Biographies & Memoirs

Caravaggio: A Passionate Life

Caravaggio: A Passionate Life

The greatest painter of the Italian Baroque, Caravaggio was also a quicktempered, murderous swordsman. Few artists have had a police record like his. When painting, however, he became a mystic. The models for his Virgins and his saints were prostitutes, but his pictures are deeply spiritual.

At the height of his fame, just after painting the Pope's portrait, Caravaggio killed a man in a duel and had to hide for his life in the wild hills outside Rome. Outlawed, he became a Knight of Malta but, for half-killing a fellow knight in another duel, was thrown into a dungeon from which he escaped, leaping over the prison walls with a rope. After fleeing along the coast of Sicily on small boats, pursued by a nameless enemy, he was caught in a Neapolitan brothel by his enemy's assassins and left for dead, so disfigured by sword cuts that he was unrecognisable. Trying to return to Rome, he was shipwrecked, mistaken for a notorious bandit and arrested, before dying on a Tuscan beach in mysterious circumstances when he was still only thirty-eight. All this time he had been painting furiously, in cellars by lamp light, pictures that are masterpieces. Some must still await rediscovery.

Was Caravaggio a homosexual, whose religious scenes are secretly suffused with homoeroticism? What were the causes of his self-destructive binges and endless brawling? Did the Knights of Malta murder him? Just where did he die and where was he buried? Making use of very recent discoveries in Italy and elsewhere, Desmond Seward answers these questions.

PREFACE

Chapter 1: Milan, 1571

Chapter 2: Carlo Borromeo and the Plague, 1576–1578

Chapter 3: Apprenticeship, 1584–1588

Chapter 4: The Counter-Reformation

Chapter 5: The Flight from Milan, 1592

Chapter 6: Rome, 1592

Chapter 7: The Rulers of Rome, 1592

Chapter 8: The Hack Painter, 1592–1596

Chapter 9: Cardinal del Monte, 1596

Chapter 10: Palazzo Madama, 1596–1600

Chapter 11: Homosexual or Heterosexual? 1596–1600

Chapter 12: “Nature the only subject fit for his brush,” 1596

Chapter 13: The Year of Murders, 1599

Chapter 14: The First Severed Heads, 1599

Chapter 15: The Contarelli Chapel, 1599–1600

Chapter 16: The New Patrons, 1600–1602

Chapter 17: The Swordsman, 1600–1606

Chapter 18: “Wonderful Things at Rome,” 1603

Chapter 19: The First Baroque Pope, 1605

Chapter 20: The Killing of Ranuccio Jommasoni, May 1606

Chapter 21: Outlaw in the Roman Hills, Summer 1606

Chapter 22: Interlude at Naples, 1606–1607

Chapter 23: The Neapolitan Altarpieces

Chapter 24: The Prior of Naples

Chapter 25: The Knights of Malta, July 1607

Chapter 26: The Novice, 1607–1608

Chapter 27: The Grand Master

Chapter 28: “Fra’ Michelangelo,” July 1608

Chapter 29: The Unknown Knight, September 1608

Chapter 30: A Dungeon Called the “Birdcage,” September 1608

Chapter 31: Syracuse, 1608–1609

Chapter 32: Messina, 1609

Chapter 33: Palermo, 1609

Chapter 34: “The Neapolitan Shrug,” 1609

Chapter 35: “Puerto Hercules,” July 1610

EPILOGUE

APPENDIX: WHERE TO SEE CARAVAGGIO’S PICTURES

SOURCES

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