byzanz. Göttingen.

Kampakoglou, A. 2019. Studies in the Reception of Pindar in Ptolemaic Poetry. Berlin.

Kantzios, I. 2005. The Trajectory of Archaic Greek Trimeter. Leiden.

Käppel, L. 1992. Paian: Studien zur Geschichte einer Gattung. Berlin.

Käppel, L. 2000. “Bakchylides und das System der chorlyrischen Gattungen im 5. Jh. v. Chr.,” in Bagordo and Zimmermann, eds.: 11–27.

Käppel, L. and Kannicht, R. 1988. “Noch einmal zur Frage ‘Dithyrambos oder Paian?’,” ZPE 73: 19–24.

Karageorghis, J. 2015. “Aphrodite, Goddess of Cyprus,” Kyprios Character. History, Archaeology & Numismatics of Ancient Cyprus kyprioscharacter.eie.gr/en/t/AH. 1–12.

Karageorghis, V. 2000. Ancient Art from Cyprus. New York.

Karageorghis, V. 2002. Early Art from Cyprus: Crossroads of the Mediterranean. New York.

Karanika, A. 2014. Voices at Work: Women, Performance, and Labor in Ancient Greece. Baltimore, MD.

Kelly, A. 2007. “Stesikhoros and Helen,” MH 64: 1–21.

Kelly, A. 2015. “Stesichorus’ Homer,” in Finglass and Kelly, eds: 21–44.

Kelly, A. 2021. “Sappho and Epic,” in Finglass and Kelly, eds: 53–64.

Kelly, A. forthcoming. “Homer and Hipponax,” in V. Cazzato and E. Prodi, eds, Framing Hipponax. Cambridge.

Kemp, S. 1996. “Reading Difficulties,” in P. Campbell, ed., Analysing Performance: A Critical Reader. Manchester: 153–174.

Kenney, E.J. 1986. “Doctus Lucretius,” in C.J. Classen et al. ed., Probleme der Lukrezforschung, Hildesheim, 237–265 [earlier version published in Mnemosyne 23 (1970), 366–392].

Kenyon, F.G. 1897. The Poems of Bacchylides: From a Papyrus in the British Museum. London: Printed by order of the trustees of the British Museum.

Kerkhecker, A. 1999. Callimachus’ Book of Iambi. Oxford.

Kerrigan, C. ed. 1991. An Anthology of Scottish Women Poets. Edinburgh.

Key, F.S. 1857. Poems of the Late Francis S. Key, Esq. New York.

Kidd, C. and Coleman, J. 2012. “Mythical Scotland,” in T. Devine and J. Wormald, eds, The Oxford Handbook of Modern Scottish History. Oxford: 62–77.

Kienast, H.J. 2002. “Topography and Architecture of the Archaic Heraion at Samos,” in M. Stamatopoulou and M. Yeroulanou, eds, Excavating Classical Culture: Recent Archaeological Discoveries in Greece. Oxford: 317–325.

King, K. 1986. “The Situation of Lesbianism as Feminism’s Magical Sign: Contests for Meaning and the U.S. Women’s Movement, 1968–1972,” Communication 9: 65–91.

Kirkwood, G.M. 1981. “Pindar’s Ravens, Olymp. II, 87,” CQ 31: 240–243.

Kistler, E. 2004. “Kampf der Mentalitäten: Ian Morris’ ‘Elitist’ Versus ‘Middling-Ideology’,” in R. Rollinger and C. Ulf, eds, Griechische Archaik: Interne Entwicklungen–Externe Impulse. Berlin: 145–175.

Kivilo, M. 2010. Early Greek Poets’ Lives: The Shaping of the Tradition. Leiden.

Klinck, A. 2001. “Male Poets and Maiden Voices: Gender and Genre in Pindar and Alcman,” Hermes 129: 276–279.

Klinck, A. 2005. “Sleeping in the Bosom of a Tender Companion,” Journal of Homosexuality 49: 193–208.

Knorr, O. 2006. “Horace’s Ship Ode (Odes 1.16) in Context: A Metaphorical Love Triangle,” TAPA 136: 149–169.

Knox, P.E. 1993. “Philetas and Roman Poetry,” PLILS 7: 61–83.

Kofler, W. 1996. “Kallimachos’ Wahlverwandtschaften. Zur poetischen Tradition und Gattung des Apollonhymnus,” Philologus 140: 230–247.

Köhnken, A. 1971. Die Funktion des Mythos bei Pindar. Berlin.

Köhnken, A. 1984. “‘Meilichos Orga’: Liebesthematik und Aktueller Sieg in der neunten Pythischen Ode Pindars,” in A. Hurst, ed., Pindare. Genève: 71–116 (repr. in Darstellungsziele und Erzählstrategien in antiken Texten: Berlin 2006: 331–359).

König, J., ed. 2010. Greek Athletics. Edinburgh Readings on the Ancient World. Edinburgh.

Kontoleon, N.M. 1974. “Archilochus und Paros,” in Pouilloux, ed.: 37–86.

Körte, A. and Händel, P. 1960. Die Hellenistische Dichtung, 2nd edn. Stuttgart.

Kosofsky Sedgwick, E. and Parker, A., eds. 1995. Performance and Performativity. London.

Kotansky, R. 1993. “P. Berol. 21220 = Theognis, elegiae I, 917–933,” ZPE 96: 1–5.

Kousoulini, V. 2013. “Alcmanic Hexameters and Early Hexametric Poetry: Alcman’s Poetry in Its Oral Context,” GRBS 53: 420–440.

Kousoulini, V. 2019. A History of Alcman's Early Reception. Female-Voiced Nightingales. Newcastle Upon Tyne.

Kowalzig, B. 2007. Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece. Oxford.

Kowalzig, B. and Wilson, P., eds. 2013a. Dithyramb in Context. Oxford.

Kowalzig, B. and Wilson, P. 2013b. “Introduction: The World of Dithyramb,” in Kowalzig and Wilson, eds: 1–27.

Kowerski, L. 2005. Simonides on the Persian Wars: A Study of the Elegiac Verses of the “New Simonides.” New York.

Krischer, T. 1981. “Die Pelopsgestalt in der ersten Olympischen Ode Pindars,” Grazer Beiträge 10: 69–75.

Kroll, W. 1924. Studien zum Verständnis der römischen Literatur. Stuttgart.

Krummen, E. 2013. “Kolymbôsai, klinai und eine lydische Mitra: Alkman als Dichter der orientalisierenden Epoche Spartas,” in P. Mauritsch and C. Ulf, eds, Kultur(en): Formen des Alltäglichen in der Antike: Festschrift für Ingomar Weiler zum 75. Geburtstag. Graz: 19–44.

Krummen, E. 2014. Cult, Myth, and Occasion in Pindar’s Victory Odes. Trans. J.G. Howie. Prenton.

Krummen, E. 2016. “οὔκ ἐστι Σαπφοῦς τοῦτο τὸ ᾆσμα: Variants of Sappho’s Songs in Athenaeus’ Deipnosophistae,” JHS 136: 59–72.

Kugelmeier, C. 1996. Reflexe früher und zeitgenössischer Lyrik in der alten attischen Komödie. Stuttgart.

Kurke, L. 1991. The Traffic in Praise: Pindar and the Poetics of the Social Economy. Ithaca, NY.

Kurke, L. 1992. “The Politics of ἁβροσύνη in Archaic Greece,” ClAnt 11: 91–120.

Kurke, L. 1999. Coins, Bodies, Games, and Gold: The Politics of Meaning in Archaic Greece. Princeton, NJ.

Kurke, L. 2000. “The Strangeness of ‘Song Culture’: Archaic Greek Poetry,” in O. Taplin, ed., Literature in the Greek and Roman Worlds, A New Perspective. Oxford: 58–87.

Kurke, L. 2007a. “Archaic Greek Poetry,” in Shapiro, ed.: 141–168.

Kurke, L. 2007b. “Visualizing the Choral: Poetry, Ritual, and Elite Negotiation in Fifth-Century Thebes,” in C. Kraus, S. Goldhill, H. Foley and J. Elsner, eds, Visualizing the Tragic. Drama, Myth, and Ritual in Greek Art and Literature. Essays in Honour of Froma Zeitlin. Oxford: 63–101.

Kurke, L. 2010. “The Economy of Kudos,” in König, ed.: 204–237.

Kurtz, D.C. and Boardman, J. 1971. Greek Burial Customs. London.

Kwapisz, J. 2013. The Greek Figure Poems. Leuven.

Kwapisz, J. 2017. “Optatian and the Order of Court Riddlers,” in Squire and Wienand, eds: 165–190.

Kyle, D. 2015. Sport and Spectacle in the Ancient World, 2nd edn. Malden, MA.

Labarbe, J. 1982. “Un curieux phénomène littéraire: L’anacréontisme,” Bulletin de la Classe des Lettres de l’Académie Royale de Belgique 68: 146–181.

Ladianou, K. 2005. “The Poetics of Choreia: Imitation and Dance in the Anacreontea,” QUCC 80: 47–58.

Ladianou, K. 2016. “Female Choruses and Gardens of Nymphs: Visualizing Chorality in Sappho,” in Cazzato and Lardinois, eds: 344–369.

Lahey, E. 2014. “Stylistics and Text World Theory,” in M. Burke, ed., The Routledge Handbook of Stylistics. London: 284–296.

Lakoff, G. 1987. Fire, Women, and Dangerous Things. New York.

Lambert, F. 2005. The Barbary Wars: American Independence in the Atlantic World. New York.

Lambin, G. 2002. Anacréon, Fragments et imitations. Rennes.

Lamos, C. 2006. “Virginia Woolf’s Greek Lessons,” in Doan and Garrity, eds: 149–164.

Lanata, G. 1996. “Sappho’s Amatory Language,” in Greene 1996a, ed.: 11–25.

Lane Fox, R. 2000. “Theognis: An Alternative to Democracy,” in Brock and Hodkinson, eds: 35–51.

Lardinois, A. 1994. “Subject and Circumstance in Sappho’s Poetry,” TAPA 124: 57–84.

Lardinois, A. 1996. “Who Sang Sappho’s Songs,” in Greene 1996a, ed.: 150–172.

Lardinois, A. 2001. “Keening Sappho: Female Speech Genres in Sappho’s Poetry,” in A. Lardinois and L. McClure, eds, Making Silence Speak: Women’s Voices in Greek Literature and Society. Princeton, NJ: 75–92.

Lardinois, A. 2006. “Have We Solon’s Verses?,” in Blok and Lardinois, eds: 15–35.

Lardinois, A. 2008. “Someone, I Say, Will Remember Us’: Oral Memory in Sappho’s Poetry,” in 
E. Mackay, ed., Orality, Literacy, Memory in the Ancient Greek and Roman World. Leiden: 79–96.

Lardinois, A. 2009. “The New Sappho Poem (P. Köln 21351 and 21376): Key to the Old Fragments,” in Greene and Skinner, eds: 41–57.

Lardinois, A. 2010. “Lesbian Sappho Revisited,” in J. Dijkstra, J. Kroesen and Y. Kuiper, eds, Myths, Martyrs and Modernity: Studies in the History of Religions in Honour of Jan. N. Bremmer. Leiden: 13–30.

Lardinois, A. 2011a. “The Parrhesia of Young Female Choruses in Ancient Greece,” in Athanassaki and Bowie, eds: 161–172.

Lardinois, A. 2011b [online edition]. “The New Sappho Poem (P. Köln 21351 and 21376): Key to the Old Fragments,” in E. Green and M. Skinner, eds, The New Sappho on Old Age: Textual and Philosophical Issues, Classics@ 4. http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=3534.

Lardinois, A. 2016. “Sappho’s Brothers Song and the Fictionality of Early Greek Lyric Poetry,” in Bierl and Lardinois, eds: 167–187.

Lardinois, A. 2018. “Sufferings which Sappho Sustains: A New Reconstruction of the First Strophe of Sappho’s Kypris Poem,” ZPE 205: 1–5.

Lardinois, A. 2021. “Sappho’s Personal Poetry,” in Finglass and Kelly, eds: 181–195.

Latacz, J. 2004. Troy and Homer. Towards a Solution of an Old Mystery. Trans. K. Windle and R. Ireland. Oxford.

Lattimore, R. 1965. The Odyssey of Homer. New York.

Le Guen, B. 2001. Les Associations de technites dionysiaques à l’époque hellénistique ( 2 vols.). Nancy.

Leepson, M. 2005. Flag: An American Biography. New York.

Leepson, M. 2014. What So Proudly We Hailed. New York.

Lefèbvre, H. 1991 [2000]. The Production of Space. Oxford.

Lefkowitz, M.R. 1963. “ΤΩ ΚΑΙ ΕΓΩ: The First Person in Pindar,” HSCP 67: 177–253.Lefkowitz, M.R. 1969. “Bacchylides’ Ode 5: Imitation and Originality,” HSCP 73: 45–96.Lefkowitz, M.R. 1976. The Victory Ode: An Introduction. Park Ridge.

Lefkowitz, M.R. 1985. “The Pindar Scholia,” AJP 106: 269–282.

Lefkowitz, M.R. 1988. “Who Sang Pindar’s Victory Odes?,” AJP 109.1: 1–11.

Lefkowitz, M.R. 1991. First-Person Fictions: Pindar’s Poetic “I.” Oxford.

Lefkowitz, M.R. 2012. The Lives of the Greek Poets, 2nd edn. Baltimore, MD.

Lehnus, L. 1984. “Pindaro: Il Dafneforico per Agasicle (Fr. 94b Sn.-M.),” BICS 31: 61–92.

Leigh, M. 2010. “The Garland of Maecenas (Horace, Odes 1. 1.35),” CQ 60: 268–271.

Lelli, E. 2005. Callimachi Iambi XIV–XVII. Rome.

Lempicki, S. 1930/31. “Pindar im literarischen Urteil des 17. und 18. Jahrhunderts,” Eos 33: 419–474.

