Biographies & Memoirs

Bibliography

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Alsop, Susan Mary. To Marietta from Paris: 1945–1960. New York: Doubleday, 1975.

Arvin, Newton. Hawthorne. New York: Russell & Russell, 1961.

—–. American Pantheon. Edited by Daniel Aaron and Sylvan Schendler. New York: Delacorte, 1966.

Auden, W. H. Collected Poems. Edited by Edward Mendelson. New York: Random House, 1976.

Bacall, Lauren. Lauren Bacall by Myself. New York: Knopf, 1979.

Baldwin, Billy. Billy Baldwin Decorates. New York: Holt, Rinehart and Winston, 1972.

—–. Billy Baldwin Remembers. New York: Harcourt Brace Jovanovich, 1974.

—– with Michael Gardine. Billy Baldwin: An Autobiography. Boston: Little, Brown, 1985.

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Beaton, Cecil. The Wandering Years, Diaries 1922–39. Boston: Little, Brown, 1961.

—–. The Years Between, Diaries 1939–44. New York: Holt, Rinehart and Winston, 1965.

—–. The Best of Beaton. Introduction by Truman Capote. New York: Macmillan, 1968.

—–. Cecil Beaton: Memoirs of the 40’s. New York: McGraw-Hill, 1972.

—–. The Strenuous Years, Diaries 1948–55. London: Weidenfeld and Nicolson, 1973.

—–. The Restless Years. London: Weidenfeld and Nicolson, 1976.

—–. The Parting Years, Diaries 1963–74. London: Weidenfeld and Nicolson, 1978.

—– and Gail Buckland. The Magic Image. Boston: Little, Brown, 1975. Benchley, Nathaniel. Humphrey Bogart. Boston: Little, Brown, 1975.

Bernstein, Burton. Thurber. New York: Dodd, Mead, 1975.

Birmingham, Stephen. The Right People: A Portrait of the American Social Establishment. Boston: Little, Brown, 1968.

Bosworth, Partricia. Montgomery Clift: A Biography. New York: Harcourt Brace Jovanovich, 1978.

Bowles, Paul. Without Stopping: An Autobiography. New York: Putnam, 1972.

Bradlee, Benjamin C. Conversations with Kennedy. New York: Norton, 1975.

Brian, Denis. Murderers and Other Friendly People. New York: McGraw-Hill, 1973.

Brickell, Herschel, ed. O. Henry Memorial Award Prize Stories of 1946. New York: Doubleday, 1946.

—–, ed. Prize Stories of 1948. New York: Doubleday, 1948.

Brinnin, John Malcolm. Sextet. New York: Delacorte, 1981.

Brown, Frederick. An Impersonation of Angels: A Biography of Jean Cocteau. New York: Viking, 1968.

Buckley, William F., Jr. The Jeweler’s Eye. New York: Putnam, 1968.

—–. A Hymnal: The Controversial Arts. New York: Putnam, 1978.

Carpenter, Humphrey. W. H. Auden. Boston: Houghton Mifflin, 1981.

Carr, Virginia Spencer. The Lonely Hunter, A Biography of Carson McCullers. New York: Doubleday, 1975.

Cerf, Bennett. At Random: The Reminiscences of Bennett Cerf. New York: Random House, 1977.

Clark, Ronald W. Freud, The Man and the Cause. New York: Random House, 1980.

Cocteau, Jean. Professional Secrets: An Autobiography of Jean Cocteau. Edited by Robert Phelps, translated by Richard Howard. New York: Farrar Straus Giroux, 1970.

Connolly, Cyril. Ideas and Places. New York: Harper & Brothers, 1953.

Coward, Noël. The Noël Coward Diaries. Edited by Graham Payn and Sheridan Morley. Boston: Little, Brown, 1982.

Cowles, Virginia. The Astors. New York: Knopf, 1979.

Cowley, Malcom, ed. Writers at Work, The Paris Review Interviews. New York: Viking, 1959.

Creeger, George R. Animals in Exile: Imagery and Theme in Capote’s In Cold Blood. Middletown, Connecticut: Center for Advanced Studies, Wesleyan University, 1967.

Curtis, Charlotte. The Rich and Other Atrocities. New York: Harper & Row, 1976.

Curtiss, Mina. Other People’s Letters. Boston: Houghton Mifflin, 1978.

