Self Portrait, 1954. Oil on Board, 18 × 14″ (illustration credit plate.1)
Self Portrait, 1954. Edition 5 (approximately). Lithograph in Five Colours, 11 ½ × 10 ¼″ (illustration credit plate.2)
Portrait of my father, 1955. Oil on Canvas, 20 × 16″ (illustration credit plate.3)
Doll Boy, 1960 – 61. Oil on Canvas, 48 × 39″ (illustration credit plate.4)
We Two Boys Together Clinging, 1961. Oil on Board, 48 × 60″ (illustration credit plate.5)
The Most Beautiful Boy in the World, 1961. Oil on Canvas, 70 × 39 ½″ (illustration credit plate.6)
Flight Into Italy - Swiss Landscape, 1962. Oil on Canvas, 72 × 72″ (illustration credit plate.7)
Life Painting for a Diploma, 1962. Oil on Canvas with Charcoal on Paper Collage, 70 ⅞ × 70 ⅞″ (illustration credit plate.8)
Man in a Museum (Or You’re in The Wrong Movie), 1962. Oil on Canvas, 60 × 60″ (illustration credit plate.9)
(illustration credit plate.10)
Picture Emphasizing Stillness, 1962. Oil and Letraset on Canvas, 62 × 72″ (illustration credit plate.11)
The Second Marriage, 1963. Oil, Gouache and Collage on Canvas, 77 ¾ × 90″ (illustration credit plate.12)
Play Within A Play, 1963. Oil on Canvas and Plexiglass, 72 × 78″ (illustration credit plate.13)
Domestic Scene, Los Angeles, 1963. Oil on Canvas, 60 × 60″ (illustration credit plate.14)
Domestic Scene, Notting Hill, 1963. Oil on Canvas, 72 × 72″ (illustration credit plate.15)
Shell Garage, Luxor, 1963. Colored Crayon, 12 ¼ × 19 ¼″ (illustration credit plate.16)
Great Pyramid at Giza with Broken Head From Thebes, 1963. Oil on Canvas, 72 × 72″ (illustration credit plate.17)
California Art Collector, 1964. Acrylic on Canvas, 60 × 72″ (illustration credit plate.18)
Boy About to Take a Shower, 1964-69. Acrylic on Canvas, 36 × 36″ (illustration credit plate.19)
Picture of a Hollywood Swimming Pool, 1964. Acrylic on Canvas, 36 × 48″ (illustration credit plate.20)
Rocky Mountains and Tired Indians, 1965. Acrylic on Canvas, 67 × 99 ½″ (illustration credit plate.21)
A Hollywood Collection, 1965 (illustration credit plate.22)
Beverly Hills Housewife, 1966-67. Acrylic on Canvas, 72 × 144″ (illustration credit plate.23)
A Bigger Splash, 1967. Acrylic on Canvas, 96 × 96″ (illustration credit plate.24)
The Room, Tarzana, 1967. Acrylic on Canvas, 96 × 96″ (illustration credit plate.25)
The Room, Manchester Street, 1967. Acrylic on Canvas, 96 × 96″ (illustration credit plate.26)
Christopher Isherwood and Don Bachardy, 1968. Acrylic on Canvas, 83 ½ × 119 ½″ (illustration credit plate.27)
Henry Geldzahler and Christopher Scott, 1969. Acrylic on Canvas, 84 × 120″ (illustration credit plate.28)
Le Parc des Sources, Vichy, 1970. Acrylic on Canvas, 84 × 120″ (illustration credit plate.29)
Mr. and Mrs. Clark and Percy, 1970-71. Acrylic on Canvas, 84 × 120″ (illustration credit plate.30)
Sur La Terrasse, 1971. Acrylic on Canvas, 180 × 84″ (illustration credit plate.31)
Portrait of an Artist (Pool with Two Figures), 1972. Acrylic on Canvas, 84 × 120″ (illustration credit plate.32)
Contrejour In The French Style, 1974. Etching, 39 × 36″ (illustration credit plate.33)
Celia in a Black Dress with Red Stockings, 1973. Crayon on Paper, 25 ½ × 19 ½″ (illustration credit plate.34)
Celia Half Nude, 1975. Crayon on Paper, 30 × 22″ (illustration credit plate.35)
Drop curtain for The Rake’s Progress. From The Rake’s Progress, 1975-79. Ink and Collage on Cardboard, 14 × 20 ½″ (illustration credit plate.36)
Bedlam. From The Rake’s Progress, 1975. Ink on Cardboard, 16 × 21 × 12″ (model) (illustration credit plate.37)
(illustration credit end.1)
(illustration credit end.2)
(illustration credit end.3)
(illustration credit end.4)
LIST OF ILLUSTRATIONS
ILLUSTRATIONS IN THE TEXT