Lennartz, K. 2000. “Fragmentum iambicum adespotum 38 W,” Philologus 144: 22–28.

Lennartz, K. 2010. Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike. Wiesbaden.

Lentini, G. 1999. “Un carme allegorico in POxy 1788: il fr. 119 V. di Alceo,” RFIC 127: 5–31.

Lentini, G. 2007. “P.Oxy. XV 1788: Alceo o Saffo?,” in Palme, ed.: 387–391.

Leo, G.M. 2015. Anacreonte: i frammenti erotici. Rome.

LeVen, P.A. 2014. The Many-Headed Muse: Tradition and Innovation in Late Classical Greek Lyric Poetry. Cambridge.

LeVen, P.A. 2016. “‘It is Orpheus when there is Singing’: Mythical Fabric of Musical Lives,” in Hanink and Fletcher, eds: 243–273.

LeVen, P.A. 2018. “Echo and the Invention of the Lyric Listener,” in Budelmann and Phillips, eds: 213–233.

Levinson, S.C. 1983. Pragmatics. Cambridge.

Levinson, S.C. 2004. “Deixis,” in L. Horn and G. Ward, eds, Handbook of Pragmatics. Malden, MA: 97–121.

Levitas, R. 2013. Utopia as Method: The Imaginary Reconstitution of Society. Basingstoke.

Lewis, N. 1974. Papyrus in Classical Antiquity. Oxford.

Liapis, V. 2017. “On the Antagonism between Divine and Human Performer in Archaic Greek Poetics,” in Bakker 2010a, ed.: 197–221.

Liberman, G. 1999. Alcée: texte établi, traduit et annoté ( 2 vols.). Paris.

Liberman, G. 2007. “L’édition alexandrine de Sappho,” in G. Bastianini and A. Casanova, eds, I papiri di Saffo e di Alceo. Florence: 41–65.

Lichtenwanger, W. 1977. The Music of “The Star-Spangled Banner”: From Ludgate Hill to Capitol Hill. Washington, DC.

Lidov, J. 2009. “Acceptance or Assertion? Sappho’s New Poem in Its Books,” in Greene and Skinner, eds: 84–102.

Lidov, J. 2016. “Songs for Sailors and Lovers,” in Bierl and Lardinois, eds: 55–109.

Lightfoot, J.L. 1999. Parthenius of Nicaea. Oxford.

Lightfoot, J.L. 2009. Hellenistic Collection. Philitas, Alexander of Aetolia, Hermesianax, Euphorion, Parthenius. Cambridge, MA.

Lissarrague, F. 1987. Un flot d’images: Une esthétique du banquet grec. Paris.

Littlewood, A. 1968. “The Symbolism of the Apple in Greek and Roman Literature,” HSCP 72: 147–181.

Lloyd-Jones, H. 1968. “The Cologne Fragment of Alcaeus,” GRBS 9: 125–139.

Lloyd-Jones, H. 1973. “Modern Interpretation of Pindar: The Second Pythian and Seventh Nemean Odes,” JHS 93: 109–137 (repr. in Lloyd-Jones 1990: 110–153).

Lloyd-Jones, H. 1982. “Pindar,” BPA 68: 139–163 (repr. in Lloyd-Jones 1990: 57–79).

Lloyd-Jones, H. 1985. “Pindar and the Afterlife,” in A. Hurst, ed., Pindare. Vandœuvres-Geneva: 245–283 (repr. in Lloyd-Jones 1990: 80–109, with addenda).

Lloyd-Jones, H. 1990. Greek Epic, Lyric and Tragedy: The Academic Papers of Sir Hugh Lloyd-Jones. Oxford.

Lobel, E. 1930. “Corinna,” Hermes 65: 356–365.

Lobel, E. 1957. The Oxyrhynchus Papyri, Part XXIV. London.

Lobel, E. 1968. “2735. Choral Lyric,” The Oxyrhynchus Papyri, vol. XXXV. London: 9–32.

Lobel, E. and Page, D.L. 1952. “A New Fragment of Aeolic Verse,” CQ 2: 1–3.

Lord, A.B. 1995. The Singer Resumes the Tale. Ithaca, NY.

Lorde, A. 1979. “Uses of the Erotic: The Erotic as Power,” in Sister Outsider: Essays and Speeches by Audre Lorde. CA: 53–59.

Loüys, P. 1896 [1932]. Aphrodite. Trans. W.L. Parker. New York.

Lowe, N. 2007. “Epinikian Eidography,” in Hornblower and Morgan, eds: 167–176.

Lowrie, M. 1995. “A Parade of Lyric Predecessors: Horace C.1.12–1.18,” Phoenix 49: 33–48.

Lozynksy, Y. 2014. Ancient Greek Cult Hymns: Poets, Performers and Rituals. Diss. Toronto.

Luginbill, R. 2009. “The Occasion and Purpose of Alcman’s Partheneion (1 PMGF),” QUCC 121: 27–54.

Lulli, L. 2011. Narrare in distici. L’elegia greca arcaica e classica di argomento storico-mitico. 
Rome.

Lulli, L. 2016. “Elegy and Epic: A Complex Relationship,” in Swift and Carey, eds: 193–209.

Luraghi, N. 1994. Tirannidi arcaiche in Sicilia e Magna Grecia da Panezio di Lontini alla caduta dei Dinomenidi. Florence.

Lynch, K. 1960. The Image of the City. Cambridge, MA.

Lynch, K. 2011. The Symposium in Context: Pottery from a Late Archaic House near the Athenian Agora (Hesperia Suppl. 46). Princeton, NJ.

Lynch, T. 2016. “Arsis and Thesis in Ancient Rhythmics and Metrics: A New Approach,” CQ 66: 491–513.

Lynch, T. 2018. “‘Without Timotheus, Much of our Melopoiía would not exist; but Without Phrynis, there Wouldn’t have Been Timotheus’: Pherecrates’ Twelve Strings, the Stróbilos and the Harmonic Paranomía of the New Music,” Greek and Roman Musical Studies 6.2: 290–327.

Maas, M. 1992. “Timotheus at Sparta: The Nature of the Crime,” in C.V. Palisca, N. Kovaleff Baker and B. Russano Hanning, eds, Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca. Stuyvesant, NY: 37–52.

Maas, P. 1962. Greek Metre. Trans. H. Lloyd Jones. Oxford.

MacAulay, D. 1976. Modern Scottish Gaelic Poems: A Bilingual Anthology. Edinburgh.

MacCaig, N. 1990. Collected Poems. London.

MacDonald, A. and MacDonald, A., eds. 1924. The Poems of Alexander MacDonald. Inverness.

Mace, S.T. 1993. “Amour, encore! The Development of δηὖτε in Archaic Lyric,” GRBS 34: 335–364.

Mace, S.T. 1996. “Utopian and Erotic Fusion in a New Elegy by Simonides (22 West²),” ZPE 113: 233–274.

Mack, W. 2015. Proxeny and Polis. Institutional Networks in Ancient Greek World. Oxford.

MacLachlan, B.C. 1997. “Personal Poetry,” in D.E. Gerber, ed., A Companion to the Greek Lyric Poets. Leiden: 133–220.

MacLean, S. 1990. O Choille gu Bearradh, From Wood to Ridge: Collected Poems in Gaelic and English. Manchester.

Macleod, C.W. 1974. “Two Comparisons in Sappho,” ZPE 15: 217–20.

Macleod, C.W. 1977. “The Poet, the Critic, and the Moralist: Horace, Epistles 1.19,” CQ 27: 359–376.

Macleod, C.W. 1983. Collected Essays. Oxford.

Maehler, H. 1982. Die Lieder des Bakchylides, I. De Siegeslieder. Leiden.Maehler, H. 1997. Die Lieder des Bakchylides, II. Die Dithyramben und Fragmente. Leiden and Boston, MA.

Maehler, H. 2003. Bacchylidis Carmina cum Fragmentis, 11th edn. Munich.

Maehler, H. 2004. Bacchylides: A Selection. Cambridge.

Malkin, I. 2011. A Small Greek World. Networks in the Ancient Mediterranean. Oxford.

Malkin, I., Strauss Clay, J. and Tzifopoulos, Y.Z. 2017. Panhellenes at Methone. Graphê in late geometric and protoarchaic Methone, Macedonia (ca 700 BCE). Berlin.

Maltomini, F. and Pernigotti, C. 2002. “Morfologie ed impieghi delle raccolte simposiali: Lineamenti di storia di una tipologia libraria antica,” MD 49: 53–84.

Mankin, D. 1995. Horace:Epodes. Cambridge.

Manuel, F.E. and Manuel, F.P. 1979. Utopian Thought in the Western World. Cambridge, MA.

Manville, P.B. 1990. The Origins of Citizenship in Ancient Athens. Princeton, NJ.

Marks, E. 1979. “Lesbian Intertextuality,” in G. Stambolian and E. Marks, eds, Homosexualities and French Literature: Cultural Contexts/Critical Texts. Ithaca, NY: 353–377.

Marshall, P.K. 1990 [1968]. A. Gellii Noctes Atticae ( 2 vols.). Oxford.

Martin, G. 2018. Euripides: Ion. Edition and Commentary. Berlin.

Martin, R.P. 1992. “Hesiod’s Metanastic Poetics,” Ramus 21: 11–33.

Martin, R.P. 2003. “The Pipes are Brawling: Conceptualizing Musical Performance in Athens,” in C. Dougherty and L. Kurke, eds, The Cultures within Ancient Greek Culture: Contact, Conflict, Collaboration. Cambridge: 153–180.

Martin, R.P. 2004. “Home is the Hero: Deixis and Semantics in Pindar Pythian 8,” in Felson, ed.: 343–363.

Martin, R.P. 2006. “Solon in No Man’s Land,” in Blok and Lardinois, eds: 157–172.

Martindale, C. 2006. “Introduction: Thinking Through Reception,” in C. Martindale and R. Thomas, eds, Classics and the Uses of Reception. Oxford: 1–13.

Marzullo, B. 1964. “Alcman fr. 59 P,” Helikon 4: 297–302.

Maslov, B. 2013. “The Dialect Basis of Choral Lyric and the History of Poetic Languages in Archaic Greece,” Symbolae Osloenses 87: 1–29.

Maslov, B. 2015. Pindar and the Emergence of Literature. Cambridge.

Maslov, B. 2016. “The Genealogy of the Muses: An Internal Reconstruction of Archaic Greek Metapoetics,” AJP 137: 411–446.

Massey, D. 1994. Space, Place, and Gender. Minneapolis, MN.

Matthaios, S. 2015. “Greek Scholarship in the Imperial Era and Late Antiquity,” in Montanari, Matthaios and Rengakos, eds: 184–296.

Matzner, S. 2016a. Rethinking Metonymy: Literary Theory and Poetic Practice from Pindar to Jakobson. Oxford.

Matzner, S. 2016b. “Queer Unhistoricism: Scholars, Metalepsis, and Interventions of the Unruly Past,” in Butler 2016a, ed.: 179–201.

Mayer, R. 1994. Horace:Epistles Book I. Cambridge.

Mazarakis Ainian, A. 2006. “The Archaeology of basileis,” in S. Deger-Jalkotzy and I. Lemos, eds, Ancient Greece from the Mycenaean Palaces to the Age of Homer. Edinburgh: 505–30.

Mazza, R. 2015. “Papyri, Ethics, and Economics: A Biography of P.Oxy. 15.1780 (P 39),” BASP 52: 113–142.

Mazza, R. 2018. “The Illegal Papyrus Trade and What Scholars Can Do to Stop It,” Hyperallergic. https://hyperallergic.com/429653/the-illegal-papyrus-trade-and-what-scholars-can-do-to-stop-it.

Mazza, R. 2019. “Papyrology and Ethics,” in A. Nodar and S. Torallas Tovar, eds, Proceedings of the 28th International Congress of Papyrology, Barcelona 1–6 August, 2016. Barcelona: 15–27.

McClure, J.D. 2000. Language, Poetry and Nationhood: Scots as a Poetic Language from 1878 to the Present. East Linton.

McClure, L., ed. 2017. A Companion to Euripides. Malden, MA.

McDermott, E.A. 1981. “Greek and Roman Elements in Horace’s Lyric Program,” ANRW 2.31: 1640–1672.

McEvilley, T. 1970. “Development in the Lyrics of Aristophanes,” AJP 91: 257–276.

McGlew, J.F. 1993. Tyranny and Political Culture in Ancient Greece. Ithaca, NY.

McLeod, W. and Dymock, E., eds. 2011. Lainnir a’ Bhùirn, The Gleaming Water: Essays on Modern Gaelic Literature. Edinburgh.

McNamee, K. 1992. Sigla and Select Marginalia in Greek Literary Papyri. Brussels.

McNamee, K. 2007. Annotations in Greek and Latin texts from Egypt. Oakville, CT.

Meek, D. 2004. “The Sublime Gael: The Impact of Macpherson’s Ossian on Literary Creativity and Cultural Perception in Gaelic Scotland,” in H. Gaskill, ed., The Reception of Ossian in Europe. London: 40–66.

Meillier, C. 1976. “Callimaque (P.L. 76 d, 78 abc, 82, 84, 111 c). Stésichore (?) (P.L. 76 abc),” CRIPEL 4: 255–360.

Meister, F. 2017. “The Addressee(s) of Sapph. fr. 112 V,” Mnemosyne 70: 488–493.

Merkelbach, R. 1968. “Ein Alkaios-Papyrus,” ZPE 1: 81–95, 224.

Merkelbach, R. and West, M.L. 1974. “Ein Archilochos-Papyrus,” ZPE 14: 97–112.

Meusel, E. 2020. Pinadar Indogermanicus: Untersuchungen zum Erbe dichtersprachlicher Phraseologie bei Pindar. Berlin.

Meyerhoff, D. 1984. Traditioneller Stoff und individuelle Gestaltung. Untersuchungen zu Alkaios und Sappho. Hildesheim.