Davis, John H. The Guggenheims. New York: Morrow, 1978.

—–. The Kennedys: Dynasty and Disaster, 1848–1983. New York: McGraw-Hill, 1984.

Dillon, Millicent. A Little Original Sin, The Life and Work of Jane Bowles. New York: Holt, Rinehart and Winston, 1981.

Donald, David Herbert. Look Homeward: A Life of Thomas Wolfe. Boston: Little, Brown, 1987.

Doughty, Howard. Francis Parkman. New York: Macmillan, 1962.

Drutman, Irving. Good Company. Boston: Little, Brown, 1976.

Dunphy, Jack. John Fury. New York: Harper & Brothers, 1946.

—–. “Dear Genius… “: A Memoir of My Life with Truman Capote. New York: McGraw-Hill, 1987.

Eells, George. The Life That Late He Led, A Biography of Cole Porter. New York: Putnam, 1967.

Ewen, David. The Story of America’s Musical Theater. Philadelphia: Chilton, 1968.

—–. New Complete Book of the American Musical Theater. New York: Holt, Rinehart and Winston, 1970.

Eyles, Allen. Bogart. New York: Doubleday, 1975.

Fiedler, Leslie A. Love and Death in the American Novel. New York: Criterion Books, 1960.

Finney, Brian. Christopher Isherwood. New York: Oxford University Press, 1979.

Fitzgerald, F. Scott. The Last Tycoon. Foreword by Edmund Wilson. New York: Scribner’s, 1969.

Flanner, Janet. Paris Journal, 1944–1965. Edited by William Shawn. New York: Atheneum, 1965.

Flaubert, Gustave. The Letters of Gustave Flaubert, 1830–1857. Selected, edited and translated by Francis Steegmuller. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 1980.

Forster, E. M. A Passage to India. New York: Harcourt, Brace, 1924.

Fryer, Jonathan. Isherwood. New York: Doubleday, 1978.

Fulton, John F. Harvey Cushing: A Biography. Springfield, Illinois: Charles C. Thomas, 1946.

Garson, Helen S. Truman Capote. New York: Frederick Ungar, 1980.

Gill, Brendan. Here at The New Yorker. New York: Random House, 1975.

Goad, Craig M. Daylight and Darkness, Dream and Delusion: The Works of Truman Capote. Emporia, Kansas: Emporia State Research Studies, 1967.

Graham, Sheilah. How to Marry Super Rich: Or Love, Money and the Morning After. New York: Grosset & Dunlap, 1974.

Grant, Jane. Ross, The New Yorker and Me. New York: Reynal and Company, 1968.

Green, Martin. Children of the Sun. New York: Basic, 1976.

Green, Stanley. The World of Musical Comedy. New York: Grosset & Dunlap, 1962.

Greene, Graham. Ways of Escape. New York: Penguin, 1981.

Grobel, Lawrence. Conversations with Capote. New York: New American Library, 1985.

Gruen, John. Menotti, A Biography. New York: Macmillan, 1978.

Guggenheim, Peggy. Out of This Century: Confessions of an Art Addict. New York: Universe Books, 1979.

Halberstam, David. The Powers That Be. New York: Knopf, 1979.

Hanna, David. Bogart. New York: Leisure Books, 1976.

Hassan, Ihab. Radical Innocence: Studies in the Contemporary American Novel. Princeton, New Jersey: Princeton University Press, 1961.

Herbert, David. Second Son: An Autobiography. London: Peter Owen, 1972.

Higham, Charles. Brando: The Unauthorized Biography. New York: New American Library, 1987.

Holroyd, Michael. Lytton Strachey: A Critical Biography, Volume II. New York: Holt, Rinehart and Winston, 1968.

Hoover, Kathleen, and John Cage. Virgil Thomson: His Life and Music. New York: Thomes Yoseloff, Sagamore Press, 1959.

Huisman, P., and M. G. Dortu. Lautrec by Lautrec. New York: Viking, 1964.

Hyams, Joe. Bogie. New York: New American Library, 1966.

Isherwood, Christopher. Down There on a Visit. New York: Simon and Schuster, 1962.

Jablonski, Edward. Harold Arlen. New York: Doubleday, 1961.

