LEONARDO’S MANUSCRIPTS
Miscellanies
Ar Codex Arundel. British Library, London (Arundel MS 263). 283 folios, with a typical format of 210 х 150 mm.
Facsimile edition: Il Codice Arundel 263, ed. Carlo Pedretti and Carlo Vecce (Florence, 1998), with chronological re-ordering of folios.
CA Codex Atlanticus. Biblioteca Ambrosiana, Milan. Miscellaneous collection of drawings and writings, formerly of 401 folios in large format, 645 × 435 mm, compiled by Pompeo Leoni in the sixteenth century, recently reorganized (1962–1970) into 12 volumes with a total of 1,119 folios. The discrepancy is because many of the folios of the original compilation had smaller pieces glued or mounted on them; in the new arrangement these smaller items have been separated. As is conventional, I give both the new and the old folio references: e.g. CA 520r/191r-a refers to the recto of new folio 520, which was formerly item ‘a’ on the recto of old folio 191.
Facsmile edition: Il Codice Atlantico, ed. Augusto Marinoni (24 vols., Florence, 1973–80).
RL Royal Library, Windsor. A collection of 655 drawings and manuscripts, catalogued as folios 12275–12727 (general) and 19000–19152 (anatomical). The anatomical folios were previously bound into three volumes: Anatomical MS A (= RL 19000–19017), B (= RL 19018–59) and C, divided into six ‘quaderni di anatomia’, or anatomical notebooks, numbered I–VI (= RL 19060–19152).
Facsimile edition: The Drawings of Leonardo da Vinci in the Collection of Her Majesty the Queen, ed. Kenneth Clark and Carlo Pedretti (3 vols., London, 1968).
Paris manuscripts
A Paris MS A. Institut de France, Paris (MS 2172). 64 folios, 212 х 147 mm. See also BN 2038.
B Paris MS B. Institut de France, Paris (MS 2173). 84 folios, 231 × 167 mm. See also BN 2037.
C Paris MS C. Institut de France, Paris (MS 2174). 42 folios, 310 х 222 mm.
D Paris MS D. Institut de France, Paris (MS 2175). 10 folios, 158 х 220 mm.
E Paris MS E. Institut de France, Paris (MS 2176). 96 folios, 150 х 105 mm.
F Paris MS F. Institut de France, Paris (MS 2177). 96 folios, 145 х 100 mm.
G Paris MS G. Institut de France, Paris (MS 2178). 93 folios, (originally 96), 139 × 97 mm.
H Paris MS H. Institut de France, Paris (MS 2179). 142 folios, 128 × 90 mm, consisting of three pocket-books bound together: H1(fols. 1–48), H2 (fols. 49–94) and H3 (fols. 95–142).
I Paris MS I. Institut de France, Paris (MS 2180). 139 folios, 100 х 75 mm, consisting of two pocket-books bound together: I1 (fols. 1–48) and I2 (fols. 49–139).
K Paris MS K. Institut de France, Paris (MS 2181). 128 folios, 96 х 65 mm, consisting of three pocket-books bound together: K1 (fols. 1–48), K2 (fols. 49–80) and K3 (fols. 81–128).
L Paris MS L. Institut de France, Paris (MS 2182). 94 folios, 109 х 72 mm.
M Paris MS M. Institut de France, Paris (MS 2183). 94 folios, 96 х 67 mm.
BN 2037 Institut de France, Paris (MS 2184). 13 folios, 231 х 167 mm. Formerly part of MS B, stolen by G. Libri in c. 1840, and returned by Lord Ashburnham (hence also known as Ashburnham 1875/1); thereafter at the Bibliothèque Nationale, Paris. Though now at the Institut de France, the BN collocation is generally used.
BN 2038 Institut de France, Paris (MS 2185). 33 folios, 212 х 147 mm. Formerly part of MS A (subsequent history as for BN 2037). Also known as MS Ashburnham 1875/2.
Facsimile edition: I manuscritti dell’ Institut de France, ed. Augusto Marinoni (12 vols., Florence, 1986–90).
