The primary interviews on which this work is based were conducted by the author or research associates. Vital interviews were also made available by John McDonough (Frank Capra, Matty Malneck, and Al Rinker), James T. Maher (John Scott Trotter), and Mark Scrimger and Bob Pasch (Maxene Andrews). Numerous interviews with Bing Crosby and others, taken from radio and TV broadcasts and diverse publications, are identified in the source notes. The author interviews are as follows:
Scott Ables, Anna Maria Alberghetti, Steve Allen, Mike Alpert, Bill Angelos, Army Archerd, Bob Bakewell, Danny Bank, Ken Barnes, Marti Barris, Rose Baylis, Tom Bell, Milt Bernhardt, Ann Blyth, Victor Borge, Jimmy Bowen, Eddie Bracken, Buddy Bregman, Nancy Briggs, Earl Brown, Les Brown, Pamela Crosby Brown, Violet Brown, Bud Brubaker, Pat Stanley Burke (Matthews), Rory Burke, Fran Bushkin, Joe Bushkin, Red Buttons, Billy Byers, John Cahill, Sammy Cahn, Frank Capp, Mary Carlisle (Blakely), Bill Challis, Saul Chaplin, Doc Cheatham, Rosemary Clooney, Alan Cohen, Dawn Coleman, George Coleman, Perry Como, Frank Converse, Alex Cord, Gary Crosby, Gregory Crosby, Harry Crosby, Howard Crosby, Janet Crosby, Mary Francis Crosby, Nathaniel Crosby, Phillip Crosby, Susan Crosby, Blythe Danner, Fred DeCordova, Bob DeFlores, Alan Dell, Norman Dewes, Dante DiPaolo, Kurt Dieterle, Ivan Ditmars, Ray Dolby, Father John W. Donahue, S.J., Robert Dornan, Gordon Douglas, Richard Drewitt, Ted Durein, Don Eagle, Harry “Sweets” Edison, Blake Edwards, Trudy Erwin, Nanette Fabray (MacDougall), Robert Farnum, José Feliciano, Bob Finkel, Alan Fisher, Ray Flaherty, Rhonda Fleming, Father Patrick J. Ford, S.J., Sister Mary Francis, John Frigo, Jack Fulton, Milt Gabler, Beverly Garland, Leslie Gaylor, Mitzi Gaynor, Dick Gibson, Johnny Grant, Hy Grill, Basil Grillo, Bob Haggart, Florence Haley, Gloria Haley, Jack Haley Jr., Jake Hanna, Bill Harbach, Phil Harris, Kitty Carlisle Hart, Edmund Hartman, Skitch Henderson, Sid Herman, Ray Herzog, Jim Hillbun, Milt Hinton, Celeste Holm, Bob Hope, Dolores Hope, Dr. George J. Hummer, Marsha Hunt, Jack Hupp, Carl Jefferson, Herb Jeffries, Hank Jones, Hal Kantor, Frieda Kapp, Mickey Kapp, Joseph H. King, Robert Kipp, Buz Kohan, Miles Krueger, Mort Lachman, Duncan Lamont, Burton Lane, Johnny Lange, Peggy Lee, Gene Lester, Howard Levine, Lou Levy, Frank Liberman, Rich Little, Jay Livingston, Alice Ludes, A. C. Lyles, Sheila Lynn, June MacCloy (Butler), Murdo MacKenzie, James T. Maher, John Mandel, Carolyn Manovill, Gerald Marks, Tony Martin, Billy May, Ginger Mercer, Don Mike, Henry Miller, Donald Mills, Geoff Milne, Lyle Moore, Pete Moore, Tom Moore, John Mullin, Lillian Murphy, Farlin Myers, David Nelson, Sheri North, Red Norvo, Robert O’Brien, Donald O’Connor, Jerry O’Connor, Lillian Oliver, Nancy Olson, Bill Osborn, Norman Panama, Marty Pasetta, John Patrick, Les Paul, Elsie Perry, William Perlberg Jr., Jerry Pickman, Terry Polesie, Dorothea Ponce, Joey Porter, Mike Post, Leslie Raddatz, Fred Reynolds, Carole Richards, Julia Rinker, Max Roach, Bob Roberts, Kenneth Roberts, Buddy Rogers, Roy Rogers, Lina Romay (O’Brien), Bob Roose, Meta Rosenberg, Kevin Ross, Cal Rossi, Jimmy Rowles, Iris Flores Schirmer, Vic Schoen, Mozelle Seger, Nick Sevano, Hazel Sharp (Diane Notestine), Melville Shavelson, Artie Shaw, Virgil H. Sherrill, Bob Sidney, Kevin Silva, Frank Sinatra Jr., Nancy Sinatra, Ann Slater, Daniel G. Smith, Francis X. Smith, Johnny Smith, Michael Smith, Paul Smith, Kay Starr, Gary Stevens, Rise Stevens, Gloria Stuart, Ralph Sutton, Jim Tainsley, Norma Teagarden (Friedlander), Todd Thomas, Noble Threewitt, Mel Tormé, Marguerite (McGhee) Toth, Arthur Tracy, Barry Ulanov, Mickey Van Gerbig, Bobbe Van Heusen, Felisa Vanoff, Betty Caulfield Vietor, Helen (Tuttle) Votachenko, Robert Wagner, Ray Walston, Pauline Weislow, Sandy Wernick, Paul Weston, Charlie Whittingham, Spiegel Wilcox, Max Wilk, Joe Williams, Jane Wyman.