James, Henry. The Art of the Novel. New York: Scribner’s, 1934.

Johnson, Edgar. Charles Dickens: His Tragedy and Triumph, Volume One. New York: Simon and Schuster, 1952.

Jullian, Philippe, and John Phillips. Violet Trefusis: Life and Letters. London: Hamish Hamilton, 1976.

Kahn, E. J., Jr. Jock: The Life and Times of John Hay Whitney. New York: Doubleday, 1981.

La Guardia, Robert. Monty: A Biography of Montgomery Clift. New York: Arbor House, 1977.

Lawrence, D. H. The Letters of D. H. Lawrence. Edited and with an introduction by Aldous Huxley. New York: Viking, 1932.

Leavitt, Richard F., ed. The World of Tennessee Williams. New York: Putnam, 1978.

Lee, Harper. To Kill a Mockingbird. Philadelphia and New York: Lippincott, 1960.

Lewis, Robert. Slings and Arrows: Theatre in My Life. New York: Stein and Day, 1984.

Lilienthal, David E. The Journals of David E. Lilienthal, Volume II: The Atomic Energy Years, 1945–1950. New York: Harper & Row, 1964.

—–. The Journals of David E. Lilienthal, Volume III, The Venturesome Years, 1950–1955. New York: Harper & Row, 1966.

—–. The Journals of David E. Lilienthal, Volume V, The Harvest Years, 1959–1963. New York: Harper & Row, 1971.

Logan, Joshua. Movie Stars, Real People, and Me. New York: Delacorte, 1978.

Lopez, Enrique Hank. Conversations with Katherine Anne Porter. Boston: Little, Brown, 1981.

Mack, Gerstle. Toulouse-Lautrec. New York: Knopf, 1949.

Mailer, Norman. Advertisements for Myself. New York: Putnam, 1959.

—–. The Armies of the Night. New York: New American Library, 1968.

Malin, Irving, ed. Truman Capote’s In Cold Blood: A Critical Handbook. Belmont, California: Wadsworth, 1968.

Martin, Ralph G. A Hero for Our Times: An Intimate Story of the Kennedy Years. New York: Macmillan, 1983.

Menen, Aubrey. The Duke of Gallodoro. New York: Scribner’s, 1952.

Metz, Robert. CBS: Reflections in a Bloodshot Eye. Chicago: Playboy Press, 1975.

Moore, Harry T. The Priest of Love: A Life of D. H. Lawrence. Revised edition. New York: Farrar Straus Giroux, 1974.

Morgan, Ted. Maugham. New York: Simon and Schuster, 1980.

Morley, Robert, and Sewell Stokes. Robert Morley. New York: Simon and Schuster, 1966.

Nance, William L. The Worlds of Truman Capote. New York: Stein and Day, 1970.

Newquist, Roy. Counterpoint. Chicago: Rand McNally, 1964.

Nicolson, Nigel, ed. Harold Nicolson, The Later Years, 1945–1962. New York: Atheneum, 1968.

Nin, Anaïs. The Diary of Anaïs Nin. Edited by Gunther Stuhlmann. New York: Harcourt Brace Jovanovich, 1971.

Nizer, Louis. Reflections without Mirrors. New York: Doubleday, 1978.

Nolan, William F. John Huston, King Rebel. Los Angeles: Sherbourne Press, 1965.

O’Higgins, Patrick. Madame. New York: Viking, 1971.

Ozick, Cynthia. Art and Ardor. New York: Knopf, 1983.

Painter, George D. Proust, The Later Years. Boston: Little, Brown, 1965.

Paley, William S. As It Happened: A Memoir. New York: Doubleday, 1979.

Paper, Lewis Jo. Empire: William S. Paley and the Making of CBS. New York: St. Martin’s, 1987.

Pope-Hennessy, Una. Charles Dickens. New York: Howell, Soskin, Publishers, 1946.

Priestley, J. B. Charles Dickens. New York: Viking, 1962.

Quennell, Peter, ed. Marcel Proust, 1871–1922, A Centennial Volume. New York: Simon and Schuster, 1971.

Rader, Dotson. Tennessee: Cry of the Heart. New York: Doubleday, 1985.

Reed, Kenneth T. Truman Capote. Boston: Twayne, 1981.