Other notebooks and manuscripts
Fors Forster Codices. Victoria & Albert Museum, London. Three volumes containing five notebooks. Fors I1, 40 folios; Fors I2, 14 folios, 135 х 103 mm. Fors 21, 63 folios; Fors 22, 96 folios, 95 х 70 mm. Fors 3, 88 folios, 94 х 65 mm.
Facsimile edition: I Codici Forster, ed. Augusto Marinoni (3 vols., Florence, 1992).
Leic Codex Leicester. Bill Gates Collection, Seattle. 88 folios, 94 x 65 mm. Previously known as the Codex Hammer.
Facsimile edition: The Codex Hammer, ed. Carlo Pedretti (Florence, 1987).
Ma Madrid Codices. Biblioteca Nacional, Madrid (MSS 8936, 8937). Ma I, 184 folios, 149 х 212 mm. Ma II, 157 folios, mostly 148 х 212 mm.
Facsimile edition: The Madrid Codices, ed. Ladislaus Reti (New York, 1974).
Tn Codex on the Flight of Birds. Biblioteca Reale, Turin. 13 folios, 213 х 153 mm.
Facsimile edition: Il Codice sul volo degli uccelli, ed. Augusto Marinoni (Florence, 1976).
Triv Trivulzian Codex. Castello Sforzesco, Milan, Biblioteca Trivulziana MS N2162. 55 folios, 195 х 135 mm.
Facsimile edition: Il Codice nella Biblioteca Trivulziana, ed. A. Brizio (Florence, 1980).
Selections and Commentaries
CU Vatican Library, Codex Urbinus Latinus 1270. Selections from various notebooks and manuscripts made c. 1530 by Francesco Melzi; abbreviated edition published as Trattato della pittura (Paris 1651).
McM A. Philip McMahon, The Treatise on Painting by Leonardo da Vinci (2 vols., Princeton, NJ, 1956). Translation (vol. 1) and facsimile (vol. 2) of CU; cited by numbered section (McM 1–1008).
R Jean-Paul Richter, The Literary Works of Leonardo da Vinci (2 vols., London, 1st edn 1883, 2nd edn 1939, repr. 1970). Cited by numbered extract (R 1–1566).
PC Carlo Pedretti, Commentary on the Literary Works of Leonardo da Vinci compiled by Jean Paul Richter (2 vols., Berkeley, Cal., 1977).
FREQUENTLY CITED SOURCES
ALV Achademia Leonardo Vinci: Yearbook of the Armand Hammer Center for Leonardo Studies at UCLA (Florence, 1988– )
ASF Archivio di Stato, Florence
ASM Archivio di Stato, Milan
BM British Museum, London
DBI Dizionario biografico degli Italiani (currently up to ‘G’) (Rome, 1960– )
GDA Grove Dictionary of Art, ed. Jane Turner (34 vols., London, 1996)
GDS Gabinetto dei Disegni e delle Stampe (Department of Drawings and Prints), Uffizi, Florence
RV Raccolta Vinciana (Milan, 1905– )
Early biographies
For reasons of space I do not give individual page references for my very frequent citations from the four main early biographical sources on Leonardo (Antonio Billi, Anonimo Gaddiano, Paolo Giovio, Giorgio Vasari). The ‘biographies’ by Billi, the Anonimo and Giovio are a couple of pages long; the Life of Leonardo in Vasari’s Lives of the Artistsis longer, but the interested reader can easily locate the quotation in George Bull’s translation (see Vasari 1987), where the Life is pp. 255–71, and can pursue it further by consulting Milanesi’s annotated edition (see Vasari 1878–85). For details of these sources, see Introduction nn. 17–20, and ‘Books and articles’ below.