Books and Selected Articles about Bing Crosby
Arnold, Maxine. “Man at the Top.” Photoplay, March 1947.
Barnes, Ken. The Crosby Years. New York: St. Martin’s Press, 1980.
Bauer, Barbara. Bing Crosby. New York: Pyramid Publications, 1977.
Bishop, Bert and John Bassett. Bing: Just for the Record. Gateshead, England: International Crosby Circle, 1980.
Bookbinder, Robert. The Films of Bing Crosby. Secaucus, N.J.: Citadel Press, 1977.
Carpozi, George Jr. The Fabulous Life of Bing Crosby. New York: Manor Books, 1977.
Crosby, Bing with Pete Martin. Call Me Lucky. New York: Simon & Schuster, 1953.
Crosby, Gary with Ross Firestone. Going My Own Way. Garden City, N.Y.: Doubleday, 1983.
Crosby, Kathryn. Bing and Other Things. New York: Meredith Press, 1967.
_____. My Life with Bing. Wheeling, I11.: Collage, 1983.
Crosby, Ted. The Story of Bing Crosby. Cleveland: World, 1946.
Crosby, Ted and Larry. Bing. Los Angeles: Bolton Printing Co., 1937.
Edwards, Anne. “Bing Crosby The Going My Way Star in Rancho Santa Fe.” Architectural Digest. April 1996.
Feather, Leonard, “Bing: The Father of Pop.” Melody Maker. June 19, 1976.
Hamann, G. D., editor. Bing Crosby in the 30’s. Hollywood: Filming Today, 1996.
_____. Bing Crosby in the 40’s. Hollywood: Filming Today, 1997.
_____. Bing Crosby in the 5O’s. Hollywood: Filming Today, 1998.
_____. Bing Crosby in the 60s. Hollywood: Filming Today, 1999.
_____. Bing Crosby in the 70’s. Hollywood: Filming Today, 1999.
Hentoff, Nat. “Bing Crosby Is Coming to Town.” New York News Magazine. December 5, 1976.
Kiner, Larry. Directory & Log of the Bing Crosby Cremo Singer Radio Series. Self-published, 1973.
King, Joseph A. “Bing Crosby’s Irish Roots: The Harrigan Family of Co. Cork, New Brunswick (Can.), Minnesota, and Washington.” Minnesota Genealogist 14, no. 4 (1983).
Marill, Alvin H. “Bing Crosby Photographed as Pleasingly as He Sang.” Films in Review. June-July 1968.
Macfarlane, Malcolm. Bing: A Diary of a Lifetime. Gateshead, England: International Crosby Circle, 1997.
Mielke, Randall G. Road to Box Office: The Seven Film Comedies ofBing Crosby, Bob Hope and Dorothy Lamour. Jefferson, N.C.: McFarland, 1997.
Mello, Edward J. and Tom McBride. Crosby on Record. San Francisco: Mello’s Music, 1950.
Mize, Dr. J. T. H. Bing. Chicago: Who Is Who in Music, 1946.
Morgereth, Timothy A. Bing Crosby: A Discography, Radio Program List and Filmography. Jefferson, N.C.: McFarland, 1987.