Rorem, Ned. The Paris and New York Diaries of Ned Rorem, 1951–1961. San Francisco: North Point Press, 1983.

Ross, Lillian. Reporting. New York: Simon and Schuster, 1964.

Rudisill, Marie, with James C. Simmons. Truman Capote: The Story of His Bizarre and Exotic Boyhood by an Aunt Who Helped Raise Him. New York: Morrow, 1983.

Ryan, Cornelius. The Longest Day. New York: Simon and Schuster, 1959.

Sagar, Keith. The Life of D. H. Lawrence. New York: Pantheon, 1980.

Saroyan, Aram. Trio. New York: Linden Press/Simon and Schuster, 1985.

Schorer, Mark. The World We Imagine. New York: Farrar Straus Giroux, 1968.

Schwartz, Charles. Cole Porter, A Biography. New York: Dial, 1977.

Seaman, Barbara. Lovely Me: The Life of Jacqueline Susann. New York: Morrow, 1987.

Secrest, Meryle. Between Me and Life. New York: Doubleday, 1964.

Selznick, David O. Memo from David O. Selznick. Edited by Rudy Behlmer. New York: Viking, 1972.

Snow, Carmel, with Mary Louise Aswell. The World of Carmel Snow. New York: McGraw-Hill, 1962.

Stanton, Robert J. Truman Capote, A Primary and Secondary Bibliography. Boston: G. K. Hall, 1980.

—– and Gore Vidal, eds. Views from a Window: Conversations with Gore Vidal. Secaucus, New Jersey: Lyle Stuart, 1980.

Stassinopoulos, Arianna. Maria Callas: The Woman Behind the Legend. New York: Simon and Schuster, 1981.

Steegmuller, Francis. Cocteau: A Biography. Boston: Little, Brown, 1970.

Stein, Jean, interviewer, George Plimpton, ed. American Journey: The Times of Robert Kennedy. New York: Harcourt Brace Jovanovich, 1970.

Strachey, Lytton. Queen Victoria. New York: Harcourt, Brace and World, 1949.

Susann, Jacqueline. Dolores. New York: Bantam, 1977.

Thomas, Bob. Selznick. New York: Doubleday, 1970.

Thomson, Elizabeth H. Harvey Cushing: Surgeon, Author, Artist. New York: Henry Schuman, 1950.

Thomson, Virgil. Virgil Thomson. New York: Knopf, 1967.

Thurber, James. The Years with Ross. Boston: Little, Brown, 1959.

Thurman, Judith. Isak Dinesen, The Life of a Storyteller. New York: St. Martin’s Press, 1982.

Toklas, Alice B. What Is Remembered. New York: Holt, Rinehart and Winston, 1963.

—–. Staying On Alone: Letters of Alice B. Toklas. Edited by Edward Burns. New York: Liveright, 1973.

Trewin, J. C. Peter Brook, A Biography. London: Macdonald, 1971.

Tynan, Kenneth. Tynan Right and Left. New York: Atheneum, 1967.

Vickers, Hugo. Cecil Beaton, The Authorized Biography. London: Weidenfeld and Nicolson, 1985.

Vidal, Gore. The City and the Pillar. New York: Dutton, 1948.

Viertel, Salka. The Kindness of Strangers. New York: Holt, Rinehart and Winston, 1963.

Vreeland, Diana. D. V. Edited by George Plimpton and Christopher Hemphill. New York: Knopf, 1984.

West, Ray B., Jr. The Short Story in America: 1900–1950. Chicago: Henry Regnery, 1952.

White, E. B. Letters of E. B. White. Collected and edited by Dorothy Lobrano Guth. New York: Harper & Row, 1976.

Wickes, George. The Amazon of Letters: The Life and Loves of Natalie Barney. New York: Putnam, 1976.

Williams, Tennessee. Memoirs. New York: Doubleday, 1975.

—–. Tennessee Williams’ Letters to Donald Windham, 1940–1965. Edited by Donald Windham. New York: Holt, Rinehart and Winston, 1977.

Windham, Donald. Lost Friendships, A Memoir of Truman Capote, Tennessee Williams, and Others. New York: Morrow, 1987.

—–. Footnote to a Friendship. Privately printed, 1983.

Wishart, Michael. High Diver. London: Quartet, 1977.