BOOKS AND ARTICLES
Acton, Harold. 1972. The Pazzi Conspiracy. London
Alberici, Clelia. 1984. Leonardo e l’incisione: Stampe derivate da Leonardo e Bramante dal xv al xix secolo (exhibition catalogue). Milan
Ames-Lewis, Francis. 2002. ‘La matita nera nella pratica di disegno di Leonardo da Vinci’. Lettura Vinciana 41. Florence
Ammirato, Scipione. 1637. Opusculi. 3 vols. Florence
Amoretti, Carlo. 1804. Memorie storiche su la vita, gli studi e le opere di Leonardo da Vinci. Milan
Argan, Giulio Carlo. 1957. Botticelli. New York
Bambach, Carmen. 2003a. ‘Leonardo, left handed draftsman and writer’. In Bambach 2003b, 31–57
— 2003b. (ed.). Leonardo: Master Draftsman (exhibition catalogue). New York
Banks Amendola, Barbara. 2002. The Mystery of the Duchess of Malfi. Stroud
Barcelon, Pinin Brambilla, and Marani, Pietro. 2001. Leonardo: The Last Supper. Trans. H. Tighe (original edn 1999). Chicago
Baxandall, Michael. 1988. Painting and Experience in Fifteenth Century Italy. Oxford
Beatis, Antonio de. 1979. The Travel Journal, ed. John Hale (Hakluyt Society, 2nd series, 150). London
Beck, James. 1988. ‘Leonardo’s rapport with his father’, Antichità viva 27, nos. 5–6
– 1993. ‘I sogni di Leonardo’. Lettura Vinciana 32. Florence
Bellincioni, Bernardo. 1876. Le rime, ed. P. Fanfani. Bologna
Belt, Elmer. 1949. ‘Leonardo da Vinci’s library’. Quarterly Newsletter of the Book Club of California, autumn 1949
Beltrami, Luca. 1894. Il castello di Milano sotto il dominio dei Visconti e degli Sforza. Milan
—1919. Documenti e memorie riguardanti la vita e le opere di Leonardo da Vinci. Milan
—1920. La vigna di Leonardo. Milan
Benedettucci, F. (ed.). 1991. Il libro di Antonio Billi. Anzio
Berenson, Bernard. 1903. The Drawings of the Florentine Painters. 2 vols. London
Boase, T. S. R. 1979. Giorgio Vasari: The Man and His Book. Princeton
Bossi, Giuseppe. 1982. Scritti sulle arti, ed. Roberto Paolo Ciardi. 2 vols. Florence
Bracciolini, Poggio. 1913. Facezie, ed. D. Ciampoli. Rome
Bradford, Sarah. 1976. Cesare Borgia: His Life and Times. London
Bramly, Serge. 1992. Leonardo. Trans. Sîan Reynolds (original edn 1988). Harmondsworth
Brescia, Licia, and Tomio, Luca. 1999. ‘Tomasso di Giovanni Masini da Peretola, detto Zoroastro’. RV 28, 63–77
Brown, David A. 1983. ‘Leonardo and the idealized portrait in Milan’. Arte Lombardo 67, 102–16
—1990. ‘Madonna Litta’. Lettura Vinciana 29. Florence
— 1998. Leonardo: Origins of a Genius. New Haven and London
— 2000. ‘Leonardo apprendista’. Lettura Vinciana 39. Florence
Brucker, Gene. 1977. The Civic World of Early Renaissance Florence. Princeton
Bruschi, Mario. 1997. ‘La fede battesimale di Leonardo: Ricerche in corso e altri documenti’. ALV 10 (supplement)
Bull, George. 1996. Michelangelo: A Biography. Harmondsworth
Burckhardt, Jacob. 1878. The Civilization of the Renaissace in Italy. Trans. S. G. C. Middlemore. London
Burke, Peter. 1972. Culture and Society in the Italian Renaissance. New York
Butterfield, Andrew. 1997. The Sculptures of Andrea del Verrocchio. New Haven and London
Calvi, Gerolamo. 1925. I manuscritti di Leonardo. Bologna