Michelakis, P. 2009. “Greek Lyric from the Renaissance to the Eighteenth Century,” in Budelmann 2009a, ed.: 336–351.

Miller, G. 2013. Ancient Greek Dialects and Early Authors. Boston, MA.

Miller, P. 2019. Horace. London.

Miller, S. 2006. Ancient Greek Athletics. New Haven, CT.

Minchin, E. 2011. “The Words of Gods: Divine Discourse in Homer’s Iliad,” in A. Lardinois, ed., Sacred Words: Orality, Literacy and Religion. Leiden: 17–35.

Mitchell, B.M. 1966. “Cyrene and Persia,” JHS 86: 99–113.

Mitchell, L. 2007. Panhellenism and the Barbarian in Archaic and Classical Greece. Swansea.

Mitchell, L.G. and Rhodes, P.J., eds. 1997. The Development of the Polis in Archaic Greece. London.

Möller, A. 2010. Naukratis. Trade in Archaic Greece. Oxford.

Molyneux, J. 1992. Simonides: A Historical Study. Wauconda, IL.

Montana, F. 2011. “The Making of Greek Scholiastic Corpora,” in F. Montanari and L. Pagani, eds, From Scholars to Scholia: Chapters in the History of Ancient Greek Scholarship. Berlin: 105–161.

Montana, F. 2015. “Hellenistic Scholarship,” in Montanari, Matthaios and Rengakos, eds: 60–183.

Montanari, F., Matthaios, S. and Rengakos, A., eds. 2015. Brill’s Companion to Ancient Greek Scholarship. Leiden.

Montgomery Griffiths, J. 2010. Sappho…in Nine Fragments. Sydney.

Moore, T.J. 2008a. “Parakatalogē: Another Look,” Philomusica On-line 7: 152–161.

Moore, T.J. 2008b. “When Did the Tibicen Play? Meter and Musical Accompaniment in Roman Comedy,” TAPA 138: 3–46.

Moran, P. 2012. “Greek in Early Medieval Ireland,” in A. Mullen and P. James, eds, Multilingualism in the Graeco-Roman Worlds. Cambridge: 172–192.

Moretti, L. 1953. Iscrizioni agonistiche greche. Rome.

Morgan, C. 2007. “Debating Patronage: The Cases of Argos and Corinth,” in Hornblower and Morgan, eds: 213–264.

Morgan, C. 2010. “Sanctuaries, the State and the Individual,” in König, ed.: 23–35.

Morgan, C. and Hornblower, S., eds. 2007. Pindar’s Poetry, Patrons, and Festivals from Archaic Greece to the Roman Empire. Oxford.

Morgan, E. 1996. Collected Translations. Manchester.

Morgan, K. 2015. Pindar and the Construction of Syracusan Monarchy in the Fifth Century B.C. Oxford.

Morgan, L. 2010. Metre and Meaning. Oxford.

Morgan, L. 2011. Musa Pedestris: Metre and Meaning in Roman Verse. Oxford.

Morgan, L. 2016. “The Reception of Sappho’s Brothers Poem in Rome,” in Bierl and Lardinois, eds: 293–301.

Morgan, L. 2021. “Sappho at Rome,” in Finglass and Kelly, eds: 300–312.

Morgan, T. 1998. Literate Education in the Hellenistic and Roman Worlds. Cambridge.Morgan, T. 2005. “The Wisdom of Semonides fr. 7,” PCPS 51: 72–83

Morris (Captain) and Brownlow (Mr.), etc., eds. undated (but probably between 1786–1789). The Festival of Anacreon. Containing a Collection of Modern Songs, Written for the Anacreontic Society, the Beef-Steak and Humbug Clubs, vol. 1, 7th edn. London.

Morris, I. 1986. “The Use and Abuse of Homer,” ClAnt 5: 81–138.

Morris, I. 1987. Burial and Ancient Society: The Rise of the Greek City-State. Cambridge.

Morris, I. 1993. “Poetics of Power. The Interpretation of Ritual Action in Archaic Greece,” in 
C. Dougherty and L. Kurke, eds, Cultural Poetics in Archaic Greece. Cult, Performance, Politics. Cambridge: 15–45.

Morris, I. 1996. “The Strong Principle of Equality and the Archaic Origins of Greek Democracy,” in 
J. Ober and C. Hedrick, eds, The Birth of Democracy: An Exhibition Celebrating the 2500th Anniversary of Democracy. Washington, DC: 19–48.

Morris, I. 1997. “The Art of Citizenship,” in S. Langdon, ed., New Light on a Dark Age: Exploring the Culture of Geometric Greece. Columbia, MO: 9–43.

Morris, I. 2000. Archaeology as Cultural History: Words and Things in Iron Age Greece. Malden, MA.

Morrison, A. 2002. “The Narrator’s Voice: Hellenistic Poetry and Archaic Narrative” (Diss., London).

Morrison, A. 2006. “Advice and Abuse: Horace, Epistles 1 and the Iambic Tradition,” MD 56: 29–61.

Morrison, A. 2007a. The Narrator in Archaic Greek and Hellenistic Poetry. Cambridge.

Morrison, A. 2007b. Performances and Audiences in Pindar’s Sicilian Victory Odes. London.

Morrison, A. 2013. “Speaking from the Tomb? The Disappearing Epitaph of Simonides in Callimachus, Aetia Fr. 64 Pf,” in P. Liddel and P. Low, eds, Inscriptions and their Uses in Greek and Latin Literature. Oxford: 289–301.

Morrison, A. 2016. “Lycambae spretus infido gener | aut acer hostis Bupalo: Horace’s Epodes and the Greek Iambic Tradition,” in Bather and Stocks, eds: 31–62.

Most, G.W. 1987. “Alcman’s ‘Cosmogonic’ Fragment,” CQ 37: 1–19.

Most, G.W. 1994. “Simonides’ Ode to Scopas in Contexts,” in I.J.F. De Jong and J.P. Sullivan, eds, Modern Critical Theory and Classical Literature. Leiden: 127–152.

Most, G.W. 2012. “Poet and Public: Communicative Strategies in Pindar and Bacchylides,” in Agócs, Carey and Rawles, eds: 249–276.

Most, G.W. “Τὸν Ἀνακρέοντα μιμοῦ: Imitation and Enactment in the Anacreontics,” in Baumbach and Dümmler, eds: 145–159.

Moul, V. 2015. “Lyric Poetry,” in S. Knight and S. Tilg, eds, The Oxford Handbook of Neo-Latin. Oxford: 41–56.

Mülke, C. 2002. Solons politische Elegien und Iamben (Fr. 1–13; 32–27 West): Einleitung, Text, Übersetzung, Kommentar. Munich.

Mullan, S. 2017. “Queer Anachronisms: Reimaging Lesbian History in Performance,” in Campbell and Farrier, eds: 244–256.

Mullen, W. 1982. Choreia: Pindar and Dance. Princeton, NJ.

Müller, A. 2010. Die Carmina Anacreontea und Anakreon: Ein literarisches Generationenverhältnis. Tübingen.

Murray, O., ed. 1990. Sympotica: A Symposium on the Symposion. Oxford.

Murray, O. 1993a. Early Greece, 2nd edn. London.

Murray, O. 1993b. “Symposium and Genre in the Poetry of Horace,” in Rudd, ed.: 89–105.

Murray, O. 2009. “The Culture of the Symposion,” in Raaflaub and van Wees, eds: 508–523.

Murray, O. 2018. The Symposion: Drinking Greek Style. Oxford.

Murray, P. and Wilson, P., eds. 2004. Music and the Muses: The Culture of Mousike in the Classical Athenian City. Oxford.

Murray, S. 2005. “The Autobiographical Self: Phenomenology and the Limits of Narrative Self-Possession in Anne Carson’s Autobiography of Red,” English Studies in Canada 31: 101–122.

Naerebout, F.G. 2017. “Moving in Unison. The Greek Chorus in Performance,” in L. Gianvittorio, ed., Choreutika. Performing and theorising Dance in Ancient Greece. Pisa: 39–66.

Nagel, R. 2002. “Virginia Woolf on Reading Greek,” CW 96: 61–75.

Nagy, G.N. 1985. “Theognis and Megara: A Poet’s Vision of His City,” in Figueira and Nagy, eds: 22–81.

Nagy, G.N. 1990a. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore, MD.

Nagy, G.N. 1990b. Greek Mythology and Poetics. Ithaca, NY.

Nagy, G.N. 1996a. Homeric Questions. Austin, TX.

Nagy, G.N. 1996b. “Phaethon, Sappho’s Phaon, and the White Rock of Leukas. ‘Reading’ the Symbols of Greek Lyric,” in Greene 1996a, ed.: 35–57.

Nagy, G.N. 2003. Homeric Responses. Austin, TX.

Nagy, G.N. 2004. “Transmission of Archaic Greek Sympotic Songs: From Lesbos to Alexandria,” Critical Inquiry 31: 26–48.

Nagy, G.N. 2007. “Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos,” in A. Bierl, R. Lämmle and K. Wesselmann, eds, Literatur und Religion I. Wege zu einer mythisch-rituellen Poetik bei den Griechen. Berlin and New York: 211–269.

Nagy, G.N. 2009. “Perfecting the Hymn in the Homeric Hymn to Apollo,” in L. Athanassaki, R. Martin and J. Miller, eds, Apolline Politics and Poetics. Athens: 17–44.

Nagy, G.N. 2011. “Ancient Greek Elegy,” in K. Weisman, ed., The Oxford Handbook of Elegy. Oxford: 13–45.

Nagy, G.N. 2013. “The Delian Maidens and Their Relevance to Choral Mimesis in Classical Drama,” http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Delian_Maidens.2013.

Nagy, G.N. 2016. “A Poetics of Sisterly Affect in the Brothers Song and Other Songs of Sappho,” in Bierl and Lardinois, eds: 449–492.

Nagy, G.N. and Noussia-Fantuzzi, M., eds. 2015. Solon in the Making: The Early Reception in the Fifth and Fourth Centuries. Berlin.

Naiden, F.S. 2006. Ancient Supplication. Oxford.

Neer, R. 2007. “Delphi, Olympia, and the Art of Politics,” in Shapiro, ed.: 225–264.

Neer, R. 2010. The Emergence of the Classical Style in Greek Sculpture. Chicago, IL.

Neer, R. and Kurke, L. 2014. “Pindar Fr. 75 SM and the Politics of Athenian Space,” GRBS 54: 527–579.

Neer, R. and Kurke, L. 2019. Pindar, Song, and Space: Towards a Lyric Archaeology. Baltimore, MD.

Negri, M. 2000. Eustazio di Tessalonica: Introduzione al commentario a Pindaro. Brescia.

Negri, M. 2004. Pindaro ad Alessandria. Brescia.

Neri, C. 2017. “Afrodite violenta (Sappho fr. 26 = “Kypris Poem”),” Eikasmos 28: 9–21.

Neri, C. and Cinti, F., eds. 2017. Saffo. Poesie, frammenti e testimonianze. Milan.

Neto, J. 2016. “À guisa de introdução: tendências recentes na tradução de poesia grega e latina no Brasil,” Cadernos de Literatura em Tradução 15.

Neumann-Hartmann, A. 2019. “Pindar and His Commentator Eustathius of Thessalonica,” in Currie and Rutherford, eds: 532–552.

Newman, J.K. 1985. “Pindar and Callimachus,” ICS 10: 169–189.

Newman, S. 2002. “The Scots Songs of Allan Ramsay: ‘Lyrick’ Transformation, Popular Culture, and the Boundaries of the Scottish Enlightenment,” Modern Language Quarterly 63: 277–314.

Nicholson, N. 1999–2000. “Pederastic Poets and Adult Patrons in Late Archaic Lyric,” CW 93: 235–260.

Nicholson, N. 2005. Aristocracy and Athletics in Archaic and Classical Greece. Cambridge.

Nicholson, N. 2011. “Pindar’s Olympian 4: Psaumis and Camarina after the Deinomenids,” CP 106: 93–114.

Nicholson, N. 2015. “The Athlete’s Body and the Rhetoric of Injury,” Classics@ 13. http://chs.harvard.edu/CHS/article/display/6055.

Nicholson, N. 2016a. The Poetics of Victory in the Greek West: Epinician, Oral Tradition and the Deinomenid Empire. Oxford.

Nicholson, N. 2016b. “Four Reasons Not to Have an Epinician,” Papers of the Langford Latin Seminar 16: 3–38.

Nicholson, N. 2018. “When Athletic Victory and Fatherhood did Mix: The Commemoration of Diagoras of Rhodes,” BICS 61: 42–63.

Nicholson, N. and Gutierrez, A. 2012. “Doctors, Trainers and Athletes in Bacchylides Ode 1,” Nikephoros 25: 79–114.

Nicholson, N. and Heintges, E. 2010. “Aging, Athletics and Epinician,” Nikephoros 23: 105–138.

Nicolosi, A. 2007. Ipponatte, Epodi di Strasburgo. Archiloco, Epodi di Colonia (con un’ appendice su P. Oxy. LXIX 4708). Bologna.

Nicolosi, A. 2016. “Archilochus’ Elegiac Fragments: Textual and Exegetical Notes,” in Swift and Carey, eds: 174–189.

Nicosia, S. 1977. Tradizione testuale diretta e indiretta dei poeti di Lesbo. Rome.

Nikolaev, A. 2012. “Showing Praise in Greek Choral Lyric and Beyond,” AJP 133: 543–572.

Nisbet, R.G.M. and Hubbard, M. 1970. A Commentary on Horace: Odes; Book I. Oxford.

Nisbet, R.G.M. and Hubbard, M. 1978. A Commentary on Horace: Odes; Book II. Oxford.

Nisbet, R.G.M. and Rudd, N. 2003. A Commentary on Horace: Odes; Book III. Oxford.

Nisetich, F.J. 1980. Pindar’s Victory Songs. Baltimore, MD.

Nissen, T. 1935. “Zu Alkman frgm. 95 Diehl,” Philologus 91: 470–473.

