AS DIRECTOR
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1957 |
The Delinquents (producer, screenwriter) |
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1957 |
The James Dean Story (codirector, producer)* |
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1964 |
Nightmare in Chicago (producer) |
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1968 |
Countdown |
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1969 |
That Cold Day in the Park |
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1970 |
M*A*S*H* |
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1970 |
Brewster McCloud* |
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1971 |
McCabe & Mrs. Miller (coscreenwriter)* |
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1972 |
Images (screenwriter)* |
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1973 |
The Long Goodbye* |
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1974 |
Thieves Like Us (coscreenwriter)* |
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1974 |
California Split (producer)* |
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1975 |
Nashville (producer)* |
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1976 |
Buffalo Bill and the Indians, or Sitting Bull’s History Lesson (producer, coscreenwriter)* |
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1977 |
3 Women (producer, screenwriter)* |
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1978 |
A Wedding (producer, coscreenwriter)* |
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1979 |
Quintet (producer, coscreenwriter)* |
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1979 |
A Perfect Couple (producer, coscreenwriter)* |
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1980 |
HealtH (producer, coscreenwriter) |
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1980 |
Popeye* |
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1982 |
Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean |
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1983 |
Streamers (producer) |
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1984 |
Secret Honor (producer)* |
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1985 |
O.C. and Stiggs (coproducer)* |
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1985 |
Fool for Love* |
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1987 |
Beyond Therapy (coscreenwriter)* |
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1988 |
Aria (director and screenwriter of “Les Boréades” segment)* |
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1990 |
Vincent & Theo* |
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1992 |
The Player* |
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1993 |
Short Cuts (coscreenwriter)* |
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1994 |
Prêt-à-Porter (Ready to Wear) (producer, coscreenwriter)* |
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1996 |
Kansas City (producer, coscreenwriter)* |
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1996–97 |
Robert Altman’s Jazz ‘34: Remembrances of Kansas City Swing (producer) |
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1998 |
The Gingerbread Man* |
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1999 |
Cookie’s Fortune (producer)* |
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2000 |
Dr. T & the Women (producer)* |
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2001 |
Gosford Park (producer)* |
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2003 |
The Company (producer)* |
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2006 |
A Prairie Home Companion (producer)* |
AS PRODUCER
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1977 |
Welcome to L.A. (director, Alan Rudolph) |
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1977 |
The Late Show (director, Robert Benton)* |
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1978 |
Remember My Name (director, Alan Rudolph) |
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1979 |
Rich Kids (director, Robert M. Young) |
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1994 |
Mrs. Parker and the Vicious Circle (director, Alan Rudolph)* |
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1997 |
Afterglow (director, Alan Rudolph)* |
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2000 |
Trixie (director, Alan Rudolph)* |
* Denotes available on DVD
TELEVISION
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1957–65 |
Writer, director, producer: various television series, including Alfred Hitchcock Presents, The Millionaire, Bonanza, Combat!, Kraft Suspense Theatre |
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1982 |
2 by South: Rattlesnake in a Cooler and Precious Blood (producer, director, with Leo Burmester and Alfre Woodard), Hearst-ABC |
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1985 |
The Laundromat (by Marsha Norman, with Carol Burnett and Amy Madigan), HBO |
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1987 |
The Dumb Waiter (by Harold Pinter, with John Travolta and Tom Conti), ABC Television |
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The Room (by Harold Pinter, with Linda Hunt, Julian Sands, Annie Lennox, and Donald Pleasance), ABC Television |
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1988 |
The Caine Mutiny Court-Martial (with Brad Davis, Eric Bogosian, Jeff Daniels, Peter Gallagher, and Michael Murphy), CBS Television |
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1988 |
Tanner ‘88 (written by Garry Trudeau, starring Michael Murphy), miniseries, HBO |
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1991 |
Black and Blue, Great Performances, PBS |
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1993 |
The Real McTeague (concept and creative supervision), Great Performances, PBS |
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1997 |
Robert Altman’s Jazz ‘34: Remembrances of Kansas City Swing, Great Performances, PBS |
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1997 |
Gun (producer) Anthology Series, ABC Television, episode director: “All the President’s Women” |
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1998–’99 |
Killer App (executive producer; written by Garry Trudeau), Fox Television |
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2004 |