Cammelli, Antonio. 1884. Rime edite e inedite, ed. A. Capelli and S. Ferrari. Livorno
Cecchi, Alessandro. 2003. ‘New light on Leonardo’s Florentine patrons’. In Bambach 2003b, 121–39
Cellini, Benvenuto. 2002. My Life. Trans. Julia Conaway Bondanella and Peter Bondanella. Oxford
Cennini, Cennino. 1933. The Craftsman’s Handbook. Trans. Daniel V. Thompson. New York
Cianchi, Mario. 1984. The Machines of Leonardo. Florence
Cianchi, Renzo. 1953. Vinci, Leonardo e la sua famiglia. Milan
—1960. ‘La casa natale di Leonardo’. Università popolare 9–10 (September-October 1960)
—1975. Ricerche e documenti sulla madre di Leonardo. Florence
—1984. ‘Sul testamento di Francesco da Vinci’. Nouvelles de la république de lettres 1, 97–104
Clark, Kenneth. 1933. ‘The Madonna in profile’. Burlington Magazine 12, 136–40
—1969. ‘Leonardo and the antique’. In O’Malley 1969, 1–34
—1973. ‘Mona Lisa’. Burlington Magazine 115, 144–50
—1988. Leonardo. Rev. edn, with introduction and notes by Martin Kemp (original edn 1939). Harmondsworth
Clark, Kenneth, and Pedretti, Carlo. 1968. The Drawings of Leonardo da Vinci in the Collection of Her Majesty the Queen. 3 vols. London
Clayton, Martin. 1996. Leonardo da Vinci: A Curious Vision (exhibition catalogue). London
—2002. Leonardo da Vinci: The Divine and the Grotesque (exhibition catalogue). London
Clough, C. (ed.). 1976. Cultural aspects of the Italian Renaissance. Manchester
Cole, Bruce. 1983. The Renaissance Artist at Work. London
Conato, Luigi Giuseppe, 1986. ‘Elementi del paesaggio lecchese e Leonardo’. In Studi Vinciani (q.v.), 195–210
Condivi, Ascanio. 1976. The Life of Michelangelo, ed. H. Wohl (original edn 1553). Oxford
Covi, Dario. 1966. ‘Four new documents concerning Andrea del Verrocchio’. Art Bulletin 48 (1), 97–103
Dalli Regoli, Gigetta (ed.). 2001. Leonardo e il mito di Leda (exhibition catalogue). Florence
Davies, Martin. 1947. Documents concerning the Virgin of the Rocks in the National Gallery. London
Dunkerton, Jill, and Roy, Ashok. 1996. ‘The materials of a group of late fifteenth-century Florentine panel paintings’. National Gallery Technical Bulletin xvii, 20–31
Eissler, Kurt. 1962. Leonardo da Vinci: Psychoanalytic Notes on the Enigma. London
Embolden, William. 1987. Leonardo da Vinci on Plants and Gardens. Bromley
Fabriczy, Cornelius von. 1891. ‘Il libro di Antonio Billi e le sue copie nella Biblioteca Nazionale di Firenze’. Archivio storico italiano 7, 299–368
—1893. ‘Il codice dell’ Anonimo Gaddiano nella Biblioteca Nazionale di Firenze’. Archivio storico italiano 12 (3, 4), 15ff.
Fara, Amelio (ed.). 1999. Leonardo a Piombino e l’idea di città moderna tra Quattro e Cinquecento. Florence
Ficarra, A. (ed.). 1968. L’Anonimo Magliabechiano. Naples
Fiorio, Maria Teresa. 1998. ‘Giovanni Antonio Boltraffio’. In The Legacy of Leonardo (q.v.), 131–62
Fletcher, Jennifer. 1989. ‘Bernardo Bembo and Leonardo’s portrait of Ginevra de’ Benci’. Burlington Magazine 131, 811–16
Franck, Jacques. 1995. ‘The Mona Lisa: should a myth be restored?’ ALV 7, 232–6
Freud, Sigmund. 2001. Leonardo da Vinci. A Memory of His Childhood. Trans.