Murray, Ken. “Louis, Bix Had Most Influence on Der Bingle.” Down Beat. July 14, 1950.
Neuhaus, Mel. “Interview: Bing Crosby.” Laser Marquee, November 1994.
O’Connell, Sheldon with Gord Atkinson. Bing: A Voice for All Seasons. Tralee, Ireland: Kerryman Ltd., 1984.
Osterholm, J. Roger. Bing Crosby: A Bio-Bibliography. Westport, Conn.: Greenwood Press, 1994.
Pairpoint, Lionel. “… And Here’s Bing!” Bing Crosby: The Radio Directories. Gateshead, England: International Crosby Circle, 2000.
Pugh, Colin. Alternate Bing Crosby. Bristol, England: John Joyce, 1988.
Reilly, Jim. The Songs ofBing Crosby on Compact Disc. Self-published, 1996.
Reynolds, Fred. The Road to Hollywood. Rev. ed. Bristol, England: John Joyce, 1986.
_____. The Crosby Collection, Part One: 1926-1934. Self-published, 1991-97.
_____. The Crosby Collection, Part Two: 1935-1941. Self-published, 1991-97.
_____. The Crosby Collection, Part Three: 1942-1950. Self-published, 1991-97.
_____. The Crosby Collection, Part Four: 1951-1960. Self-published, 1991-97.
_____. The Crosby Collection, Part Five: 1961-1977. Self-published, 1991-97.
Reynolds, Quentin. “The Kid from Spokane.” Collier’s. April 27, 1935.
Ruhlmann, William. “Swinging (On a) Star: The Road to Bing Crosby.” Goldmine, December 24, 1993.
Scrimger, Mark. “An Intimate Tour of Bing’s Hometown, Spokane.” Bingang, April 1984.
Shepherd, Donald and Robert F. Slatzer. Bing Crosby: The Hollow Man. New York: St. Martin’s Press, 1981.
Staff. “Bing Crosby: He Is Still Falling Uphill.” Time, April 7, 1941.
_____. “Going His Way Is a Nation’s Habit After Twenty Years of Crosby Song.” Newsweek, January 28, 1946.
_____. “The Crosby Story.” Billboard, October 26, 1946.
_____. “The Great Throat: Bing Crosby, First in Films, First on the Air, and First on the Phonographs of His Countrymen.” Fortune, January 1947.
_____. Bing Crosby Album (magazine). New York: Dell, 1949.
_____. The Bing Crosby Story (magazine). New York: Lopez, 1977.
Stimson, William. “Bing Crosby: The Road to Hollywood.” Spokane, 1977.
_____. “Bing We Hardly Knew Ye.” Pacific Northwest, December 1987.
Taylor, Vernon Wesley. “Hail KMH!” (six parts). The Crosby Voice, Bing Crosby Victorian Society, September 1984, February 1985, May 1985, September 1985, November 1985, February 1986.
Thomas, Bob. The One and Only Bing. New York: Grosset & Dunlap, 1977.
Thompson, Charles. Bing. New York: David McKay, 1976.
_____. The Complete Crosby. London: W. H. Allen, 1978.
Ulanov, Barry. The Incredible Crosby. New York: Whittlesey House, 1948.
Vandervoort, Paul II. “Uncle Sam Sans Whiskers.” Band Leaders, January 1, 1946.
Venables, Ralph. “Cross-Section on Crosby. “ Vocal Jazz, London, 1945.
Zwisohn, Laurence J. Bing Crosby: A Lifetime in Music. Los Angeles: Palm Tree Library, 1978.
Selected Bibliography
Adams, Joey. Here’s to the Friars. New York: Crown, 1976.
Adams, William Forbes. Ireland and Irish Emigration to the New World. Baltimore: Genealogical Publishing Co. (reprint), 1980.
Agee, James. Agee on Film. New York: McDowell, Obolensky, 1958.
Andre, Marcella, editor. Columbia: Portrait of a Label. New York: Sony Music Entertainment Inc., 1991.
Andrews, Maxene and Bill Gilbert. Over Here, Over There; The Andrews Sisters and the USO Stars in World War II. New York: Zebra Books, 1993.
Arce, Hector. Gary Cooper. New York: William Morrow, 1979.