Man, 1964. Lithograph (photolithograph from a drawing on paper). Edition: 60, 18″ × 22¼″ itr.1
Kenneth and Laura Hockney’s wedding, 1929, 1.1
Bradford Town Hall 1.2
Kenneth Hockney, circa 1928, 1.3
“Untitled” (date unknown).1.4
Sunday Lunch, Hutton Terrace. Picture supplied by Derek Stafford 2.1
“Untitled” (date unknown).2.2
“Untitled” (date unknown).2.3
Hockney at about ten, in his Cub cap, 2.4
Self Portrait, 1954. Pencil on paper, 15″ × 11″ /Photo Credit: Richard Schmidt 2.5
David Hockney and John Loker. Hockney family photograph 3.1
Breakdown en route to Aldermaston, photograph, fellow student and author 3.2
Skeleton, 1959. Charcoal and gouache, 15⅝″ × 22″ / Photo Credit: Richard Schmidt 3.3
David Hockney in Painting School. Photograph 3.4
David Hockney and Derek Boshier in Painting School, photograph 3.5
Portrait of John Kasmin 4.1
Peter Crutch with Peter C, photograph 4.2
The Diploma, 1962. Etching and aquatint in two colours 4.3
Bradford, 1962, photograph /Photo Credit: Richard Schmidt 4.4
Andy Warhol, Henry Geldzahler, David Hockey, Jeff Goodman, 1963. Gelatin silver print, 16″ × 24″ © The Dennis Hopper Trust. Courtesy of The Dennis Hopper Trust. 5.1
John Kasmin and Lord Dufferin in the Kasmin Gallery, photograph © by Snowdon, Camera Press London 5.2
Christopher Isherwood, photograph © Peter Schlesinger 6.1
Patrick Procktor, photograph by Peter Rand for Vogue © Peter Rand 6.2
In the Dull Village from Illustrations for Fourteen Poems from C. P. Cavafy, 1966–67. Etching, 22½″ × 15½″ 7.1
Polish Army from Ubu Roi, 1966. Crayon /Collection of the Museum of Modern Art (MOMA), New York 7.2
Peter Schlesinger and David Hockney, colour photograph /Photo Credit: Richard Schmidt 7.3
Peter in Carennac, 1967. Ink on paper, 14″ × 17″ 8.1
Peter, 1969. Etching in black 9.1
Paris, December 1967, /Photo Credit: Richard Schmidt 9.2
Mr. and Mrs. Ossie Clark, Linden Gardens, London, 1970 /Tate, London 2011 10.1
David Hockney with Pentax, photograph © Camilla McGrath 11.1
Gregory Evans and Nicholas Wilder, Appian Way, Hollywood, 1973, photo collage /Photo Credit: Richard Schmidt 11.2
Artist and Model, 1973–74. Etching 12.1
Henry Geldzahler and David Hockney, photograph 12.2
David Hockney and Mo McDermott, photograph /Photo Credit: Richard Schmidt 12.3
Yves-Marie, New York, 1974. Crayon on paper /Photo Credit: Richard Schmidt 12.4
Gregory, Palatine, Roma, December 1974. Ink on paper /Photo Credit: Richard Wedemeyer 13.1
The Glyndebourne Picnic, 1975. Painting by Bob Marchant 13.2
PLATES
Self Portrait, 1954. Oil on board, 14″ × 14″ plate.1
Self Portrait, 1954. Edition 5 (approximately). Lithograph in five colours, 11½″ × 10¼″ plate.2
Portrait of My Father, 1955. Oil on canvas, 20″ × 16″ . Photo Credit: Richard Schmidt plate.3
Doll Boy, 1960–61. Oil on canvas, 48″ × 39″ /Collection of Hamburger Kunsthalle. Photo Credit: Paul Oszvald plate.4
We Two Boys Together Clinging, 1961. Oil on board, 48″ × 60″ /Collection of Arts Council, Southbank Centre, London. Photo Credit: Prudence Cuming Associates plate.5
The Most Beautiful Boy in the World, 1961. Oil on canvas, 70″ × 39½″ plate.6
Flight into Italy–Swiss Landscape, 1962. Oil on canvas, 72″ × 72″ /Collection of The Museum of Modern Art (Kunstmuseum), Düsseldorf plate.7
Life Painting for a Diploma, 1962. Oil on canvas with charcoal on paper collage, 70⅞″ × 70⅞″ . Photo Credit: Sotheby’s, London plate.8
Man in a Museum (or You’re in the Wrong Movie), 1962. Oil on canvas, 60″ × 60″ /Collection of The British Council plate.9
David Hockney. Photograph by Snowdon/Vogue, Camera Press London plate.10
Picture Emphasizing Stillness, 1962. Oil and Letraset on canvas, 62″ × 72″ plate.11