Alan Dyson (original edn 1910). London
Fumagalli, Giuseppina. 1952. Eros e Leonardo. Milan
—1960. ‘Gli “omini salvatichi” di Leonardo’. RV 18,129–57
Galluzzi, P. (ed.). 1974. Leonardo da Vinci letto e commentato (various authors, Letture Vinciane 1–12 (1960–72)). Florence
Gerard, Kent, and Hekma, Gert (eds.). 1989. The Pursuit of Sodomy: Male Homosexuality in Renaissance and Enlightenment Europe. New York and London
Ghiberti, Lorenzo. 1998. I commentarii, ed. L. Bartoli. Florence
Giacomelli, R. 1936. Gli scritti di Leonardo sul volo. Rome
Gilbert, Creighton E. (ed.). 1992. Italian Art 1400–1500: Sources and Documents. Evanston, Ill
Glasser, H. 1977. Artists’ contracts of the Early Renaissance. New York
Goffen, Rita. 2002. Renaissance Rivals: Michelangelo, Leonardo. Raphael, Titian. New Haven and London
Goldscheider, Ludwig. 1940. The Sculptures of Michelangelo. With photographs by J. Schneider-Lengyel. London
Goldthwaite, Richard. 1980. The Building of Renaissance Florence. Baltimore
Gombrich, Ernst. 1945. ‘Botticelli’s mythologies: a study in the Neoplatonic symbolism of his circle’. Journal of the Warburg and Courtauld Institutes 7
—1950. The Story of Art. London
—1954. ‘Leonardo’s grotesque heads: prologomena to their study’. In Marazza 1954, 199f.
Gould, Cecil. 1954. ‘Leonardo’s great battle-piece: a conjectural reconstruction’. Art Bulletin 36, 111–28
— 1975. Leonardo the Artist and Non-Artist. London
Grafton. Anthony. 2000. Leon Battista Alberti: Master Builder of the Italian Renaissance. London
Gregori, M. (ed.). 1992. Maestri e botteghe. Florence
Hale, John. 1994. The Civilization of Europe in the Renaissance. London
Hauser, Arnold. 1962. The Social History of Art. (original edn 1951). 4 vols. London
Hibbert, Christopher. 1979. The Rise and Fall of the Medici. Harmondsworth
—1993. Florence: Biography of a City. Harmondsworth
Hollingsworth, Mary. 2004. The Cardinal’s Hat: Money, Ambition and Housekeeping in a Renaissance Court. London
Jardine, Lisa. 1996. Worldly Goods. London
Jestaz, Bertrand. 1999. ‘François I, Salai et les tableaux de Léonard’. Revue de l’art 126 (4), 68–72
Kemp, Martin. 1981. The Marvellous Works of Nature and Man. London and Cambridge, Mass
—1986. ‘Analogy and observation in the Codex Hamner’. In Studi Vinciani (q.v.), 103–34
—1989. Leonardo da Vinci (exhibition catalogue). London
—1992. The Mystery of the Madonna of the Yarnwinder (exhibition catalogue). Edinburgh
Kemp, Martin, and Walker, Margaret (eds.). 1989. Leonardo on Painting. New Haven and London
Kent, Dale. 2000. Cosimo de’ Medici and the Florentine Renaissance. New Haven and London
King, Ross. 2001. Brunelleschi’s Dome (original edn 2000). Harmondsworth
Laurenza, Domenico. 1999. ‘Il teatro delle passioni’. In Pedretti 1999
— 2001. De figure umana: Fisiognomia, anatomia ed arte in Leonardo. Florence
—2004. ‘Leonardo nella Roma di Leone X: Gli studi anatomici, la vita, l’arte’. Lettura Vinciana 53. Florence
Leader, Darian. 2002. Stealing the Mona Lisa: What Art Stops Us from Seeing. London
The Legacy of Leonardo. 1998. Trans. I. Coward, A. Curtiss and A. Ellis. London
