
RETURNING TO St. Petersburg after saying goodbye to her mother, Catherine immediately asked for Maria Zhukova. Before her marriage, the empress had added to Catherine’s small court a group of young Russian ladies-in-waiting to help the German-speaking bride-to-be improve her Russian. Catherine was delighted to have them. The girls were all young; the oldest was twenty. “From that moment on,” Catherine recalled, “I did nothing but sing, dance, and frolic in my room from the moment I awoke until I fell asleep.” These were the playmates with whom Catherine played blindman’s buff, used the lid of a harpsichord as a toboggan, and spent a night on mattresses on the floor wondering what men’s bodies looked like. The liveliest and most intelligent of these young women, a seventeen-year-old named Maria Zhukova, had become Catherine’s favorite.
When she asked for Maria, she was told that the girl had gone to visit her mother. The following morning, Catherine asked again and the answer was the same. At noon that day, when she called on the empress in her bedroom, Elizabeth began to talk about Johanna’s departure and said she hoped Catherine would not be too much affected by it. Then, almost in passing, she said something that struck Catherine dumb—“I thought I would faint,” Catherine wrote later. In a loud voice and in the presence of thirty people, the empress announced that, in response to Johanna’s parting request, she had dismissed Maria Zhukova from court. Johanna, Elizabeth told Catherine, “feared that I had grown too attached to the girl and that a close friendship between two young women the same age was undesirable.” Then, on her own, Elizabeth added a stream of insults directed at Maria.
Catherine wondered whether Elizabeth was telling the truth; whether, in fact, her mother had actually asked the empress to send the girl away. Had Johanna felt this much hostility for Maria, Catherine was certain that her mother would have spoken to her before departing; Johanna had never been reticent with criticism. It was true that Johanna had always ignored Maria, but Catherine explained this to herself as stemming from Johanna’s inability to speak to the girl: “My mother did not know Russian and Maria spoke no other language.” If, on the other hand, Johanna was not to blame and the idea was solely Elizabeth’s, perhaps Madame Krause had told the empress about the close friendship between the young women. And perhaps Elizabeth had considered this information relevant to the reports that nothing productive was happening at night in the marital bedchamber. This might explain why, behind the cover of its being Johanna’s wish, Elizabeth had summarily removed Catherine’s closest friend. If any of this conjectured sequence was true, Catherine never learned.
In any case, Catherine knew that Maria Zhukova was innocent of wrongdoing. Upset, she told Peter that she did not intend to abandon her friend; Peter showed no interest. Catherine then attempted to send money to Maria, but was informed that the girl had already left St. Petersburg for Moscow with her mother and sister. Catherine next asked that the money she wanted to send to Maria be sent instead to Maria’s brother, a sergeant in the Guards. She was told that the brother and his wife had also disappeared; the brother had suddenly been posted to a distant regiment. Refusing to give up, Catherine tried to arrange a marriage. “Through my servants and others, I looked for a suitable husband for Mlle Zhukova. A man was located who seemed eligible, a junior officer in the Guards, who was a gentleman of property. This man traveled to Moscow to offer to marry Maria if she liked him. She accepted his proposal.” But when word of this arrangement reached the empress, she intervened again. The new husband was assigned (essentially, banished) to a regiment in Astrakhan. “It is difficult,” Catherine wrote later, “to find an explanation for this further persecution. Later on, I gathered that the only crime ever attributed to this girl was my affection for her and the attachment she was supposed to have for me. Even now, I find it difficult to find any plausible explanation for all this. It seems to me that people were being gratuitously ruined out of mere caprice, with no shadow of reason.”
This was a warning of what lay ahead. Indeed, Catherine soon realized that the harsh treatment of Maria Zhukova was a clear signal to everyone in the young court that those who were suspected of closeness to either Catherine or Peter were liable to find themselves, on one pretext or another, transferred, dismissed, disgraced, or even imprisoned. Responsibility for this policy lay with the chancellor, Alexis Bestuzhev, and, above him, the empress. Bestuzhev hated Prussia and had always opposed the bringing of the two German adolescents to Russia. Now that they were married despite his wishes, he was determined that they should not be in a position to undermine his administration of Russian diplomacy. This meant strict surveillance of the married couple, the curbing of all independent friendships and contacts of any kind, and, eventually, an attempt to isolate them completely. Behind Bestuzhev, of course, stood Elizabeth, whose concerns and fears were personal: she feared for the security of her person, her throne, and the future of her branch of the dynasty. In her plans, of course, Catherine, Peter, and their future child were of supreme importance. For this reason, over the years ahead, Elizabeth’s attitudes toward both the young husband and the young wife oscillated dramatically between affection, concern, disappointment, impatience, frustration, and rage.
Not only in appearance but in character, Elizabeth was her parents’ child. She was the daughter of Russia’s greatest tsar and his peasant wife, who became Empress Catherine I. Elizabeth was tall, like her father, and she resembled him in her energy, ardent temper, and sudden, impulsive behavior. Like her mother, she was quickly moved to sympathy and to lavish, spontaneous generosity. But her gratitude, like her other qualities, lacked moderation and permanence. The moment her mistrust was aroused, her dignity or vanity affronted, or her jealousy incurred, she would become a different person. Because it was difficult to guess the empress’s moods, no one could predict her public actions. A woman of extreme, sometimes violent, contradictions, Elizabeth could be easy—or impossible—to get along with.