Nobili, C. 2011. “Threnodic Elegy in Sparta,” GRBS 51: 26–48.

Nongbri, B. 2017. “The Crocodile Pit of Maabdeh, Florence Nightingale, and the British Museum’s Acquisition of the Harris Homers,” BASP 54: 207–217.

Nooter, S. 2012. When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy. Cambridge.

Norberg-Schulz, C. 1979. Genius Loci: Towards a Phenomenology of Architecture. New York.

Norwood, G. 1945. Pindar. Berkeley, CA.

Nöthiger, M. 1971. Die Sprache des Stesichorus und des Ibycus. Zürich.

Noussia-Fantuzzi, M. 2010. Solon the Athenian: The Poetic Fragments. Leiden.

Noussia-Fantuzzi, M. 2015. “The Epic Cycle, Stesichorus, and Ibycus,” in Fantuzzi and Tsagalis, eds: 430–449.

Novokhatko, A. 2015. “Greek Scholarship from Its Beginnings to Alexandria,” in Montanari, Matthaios and Rengakos, eds: 3–59.

Nünlist, R. 2007. “Pindar and Bacchylides,” in I.J.F. de Jong and R. Nünlist, eds, Time in Ancient Greek Narrative. Leiden: 233–251.

Obbink, D. 2001. “The Genre of Plataea: Generic Unity in the New Simonides,” in Boedeker and Sider, eds: 65–85.

Obbink, D. 2005. “4708. Archilochus. Elegies (More of VI 854 and XXX 2507),” The Oxyrhynchus Papyri 69: 19–42.

Obbink, D. 2006. “A New Archilochus Poem,” ZPE 156: 1–9.

Obbink, D. 2011 [online edition]. “Sappho Fragments 58–59: Text, Apparatus Criticus, and Translation,” in E. Greene and M. Skinner, eds, The New Sappho on Old Age: Textual and Philosophical Issues, Classics@ 4. http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=3534.

Obbink, D. 2014. “Two New Poems by Sappho,” ZPE 189: 32–49.

Obbink, D. 2015a. “Interim Notes on ‘Two New Poems of Sappho,” ZPE 194: 1–8.

Obbink, D. 2015b. “Provenance, Authenticity and Text of the New Sappho Papyri.” Paper read at the Society for Classical Studies, Panel: “New Fragments of Sappho,” New Orleans, LA, 9th Jan. Available at http://www.papyrology.ox.ac.uk/Fragments/SCS.Sappho.2015.Obbink.paper.pdf.

Obbink, D. 2016a. “The Newest Sappho: Text, Apparatus Criticus, and Translation,” in Bierl and Lardinois, eds: 13–33.

Obbink, D. 2016b. “Ten Poems of Sappho: Provenance, Authenticity, and Text of the New Sappho Papyri,” in Bierl and Lardinois, eds: 34–54.

Obbink, D. 2019. “Kypri Despoina: Sappho’s ‘Kypris Poem’ Reconsidered,” in P. Burian, J.S. Clay and G. Davis, eds, Euphrosyne. Contributions in Memory of Diskin Clay. Berlin: 223–235.

O’Brien, J. 1995. Anacreon Redivivus. Ann Arbor, MI.

Oehler, R. 1926. Mythologische Exempla in der älteren griechischen Dichtung. Aarau.

Offen, K. 2017. Debating the Woman Question in the French Third Republic, 1870–1920. Cambridge.

O’Higgins, D. 1996. “Sappho’s Splintered Tongue. Silence in Sappho 31 and Catullus 51,” in Greene 1996b, ed.: 68–78 (originally published AJP 111: 156–157).

Olalquiaga, C. 1992. Megalopolis. Minneapolis, MN.

Olmsted, W. 2016. The Censorship Effect: Baudelaire, Flaubert, and the Formation of French Modernism. Oxford.

Olson, S.D. 2002. Aristophanes: Acharnians. Oxford.

Onelley, G., de Almeida Peçanha, S. and Santos, T., eds. 2013. Grécia e Roma: Poesia e Prosa. Rio de Janeiro.

Ormand, K. 2017. “Helen’s Phantom in Fragments,” in C. Tsagalis, ed., Poetry in Fragments: Studies on the Hesiodic Corpus and Its Afterlife. Berlin: 115–134.

Ornaghi, M. 2008. “I Policrati ibicei. Ibico, Anacreonte, Policrate e la cronografia dei poeti della ‘corte’ di Samo,” AOF 1: 14–72.

Osborne, R. 2009. Greece in the Making 1200–479 BC, 2nd edn. London.

Page, D.L. 1951. Alcman: The Partheneion. Oxford.

Page, D.L. 1955. Sappho and Alcaeus: An Introduction to the Study of Ancient Lesbian Poetry. Oxford.

Page, D.L. 1959. “Review of The Oxyrhynchus Papyri XXIV,” CR 9: 15–23.

Page, D.L. 1969. “Stesichorus: P.Oxy. 2735 fr. 1, 2618 fr. 1, 2619 fr. 1,” PCPS 15: 69–74.

Page, D.L. 1971. “Ibycus, Stesichorus, Alcman (: P.Oxy. 2735, 2618, 2737),” PCPS 17: 89–98.

Page, D.L. 1973. “Stesichoros: The Geryoneis,” JHS 93: 138–154.

Page, D.L. 1981. Further Greek Epigrams. Cambridge.

Paine, R.T. 1812. The Works, in Verse and Prose, of the Late Robert Treat Paine, Jun. Esq. Boston, MA.

Pallantza, E. 2005. Der Troische Krieg in der nachhomerischen Literatur bis zum 5. Jahrhundert v. Chr. Stuttgart.

Palme, B., ed. 2007. Akten des 23. Internationalen Papyrologenkongresses, Wien, 22.–28. Juli 2001. Vienna.

Papadopoulos, J.K. 2003. Ceramicus Redivivus: The Early Iron Age Potters’ Field. Hesperia Supplement 31. Princeton, NJ.

Pariente, A., Piérart, M. and Thalmann, J.-P. 1998. “Les recherches sur l’Agora d’Argos: résultats et perspectives,” in A. Pariente and G. Touchais, eds, Argos et l’Argolide: topographie et urbanisme. Paris: 211–224.

Parke, W.T. 1830. Musical Memoirs, vol. 1. London: H. Colburn and R. Bentley.

Parker, H.N. 1993. “Sappho Schoolmistress,” TAPA 123: 309–351.

Parker, H.N. 2000. “Flaccus,” CQ 50: 455–462.

Parker, L.P.E. 1997. The Songs of Aristophanes. Oxford.

Parker, R. 1983. Miasma. Pollution and Purification in Early Greek Religion. Oxford: 9–22.

Parker, R. 2004. “New ‘Panhellenic’ Festivals in Hellenistic Greece,” in R. Schlesier and U. Zellmann, eds, Mobility and Travel in the Mediterranean from Antiquity to the Middle Ages. Münster.

Parker, V. 1997. Untersuchungen zum lelantischen Krieg und verwandten Problemen der frühgriechischen Geschichte. Stuttgart.

Parker, V. 2007. “Tyrants and Lawgivers,” in Shapiro, ed.: 13–39.

Parry, H. 1965. “The Second Stasimon of Euripides’ Heracles (637–700),” AJP 86: 363–374.

Parsons, P. 1994. “Summing Up,” in A. Bulow-Jacobsen (coll.), Proceedings of the 20th International Congress of Papyrologists. Copenhagen: 117–123.

Parsons, P.J. 1977. “The Lille ‘Stesichorus’,” ZPE 26: 7–36.

Parsons, P.J. 1992. “3956. Simonides. Elegies,” The Oxyrhynchus Papyri 59.5–7: 28–52.

Paschalis, M. 2002. Horace and Greek Lyric Poetry. Rethymnon.

Pasquali, G. 1920. Orazio lirico. Florence.

Paton, W.R. 1918. The Greek Anthology, vol. 5. Cambridge, MA.

Patrick, J.M., ed. 1963. The Complete Poetry of Robert Herrick. New York.

Paule, M.T. 2017. Canidia, Rome’s First Witch. London.

Pavese, C.O. 1967. “La lingua della poesia corale come lingua d'una tradizione poetica settentrionale,” Glotta 45: 164–185.

Pavese, C.O. 1992. Il grande Partenio di Alcmane. Amsterdam.

Pavlou, M. 2011. “Past and Present in Pindar’s Religious Poetry,” in A. Lardinois, J. Blok and M. Van der Poel, eds, Orality, Literacy and Religion. Orality and Literacy in the Ancient World. Leiden: 59–78.

Payne, M. 2006. “On Being Vatic: Pindar, Pragmatism, and Historicism,” AJP 127: 159–184.

Payne, M. 2007. “Ideas in Lyric Communication: Pindar and Paul Celan,” Modern Philology 105: 5–20.

Pearson, A.C. 1917. The Fragments of Sophocles. Cambridge (repr. Amsterdam 1963).

Pelliccia, H. 2003. “Two Points about Rhapsodes,” in M. Finkelberg and G. Stroumsa, eds, Homer, the Bible, and Beyond. Literary and Religious Canons in the Ancient World. Leiden: 97–116.

Pellizer, E. and Tedeschi, G. 1990. Semonide. Introduzione, testimonianze, testo critico, traduzione e commento / Semonides: testimonia et fragmenta. Rome.

Peponi, A.-E. 2004. “Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama,” Arethusa 37: 295–316.

Peponi, A.-E. 2007. “Sparta’s Prima Ballerina: Choreia in Alcman’s Second Partheneion (3 PMGF),” CQ 57: 351–362.

Peponi, A.-E. 2009. “Choreia and Aesthetics in the Homeric Hymn to Apollo: The Performance of the Delian Maidens,” ClAnt 28: 39–70.

Peponi, A.-E. 2012. Frontiers of Pleasure: Models of Aesthetic Response in Archaic and Classical Greek Thought. Oxford.

Peponi, A.-E. 2013. Performance and Culture in Plato’s Laws. Cambridge.

Peretti, A. 1953. Teognide nella tradizione gnomologica. Pisa.

Peters, M. 1987. “Indogermanische Chronik,” Die Sprache 33: 256.

Petropoulos, J.C.B. 1994. Heat and Lust. Hesiod’s Midsummer Festival Scene Revisited. Lanham, MD.

Pfeiffer, R. 1949–1953. Callimachus ( 2 vols.). Oxford.

Pfeiffer, R. 1968. History of Classical Scholarship from the Beginnings to the End of the Hellenistic Age. Oxford.

Pfeijffer, I.L. 2000. “Shifting Helen: An Interpretation of Sappho, Fragment 16 (Voigt),” CQ 50: 1–6.

Pfeijffer, I.L. and Slings, S.R. 1999a. “One Hundred Years of Bacchylides: An Introduction,” in Pfeijffer and Slings, eds: 7–15.

Pfeijffer, I.L. and Slings, S.R., eds. 1999b. One Hundred Years of Bacchylides: Proceedings of a Colloquium Held at the Vrije Universiteit Amsterdam on 17 October 1997. Amsterdam.

Phelan, P. 1993. Unmarked: The Politics of Performance. London.

Phillips, T. 2016. Pindar’s Library: Performance Poetry and Material Texts. Oxford.

Phillips, T. 2017. “Sappho’s Memories,” ( from Anachronism in Antiquity Blog: https://anachronismandantiquity.wordpress.com/2017/06/08/sapphos-memories [Accessed 11 June 2017].

Phillips, T. 2020. Untimely Epic: Apollonius Rhodius’ Argonautica. Oxford.

Phillips, T. and D’Angour, A.J., eds. 2018. Music, Text, and Culture in Ancient Greece. Oxford.

Piatti, B. 2008. Die Geographie der Literatur: Schauplätze, Handlungsraüme, Raumphantasien. Göttingen.

Pickard-Cambridge, A. 1927. Dithyramb, Tragedy, and Comedy, 1st edn. Oxford. 2nd edn revised by T.B.L. Webster 1962.

Piérart, M. 1997. “L’attitude d’Argos à l’égard des autres cités d’Argolide,” in M.H. Hansen, ed., The Polis as an Urban Centre and as a Political Community. Copenhagen: 321–351.

Pitotto, E. and Raschieri, A.A. 2017. “Which Sappho? The Case Study of the Cologne Papyrus,” in Bakker, ed.: 265–283.

Pizzocaro, M. 1990. “Alcmane e la gastronomia poetica,” AION (filol.) 12: 285–308.

Pleket, H. 2010. “Games, Prizes, Athletes and Ideology,” in König, ed.: 145–174.

Podlecki, A.J. 1984. The Early Greek Poets and Their Times. Vancouver.

Pöhlmann, E. 1994. Einführung in die Überlieferungsgeschichte und in die Textkritik der antiken Literatur. Band 1: Altertum. Darmstadt.

Pöhlmann, E. 2011. “Twelve Chordai and the Strobilos of Phrynis in the Chiron of Pherecrates (PCG fr. 155),” QUCC 99: 117–133.

Poirot, K. 2009. “Domesticating the Liberated Woman: Containment Rhetorics of Second Wave Radical/Lesbian Feminism,” Women’s Studies in Communication 32: 263–292.

Pollock, D. 1998. “Performing Writing,” in P. Phelan and J. Lane, eds, The Ends of Performance. New York: 73–103.

Poltera, O. 1997. Le langage de Simonide. Bern.

Poltera, O. 2008. Simonides Lyricus. Testimonia und Fragmenta. Basel.

Pomeroy, S.B. 1994. Xenophon Oeconomicus. A Social and Historical Commentary. Oxford.

Porro, A. 1994. Vetera Alcaica: l’esegesi di Alceo dagli Alessandrini all'età imperiale. Milan.

Porter, J. 2004. “Alcaeus,” CLGP 1.1.1: 75–246.

Porter, J. 2016. The Sublime in Antiquity. Cambridge.

Porter, J.R. 1994. Studies in Euripides’ Orestes. Leiden.

Pouilloux, J., ed. 1974. Archiloque; sept exposés et discussions. Geneva.