_____. Groucho. New York: G. P. Putnam’s Sons, 1979.
Armstrong, Louis. Swing That Music. London: Longmans, Green and Co., 1936.
_____. Satchmo: My Life in New Orleans. New York: Prentice-Hall, 1954.
Arnold, William. Shadowland. New York: McGraw-Hill, 1978.
Astaire, Fred. Steps in Time. New York: Harper & Row, 1959.
Atkins, Irene Kahn, editor. Arthur Jacobson. Metuchen, N.J.: Directors Guild of America and Scarecrow Press, 1991.
_____. David Butler. Metuchen, N.J.: Directors Guild of America and Scarecrow Press, 1993.
Bach, Bob and Ginger Mercer. Our Huckleberry Friend: The Life, Times, and Lyrics of Johnny Mercer. Secaucus, N.J.: Lyle Stuart, 1982.
Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930— 1939. Berkeley, Calif.: University of California Press, 1995.
Barnouw, Erik. A Tower in Babel. New York: Oxford University Press, 1966.
_____. The Golden Web. New York: Oxford University Press, 1968.
Barrett, Mary Ellin. Irving Berlin: A Daughter’s Memoir. New York: Simon & Schuster, 1994.
Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. New York: Oxford University Press, 1995.
Basie, Count with Albert Murray. Good Morning Blues. New York: Random House, 1985.
Beck, Jerry and Will Friedwald. Looney Tunes and Merrie Melodies. New York: Henry Holt, 1989.
Behr, Edward. Prohibition. New York: Arcade, 1996.
Bell-Metereau, Rebecca. Hollywood Androgyny. New York: Columbia University Press, 1993.
Beloff, Jim. The Ukukeke:A Visual History. San Francisco: Miller Freeman Books, 1997.
Bennett, Tony with Will Friedwald. The Good Life. New York: Pocket Books, 1998.
Benny, Jack and Joan. Sunday Nights at Seven: The Jack Benny Story. New York: Warner Books, 1990.
Benny, Mary Livingstone and Hilliard Marks with Marcia Borie. Jack Benny. New York: Doubleday, 1978.
Berger, Edward, editor. Bassically Speaking: An Oral History of George Duvivier. Metuchen, N.J.: Institute of Jazz Studies and Scarecrow Press, 1993.
Bergman, Ingrid and Alan Burgess. My Story. New York: Delacorte Press, 1980.
Bergreen, Laurence. As Thousands Cheer: The Life of Irving Berlin. New York: Viking, 1990.
_____. Louis Armstrong: An Extravagant Life. New York: Broadway Books, 1997.
Blankenship, Mrs. George E. Early History of Thurston County, Washington Together with Biographies and Reminiscences of Those Identified with Pioneer Days. Self-published, 1914.
Bloom, Ken. Hollywood Song. 3 vols. New York: Facts on File, 1995.
Blumenthal, Ralph. Stork Club. Boston: Little, Brown, 2000.
Bogdanovitch, Peter. Who the Devil Made It. New York: Alfred A. Knopf, 1997.
Bogue, Merwyn. Ish Kabibble. Baton Rouge, La.: Louisiana State University Press, 1989.
Bordman, Gerald. American Musical Theatre. New York: Oxford University Press, 1986.
Bowen, Jimmy and Jim Jerome. Rough Mix. New York: Simon & Schuster, 1997.
Buxton, Frank and Bill Owen. The Big Broadcast 1920-1950. Rev. ed. New York: Viking, 1966.
Cagney, James. Cagney by Cagney. Garden City, N.Y.: Doubleday, 1976.
Cahn, Sammy. I Should Care. New York: Arbor House, 1974.
Cantor, Eddie and David Freedman. Ziegfeld: The Great Glorifier. New York: Alfred H. King, 1934.
Capra, Frank. The Name Above the Title. New York: Macmillan, 1971.
Carmichael, Hoagy. The Stardust Road. Bloomington, Ind.: Indiana University Press (reprint), 1983.
Carroll, Carroll. None of Your Business or My Life with J. Walter Thompson. Toronto: Cowles, 1970.
Catechism of the Catholic Church. Liguori, Mo.: Libreria Editrice Vaticana/ Liguori Publications, 1994.
Chaplin, Saul. The Golden Age of Movie Musicals and Me. Norman, Okla.: University of Oklahoma Press, 1994.