Woolf, Virginia. The Diary of Virginia Woolf, Volume Five, 1936–1941. New York: Harcourt Brace Jovanovich, 1984.

Endnotes

1 Paley denied that the rabbi’s visits were arranged behind his back and in fact claimed that he had set them up through the Jewish Theological Seminary.

2 Paley denied that this episode ever took place.

3 Many aphorisms have been falsely attributed to the Spanish saint, and this is apparently one of them. She did express similar sentiments, however, and Truman probably assumed that a paraphrase was a direct quotation.

4 Mailer had good reason to call him a ballsy little guy. When he wrote that appraisal, he was still bruised from a television encounter with Truman in the winter of 1959. They had appeared, together with Dorothy Parker, on David Susskind’s program Open End, to talk about writers and writing. The Beat Generation came under review. Mailer defended it; Truman attacked it. “None of these people have anything interesting to say,” Truman declared, “and none of them can write, not even Mr. [Jack] Kerouac… [It] isn’t writing at all—it’s typing.” The phrase was to be attached to poor Kerouac for the rest of his life. No one recalled Mailer’s response. Instinctively, Truman had realized that what television audiences remember is not an argument, but the amusing and pithy phrase they can repeat to their friends the next morning.

5 One of Truman’s characters relates how the composer lured the steward onto his living-room couch by claiming he needed advice on storing his wine. Every time Porter made an advance, such as squeezing his leg, the steward coolly named his price for allowing such a liberty. As the advances became bolder, so did the bill. When it reached two thousand dollars, Porter angrily wrote out a check and, quoting the lyrics of one of his most famous songs, said: “Miss Otis regrets she’s unable to lunch today. Now get out.”

6 David Brion Davis’ The Problem of Slavery in Western Culture won the Pulitzer Prize; Justin Kaplan’s biography of Mark Twain, Mr. Clemens and Mark Twain, won the National Book Award.

7 Maloff had good reason to regret the day that he became a literary judge. A few weeks later James Michener, one of Truman’s admirers, wrote a letter to Book World professing to rebuke Truman for his ill-tempered attack, but in fact taking a second swipe at Maloff: “Granted that Mr. Maloff’s novel was one of the most pathetic offerings in recent years, granted that it was a polished up re-working of some deep-think college essays remembered from Freshman English 3, and granted that Mr. Capote was right in describing the novel as a pompous travesty on popular prototypes, there was still no reason to abuse Mr. Maloff personally. He deserves compassion rather than ridicule.”

8 “Ah woe!… For what woe lacketh here? My children lost, my land, my lord.”

9 Danny was Truman’s private name for him; it was not his real name.

10 Truman’s instinct to leave was correct: the proceedings dragged on for six years. The young defendant was twice convicted and twice sentenced to 594 years in prison.

11 His salary was ten thousand dollars a week plus expenses; by the time he finished, he had earned nearly seventy-nine thousand dollars.

12 He had removed “Mojave,” which he had originally projected as the novel’s second chapter.

13 Truman was not the only man Lee discarded that spring. In early May she had left her fiancé, San Francisco hotelier Newton Cope, standing—quite literally—at the altar, even as the wedding guests were assembling and the champagne was cooling in the ice buckets. Speaking of Cope and another ex-boyfriend, Peter Tufo, she said: “Why, no one would have ever heard of either of them if it hadn’t been for me.”

14Jim Fosburgh died in April, 1978. Minnie followed in November, leaving Truman some mementos, a painting of a cat and a pair of pottery rabbits, which seemed to indicate that at least one of the three Cushing sisters had forgiven him.

15 He was to receive another fifty thousand dollars when filming began, together with a percentage of possible profits at the box office.

16 Though collections of stories rarely do well, Music for Chameleons was a happy exception; it surprised Random House by selling 84,471 copies and remaining on the New York Times nonfiction best-seller list for sixteen weeks, from August 31 through December 21, 1980.

17 After Truman died, Tiny offered for sale an awkward and lumpish story, “I Remember Grandpa,” that she said he had written in 1947, the year he was completing Other Voices. She submitted no evidence to support her claim that he was the author, however—the manuscript was typed without any notations in his handwriting—and he obviously was not. Redbook printed it nonetheless, an Atlanta publisher brought it out as a book, complete with illustrations, and many readers undoubtedly assumed that it was genuine.

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