The Second Marriage, 1963. Oil, gouache and collage on canvas, 77¾″ × 90″ /Collection of National Gallery of Victoria, Melbourne plate.12
Play Within a Play, 1963. Oil on canvas and plexiglass, 72″ × 78″ plate.13
Domestic Scene, Los Angeles, 1963. Oil on canvas, 60″ × 60″ plate.14
Domestic Scene, Notting Hill, 1963. Oil on canvas, 72″ × 72″ plate.15
Shell Garage, Luxor, 1963. Colored crayon, 12¼″ × 19¼″ plate.16
Great Pyramid at Giza with Broken Head from Thebes, 1963. Oil on canvas, 72″ × 72″ plate.17
California Art Collector, 1964. Acrylic on canvas, 60″ × 72″ plate.18
Boy About to Take a Shower, 1964–69. Acrylic on canvas, 36″ × 36″ plate.19
Picture of a Hollywood Swimming Pool, 1964. Acrylic on canvas, 36″ × 48″ plate.20
Rocky Mountains and Tired Indians, 1965. Acrylic on canvas, 67″ × 99½″ /Collection of National Galleries of Scotland, Edinburgh plate.21
A Hollywood Collection, 1965 plate.22
Top Row, Left to Right:
Picture of a Still Life that has an Elaborate Silver Frame. Lithograph in seven colours. Edition: 85. 30¼″ × 22¼″ plate.22
Picture of a Landscape in an Elaborate Gold Frame. Lithograph in six colours. Edition: 85. 30¼″ × 22¼″ plate.22
Picture of a Portrait in a Silver Frame. Lithograph in five colours. Edition: 85. 30¼″ × 22¼″ plate.22
Bottom Row, Left to Right:
Picture of Melrose Avenue in an Ornate Gold Frame. Lithograph in six colours. Edition: 85. 30¼″ × 22¼″ plate.22
Picture of a Simply Framed Traditional Nude. Lithograph in four colours. Edition: 85. 30¼″ × 22¼″ plate.22
Picture of a Pointless Abstraction Framed under Glass. Lithograph in six colours. Edition: 85. 30¼″ × 22¼″ plate.22
Beverly Hills Housewife, 1966–67. Acrylic on canvas, 72″ × 144″ . Photo Credit: Richard Schmidt plate.23
A Bigger Splash, 1967. Acrylic on canvas, 96″ × 96″ / Collection of The Tate Gallery, London plate.24
The Room, Tarzana, 1967. Acrylic on canvas, 96 × 96″ plate.25
The Room, Manchester Street, 1967. Acrylic on canvas, 96″ × 96″ plate.26
Christopher Isherwood and Don Bachardy, 1968. Acrylic on canvas, 83½″ × 119½″ plate.27
Henry Geldzahler and Christopher Scott, 1969. Acrylic on canvas, 84″ × 120″ plate.28
Le Parc des Sources, Vichy, 1970. Acrylic on canvas, 84″ × 120″ . Photo Credit: Chatsworth House Trust plate.29
Mr. and Mrs. Clark and Percy, 1970–71. Acrylic on canvas, 84″ × 120″ /Collection of The Tate Gallery, London plate.30
Sur la Terrasse, 1971. Acrylic on canvas, 180″ × 84″ plate.31
Portrait of an Artist (Pool with Two Figures), 1972. Acrylic on canvas, 84″ × 120″ . Photo Credit: Steven Sloman plate.32
Contre-jour in the French Style, 1974. Etching, 39″ × 36″ plate.33
Celia in a Black Dress with Red Stockings, 1973. Crayon on paper, 25½″ × 19½″ /Collection of National Gallery of Australia, Canberra plate.34
Celia Half Nude, 1975. Crayon on paper, 30″ × 22″ plate.35
Drop Curtain for The Rake’s Progress. From The Rake’s Progress, 1975–79. Ink and collage on cardboard, 14″ × 20½″ . Photo Credit: Richard Schmidt plate.36
Bedlam. From The Rake’s Progress, 1975. Ink on cardboard, 16″ × 21″ × 12″ (model) plate.37
Endpapers
Top Row, Left to Right:
The Gospel Singing (Good People) Madison Square Garden. From A Rake’s Progress (Portfolio of Sixteen Prints), 1961–63. Etching, aquatint. Edition: 50. 15½″ × 22½″ end.1
The Seven Stone Weakling. From A Rake’s Progress (Portfolio of Sixteen Prints), 1961–63. Etching, aquatint. Edition: 50. 16¾″ × 20½″ end.2
Bottom Row, Left to Right:
Cast Aside. From A Rake’s Progress (Portfolio of Sixteen Prints), 1961–63. Etching, aquatint. Edition: 50. 19½″ × 24½″ end.3
Bedlam. From A Rake’s Progress (Portfolio of Sixteen Prints), 1961–63. Etching, aquatint. Edition: 50. 17¾″ × 11½″ end.4