Chilton, John. Who’s Who of Jazz. Rev. ed. New York: Da Capo, 1972.
_____. Stomp Off, Let’s Go! The Story of Bob Crosby’s Bob Cats & Big Band. London: Jazz Book Service, 1983.
_____. Let the Good Times Roll: The Story of Louis Jordan and His Music. London: Quartet, 1992.
Citron, Stephen. Noel & Cole. New York: Oxford University Press, 1993.
Clooney, Rosemary with Raymond Strait. This for Remembrance. Chicago: Playboy Press, 1977.
Clooney, Rosemary with Joan Barthel. Girl Singer. New York: Doubleday, 1999.
Cohan, Steve and Ina Rae Hark, editors. The Road Movie Book. London: Rout-ledge, 1997.
Condon, Eddie. We Called It Music. Rev. ed. New York: Da Capo, 1988.
Conrad, Barnaby. Name Dropping: Tales from My Barbary Coast Saloon. New York: HarperCollins, 1994.
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Coslow, Sam. Cocktails for Two. New Rochelle, N.Y.: Arlington House, 1977.
Cronkite, Kathy. On the Edge of Darkness. New York: Doubleday, 1994.
Crowe, Cameron. Conversations with Wilder. New York: Alfred A. Knopf, 1999.
Crowther, Bruce and Mike Pinfold. The Jazz Singers. Poole, England: Blanford Press, 1986.
Curtis, Jenny. Bob Hope. New York: Metro Books, 1999.
Dance, Stanley. The World of Swing. New York: Scribners, 1974.
_____. The World of Earl Hines. New York: Scribners, 1977.
Daniel, Clifton, editor. Chronicle of the 20th Century. Mount Kisco, N.Y.: Chronicle, 1987.
Davies, Marion. The Times We Had. Indianapolis: Bobbs-Merrill, 1975.
Davis, Ronald L. The Glamour Factory. Dallas: Southern Methodist University Press, 1993.
Deffaa, Chip. In the Mainstream. Metuchen, N.J.: Institute of Jazz Studies and Scarecrow Press, 1992.
_____. Blue Rhythms. Urbana, I11.: University of Illinois Press, 1996.
Delaunay, Charles. Django Reinhardt. New York: Da Capo (reprint), 1981.
DeLong, Thomas A. Pops: Paul Whiteman, King of Jazz. Piscataway, N.J.: New Century, 1983.
Dexter, Dave Jr. Playback. New York: Billboard Publications, 1976.
Dietrich, Marlene. Marlene. New York: Avon (reprint), 1990.
Donaldson, Ellen, editor. The Walter Donaldson Songbook. Winona, Minn.: Hal Leonard, 1988.
Douglas, Mike with Thomas Kelly and Michael Heaton. I’ll Be Right Back. New York: Simon & Schuster, 2000.
Dunning, John. On the Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press, 1998.
Dupuis, Robert. Bunny Berigan: Elusive Legend of Jazz. Baton Rouge, La.: Louisiana State University Press, 1993.
Dyar, Ralph E. News for an Empire: The Story of the Spokesman-Review. Caldwell, Idaho: Caxton Printers, 1952.
Eames, John Douglas. The Paramount Story. New York: Crown Publishers, 1985.
Eberly, Phillip K. Music in the Air. New York: Hastings House, 1982.
Edmonds, I. G. Paramount Pictures and the People Who Made Them. San Diego: A. S. Barnes, 1980.
Eisenberg, Evan. The Recording Angel. New York: McGraw-Hill, 1987.
Ellington, Duke. Music Is My Mistress. Garden City, N.Y.: Doubleday, 1973.
Ellison, Ralph. The Collected Essays of Ralph Ellison. New York: Modern Library, 1995.
Emerson, Ken. Doo-Dah! Stephen Foster and the Rise of American Popular Culture. New York: Simon & Schuster, 1997.
Epstein, Daniel Mark. Nat King Cole. New York: Farrar, Straus and Giroux, 1999.
Evans, Philip R. and Larry F. Kiner. Tram — The Frank Trumbauer Story. Metuchen, N.J.: Institute of Jazz Studies and Scarecrow Press, 1.994.
Ewen, David. Great Men of American Popular Song. Rev. ed. Englewood Cliffs, N.J.: Prentice-Hall, 1972.
