THE PROGRESSIVE ERA, 1900–1916

• Why was the city such a central element in Progressive America?

• How did the labor and women's movements challenge the nineteenth-century meanings of American freedom?

• In what ways did Progressivism include both democratic and antidemocratic impulses?

• How did the Progressive presidents foster the rise of the nation-state?

It was late afternoon on March 25, 1911, when fire broke out at the Triangle Shirtwaist Company. The factory occupied the top three floors of a ten-story building in the Greenwich Village neighborhood of New York City. Here some 500 workers, mostly young Jewish and Italian immigrant women, toiled at sewing machines producing ladies’ blouses, some earning as little as three dollars per week. Those who tried to escape the blaze discovered that the doors to the stairwell had been locked—the owners’ way, it was later charged, of discouraging theft and unauthorized bathroom breaks. The fire department rushed to the scene with high-pressure hoses. But then ladders reached only to the sixth floor. As the fire raged, onlookers watched in horror as girls leapt from the upper stories. By the time the blaze had been put out, 46 bodies lay on the street and 100 more were found inside the building.

The Triangle Shirtwaist Company was typical of manufacturing in the nation’s largest city, a beehive of industrial production in small, crowded factories. New York was home to 30,000 manufacturing establishments with more than 600,000 employees—more industrial workers than the entire state of Massachusetts. Triangle had already played a key role in the era’s labor history. When 200 of its workers tried to join the International Ladies’ Garment Workers Union (ILGWU), the owners responded by firing them. This incident helped to spark a general walkout of female garment workers in 1909—the Uprising of the 20,000. Among the strikers’ demands was better safety in clothing factories. The impoverished immigrants forged an alliance with middle- and upper-class female supporters, including members of the Women’s Trade Union League, which had been founded in 1903 to help bring women workers into unions. Alva Belmont, the ex-wife of railroad magnate William Vanderbilt, contributed several of her cars to a parade in support of the striking workers. By the time the walkout ended early in 1911. the ILGWU had won union contracts with more than 300 firms. But the Triangle Shirtwaist Company was not among them.

The Triangle fire was not the worst fire disaster in American history (seven years earlier, over 1,000 people had died in a blaze on the General Slocum excursion boat in New York Harbor). But it had an unrivaled impact on public consciousness. More than twenty years later, Franklin D. Roosevelt would refer to it in a press conference as an example of why the government needed to regulate industry. In its wake, efforts to organize the city’s workers accelerated, and the state legislature passed new factory inspection laws and fire safety codes.

Triangle focused attention on the social divisions that plagued American society during the first two decades of the twentieth century, a period known as the Progressive era. These were years when economic expansion produced millions of new jobs and brought an unprecedented array of goods within reach of American consumers. Cities expanded rapidly—by 1920, for the first time, more Americans lived in towns and cities than in rural areas. Yet severe inequality remained the most visible feature of the urban landscape, and persistent labor strife raised anew the question of government’s role in combating social inequality. The fire and its aftermath also highlighted how traditional gender roles were changing as women took on new responsibilities in the workplace and in the making of public policy.

Policemen stare up as the Triangle fire of 1911 rages, while the bodies of factory workers who plunged to their deaths to escape the blaze lie on the sidewalk.

The word “Progressive” came into common use around 1910 as a way of describing a broad, loosely defined political movement of individuals and groups who hoped to bring about significant change in American social and political life. Progressives included forward-looking businessmen who realized that workers must be accorded a voice in economic decision making, and labor activists bent on empowering industrial workers.

Other major contributors to Progressivism were members of female reform organizations who hoped to protect women and children from exploitation, social scientists who believed that academic research would help to solve social problems, and members of an anxious middle class who feared that their status was threatened by the rise of big business.

Everywhere in early-twentieth-century America the signs of economic and political consolidation were apparent—in the power of a small directorate of Wall Street bankers and corporate executives, the manipulation of democracy by corrupt political machines, and the rise of new systems of managerial control in workplaces. In these circumstances, wrote Benjamin P. DeWitt, in his 1915 book The Progressive Movement, “the individual could not hope to compete.... Slowly, Americans realized that they were not free.”