Powell, B. 2002. Writing and the Origins of Greek Literature. Oxford.

Power, T. 2010. The Culture of Kitharôidia. Washington, DC.

Power, T. 2011. “Cyberchorus: Pindar’s Κηληδόνες and the Aura of the Artificial,” in Athanassaki and Bowie, eds: 67–113.

Power, T. 2013. “Kyklops Kitharôidos: Dithyramb and Nomos in Play,” in Kowalzig and Wilson, eds: 237–256.

Power, T. 2019. “Sappho’s Parachoral Monody,” in M. Foster, L. Kurke and N. Weiss, eds, Genre in Archaic and Classical Greek Poetry. Theories and Models. Leiden: 82–108.

Pratt, L.H. 1995. “The Seal of Theognis, Writing, and Oral Poetry,” AJP 116: 171–184.

Prauscello, L. 2006. Singing Alexandria: Music between Practice and Textual Transmission. Leiden.

Prauscello, L. 2009. “Wandering Poetry, ‘Travelling’ Music: Timotheus’ Muse and some Case-Studies of Shifting Cultural Identities,” in Hunter and Rutherford, eds: 168–194.

Prauscello, L. 2011. “Callimachus and the New Music,” in B. Acosta-Hughes, S. Stephens and 
L. Lehnus, eds, The Brill Companion to Callimachus. Leiden: 287–305.

Prauscello, L. 2012. “Epinician Sounds: Pindar and Musical Innovation,” in Agócs, Carey and Rawles, eds: 45–63.

Prauscello, L. 2021. “The Alexandrian Edition of Sappho,” in Finglass and Kelly, eds: 225–237.

Pretagostini, R. 1991. “Rito e letteratura negli inni ‘drammatici’ di Callimaco,” in A.C. Cassio and G. Cerri, eds, L’inno tra rituale e letteratura nel mondo antico. Rome: 253–263.

Priestley, J.M. 2007. “The φαρος of Alcman’s Partheneion 1,” Mnemosyne 60: 175–195.

Prins, Y. 1999. Victorian Sappho. NJ.

Privitera, G.A. 1982. Pindaro: Le Istmiche. Mondadori.

Probert, P. 2003. A New Short Guide to the Accentuation of Ancient Greek. Bristol.

Probert, P. 2015. Early Greek Relative Clauses. Oxford.

Prodi, E. 2014. Pindar’s Prosodia. Diss. Oxford.

Prodi, E. 2017a. “P.Oxy. 2174 fr. 5: An Odyssey for Hipponax?,” APF 63.1: 1–10.

Prodi, E. 2017b. “Text as Paratext: Pindar, Sappho, and Alexandrian Editions,” GRBS 57: 547–582.

Puelma, M. 1995 (1977). “Die Selbstbeschreibung des Chores in Alkmans grossem Partheneion-Fragment (fr. 1 P. = 23 B., 1 D. v. 36–105),” in Labor et lima: Kleine Schriften und Nachträge. Basel: 51–110.

Putnam, M. 1986. Artifices of Eternity: Horace’s Fourth Book of Odes. Ithaca, NY.

Quattrocelli, L. 2002. “Poesia e convivialità a Sparta arcaica: nuove prospettive di studio,” Cahiers du Centre Gustave Glotz 13: 7–32.

Qviller, B. 1981. “The Dynamics of the Homeric Society,” Symbolae Osloenses 56: 109–155.

Raaflaub, K.A. 1998. “A Historian’s Headache: How to Read ‘Homeric Society’,” in N. Fisher and H. van Wees, eds, Archaic Greece: New Approaches and New Evidence. London: 169–193.

Raaflaub, K.A. 2007. “The Breakthrough of Dēmokratia in Mid-Fifth-Century Athens,” in K.A. Raaflaub, J. Ober and R.W. Wallace, eds, Origins of Democracy in Ancient Greece. Berkeley, CA: 105–154.

Raaflaub, K.A. and van Wees, H., eds. 2009. A Companion to Archaic Greece. Chichester.

Race, W.H. 1982. The Classical Priamel from Homer to Boethius. Leiden.

Race, W.H. 1986. Pindar. Boston, MA.

Race, W.H. 1987. “P. OXY. 2438 and the Order of Pindar’s Works,” RhM 130: 407–410.

Race, W.H. 1989–90. “Sappho, fr. 16 L.–P. and Alkaios, fr. 42 L.–P.: Romantic and Classical Strains in Lesbian Lyric,” CJ 85: 16–33.

Race, W.H. 1997. Pindar ( 2 vols.). Cambridge, MA.

Race, W.H. 2010. “Horace’s Debt to Pindar,” in Davis 2010b, ed.: 147–173.

Raven, D.S. 1962. Greek Metre: An Introduction. London.

Raven, D.S. 1965. Latin Metre. London.

Rawles, R. 2006. “Notes on the Interpretation of the ‘New Sappho’,” ZPE 157: 1–7.

Rawles, R. 2011. “Eros and Praise in Early Greek Lyric,” in Athanassaki and Bowie, eds: 139–159.

Rawles, R. 2012. “Early Epinician: Ibycus and Simonides,” in Agócs, Carey and Rawles, eds: 3–27.

Rawles, R. 2013. “Aristophanes’ Simonides: Lyric Models for Praise and Blame,” in E. Bakola, 
L. Prauscello and M. Telò, eds, Greek Comedy and the Discourse of Genres. Cambridge: 175–201.

Rawles, R. 2018. Simonides the Poet: Intertextuality and Reception. Cambridge.

Rayor, D. and Lardinois, A. 2014. Sappho: A New Translation of the Complete Works. Cambridge.

Reed, J. 2004. Boy Caesar. London.

Reggiani, N. 2017. Digital Papyrology I: Methods, Tools and Trends. Berlin.

Reggiani, N. 2018. Digital Papyrology II: Case Studies on the Digital Edition of Ancient Greek Papyri. Berlin.

Reid, S. 2013. “‘Quasi sybillae folia dispersa’: The Anatomy of the Delitiae Poetarum Scotorum,” in 
J. Hadley-Williams and J.D. McClure, eds, Fresche Fontanis: Studies in the Culture of Medieval and Early Modern Scotland. Newcastle: 397–414.

Reitzenstein, R. 1893. Epigramm und Skolion. Giessen.

Revard, S.P. 1991. “Cowley’s Anacreontiques and the Translation of the Greek Anacreontea,” in 
A. Dalzell et al., eds, Acta Conventus Neo-Latini Torontoensis. Binghamton, NY: 595–607.

Revard, S.P. 2001. Pindar and the Renaissance Hymn-Ode: 1450–1700. Tempe, AZ.

Revard, S.P. 2009. Politics, Poetics, and the Pindaric Ode: 1450–1700. Tempe, AZ.

Reynolds, B. and Wilson, N. [1968] 2013. Scribes and Scholars, 4th edn. Oxford.

Reynolds, M., ed. 2000. The Sappho Companion. New York.

Reynolds, M. 2003. The Sappho History. Basingstoke.

Ribeiro, M.L.S. 1992. História da Educação Brasileira: a organização escolar, 12th edn. São Paulo.

Rich, A. 1980. “Compulsory Heterosexuality and Lesbian Existence,” Signs 5: 631–660.

Richardson, N. 1986. “Pindar and Later Literary Criticism,” PLLS 5: 383–401.

Richardson, N. 2010. Three Homeric Hymns: To Apollo, Hermes and Aphrodite. Cambridge.

Richardson, N. 2011. “Reflections of Choral Song in Early Hexameter Poetry,” in Athanassaki and Bowie, eds: 15–31.

Rigsby, K. 1997. Asylia. Berkeley, CA.

Rihll, T.E. 1991. “Hektemoroi: Partners in Crime?,” JHS 111: 101–127.

Risch, E. 1954. “Die Sprache Alkmans,” MH 11: 20–37.

Rissman, L. 1983. Love as War: Homeric Allusions in the Poetry of Sappho. Königstein.

Riu, X. and Pòrtulas, J., eds. 2012. Approaches to Archaic Greek Poetry. Messina.

Robbins, E. 1990. “The Gifts of the Gods: Pindar’s Third Pythian,” CQ 40: 307–318 (repr. in Thalia Delighting in Song. Toronto 2013).

Robbins, E. 1991. “Alcman’s Partheneion: Legend and Choral Ceremony,” CQ 44: 7–16.

Robins, B., ed. 1998. The John Marsh Journals: The Life and Times of a Gentleman Composer (Sociology of Music No. 9). Stuyvesant, NY.

Robinson, D.M. 1925. Sappho and Her Influence. London.

Robinson, E.W. 1997. The First Democracies: Early Popular Government Outside Athens. Stuttgart.

Robson, J.E. 2013. Aristophanes: An Introduction. London.

Rodriguez, S. 2002. Wild Heart A Life: Natalie Clifford Barney and the Decadence of Literary Paris. Australia.

Rojas, M.E. 2003. “‘Insults Unpunished’: Barbary Captives, American Slaves, and the Negotiation of Liberty,” Early American Studies 1: 159–186.

Rolls, A., and Johnson, M., eds. 2021. Remembering Paris in Text and Film. Bristol

Romanelli, S., Mafra, A., & Souza, R. (2012). D. Pedro II tradutor: análise do processo criativo. Cadernos de Tradução, 2(30), 17. doi:https://doi.org/10.5007/2175-7968.2012v2n30p101

Romero, S.L. 2016. “A tradução da Olímpica I de Píndaro: de José Bonifácio a considerações sobre a performance ritual,” Cadernos de Literatura em Tradução 15: 19.

Rose, C.B. 2014. The Archaeology of Greek and Roman Troy. Cambridge.

Rose, P.W. 1974. “The Myth of Pindar’s First Nemean: Sportsmen, Poetry, and Paideia,” HSCP 78: 145–175.

Rose, P.W. 1992. Sons of the God, Children of Earth: Ideology and Literary Form in Ancient Greece. Ithaca, NY.

Rose, P.W. 2009. “Class,” in Raaflaub and van Wees, eds: 468–482.

Rosen, R. 1987. “Hipponax fr. 48 Deg. and the Eleusinian Kykeon,” AJP 108: 416–426.

Rosen, R. 1990. “Hipponax and the Homeric Odysseus,” Eikasmos 1: 11–25.

Rosen, R. 2017. “Cercidas,” in Sider, ed.: 224–236.

Rosenmeyer, P.A. 1991. “Simonides’ Danae Fragment Reconsidered,” Arethusa 24: 5–29.

Rosenmeyer, P.A. 1992. The Poetics of Imitation. Anacreon and the Anacreontic Tradition.Cambridge.

Rosenmeyer, P.A. 2014. “Tchernikovsky’s Songs of Anacreon,” in M. Baumbach and N. Dümmler, eds, Imitate Anacreon! Berlin: 227–254.

Rosenmeyer, T.G. 1966. “Alcman’s Partheneion I Reconsidered,” GRBS 7: 321–359.Rösler, W. 1976. “Die Dichtung des Archilochos und die neue Kölner Epode,” RM 219: 289–310

Rösler, W. 1980. Dichter und Gruppe. Eine Untersuchung zu den Bedingungen und zur historischen Funktion früher griechischer Lyrik am Beispiel Alkaios. Munich.

Rösler, W. 1983. “Über Deixis und einige Aspekte mündlichen und schriftlichen Stils in antiker Lyrik,” Würzburger Jahrbücher für die Altertumswissenschaft 9: 7–28.

Rösler, W. 2006. “La raccolta di Teognide: ‘il piu antico libro dimostrabilmente edito dall’ autore stesso’. considerazioni su una tesi di Richard Reitzenstein,” in F. Roscalla, ed., L’Autore e l’opera. Attribuzioni, appropriazioni, apocrifi nella Greca antica. Atti del convegno internazionale (Pavia, 27–28 maggio 2005). Pisa: 55–68.

Rösler, W. 2019. “Real Person or Poetic Persona? The Interpretation of the “I” in Ancient Greek Lyric,” in Rutherford, ed.: 80–93 (= QUCC 48 1985: 131–44, in Italian).

Ross, D.O. 1969. Style and Tradition in Catullus. Cambridge, MA.

Rossi, L.E. 1971. “I generi letterari e le loro leggi scritte e non scritte nelle letterature classiche,” BICS 18: 69–84.

Rothwell, K.S. 2006. Nature, Culture and the Origins of Greek Comedy: A Study of Animal Choruses. Cambridge.

Rotstein, A. 2010. The Idea of Iambos. Oxford.

Rozokoki, A. 2008. “Stesichoros, Geryoneis S 11 SLG: The Dilemma of Geryon,” WS 121: 67–69.

Rubin, D.C. 1995. Memory in Oral Traditions. The cognitive Psychology of Epic, Ballads, and Counting-Out Rhymes. Oxford.

Rudd, N., ed. 1993. Horace 2000: A Celebration. Essays for the Bimillennium. Ann Arbor, MI.

Ruijgh, C.J. 1989. “Review of Trümpy 1986,” Kratylos 34: 85–91.

Ruijgh, C.J. 1996. Scripta Minora II. Amsterdam.

Ruijgh, C.J. 2006. “The Use of the Demonstratives ὅδε, οὗτος and (ἐ)κεῖνος in Sophocles,” in I. de Jong and A. Rijksbaron, eds, Sophocles and the Greek Language: Aspects of Diction, Syntax and Pragmatics. Leiden: 151–162.

Russell, D.A. 2001. Quintilian. The Orator’s Education ( 5 vols). Loeb Classical Library: 124–128. Cambridge, MA and London.

Russo, J. 1999. “Stesichorus, Homer, and the Forms of Early Greek Epic,” in I.N. Kazazis and A. Rengakos, eds, Euphrosyne: Studies in Ancient Epic and its Legacy in Honor of Dimitris N. Maronitis. Stuttgart: 339–348.