Eyman, Scott. Ernst Lubitsch: Laughter in Paradise. New York: Simon & Schuster, 1993.
_____. The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930.
New York: Simon & Schuster, 1997.
Fein, Irving A. Jack Benny: An Intimate Biography. New York: G. P. Putnam’s Sons, 1976.
Ferguson, Otis, edited by Robert Wilson. The Film Criticism of Otis Ferguson. Philadelphia: Temple University Press, 1971.
Ferguson, Otis, edited by Dorothy Chamberlain and Robert Wilson. In the Spirit of Jazz: The Otis Ferguson Reader. New York: Da Capo, 1997.
Feuer, Jane. The Hollywood Musical. Bloomington, Ind.: Indiana University Press, 1993.
Fidelman, Geoffrey Mark. First Lady of Song: Ella Fitzgerald for the Record. New York: Carol Publishing Group, 1994.
Fields, Armond and L. Marc. From the Bowery to Broadway: Lew Fields and the Roots of American Popular Theater. New York: Oxford University Press, 1993.
Finler, Joel W. The Hollywood Story. New York: Crown, 1988.
Fisher, Eddie. Eddie: My Life, My Loves. New York: Harper & Row, 1981.
Fitzgerald, Margaret E. and Joseph A. King. The Uncounted Irish. Toronto: P. D. Meany, 1990.
Fontaine, Joan. No Bed of Roses. New York: William Morrow, 1978.
Fowles, Jib. Starstruck. Washington, D.C.: Smithsonian Institution Press, 1992.
Foy, Eddie and Alvin Harlow. Clowning Through Life. New York: Dutton, 1928.
Frank, Gerold. Judy. New York: Da Capo (reprint), 1999.
Frank, Rusty E. Tap! Rev. ed. New York: Da Capo, 1994.
Franklin, Joe. Joe Franklin’s Encyclopedia of Comedians. New York: Bell, 1985.
Franklin, Joe with R. J. Marx. Up Late with Joe Franklin. New York: Scribners, 1995.
Freeman, Bud. You Don’t Look Like a Musician. Detroit: Balamp, 1974.
Freidel, Frank. Franklin D. Roosevelt: A Rendezvous with Destiny. Boston: Little, Brown, 1990.
Fried, Albert. FDR and His Enemies. New York: St. Martin’s Press, 1999.
Friedwald, Will. Jazz Singing. New York: Scribners, 1990.
_____. Sinatra!. The Song Is You. New York: Scribners, 1995.
Furia, Philip. Ira Gershwin. New York: Oxford University Press, 1996.
Gabbard, Krin. Jammin at the Margins. Chicago: University of Chicago Press, 1996.
Gabier, Neal. An Empire of Their Own. New York: Doubleday, 1989.
Garnett, Tay with Fredda Dudley Balling. Light Your Torches and Pull Up Your Tights. New Rochelle, N.Y.: Arlington House, 1973.
Gehring, Wes D. Leo McCarey and the Comic Anti-Hero in American Film. New York: Arno Press, 1980.
Geist, Kenneth L. Pictures Will Talk. New York: Scribners, 1978.
Gelatt, Roland. The Fabulous Phonograph. Philadelphia: Lippincott, 1955.
Giddins, Gary. Riding on a Blue Note. New York: Oxford University Press, 1981.
_____. Satchmo. New York: Doubleday, 1988.
Gioia, Ted. The History of Jazz. New York: Oxford University Press, 1997.
Goldberg, Isaac. Tin Pan Alley. New York: John Day, 1930.
Goldenson, Leonard H. with Marvin J. Wolf. Beating the Odds. New York: Scribners, 1991.
Goldman, Herbert G. Jolson: The Legend Comes to Life. New York: Oxford University Press, 1988.
_____. Banjo Eyes: Eddie Cantor and the Birth of Modern Stardom. New York: Oxford University Press, 1997.
Goodman, Ezra. The Fifty-Year Decline and Fall of Hollywood. New York: Simon & Schuster, 1961.
Gottfried, Martin. Nobody’s Fool: The Lives of Danny Kaye. New York: Simon & Schuster, 1994.
Gourse, Leslie. Louis’ Children. New York: William Morrow, 1984.
Green, Abel and Joe Laurie Jr. Show Biz: From Maude to Video. New York: Henry Holt, 1951.