Lomazzo, Giovanni Paolo. 1584. Trattato dell’arte della pittura. Milan
— 1590. Idea del tempio della pittura. Milan
—1973. Scritti sulle arti, ed. Roberto Carlo Ciardi. 2 vols. Pisa
Lopez, Guido. 1982. Leonardo e Ludovico Il Moro: La roba e la libertà. Milan
Lubkin, Gregory. 1999. A Renaissance Court: Milan under Galeazzo Maria Sforza. Berkeley
Lucas-Dubreton, Jean. Daily Life in Florence. 1960. Trans. A. Lytton Sells. London
Luchinat, Cristina Acidini. 1992. ‘Arts in the workshop during the Laurentian age’. In Gregori 1992
Maccagni, Carlo. 1974. ‘Riconsiderando il problema delle fonti di Leonardo: L’elenco di libri nel codice 8936 di Madrid’. Lettura Vinciana 10 (1970). In Galluzzi 1974
MacCurdy, Edward. 1938. The Notebooks of Leonardo da Vinci. 2 vols. London
Machiavelli. Niccolò. 1961. The Prince. Trans. George Bull. Harmondsworth
—1966. Opere, ed. Ezio Raimondi, 2 vols. Milan
McMullen, Roy. 1975. Mona Lisa: The Picture and the Myth. Boston
Malaguzzi-Valeri, Francesco. 1913–23. La corte di Lodivico Il Moro. 4 vols. Milan
Marani, Pietro. 1998a. ‘Francesco Melzi’. In The Legacy of Leonardo (q.v.)
—1998b. ‘The question of Leonardo’s bottega: practice and transmission of Leonardo’s ideas on art’. In The Legacy of Leonardo (q.v.)
—1998c. ‘Giampietrino’. In The Legacy of Leonardo (q.v.).
—1999. Il Cenacolo: Guide to the Refectory. Trans. Margaret Kunzle and Felicity Lutz. Milan
—2000a. Leonardo da Vinci: The Complete Paintings. London
—2000b. (ed.). ‘Hostinato rigore’: Leonardiana in memoria di Augusto Marinoni. Milan
—2003. ‘La Vergine delle Rocce della National Gallery di Londra: Maestro e bottega di fronte al modello’. Lettura Vinciana 42. Florence
Marazza, Achille (ed.). 1954. Leonardo: Saggi e ricerche. Rome
Marinoni, Augusto. 1954. I rebus di Leonardo raccolti e interpretati. Florence
—1960. ‘Rebus’. RV 18, 117–28
— 1974. (ed.). Leonardo da Vinci: Scritti letterari. Milan
—1982. La matematica di Leonardo da Vinci. Milan
—1982. (ed.). Leonardo all’Ambrosiana. Milan
Martines, Lauro. 1963. The Social World of the Florentine Humanists. Princeton
— 2003. April Blood: Florence and the Plot against the Medici. London
Masters, Roger. 1999. Fortune is a River: Leonardo da Vinci and Niccolò Machiavelli’s Magnificent Dream to Change the Course of Florentine History (original edn 1998). New York
Mayor, Hyatt. 1984. Artists and Anatomists (exhibition catalogue). New York
Michelangelo. 1878. The Sonnets of Michael Angelo Buonarroti. Trans. J. A. Symonds. London
— 1987. Michelangelo: Life, Letters and Poetry. Trans. George Bull and Peter Porter. Oxford
Michelet, Jules. 1976. Histoire de la France au seizième siècle: Renaissance et reforme (Œuvres complètes, 7). Paris
Nanni, Romano. 1999. ‘Osservazione, convenzione, ricomposizione nel paesaggio Leonardiano del 1473’. RV 28, 3–37
—2001. ‘Leonardo nella tradizione di Leda’. In Dalli Regoli 2001, 23–45
Nanni, Romano and Testaferrata, Elena (eds.). 2004. Vinci di Leonardo: Storia e memoria. Vinci
Natali, Antonio. 1985. ‘Re, cavalieri e barbari’. Uffizi studi e ricerche 2