Rutherford, I. 2000. “Keos or Delos? State Pilgrimage and the Performance of Paean 4,” in M. Cannatà Fera and S. Grandolini, eds, Poesia e religione in Grecia, Studi in onore di G.Aurelio Privitera. II. Naples: 605–612.

Rutherford, I. 2001. Pindar's Paeans: A Reading of the Fragments with a Survey of the Genre. Oxford.

Rutherford, I. 2004. “‘Χορὸς εἶς ἐκ τῆσδε τῆς πόλεως’ (Xen. Mem. 3. 3.12):State- Pilgrimage and Song-Dance in Athens,” in Murray and Wilson, eds: 67–90.

Rutherford, I. 2013. State Pilgrims and Sacred Observers in Ancient Greece: A Study of Theōriā and Theōroi. Cambridge.

Rutherford, I. 2015a. “Stesichorus the Romantic,” in Finglass and Kelly, eds: 98–108.

Rutherford, I. 2015b. “Pindar’s Cycle,” in Fantuzzi and Tsagalis, eds: 450–460.

Rutherford, I., ed. 2019. Greek Lyric. Oxford.

Rutherford, R.B. 2012. Greek Tragic Style: Form, Language and Interpretation. Cambridge.

Sabar, A. 2016. “The Unbelievable Tale of Jesus’ Wife,” The Atlantic Magazine July/August. https://www.theatlantic.com/magazine/archive/2016/07/the-unbelievable-tale-of-jesus-wife/485573.

Sahlins, M. 1963. “Poor Man, Rich Man, Big Man, Chief: Political Types in Melanesia and Polynesia,” Comparative Studies in Society and History 5: 285–303.

Sampson, C.M. 2016. “A New Reconstruction of Sappho 44. (P. Oxy. X 1232 + P. Oxy. XVII 2076),” in Derda T., Łajtar, A. and Urbanik, J., eds, Proceedings of the 27th International Conference of Papyrology ( 3 vols). Warsaw: i 53–62.

Sampson, C.M. 2020. “Deconstructing the Provenances of P.Sapph.Obbink,” BASP 57: 143–169.

Sayce, A.H. 1923. Reminiscences. London.

Sbardella, L. 2014. “The Trojan War Myth: Rhapsodic Canon and Lyric Alternatives,” in G. Colesanti and M. Giordano, eds, Submerged Literature in Ancient Greek Culture. Berlin: 61–75.

Sbardella, L. 2018. “Aulodes and rhapsodes: Performance and Forms of Greek Elegy from Mimnermus to Hermesianax,” Aitia 8.1. https://journals.openedition.org/aitia/2247.

Schaaf, L. 1977. Der Miles Gloriosus des Plautus und sein griechisches Original. Ein Beitrag zur Kontaminationsfrage. Munich.

Schade, G. 2015. “Stesichorus’ Readers: From Pierre de Ronsard to Anne Carson,” in Finglass and Kelly, eds: 164–185.

Schadewaldt, W. 1928. Der Aufbau des Pindarischen Epinikion. Halle.

Schechner, R. 1988. Performance Theory. London.

Schechner, R. 2002. Performance Studies: An Introduction, 3rd edn. London and New York: Routledge.

Scheidel, W. 2003. “The Greek Demographic Expansion: Models and Comparisons,” JHS 123: 120–140.

Schilardi, D. 1996. “Il culto di Atena a Koukounaries e considerazioni sulla topografia di Paros nel VII sec. a.C,” in E. Lanzilotta and D. Schilardi, eds, Le Cicladi ed il mondo egeo. Rome: 33–64.

Schironi, F. 2016. “Alcman’s Semi-Choruses – In the Text … and Beyond It,” MD 76: 33–52.

Schleiermacher, F. 1813 [1969]. “Über die verschiedenen Methoden des Übersetzens,” in H.J. Störig, ed., Das Problem des Übersetzens. Darmstadt: 38–69.

Schlesier, R. 2013. “Atthis, Gyrinno, and Other Hetairai: Female Personal Names in Sappho’s Poetry,” Philologus 157: 199–222.

Schlesier, R. 2014. “Symposion, Kult und frühgriechische Dichtung: Sappho im Kontext,” in O. Dally et al., eds, Medien der Geschichte: Antikes Griechenland und Rom. Berlin: 74–106.

Schmidt, J. 1985. Die Geschichte des Genie-Gedankens in der deutschen Literatur, Philosophie und Politik: 1750–1945 ( 2 vols). Darmstadt.

Schmitz, T. 1993. Pindar in der französischen Renaissance. Göttingen.

Schneidewin, F.G. 1833. Ibyci Rhegini Carminum Reliquiae. Göttingen.

Schönbeck, G. 1962. Der Locus amoenus von Homer bis Horaz. Heidelberg.

Schöne, J. 1899. “De Dialecto Bacchylidea,” Leipziger Studien zur klassischen Philologie 19: 179–309.

Schrenk, L. 1994. “Sappho fr. 44 and the Iliad,” Hermes 122: 144–150.

Schröder, C.M. 1956. Die ‘Bremer Beiträge’: Vorgeschichte und Geschichte einer deutschen Zeitschrift des achtzehnten Jahrhunderts. Bremen.

Schröder, S. 1999. Geschichte und Theorie der Gattung Paian. Stuttgart.

Scodel, J. 2002. “Drinking and the Politics of Poetic Identity from Jonson to Herrick,” in J. Scodel, ed., Excess and the Mean in Early Modern English Literature. Princeton, NJ: 199–224.

Scodel, R. 2010. “Iambos and Parody,” in Clauss and Cuypers, eds: 251–266.

Scodel, R. 2021. “Myth in Sappho,” in Finglass and Kelly, eds: 196–208.

Scranton, R. 2014. “Estranged Pain: Anne Carson’s Red Doc,” Contemporary Literature 55.1: 202–214.

Scullion, S. 2005. “Tragedy and Religion: The Problem of Origins,” in Gregory, ed.: 23–37.

Searle, J. 1969. Speech Acts: An Essay in the Philosophy of Language. Cambridge.

Segal, C. 1985. “Alcman,” in Easterling and Knox, eds: 168–185.

Segal, C. 1986. Pindar’s Mythmaking: The Fourth Pythian Ode. Princeton, NJ.

Seidensticker, B. 1978. “Archilochus and Odysseus,” GRBS 19: 5–22.

Seifert, A. 1998. Hölderlin und Pindar. Eggingen.

Selle, H. 2008. Theognis und die Theognidea. Berlin.

Selle, H. 2013. “Aphrodite’s Gift: Theognidea 1381–5 and the Genesis of ‘Book 2’,” CQ 63: 461–472.

Selter, B. 2010. “Through the Looking Glass of Memory: Reading Avienus,” QUCC 95: 113–130.

Semino, E. 1992. “Building on Keith Green’s ‘Deixis and the Poetic Persona’: Further Reflections on Deixis in Poetry,” Language and Literature 1.2: 135–140.

Sevieri, R. 2011. I Persiani - Timoteo. Milan.

Shankman, S. 1988. “The Pindaric Tradition and the Quest for Pure Poetry,” Comparative Literature 40: 219–244.

Shapiro, H.A., ed. 2007. The Cambridge Companion to Archaic Greece. Cambridge.

Shapiro, H.A. 2012. Re-fashioning Anacreon in Classical Athens. Paderborn.

Shepherd, S. 2006. Theatre, Body, Pleasure. London.

Shepherd, S. and Wallis, M. 2004. Drama / Theatre / Performance. London.

Shey, H.J. 1976. “Tyrtaeus and the Art of Propaganda,” Arethusa 9: 5–28.

Shorey, P. 1913. “Review. Sappho und Simonides. Untersuchungen über griechische Lyriker, von Ulrich von Wilamowitz-Moellendorff. Berlin: Weidmann’sche Buchhandlung, 1913,” CP 8: 361–364.

Showalter, E. 1997. “Towards a Feminist Poetics,” in K. Newton, ed., Twentieth-Century Literary Theory: A Reader, 2nd edn. New York: 216–220.

Sider, D. 2016. “Simonides’ Personal Elegies,” in Swift and Carey, eds: 140–154.

Sider, D., ed. 2017. Hellenistic Poetry. Ann Arbor, MI.

Sider, D. 2020. Simonides. Epigrams and Elegies. Oxford.

Sidnell, J. 2003. “Deixis,” in Handbook of Pragmatics Online. Amsterdam. https://benjamins.com/online/hop/articles/dei1.

Sifakis, G.M. 1971. Parabasis and Animal Choruses. A Contribution to the History of Attic Comedy. London.

Sigelman, A.C. 2016. Pindar’s Poetics of Immortality. Cambridge.

Silk, M.S. 1974. Interaction in Poetic Imagery. Cambridge.

Silk, M.S. 1980. “Aristophanes as a Lyric Poet,” YCS 26: 99–151.

Silk, M.S. 2002. Aristophanes and the Definition of Comedy. Oxford.

Silk, M.S. 2007. “Pindar’s Poetry as Poetry: A Literary Commentary on Olympian 12,” in Hornblower and Morgan, eds: 177–197.

Silk, M.S. 2010. “The Language of Greek Lyric Poetry,” in Bakker, ed.: 424–440.

Silk, M.S 2012. “Reading Pindar,” in Agócs, Carey and Rawles, eds: 347–364.Silva, R. (2020). PÍNDARO. As odes olímpicas de Píndaro. Introdução, tradução e notas de Glória Braga Onelley e Shirley Peçanha. 1.ed. Rio de Janeiro: 7 Letras, 2016. PÍNDARO. Píndaro: epinícios e fragmentos. Tradução, introdução e notas Roosevelt Araújo Rocha. Curitiba: Kotter, 2018. Cadernos de Tradução, 40(1), 14. doi:https://doi.org/10.5007/2175-7968.2020v40n1p278

Silver, I. 1981. Ronsard and the Hellenic Renaissance in France: Ronsard and the Grecian Lyre. Geneva.

Simon, E. 1997. “Pindar und Delos,” Jb. d. deutschen archäologischen Instituts, 112: 247–259.

Skinner, M. 1997. “Ego Mulier. The Construction of Male Sexuality in Catullus,” in J. Hallett and M. Skinner, eds, Roman Sexualities. Princeton, NJ: 129–150.

Slings, S. 2019. “Symposion and Interpretation. Elegy as Group Song and the so-called Awakening Individual,” in Rutherford, ed.: 150–65 (= AAntHung 40 (2000), 423–434).

Slings, S.R. 1990. “The ‘I’ in Personal Archaic Lyric. An Introduction,” in S. Slings, ed., The Poet’s I in Archaic Greek Lyric. Amsterdam: 1–30.

Smith, J.M. 2015. “Horace Odes 2.7 and the Literary Tradition of Rhipsaspia,” TAPA 136: 243–280.

Smith, R. 2007. “Pindar, Athletes and the Early Greek Statue Habit,” in Hornblower and Morgan, eds: 83–139.

Smith, S.G. 1975. Collected Poems. London.

Snodgrass, A.M. 1980. Archaic Greece: The Age of Experiment. London.

Snyder, J. 1974. “Aristophanes’ Agathon as Anacreon,” Hermes 102: 244–246.

Snyder, J. 1989. The Woman and the Lyre: Women Writers in Classical Greece and Rome. Carbondale, IL.

Soja, E.W. 1996. Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places. Cambridge, MA.

Sommerstein, A.H. 1996. Aristophanes: Frogs. Warminster.

Sonneck, O.G.T. 1914. The Star-Spangled Banner. Washington, DC.

Sotiriou, M. 1998. Pindarus Homericus: Homer-Rezeption in Pindars Epinikien. Göttingen.

Souhami, D. 2004. Wild Girls: Paris, Sappho, and Art: The Lives and Loves of Natalie Barney and Romaine Brooks. London.

Spelman, H.L. 2014. “Placing Aphrodite: Alcaeus fr. 296b and Horace C. 4.1,” ZPE 189: 53–63.

Spelman, H.L. 2015. “Alcaeus fr. 140,” CP 110: 353–360.

Spelman, H.L. 2017. “Sappho 44, Trojan Myth and Literary History,” Mnemosyne 70: 740–757.

Spelman, H.L. 2018. Pindar and the Poetics of Permanence. Oxford.

Spelman, H.L. 2019. “Schools, Reading and Poetry in the Early Greek World,” CCJ 65: 150–172.

Spencer, N. 1995. “Early Lesbos between East and West: A ‘Grey Area’ of Aegean Archaeology,” BSA 90: 269–306.

Spencer, N. 2000. “Exchange and Stasis in Archaic Mytilene,” in Brock and Hodkinson, eds: 68–81.

Spongberg, M., Cine, B. and Curthoys, A., eds. 2005. A Companion to Women’s Historical Writing. Hampshire.

Squire, M. and Wienand, J., eds. 2017. Morphogrammata / The Lettered Art of Optatian. Figuring Cultural Transformations in the Age of Constantine. Paderborn.

Stafford, F. 1988. The Sublime Savage: A Study of James Macpherson and the Poems of Ossian. Edinburgh.

Stafford, F. 1996. “Primitivism and the ‘Primitive’ Poet: A Cultural Context for Macpherson’s Ossian,” in T. Brown, ed., Celticism. Amsterdam: 79–96.

Stafford Smith, J. 1799. A Fifth Book of Canzonets, Canons & Glees, Sprightly and Plaintive. London.

Stamatopoulou, M. 2007. “Thessalian Aristocracy and Society in the Age of Epinikian,” in Hornblower and Morgan, eds: 309–341.

Stamatopoulou, Z. 2014. “Reading the Aspis as a Hesiodic Poem,” CP 108: 273–285.

Stamatopoulou, Z. 2017. Hesiod and Classical Greek Poetry. Cambridge.

States, B.O. 1987. Great Reckonings in Little Rooms: On the Phenomenology of Theater. Santa Barbara, CA.

States, B.O. 1992. “The Phenomenological Attitude,” in J. Reinelt and J. Roach, eds, Critical Theory and Performance. Ann Arbor, MI.