Green, Stanley. Encyclopaedia of the Musical Film. New York: Oxford University Press, 1981.
_____. Hollywood Musicals: Year By Year. Milwaukee: Hal Leonard, 1990.
Greene, Graham. Graham Greene on Film. New York: Simon & Schuster, 1972.
Gross, Ben. I Looked and I Listened. New York: Random House, 1954.
Grudens, Richard. The Best Damn Trumpet Player. Stony Brook, N.Y.: Celebrity Profiles, 1996.
Guiles, Fred Laurence. Marion Davies. New York: McGraw-Hill, 1972.
Hadlock, Richard. Jazz Masters of the 20’s. New York: Macmillan, 1965.
Hale, Lee with Richard D. Neely. Backstage at the Dean Martin Show. Arcadia, Calif.: Dean Martin Fan Center, 1999.
Halliwell, Leslie. Mountain of Dreams. New York: Stonehill Publishing, 1976.
Hamann, G. D., editor. Clarence Muse in the 30’s. Hollywood: Filming Today, 1996.
_____. Hollywood Scandals in the 30’s. Hollywood: Filming Today, 1996.
Hamill, Pete. Why Sinatra Matters. Boston: Little, Brown, 1998.
Hamm, Charles. Yesterdays. New York: W. W. Norton, 1979.
Hammond, John with Irving Townsend. John Hammond on Record. New York: Summit Books, 1977.
Handy, W. C. Father of the Blues. New York: Macmillan, 1941.
Harmon, Jim. The Great Radio Comedians. Garden City, N.Y.: Doubleday, 1970.
Hart, Kitty Carlisle. Kitty. Garden City, N.Y.: Doubleday, 1988.
Harvey, James. Romantic Comedy in Hollywood from Lubitsch to Sturges. New York: Alfred A. Knopf, 1987.
Hemming, Roy and David Hajdu. Discovering Great Singers of Classic Pop. New York: Newmarket Press, 1991.
Hinton, Milt and David G. Berger. Bass Line. Philadelphia: Temple University Press, 1988.
Hirschhorn, Clive. The Hollywood Musical. New York: Crown, 1981.
Hoopes, Ray. When the Stars Went to War. New York: Random House, 1994.
Hope, Bob. They Got Me Covered. Self-published, 1941.
Hope, Bob with Pete Martin. Have Tux, Will Travel. New York: Simon & Schuster, 1954.
Hope, Bob with Melville Shavelson. Don’t Shoot, It’s Only Me. New York: G. P. Putnam’s Sons, 1990.
Horowitz, Joseph. Understanding Toscanini. New York: Alfred A. Knopf, 1987.
Howard, John Tasker. Stephen Foster. New York: Crowell, 1934.
Hunt, Marsha. The Way We Wore. Fallbrook, Calif.: Fallbrook Publishing Group, 1993.
Huxley, Aldous. Along the Road. London: Chatto and Windus, 1925.
Hyland, William G. The Song Is Ended. New York: Oxford University Press, 1995.
Inman, David. The TV Encyclopedia. New York: Perigee Books, 1991.
Jablonski, Edward. Harold Arlen. Boston: Northeastern University Press, 1996.
_____. Irving Berlin: American Troubadour. New York: Henry Holt, 1999.
Jacobs, Dick. Who Wrote That Song? White Hall, Va.: Betterway Publications, 1988.
Jasen, David A. Tin Pan Alley. New York: Donald I. Fine, 1988.
Jasen, David A. and Gene Jones. Spreadin Rhythm Around. New York: Schirmer Books, 1998.
Johnson, Dorris and Ellen Leventhal, editors. The Letters of Nunnally Johnson. New York: Alfred A. Knopf, 1981.
Jones, Max. Talking Jazz. New York: Norton, 1988.
Jones, Max and John Chilton. Louis: The Louis Armstrong Story. Boston: Little, Brown, 1971.
Kaminsky, Max with V. E. Hughes. My Life in Jazz. New York; Harper & Row, 1963.
Kanter, Hal. So Far, So Funny. Jefferson, N.C.: McFarland, 1999.
Karney, Robin, editor. Chronicle of the Cinema. New York: DK Publishing, 1995.
Kashner, Sam and Nancy Schoenberger. A Talent for Genius: The Life and Times of Oscar Levant. New York: Villard Books, 1994.