—1998. ‘Lo sguardo degli angeli: Tragitto indiziario per il Battesimo di Cristo di Verrocchio e Leonardo’. Mittelungen der Kunsthistorischen Institutes in Florence 42, 252–73
—1999. ‘La natura artefatta’. In Fara 1999, 137–48
—2001. ‘Le pose di Leda’. In Dalli Regoli 2001, 46–64
Newton, H. Travers, and Spenser, J. R. 1982. ‘On the location of Leonardo’s Battle of Anghiari’. Art Bulletin, March 1982, 45–52
Nicodemi, Giorgio. 1934. ‘I “ritratti” di Leonardo da Vinci’. RV 15, 1–21
Noyes, Ella. 1908. The Story of Milan. London
Nuland, Sherwin B. 2000. Leonardo da Vinci. New York
O’Malley, C. D. (ed.). 1969. Leonardo’s Legacy. Berkeley
Origo, Iris. 1992. The Merchant of Prato (original edn 1957). Harmondsworth
Orto, Giovanni dall’. 1989. ‘ “Socratic love” as a disguise for same-sex love in the Italian Renaissance’. In Gerard and Hekma 1989
Ottino della Chiesa, Angela. 1967. Leonardo pittore, Rizzoli Classici dell’Arte 12. Milan
Papa, Rodolfo. 1999. ‘Giuda, il disordine e la grazia’, in Pedretti 1999
—2000. ‘Lo spazio dell’ascesi: II San Gerolamo di Leonardo’. Art e dossier 159, 33–8
Park, K. 1994. ‘The criminal and the saintly body: autopsy and dissection in Renaissance Italy’. Renaissance Quarterly, 1–33
Pater, Walter. 1986. The Renaissance, ed. Adam Phillips (original edn 1873). Oxford
Pedretti, Carlo. 1953. Documenti e memorie riguardanti Leonardo da Vinci a Bologna e in Emilia. Bologna
—1957a. Leonardo da Vinci: Fragments at Windsor Castle from the Codex Atlanticus. London
—1957b. Studi Vinciani. Geneva
—1965. Leonardo da Vinci on Painting: A Lost Book. London
— 1968. ‘The Burlington House cartoon’. Burlington Magazine 100, no. 778
—1972. Leonardo da Vinci: The Royal Palace at Romorantin. Cambridge, Mass
– 1973. Leonardo da Vinci: A Study in Chronology and Style. London
— 1975. ‘Perche la minesstra si fredda’. Lettura Vinciana 14. Florence
—1976. Il primo Leonardo a Firenze. Florence
—1977. ‘The Sforza Mausoleum’. Gazette des beaux-arts 89,121–31
—1986. ‘Postille all’onomastica Vinciana di Nando de Toni’. In Studi Vinciani (q.v.), 93–101
—1988. Leonardo architetto. Milan
—1992. ‘II “bello spettacolo”’. ALV 5, 163–5
—1998a. ‘Leonardo: Il ritratto’. Art e dossier 138 (supplement)
—1998b. (ed.). Leonardo e la Pulzella di Camaiore (exhibition catalogue). Camaiore
—1998c. ‘Quella puttana di Leonardo’. ALV 11, 121–39
—1999. (ed.). ‘Leonardo: Il Cenacolo’. Art e dossier 146 (supplement)
—2000. (ed.). Codex Leicester: Notebook of a Genius. Sydney
— 2001. (ed.). L’Angelo incarnato tra archeologia e leggenda (exhibition catalogue). Florence
Pedretti, Carlo, and Cianchi, Marco. 1995. ‘Leonardo: I codici’. Art e dossier 100 (supplement)
Pfister, Oskar. 1913. ‘Kryptolalie’. Jahrbuch für psychoanalytische und psychopathologische Forschungen 5, 117–56
Poggi, Giovanni. 1919. Leonardo da Vinci: La Vita di Giorgio Vasari nuovamente commentata. Florence
Popham, A. E. 1946. The Drawings of Leonardo da Vinci. London
Reti, Ladislaus. 1959. ‘“Non si volta chi a stella è fisso”: Le imprese di Leonardo da Vinci’. Bibliothèque d’humanisme et renaissance 21, 7–54
