The greatest painter of the Italian Baroque, Caravaggio was also a quicktempered, murderous swordsman. Few artists have had a police record like his. When painting, however, he became a mystic. The models for his Virgins and his saints were prostitutes, but his pictures are deeply spiritual.
At the height of his fame, just after painting the Pope's portrait, Caravaggio killed a man in a duel and had to hide for his life in the wild hills outside Rome. Outlawed, he became a Knight of Malta but, for half-killing a fellow knight in another duel, was thrown into a dungeon from which he escaped, leaping over the prison walls with a rope. After fleeing along the coast of Sicily on small boats, pursued by a nameless enemy, he was caught in a Neapolitan brothel by his enemy's assassins and left for dead, so disfigured by sword cuts that he was unrecognisable. Trying to return to Rome, he was shipwrecked, mistaken for a notorious bandit and arrested, before dying on a Tuscan beach in mysterious circumstances when he was still only thirty-eight. All this time he had been painting furiously, in cellars by lamp light, pictures that are masterpieces. Some must still await rediscovery.
Was Caravaggio a homosexual, whose religious scenes are secretly suffused with homoeroticism? What were the causes of his self-destructive binges and endless brawling? Did the Knights of Malta murder him? Just where did he die and where was he buried? Making use of very recent discoveries in Italy and elsewhere, Desmond Seward answers these questions.
Chapter 2: Carlo Borromeo and the Plague, 1576–1578
Chapter 3: Apprenticeship, 1584–1588
Chapter 4: The Counter-Reformation
Chapter 5: The Flight from Milan, 1592
Chapter 7: The Rulers of Rome, 1592
Chapter 8: The Hack Painter, 1592–1596
Chapter 9: Cardinal del Monte, 1596
Chapter 10: Palazzo Madama, 1596–1600
Chapter 11: Homosexual or Heterosexual? 1596–1600
Chapter 12: “Nature the only subject fit for his brush,” 1596
Chapter 13: The Year of Murders, 1599
Chapter 14: The First Severed Heads, 1599
Chapter 15: The Contarelli Chapel, 1599–1600
Chapter 16: The New Patrons, 1600–1602
Chapter 17: The Swordsman, 1600–1606
Chapter 18: “Wonderful Things at Rome,” 1603
Chapter 19: The First Baroque Pope, 1605
Chapter 20: The Killing of Ranuccio Jommasoni, May 1606
Chapter 21: Outlaw in the Roman Hills, Summer 1606
Chapter 22: Interlude at Naples, 1606–1607
Chapter 23: The Neapolitan Altarpieces
Chapter 24: The Prior of Naples
Chapter 25: The Knights of Malta, July 1607
Chapter 26: The Novice, 1607–1608
Chapter 28: “Fra’ Michelangelo,” July 1608
Chapter 29: The Unknown Knight, September 1608
Chapter 30: A Dungeon Called the “Birdcage,” September 1608
Chapter 31: Syracuse, 1608–1609
Chapter 34: “The Neapolitan Shrug,” 1609
Chapter 35: “Puerto Hercules,” July 1610
APPENDIX: WHERE TO SEE CARAVAGGIO’S PICTURES