Stehle, E. 1981. “Sappho’s Private World,” in H. Foley, ed., Reflections of Women in Antiquity. New York: 45–61.

Stehle, E. 1997. Performance and Gender in Ancient Greece: Nondramatic Poetry in Its Setting. Princeton, NJ.

Stein, G. 1990. The Autobiography of Alice B. Toklas. New York.

Steiner, D.T. 1986. The Crown of Song: Metaphor in Pindar. London.

Steiner, D.T. 2011. “Dancing with the Stars: Choreia in the Third Stasimon of Euripides’ Helen,” CP 106: 299–323.

Steiner, D. T. 2021a. “Sappho and Archaic Greek Song Culture,” in Finglass and Kelly, eds: 77–90.

Steiner, D. T. 2021b. Choral Constructions in Greek Culture: The Idea of the Chorus in the Poetry, Art and Social Practices of the Archaic and Early Classical Periods. Cambridge.

Stein-Hölkeskamp, E. 2009. “The Tyrants,” in Raaflaub and van Wees, eds: 100–116.

Stein-Hölkeskamp, E. 2015. Das archaische Griechenland: Die Stadt und das Meer. Munich.

Stern, J. 1967. “The Imagery of Bacchylides’ Ode 5,” GRBS 8: 35–43.

Stern, J. 1970. “An Essay on Bacchylidean Criticism,” in W. Calder and J. Stern, eds, Pindaros und Bakchylides. Darmstadt: 290–307.

Storey, I.C. 2003. Eupolis: Poet of Old Comedy. Oxford.

Strauss Clay, J. 2010. “Horace and Lesbian Lyric,” in G. Davis, ed., A Companion to Horace. Oxford: 128–146.

Strine, M., Long, B. and Hopkins, M. 1990. “Research in Interpretation and Performance Studies: Trends, Issues, Priorities,” in G. Phillips and J. Wood, eds, Speech Communication: Essays to Commemorate the 75th anniversary of the Speech Communication Association. Carbondale, IL: 181–204.

Stronach, D. 1990. “The Garden as a Political Statement: Some Case Studies from theNear East in the First Millennium B.C.,” Bulletin of the Asia Institute N.S. 4: 171–180.

Strunk, K. 1960. “Der böotische Imperativ δίδοι,” Glotta 39: 114–123.

Strunk, K. 1964. “Dorisches und Hyperdorisches,” Glotta 42: 165–169.

Suchfort, J.A. 1771. Fragmenta Stesichori lyrici. Göttingen.

Sweet, P. 1978. Wilhelm von Humboldt: A Biography. Columbus, OH.

Sweet, W. 1987. Sport and recreation in Ancient Greece. A Sourcebook with Translations. Oxford.

Swift, L.A. 2010. The Hidden Chorus. Echoes of Genre in Tragic Lyric. Oxford.

Swift, L.A. 2012. “Archilochus the “Anti-Hero”? Heroism, Flight, and Values in Homer and the New Archilochus Fragment (P.Oxy LXIX 4708),” JHS 132: 139–155.

Swift, L.A. 2014. “Telephus on Paros: Genealogy and Myth in the ‘New Archilochus’ Poem (P. Oxy. 4708),” CQ 64: 433–447.

Swift, L.A. 2015a. “Stesichorus on Stage,” in Finglass and Kelly, eds: 125–144.

Swift, L.A. 2015b. “Lyric Visions of Epic Combat,” in A. Bakogianni and V. Hope, eds, War as Spectacle: Ancient and Modern perspectives on the Display of Armed Conflict. London: 93–110.

Swift, L.A. 2016a. “Poetics and Precedents in Archilochus’ Erotic Imagery,” in Swift and Carey, eds: 253–270.

Swift, L.A. 2016b. “Visual Imagery in Parthenaic Song,” in Cazzato and Lardinois, eds: 255–287.

Swift, L.A. 2019. Archilochus. The Poems. Oxford.

Swift, L.A. and Carey, C., eds. 2016. Greek Iambus and Elegy: New Approaches. Oxford.

Syndikus, H.P. 1972/73. Die Lyrik des Horaz: Eine Interpretation der Oden ( 2 vols). Darmstadt.

Szabó, Z.G. and Thomason, R.H. 2019. Philosophy of Language. Cambridge.

Szondi, P. 1983. “Hölderlin’s Overcoming of Classicism,” Trans. T. Bahti, Comparative Criticism 5: 251–270.

Tally, R.T. Jr. 2013. Spatiality. London.

Tandy, D. 1997. Warriors into Traders: The Power of the Market in Early Greece. Berkeley, CA.

Taplin, O. and Wyles, R. 2010. The Pronomos Vase and Its Context. Oxford.

Tarrant, R.J. 1981. “The Authenticity of the Letter of Sappho to Phaon (Heroides XV),” HSCP 85: 133–153.

Tarrant, R.J. 1995. “Greek and Roman in Seneca’s Tragedies,” HSCP 97: 171–198.

Tarrant, R.J. 2007. “Ancient Receptions of Horace,” in Harrison 2007a, ed.: 277–290.

Tate, H. 2005. “The Ideological Effects of a Failed Constitutive Rhetoric: The Co-Option of the Rhetoric of White Lesbian Feminism,” Women's Studies in Communication 28: 1–31.

Taylor, D. 2004. “Translating Performance,” in Bial, ed.: 369–374.

Taylor, J.R. 1995. Linguistic Categorization: Prototypes in Linguistic Theory. Oxford.

Tchernikovsky, S. 1920. Shirei Anakreon (in Hebrew). Warsaw.

Tenger, B. 1999. “Zur Geographie und Geschichte der Troas,” in E. Schwertheim, ed., Die Troas. Neue Forschungen III. Bonn: 103–180.

Theander, C. 1937. “Zum neusten Sapphofund,” Philologus 92: 465–469.

Thomas, C.G. and Conant, C. 1999. Citadel to City-State: The Transformation of Greece, 1200–700 BCE. Bloomington and Indianapolis, IN.

Thomas, O. 2018. “Music in Euripides’ Medea,” in Phillips and D’Angour, eds: 99–120.

Thomas, R. 1992. Literacy and Orality in Ancient Greece, Cambridge.

Thomas, R. 2007a. “Horace and Hellenistic Poetry,” in Harrison 2007a, ed.: 50–62.

Thomas, R. 2007b. “Fame, Memorial, and Choral Poetry: The Origins of Epinikian Poetry – An Historical Study,” in Hornblower and Morgan, eds: 141–166.

Thomas, R. 2011. Horace: Odes Book IV and Carmen Saeculare. Cambridge.

Thomas, R. 2021. “Sappho’s Lesbos,” in Finglass and Kelly, eds: 22–35.

Thommen, L. 1996. Lakedaimonion Politeia: die Entstehung der spartanischen Verfassung. Stuttgart.

Thomson, D.S. 1982. Creachadh na Clàrsaich: Cruinneachadh de Bhardach, 1940–1980. Edinburgh.

Thomson, D.S. 1984. Why Gaelic Matters: A Short Discussion of the History and Significance of Gaelic and Its Related Arts in Scottish Life. Edinburgh.

Thomson, D.S. 1989. An Introduction to Gaelic Poetry, 2nd edn. Edinburgh.

Thomson, D.S. 1991–1992. “The Seventeenth-Century Crucible of Scottish Gaelic Poetry,” Studia Celtica 26/27: 155–162.

Thomson, D.S. 1993. Gaelic Poetry in the Eighteenth Century: A Bilingual Anthology. Aberdeen.

Thomson, D.S., ed. 1996. Alasdair Mac Mhaighstir Alasdair: Selected Poems. Edinburgh.

Thorsen, T.S. 2014. Ovid’s Early Poetry. From His Single Heroides to His Remedia Amoris. 
Cambridge.

Thummer, E. 1968. Pindar: die isthmischen Gedichte ( 2 vols). Heidelberg.

Too, Y.L. 1997. “Alcman’s Partheneion: The Maidens Dance the City,” QUCC 56: 7–29.

Tracy, S. and Habicht, C. 1991. “New and Old Panathenaic Victor Lists,” Hesperia 60: 187–236.

Traill, A. 2005. “Acroteleutium’s Sapphic Infatuation (Miles 1216–83),” CQ 55: 518–533.

Treu, M. 1976. Sappho, 5th edn. Munich.

Tréziny, H. 2016. “Archaeological Data on the Foundation of Megara Hyblaea. Certainties and Hypotheses,” in L. Donnellan, V. Nizzo and G.-J. Burgers, eds, Conceptualizing Early Colonisation. Brussels: 167–178.

Tribulato, O. 2008a. “La lirica monodica,” in Cassio, ed.: 145–175.

Tribulato, O. 2008b “La lirica corale,” in Cassio, ed.: 176–204.

Tribulato, O. 2010. “The Literary Dialects,” in Bakker, ed.: 388–400.

Trümper, M. 2012. “Gender and Space, ‘Public’ and ‘Private’,” in S.L. James and S. Dillon, eds, A Companion to Women in the Ancient World. West Sussex: 288–303.

Trümpy C. 1986. Vergleich des Mykenischen mit der Sprache der Chorlyrik: bewahrt die Chorlyrik eine von Homer unabhängige alte Sprachtradition? Bern.

Tsagarakis, O. 1977. Self-Expression in Early Greek Lyric, Elegiac and Iambic Poetry. Wiesbaden.

Tsantsanoglou, K. 2012. Of Golden Manes and Silvery Faces: The Partheneion 1 of Alcman. Berlin.

Tsitsibakou-Vasalos, E. 2001. “Alcman: Poetic Etymology. Tradition and Innovation,” RCCM 43: 15–38.

Tsomis, G. 2001. Zusammenschau der frühgriechischen monodischen Melik (Alkaios, Sappho, Anakreon). Stuttgart.

Tucker, S. 2005. Stephen Decatur: A Life Most Bold and Daring. Annapolis, MD.Tuffani, E. (2019). Elementos para um Catálogo Brasileiro de Literatura Grega (1837–2016): versão preliminar (alceu–aristóteles). Academia.edu, 32. Retrieved from http://www.academia.edu/39328168/ELEMENTOS_PARA_UM_CAT%C3%81LOGO_BRASILEIRO_DE_LITERATURA_GREGA_1837-2016_VERS%C3%83O_PRELIMINAR_ALCEU-ARIST%C3%93TELES_2019?source=swp_share

Turner, E. 1968. Greek Papyri: An Introduction. Oxford.

Turner, E. 1971. Greek Manuscripts of the Ancient World, 2nd edn. Revised by P.J. Parsons. London.

Turner, V. 1982. From Ritual to Theatre: The Human Seriousness of Play. New York.

Turyn, A. 1952. Pindari Carmina cum Fragmentis. Cambridge, MA.

Ucciardello, G. 2005. “Sulla tradizione del testo di Ibico,” in S. Grandolini, ed., Lirica e Teatro in Grecia. Il testo e la sua ricezione. Perugia: 21–88.

Ucciardello, G. 2012. “Frammento epodico (Archiloco?),” in F. Reiter, ed., Literarische Texte der Berliner Papyrussammlung. Zur Neueröffnung des Ägyptischen Museums. Berlin: 60–76.

Ucciardello, G. 2017. “Reconstructing Greek Lyric Poetry from Papyrus Fragments: The Case of P.Oxy. 32.2624 (Choral Lyric),” in T. Derda, J. Hilder and J. Kwapisz, eds, Fragments, Holes, and Wholes: Reconstructing the Ancient World in Theory and Practice. Warsaw: 333–362.

Ulbrich, A. 2008. Kypris: Heiligtümer und Kulte weiblicher Gottheiten auf Zypern in der kyproarchaishcen und kyproklassichen Epoche. Münster.

Ulf, C. 2014. “Formen von Konsumption, Lebensstilen, und Öffentlichkeiten von Homer bis Theognis,” Klio 96: 416–436.

Ursinus, F. 1568. Carmina nouem illustrium feminarum Sapphus Myrtidis Praxillae Erinnae Corinnae Nossidis Myrus Telesillae Anytae. Et lyricorum Alcmanis Ibyci Stesichori Anacreontis Alcaei Simonidis Bacchylidis. Elegiae Tyrtaei, et Mimnermi. Bucolica Bionis et Moschi. Antwerp.

Van Der Valk, M. 1974. “On the Composition of the Attic skolia,” Hermes 102: 1–20.

van der Weiden, M. 1991. The Dithyrambs of Pindar: Introduction, Text and Commentary. Amsterdam.

Van Groningen, B. 1966. Théognis. Le premier livre, édité avec un commentaire. Amsterdam.

Van Minnen, P. 1993. “The Century of Papyrology,” BASP 30.1: 5–18.

Van Minnen, P. 1997. “The Performance and Readership of the Persai of Timotheus,” APF 43: 246–260.

Van Minnen, P. 2007. “The Millennium of Papyrology (2001–)?,” in Palme, ed.: 703–714.

Van Wees, H. 1992. Status Warriors: War, Violence and Society in Homer and History. Amsterdam.

Van Wees, H. 1999. “Tyrtaeus’ Eunomia: Nothing to do with the Great Rhetra?,” in S. Hodkinson and A. Powell, eds: 1–41.

Van Wees, H. 2000. “Megara’s Mafiosi: Timocracy and Violence in Theognis,” in Brock and Hodkinson, eds: 52–67.

Van Wees, H. 2018. “The Common Messes,” in A. Powell, ed., A Companion to Sparta, vol. 1. Malden, MA: 236–268.

Van Wees, H. and Fisher, N. 2015. “The Trouble with ‘Aristocracy’,” in N. Fisher and H. van Wees, eds, “ Aristocracy” in Antiquity: Redefining Greek and Roman Elites. Swansea: 1–57.

Vatri, A. 2017. Orality and Performance in Classical Attic Prose. A Linguistic Approach. Oxford.

Veblen, T. 1899. The Theory of the Leisure Class: An Economic Study of Institutions. London.