—1965. ‘Tracce dei progetti perduti di Filippo Brunelleschi nel Codice Atlantico’. Lettura Vinciana 4. Florence
—1968. ‘The two unpublished manuscripts of Leonardo da Vinci in the Biblioteca Nacional of Madrid’. Burlington Magazine 110, nos. 778, 799
—1974. (ed.). The Unknown Leonardo. Maidenhead
Richter, Jean Paul (ed.). 1970. The Literary Works of Leonardo da Vinci, 2 vols. London
Ridolfi, Roberto. 1963. The Life of Niccolò Machiavelli. Trans. Cecil Grayson (original edn 1954). London
Roberts, Jane, and Pedretti, Carlo. 1977. ‘Drawings by Leonardo da Vinci at Windsor newly revealed by ultra violet light’. Burlington Magazine 119, no. 891, 396–408
Rocke, Michael J. 1987. ‘Il controllo dell’omosessualità a Firenze nel XV secolo: Gli Ufficiali di Notte. Quaderni storici 22 (3), 701–23
—1996. Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence. Oxford
Rosheim, Mark Elling. 2001. ‘L’automata programmabile di Leonardo’. Lettura Vinciana 40. Florence
Ross, James, and McLaughlin, Mary (eds.). 1981. The Portable Renaissance Reader. Harmondsworth
Rubin, Patricia Lee, and Wright, Alison. 1999. Renaissance Florence: The Art of the 1470s (exhibition catalogue). London
Rubinstein, Nicolai. 1995. The Palazzo Vecchio, 1298–1532. Oxford
Rzepińska, Maria. 1990. Lady with an Ermine. Trans. Mary Filippi (original edn 1977). Cracow
Saslow, James. 1986. Ganymede in the Renaissance: Homosexuality in Art and Society. London
Sassoon, Donald. 2001. Mona Lisa: The History of the World’s Most Famous Painting. London
Scalini, Mario. 1992. ‘The chivalric “ludus” in Quattrocento Florence’. In Gregori 1992, 61–3
Schapiro, Meyer. 1956. ‘Leonardo and Freud: an art-historical study’. Journal of the History of Ideas 17, 287–32
Scritti vari in onore di Rodolfo Renier. 1912. Turin
Severi, Rita. 1992. ‘The myth of Leonardo in English decadent writers’. ALV 5, 96–103
Shell, Janice. 1995. Pittori in bottega: Rinascimento a Milano. Milan
—1998a. ‘Ambrogio de Predis’. In The Legacy of Leonardo (q.v.), 123–30
—1998b. ‘Marco d’Oggiono’. In The Legacy of Leonardo (q.v.), 163–78
Shell, Janice, and Sironi, Grazioso. 1991. ‘Salai and Leonardo’s legacy’. Burlington Magazine 133, 95–108
—1992. ‘Salai and the inventory of his estate’. RV 24, 109–53
—1993. ‘Some documents for Giovanni Pietro Rizzoli: Il Giampietrino’ RV 25, 121–46
—2000. ‘Un nuovo documento di pagamento per La Vergine della Rocce di Leonardo’. In Marani 2000b, 27–31
Sironi, Grazioso. 1981. Nuovi documenti riguardante La Vergine delle Rocce di Leonardo. Florence
Smiraglia Scognamiglio, Nino. 1896. ‘Nuovi documenti su Leonardo da Vinci’. Archivio storico dell’arte 2, 313–15
—1900. Ricerche e documenti sulla giovanezza di Leonardo da Vinci. Naples
Solmi, Edmondo. 1908. Le fonti dei manoscritti di Leonardo da Vinci. Turin
—1912. ‘La politica di Ludovico il Moro nei simboli di Leonardo da Vinci’. In Scritti vari (q.v.)
—1976. Scritti Vinciani. Florence
Starnazzi, Carlo. 1995. ‘Leonardo in terra di Arezzo’. Studi per l’ecologia del Quaternario 17
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