Katz, Ephraim. The Film Encyclopedia. 2d ed. New York: HarperPerennial, 1994.
Kay, Eddie Dorman. Box Office Champs. New York: Portland House, 1990.
Kempton, Murray. Part of Our Time. New York: Simon & Schuster, 1955.
King, Joseph A. The Irish Lumberman-Farmer. 2d ed. Self-published, 1987.
Kinkle, Roger D. The Complete Encyclopedia of Popular Music and Jazz: 1900—1950. 4 vols. New Rochelle, N.Y.: Arlington House, 1974.
Klamkin, Marian. Old Sheet Music. New York: Hawthorn Books, 1975.
Kobal, John. People Will Talk. New York: Alfred A. Knopf, 1985.
Kreuger, Miles, editor. The Movie Musical: From Vitaphone to 42nd Street. New York: Dover, 1975.
Lally, Kevin. Wilder Times. New York: Henry Holt, 1996.
Lamour, Dorothy with Dick McInnes. My Side of the Road. Englewood Cliffs, N.J.: Prentice-Hall, 1980.
Lamparski, Richard. Whatever Became Of… ? 8th series. New York: Crown, 1982
Laurie, Joe, Jr. Vaudeville. New York: Henry Holt, 1953.
Lax, Roger and Frederick Smith. The Great Song Thesaurus. 2d ed. New York: Oxford University Press, 1989.
Lee, Peggy. Miss Peggy Lee. New York: Donald I. Fine, 1989.
Lejeune, C. A., edited by Anthony Lejeune. The C. A. Lejeune Film Reader. Manchester, England: Carcanet, 1991.
Le Roy, Mervyn with Dick Kleiner. Mervyn LeRoy: Take One. New York: Hawthorn Books, 1974.
Lester, Gene with Peter Laufer. When Hollywood Was Fun! New York: Birch Lane Press, 1993.
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Levant, Oscar. Memoirs of an Amnesiac. G. P. Putnam’s Sons, 1965.
Levine, Lawrence W. Black Culture and Black Consciousness. New York: Oxford University Press, 1977.
_____. Highbrow/Lowbrow. Cambridge: Harvard University Press, 1988.
Levinson, Peter J. Trumpet Blues: The Life of Harry James. New York: Oxford University Press, 1999.
Levy, Shawn. King of Comedy: The Life and Art of Jerry Lewis. New York: St. Martin’s Press, 1996.
Lewis, Judy. Uncommon Knowledge. New York: Pocket Books, 1994.
Linet, Beverly. Ladd. New York: Arbor House, 1979.
Lipsitz, George. Rainbow at Midnight. Urbana, I11.: University of Illinois Press, 1994.
Louvish, Simon. Man on the Flying Trapeze. New York: W. W. Norton, 1997.
Lowry, Ed with Charlie Foy, edited by Paul M. Levitt. Joe Frisco. Carbondale, I11.: Southern Illinois University Press, 1999.
Loza, Steven. Barrio Rhythm. Urbana, I11.: University of Illinois Press, 1993.
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Unpublished Manuscripts
Frank, Melvin. The Crosbys: Bing and Dixie. Teleplay. Courtesy of his daughter, Elizabeth Frank.
Good, Kitty. Untitled memoir by the widow of Eddie Lang, taped by her son, Tim Good. Courtesy of Kitty and Tim Good.
Gordon, Julia M. What a Life: The Eddie Bracken Story. Life of the actor by his granddaughter, written on a Senior Fellowship from Dartmouth. Courtesy of Eddie Bracken and Julia M. Gordon.
McDonough, John. Decca: 60th Anniversary History. Commissioned by MCA. Courtesy of John McDonough.
Porter, Joey. Never Been So Lost. Screenplay by the son-in-law of Harry Barris. Courtesy of Joey Porter and Marti Barris.
Rinker, Al. The Bing Crosby I Knew. Written memoir. Courtesy of his daughter, Julia Rinker, and widow, Elizabeth Rinker.
Taylor, Doreen. Untitled memoir of dancer Doreen Wilde, taped by her granddaughter, Alison McMahan. Courtesy of Alison McMahan.
Tuttle, Frank. They Started Talking. Written memoir. Courtesy of his daughter, Helen Votachenko.