Verdan, S. 2013. Eretria 22: Le sanctuaire d’Apollon Daphnéphoros à l’époque géométrique. Lausanne.

Verdenius, W.J. 1969. “Tyrtaeus 6–7 D. A Commentary,” Mnemosyne 22: 337–355.

Verdenius, W.J. 1972. “Callinus Fr. 1: A Commentary,” Mnemosyne 25: 1–8.

Verdenius, W.J. 1988. Commentaries on Pindar 2. Leiden.

Vergados, A. 2012. Homeric Hymn to Hermes. Berlin.

Vernant, J.-P. and Vidal-Naquet, P. 1988. Myth and Tragedy in Ancient Greece. Trans. J. Lloyd. New York.

Versnel, H.S. 2011. Coping with the Gods. Leiden.

Vestrheim, G. 2004. “Alcman fr. 26: A Wish for Fame,” GRBS 44: 5–18.

Vetta, M. 1980. Theognis elegiarum liber secundus. Roma.

Veyne, P. 1988. Did the Greeks Believe in their Myths?: An Essay on the Constitutive Imagination. Trans. P. Wissing. Chicago, IL.

Vöhler, M. 1997. “Danken möcht’ ich, aber wofür?” Zur Tradition und Komposition von Hölderlins Hymnik. Munich.

Vöhler, M. 2005. Pindarrezeptionen: Sechs Studien zum Wandel des Pindarverständnisses von Erasmus bis Herder. Heidelberg.

Voß, J.H. 1777. “Pindaros erster püthischer Chor; nebst einem Briefe an Hrn. Hofrath Heyne von Hrn. Voß,” Deutsches Museum 1: 78–93.

von der Mühll, P. 1964. “Weitere pindarische Notizen, 8. Persönliche Verliebtheit des Dichters?,” MH 21: 168–172.

von Wilamowitz-Moellendorff, U. 1900. Die Textgeschichte der griechischen Lyriker. Berlin.

von Wilamowitz-Moellendorff, U. 1907. “Die griechische Literatur des Altertum,” in U. von Wilamowitz-Moellendorff, ed., Die Griechische und Lateinische Literatur und Sprache; Die Kultur der Gegenwart 1.8, 2nd edn. Leipzig/Berlin. 3rd edn. rev. = 1995.

von Wilamowitz-Moellendorff, U. 1913. Sappho und Simonides. Berlin.

von Wilamowitz-Moellendorff, U. 1921. Griechische Verskunst. Berlin.

von Wilamowitz-Moellendorff, U. 1922. Pindaros. Berlin.

Vürtheim, J. 1919. Stesichoros’ Fragmente und Biographie. Leiden.

Wakeford, N. 1995. “Sexualised Bodies in Cyberspace,” in W. Chernaik and M. Deegan, eds, Beyond the Book: Theory, Text and the Politics of Cyberspace. London: 93–104.

Wakeford, N. 2004. “New Technologies and ‘Cyber-Queer’ Research,” in D. Richardson and S. Seidman, eds, Handbook of Lesbian and Gay Studies. London: 115–144.

Walker, H.J. 2015. The Twin Horse Gods: The Dioskouroi in Mythologies of the Ancient World. London.

Wallace, M.T. 2003. “An Early Fifth-Century Athenian Revolution in Aulos Music,” HSCP 101: 73–92.

Wallace, R.W. 2009. “Charismatic Leaders,” in Raaflaub and van Wees, eds: 411–426.

Warde, N.E. 1978. Johann Peter Uz and German Anacreontism: The Emancipation of the Aesthetic. Frankfurt.

Warner, M. 2013. Joan of Arc: The Image of Female Heroism, 2nd edn. Oxford.

Waszink, J.H. 1974. Biene und Honig als Symbol des Dichters und der Dichtung in der griechisch-romischen Antike (Rheinisch-Westfälische Akademie der Wissenschaften: Vorträge G 196).

Watson, J.C., ed. 1965. Gaelic Songs of Mary MacLeod. Edinburgh.

Watson, L. 2003. A Commentary on Horace’s Epodes. Oxford.

Watson, L. 2007. “The Epodes: Horace’s Archilochus?,” in Harrison 2007a, ed.: 93–104.

Watson, P. and Todeschini, C. 2006. The Medici Conspiracy: The Illicit Journey of Looted Antiquities From Italy’s Tomb Raiders to the World’s Greatest Museums. New York.

Węcowski, M. 2011. “On the Historicity of the ‘Homeric World’: Some Methodological Considerations,” in A. Mazarakis Ainian, ed., The “Dark Ages” Revisited: Acts of an International Symposium in Memory of William D. E. Coulson, vols. i–ii. Volos: 73–81.

Węcowski, M. 2014. The Rise of the Greek Aristocratic Banquet. Oxford.

Węcowski, M. 2017. “Wine and the Early History of the Greek Alphabet,” in Malkin et al., eds: 309–328.

Węcowski, M. 2018. “When did the Symposion Die? On the Decline of the Greek Aristocratic Banquet,” in F. van den Eijnde, J. Blok and R. Strootman, eds, Feasting and Polis Institutions. Leiden: 257–272.

Wegner, P. 2002. “Spatial Criticism: Critical Geography, Space, Place, and Textuality,” in J. Wolfreys, ed., Introducing Criticism at the 21st Century. Edinburgh: 179–201.

Weiss, N. 2017. The Music of Tragedy: Performance and Imagination in Euripidean Theater. Berkeley, CA.

Weiss, N.A. 2020. “Ancient Greek Choreia,” in A.C. Lynch and E. Rocconi, eds, A Companion to Ancient Greek and Roman Music. Malden, MA: 161–172.

Welcker, F.G. 1826. Theognidis Reliquiae. Frankfurt am Main.

Welcker, F.G. 1834. Kleine Schriften zur griechische Litteraturgeschichte I. Bonn.

Welcker, F.G. 1845. Kleine Schriften zur Griechischen Literaturgeschichte. Zweiter Theil. Bonn: 80–144 (= Sappho von einem herrschenden Vorurtheil befreyt. Göttingen 1816).

Werth, P. 1999. Text Worlds: Representing Conceptual Space in Discourse. London.

West, M.L. 1970a. “On Lesbian Accentuation,” Glotta 48: 194–198.

West, M.L. 1970b. “Burning Sappho,” Maia 22: 307–30. Reprinted in West 2011–13 II: 28–52.

West, M.L. 1974. Studies in Greek Elegy and Iambus. Berlin.

West, M.L. 1982. Greek Metre. Oxford.

West, M.L. 1984. “New Fragments of Ibycus’ Love Songs,” ZPE 57: 23–32.

West, M.L. 1990a. “Dating Corinna,” CQ 40: 553–557.

West, M.L. 1990b. “The Anacreontea,” in Murray, ed.: 272–276.

West, M.L. 1992a. Ancient Greek Music. Oxford.

West, M.L. 1992b. “Alcman and the Spartan Royalty,” ZPE 91: 1–7.

West, M.L. 1993a. Greek Lyric Poetry, Oxford.

West, M.L. 1993b. “Simonides redivivus,” ZPE 98: 1–14.

West, M.L. 1993c. Carmina Anacreontea, 2nd edn. Leipzig.

West, M.L. 1995. “The Date of the Iliad,” MH 52: 203−19. [=(2011–13) i.188−208].

West, M.L. 2002. “The View from Lesbos,” in R. Reichel and A. Rengakos, eds, Epea pteroenta. Beiträge zur Homerforschung. Festschrift für Wolfgang Kullmann zum 75. Geburtstag. Stuttgart: 207–219 [= (2011–13) i.392–407].

West, M.L. 2005. “The New Sappho,” ZPE 151: 1–9.

West, M.L. 2006. “Archilochus and Telephos,” ZPE 156: 11–17.

West, M.L. 2007. Indo-European Poetry and Myth. Oxford.

West, M.L. 2011–2013. Hellenica. Selected Papers on Greek Literature and Thought ( 3 vols). Oxford.

West, M.L. 2014. “Nine Poems of Sappho,” ZPE 191: 1–12.

West, M.L. 2015. “Epic, Lyric, and Lyric Epic,” in Finglass and Kelly, eds: 63–80.

West, M.L. 2017. Homerus. Odyssea. Berlin.

Wharton, H.T. 1885. Sappho: Memoir, Text, Selected Renderings and a Literal Translation. London.

Whitesell, D. 2015. “This Just In: Problematic Provenance,” Notes from Under Grounds. http://smallnotes.library.virginia.edu/2015/06/05/this-just-in-problematic-provenance.

Whitley, J. 1991. “Social Diversity in Dark Age Greece,” Annual of the British School at Athens 86: 341–365.

Whitmarsh, T. 2018. “Sappho and Cyborg Helen,” in Budelmann and Phillips, eds: 135–150.

Wilkinson, C. 2013. The Lyric of Ibycus: Introduction, Text and Commentary. Berlin.

Willi, A. 2008. Sikelismos: Sprache, Literatur und Gesellschaft im griechischen Sizilien (8.-5. Jh. v. Chr.). Basel.

Willi, A. 2012. “We speak Peloponnesian,” in O. Tribulato, ed., Language and Linguistic Contact in Ancient Sicily. Cambridge: 265–288.

Williamson, M. 1995. Sappho’s Immortal Daughters. Cambridge, MA.

Willink, C.W. 1986. Orestes. Oxford.

Wilson, P. 1980. “Pindar and His Reputation in Antiquity,” PCPS 26: 97–114.

Wilson, P. 1999. “The Aulos in Athens,” in Goldhill and Osborne, eds: 58–95.

Wilson, P. 2000. The Athenian Institution of the Khoregia: The Chorus, the City and the Stage. Cambridge.

Wilson, P. 2004. “Athenian Strings,” in Murray and Wilson, eds: 269–306.

Wilson, P. 2005. “Music,” in Gregory, ed.: 183–192.

Wilson, P. 2007. “Performance in the Pythion: The Athenian Thargelia,” in P. Wilson, ed., Greek Theatre and Festivals: Documentary Studies. Oxford: 150–82.

Wilson, P. 2012. “Pindar and English Eighteenth-Century Poetry,” Bulletin of the Institute of Classical Studies, Supplement 112: 157–168.

Wimmel, W. 1965. “Recusatio-Form und Pindarode,” Philologus 109: 83–103.

Winterson, J. 1994. Arts and Lies. London.

Wittig, M. 1969 [1985]. Les Guérillères. Trans. D. Le Vay. London.

Wittig, M. 1973 [1975]. The Lesbian Body. Trans. D. Le Vay. New York.

Wittig, M. and Zeig, S. 1979. Lesbian Peoples: Material for a Dictionary. New York.

Woodbury, L. 1985. “Ibycus and Polycrates,” Phoenix 39: 193–220.

Woodman, A.J. 2002. “Biformis Vates: The Odes, Catullus and Greek Lyric,” in A.J. Woodman and D.C. Feeney, eds, Traditions and Contexts in the Poetry of Horace. Cambridge: 53–64.

Woolf, V. 1925. “On Not Knowing Greek,” in The Common Reader. First Series. London: 17–25.

Woolf, V. 1929. A Room of One’s Own. Harmondsworth.

Woolf, V. 1993. Selected Essays, vol. 2. Harmondsworth.

Worman, N. 2017. “Euripides, Aristophanes, and the Reception of ‘Sophistic’ Styles,” in McClure, ed.: 517–532.

Wright, A., ed. 1798. The American Musical Miscellany. Northampton, MA: D. Wright and Company. Available at https://www.loc.gov/item/ihas.100010461 [Accessed 25 February 2018].

Wright, M. 2008. Euripides: Orestes. London.

Wright, M. 2016. The Lost Plays of Greek Tragedy (Volume 1): Neglected Authors. London.

Yates, F.A. 1966. The Art of Memory. Chicago, IL.

Yatromanolakis, D. 1999. “Alexandrian Sappho Revisited,” HSCP 99: 179–195.

Yatromanolakis, D. 2007. Sappho in the Making. The Early Reception. Cambridge, MA.

Yatromanolakis, D. 2008. “P. Colon. inv. 21351+21376 and P. Oxy. 1787 fr. 1: Music, Cultural Politics, and Hellenistic Anthologies,” Hellenica 58: 237–55.

Yatromanolakis, D. 2009a. “Alcaeus and Sappho,” in Budelmann 2009a, ed.: 263–276.

Yatromanolakis, D. 2009b. “Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground,” in D. Yatromanolakis, ed., An Archaeology of Representations: Ancient Greek Vase-Painting and Contemporary Methodologies. Athens: 414–464.

Yoffee, N. 2005. Myths of the Archaic State: Evolution of the Earliest Cities, States, and Civilizations. Cambridge.

Young, D. 1943. Auntran Blads. Glasgow.

Young, D. 1964. “Pindaric Criticism,” Minnesota Review 4: 584–641.

Young, D. 1984. The Olympic Myth of Greek Amateur Athletics. Chicago, IL.

Yourcenar, M. 1981. Fires. New York.

Youtie, H. 1963. “The Papyrologist: Artificer of Fact,” GRBS 4: 19–32.

Yunis, H., ed. 2003. Written Texts and the Rise of Literate Culture in Ancient Greece. Cambridge.

Zagagi, N. 2012. “What do Greek Words do in Plautus?,” in J. Glucker and C. Burnett, eds, Greek into Latin from Antiquity until the Nineteenth Century. London: 19–36.

Zeman, H. 1972. Die deutsche anakreontische Dichtung. Stuttgart: J.B. Metzler.

Zimmermann, B. 1992. Dithyrambos: Geschichte einer Gattung. Göttingen.

Zimmermann, B. 2000. “Eroi nel ditirambo,” in V. Pirenne-Delforge and E. Suárez de la Torre, eds, Héros et héroïnes dans les mythes et les cultes grecs. Liège: 15–20.

Zogg, F. 2017. “Aristophanes’ Komödien als Lesetexte,” Philologus 161: 1–18.

Zotou, A. 2014. Carmina anacreontea 1–34. Ein Kommentar. Berlin.