In the fall of 1745, when Johanna returned to Germany and Elizabeth became the dominant influence in Catherine’s life, the empress was nearing her thirty-sixth birthday. She remained handsome and statuesque, but she was tending to heaviness. She continued to move and dance with grace, her large blue eyes remained brilliant, and she still possessed a rosebud mouth. Her hair was blond, but for some reason, she dyed it black, along with her eyebrows and sometimes her eyelashes. Her skin remained so pink and clear that she needed few cosmetics. She cared immensely about what she wore and refused to put on a gown more than once; on her death, fifteen thousand robes and dresses were supposedly discovered in her closets and wardrobes. On formal occasions, she layered herself with jewels. Appearing with her hair flecked with diamonds and pearls, and her neck and bosom covered with sapphires, emeralds, and rubies, she created an overwhelming impression. She intended this always to be so.
Nevertheless, she indulged her appetites without restraint. She ate and drank as much as she pleased. She often stayed up all night. The result—although no one dared to say so—was that her celebrated beauty was fading. Although Elizabeth herself knew this, she continued to live by her own rules. Her daily schedule was a constantly changing mixture of time-honored formality and imperial impromptu. She observed and enforced rigid court protocol when it served her purpose; more often, like her father, she ignored routine and behaved according to impulse. Instead of regularly dining at noon and supping at six, she arose and began the day whenever she felt like it. Often, she postponed the midday meal until five or six in the afternoon, had supper at two or three in the morning, and finally went to bed at sunrise. Until she became too heavy, she went riding or hunting in the morning and then drove out in her carriage in the afternoon. Several times a week there was a ball or an opera in the evening, followed by an elaborate supper and a display of fireworks. For these occasions, she kept changing her gowns and having her elaborate coiffure constantly reshaped. Court dinners offered fifty to sixty different dishes, but sometimes—to the despair of her French chef—the empress herself ate Russian peasant fare: cabbage soup, blini (buckwheat cakes), pickled pork, and onions.
To maintain her dazzling preeminence at court, Elizabeth made certain that no other woman present could shine as brightly. Sometimes, this required draconian coercive measures. During the winter of 1747, the empress decreed that all of her ladies-in-waiting must shave their heads and wear black wigs until their hair grew in again. The women wept but obeyed. Catherine assumed that her own turn would come, but to her surprise, she was spared; Elizabeth explained that Catherine’s hair was just growing back after an illness. Soon, the reason for the general pruning became known: after a previous festive occasion, Elizabeth and her maids had been unable to brush a heavy powder out of her hair, which became gray, coagulated, and gummy. The only remedy was to have her head shaved. And because she refused to be the only bald woman at court, bushels of hair were cropped.
On St. Alexander’s Day in the winter of 1747, Elizabeth’s jealous eye fell specifically on Catherine. The grand duchess appeared at court in a white dress trimmed with Spanish lace. When she returned to her room, a lady-in-waiting appeared to tell her that the empress commanded her to take off the dress. Catherine apologized and put on a different gown, also white but decorated with silver braid and a fiery red jacket and cuffs. Catherine commented:
As for the previous dress, it is possible that the empress found my dress more effective than her own and that this was the real reason she had ordered me to take mine off. My dear aunt was very prone to such petty jealousies, not only in relation to me, but to all the other ladies also. She had an eye particularly on those younger than herself, who were continually exposed to her outbursts. She carried this jealousy so far that once she called up Anna Naryshkina, sister-in-law of Lev Naryshkin, who, because of her beauty, her glorious figure, superb carriage, and exquisite taste in dress, had become the empress’s pet aversion. In the presence of the whole court, the empress took a pair of scissors and cut off a trimming of lovely ribbons under Madame Naryshkina’s neck. Another time, she cut off half of the front curls of two of her ladies-in-waiting on the pretext that she did not like their style of hair dressing. Afterwards, these young ladies said privately that, perhaps in her haste, or perhaps in her fierce determination to display the depth of her feelings, Her Imperial Majesty had cut off, along with their curls, some of their skin.
Elizabeth went to bed reluctantly and late. When the festivities and official receptions were over and the crowd of courtiers and guests had retired, she would sit in her private apartment with a small group of friends. Even when these people had left her and she was exhausted, she allowed herself only to be undressed; she still refused to sleep. As long as it was dark—and in winter in St. Petersburg, dark could last until eight or nine o’clock in the morning—she continued to talk to a few of her women, who took turns rubbing and tickling the soles of her feet to keep her awake. Meanwhile, not far away behind the brocaded curtains of the royal alcove, a fully clothed man lay on a thin mattress. This was Chulkov, the empress’s faithful bodyguard, who had the strange ability to do without sleep and who for twenty years had not slept in a proper bed. At last, as the pale light of dawn came creeping through the windows, the women would leave, and Razumovsky, or whoever happened to be the favorite of the moment, would appear, and in his arms Elizabeth would finally fall asleep. Chulkov, the man behind the curtain, remained at his post as long as the empress slept, sometimes into the afternoon.
The explanation for these unconventional hours was that Elizabeth feared the night; most of all she feared to sleep at night. The regent Anna Leopoldovna had been asleep when she was overthrown, and Elizabeth was afraid that a similar fate might overtake her. Her fears were exaggerated; she was popular with the public and only a palace coup, organized to elevate some new pretender, could mean loss of the throne. Only the dethroned boy tsar Ivan VI, a helpless child locked in a fortress, was a threat to Elizabeth. But it was the specter of this child that haunted Elizabeth and robbed her of her sleep. Potentially, of course, there was a remedy. Another child, a new baby heir, an offspring of Peter and Catherine, was what was needed. When such a child was born, and was surrounded, guarded, and loved by all of Elizabeth’s power, then Elizabeth could sleep.