As this and the following chapter will discuss, Progressive reformers responded to the perception of declining freedom in varied, contradictory ways. The era saw the expansion of political and economic freedom through the reinvigoration of the movement for woman suffrage, the use of political power to expand workers’ rights, and efforts to improve democratic government by weakening the power of city bosses and giving ordinary citizens more influence on legislation.

City of Ambition, 1910, by the photographer Alfred Stieglitz, captures the stark beauty of New York City’s new skyscrapers.

It witnessed the flowering of understandings of freedom based on individual fulfillment and personal self-determination—the ability to participate fully in the ever-expanding consumer marketplace and, especially for women, to enjoy economic and sexual freedoms long considered the province of men. At the same time, many Progressives supported efforts to limit the full enjoyment of freedom to those deemed fit to exercise it properly. The new system of white supremacy born in the 1890s became fully consolidated in the South. Growing numbers of native-born Americans demanded that immigrants abandon their traditional cultures and become fully “Americanized.” And efforts were made at the local and national levels to place political decision making in the hands of experts who did not have to answer to the electorate. Even as the idea of freedom expanded, freedom’s boundaries contracted in Progressive America.

AN URBAN AGE AND A CONSUMER SOCIETY

FARMS AND CITIES

The Progressive era was a period of explosive economic growth, fueled by increasing industrial production, a rapid rise in population, and the continued expansion of the consumer marketplace. In the first decade of the twentieth century, the economy’s total output rose by about 85 percent. For the last time in American history, farms and cities grew together. As farm prices recovered from their low point during the depression of the 1890s, American agriculture entered what would later be remembered as its “golden age.” The expansion of urban areas stimulated demand for farm goods. Farm families poured into the western Great Plains. More than 1 million claims for free government land were filed under the Homestead Act of 1862—more than in the previous forty years combined. Between 1900 and 1910, the combined population of Texas and Oklahoma rose by nearly 2 million people, and Kansas, Nebraska, and the Dakotas added 800,000. Irrigation transformed the Imperial Valley of California and parts of Arizona into major areas of commercial farming.

But it was the city that became the focus of Progressive politics and of a new mass-consumer society. Throughout the industrialized world, the number of great cities multiplied. The United States counted twenty-one cities whose population exceeded 100,000 in 1910, the largest of them New York, with 4.7 million residents. The twenty-three square miles of Manhattan Island were home to over 2 million people, more than lived in thirty-three of the states. Fully a quarter of them inhabited the Lower East Side, an immigrant neighborhood more densely populated than Bombay or Calcutta in India.

Table 18.1 RISE OF THE CITY, 1880-1920

Year

Urban Population (percentage)

Number of Cities with 100,000+ Population

1880

20%

12

1890

28

15

1900

38

18

1910

50

21

1920

68

26

The mansion of Cornelius Vanderbilt II on New York City’s Fifth Avenue, in a 1920 photograph. Designed in the style of a French chateau, it took up the entire block. Today, the Bergdorf Goodman department store occupies the site.

The stark urban inequalities of the 1890s continued into the Progressive era. Immigrant families in New York’s downtown tenements often had no electricity or indoor toilets. Three miles to the north stood the mansions of Fifth Avenue’s Millionaire’s Row. According to one estimate, J. P. Morgan’s financial firm directly or indirectly controlled 40 percent of all financial and industrial capital in the United States. Alongside such wealth, reported the Commission on Industrial Relations, established by Congress in 1912, more than one-third of the country’s mining and manufacturing workers lived in “actual poverty.”

The city captured the imagination of artists, writers, and reformers. The glories of the American landscape had been the focal point of nineteenth-century painters (exemplified by the Hudson River school, which produced canvases celebrating the wonders of nature). The city and its daily life now became their preoccupation. Painters like George W. Bellows and John Sloan and photographers such as Alfred Stieglitz and Edward Steichen captured the electric lights, crowded bars and theaters, and soaring skyscrapers of the urban landscape. With its youthful, exuberant energies, the city seemed an expression of modernity itself.

Six O’clock, Winter, a 1912 painting by John Sloan, depicts a busy city street with an elevated railroad overhead. Sloan was one of a group of painters dubbed the Ashcan School because of their focus on everyday city life.

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