Tanner on Tanner (written by Garry Trudeau, miniseries starring Cynthia Nixon and Michael Murphy), the Sundance Channel |
THEATER AND OPERA
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1981 |
2 by South (by Frank South, Los Angeles Actors’ Theater; St. Clement’s Theater, NYC) |
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1982 |
Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (by Ed Graczyk, with Cher, Sandy Dennis, Karen Black) |
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1983 |
The Rake’s Progress (Stravinsky, University of Michigan) |
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1987 |
The Rake’s Progress (Stravinsky, Opéra de Lille, France) |
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1992 |
McTeague (director and coauthor of libretto with composer William Bolcom, Lyric Opera of Chicago) |
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2004 |
A Wedding (director and coauthor of libretto with Arnold Weinstein; composer William Bolcom, Lyric Opera of Chicago) |
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2006 |
Resurrection Blues (director, written by Arthur Miller, Old Vic Theatre, London, England) |
AWARDS AND HONORS
FILMS and TV
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2004 |
Tanner on Tanner |
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DGA (Directors Guild of America) nomination for Outstanding Television Miniseries |
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2001 |
Gosford Park |
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Golden Globe: Best Director (Musical or Comedy) |
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New York Film Critics Circle Award: Best Director; Best Supporting Actress, Helen Mirren |
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National Society of Film Critics: Best Director; Best Supporting Actress, Helen Mirren |
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BAFTA (British Academy of Film and Television Arts) Award: Best British Film |
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AFI (American Film Institute) Award: Best Director |
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Screen Actors Guild Awards: Best Cast in a Theatrical Motion Picture; Best Supporting Actress, Helen Mirren |
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Seven Academy Award nominations, including Best Director, Best Film |
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Academy Award: Best Screenplay |
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1997 |
Robert Altman’s Jazz ‘34: Remembrances of Kansas City Swing |
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Twenty-first Sao Paulo International Film Festival: Prémio do Público, Best Documentary |
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1996 |
Kansas City |
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New York Film Critics Circle Award: Best Supporting Actor, Harry Belafonte |
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Los Angeles Film Critics Association Award: Best Score |
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1994 |
Prêt-à-Porter (Ready to Wear) |
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The National Board of Review: Acting Award for Ensemble Cast |
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1994 |
Black and Blue |
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Emmy nomination for Best Director |
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1993 |
Short Cuts |
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Venice Film Festival: Grand Prix, Best Film; Grand Prix, Best Acting Award to the Ensemble |
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Golden Globe: Ensemble Cast |
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IFP Independent Spirit Award: Best Film |
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Swedish Film Critics Award: Best Film |
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Bodil Award, Denmark: Best American Film |
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Boston Society of Film Critics Award: Best Screenplay |
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Academy Award nomination for Best Director |
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New York Film Festival, shown opening night |
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1992 |
The Player |
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New York Film Critics Circle Award: Best Film, Best Director |
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Cannes Film Festival: Best Director; Best Actor, Tim Robbins |
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Golden Globe: Best Film (Musical or Comedy); Best Actor, Tim Robbins |
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DGA Award: Outstanding Directorial Achievement |
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BAFTA: Best Director |
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Chicago Film Critics Award: Best Director |
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Boston Society of Film Critics Award: Best Director |
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Italian National Syndicate of Film Journalists Award: Best Director of a Foreign Film |
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Bodil Award, Denmark: Best American Film |
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Academy Award nomination for Best Director |
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1988 |
Tanner ‘88 |
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Emmy Award (Academy of Television Arts & Sciences): Best Director |
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BAFTA: Best Foreign Television Series |
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FIPA (International Festival of Audiovisual Programs), France: Best Foreign Series |
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1988 |
The Caine Mutiny Court-Martial |
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Monte Carlo Television Festival: Best Director |
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1985 |
The Laundromat |
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ACE Award |
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1983 |
Streamers |
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Venice Film Festival: Grand Prix, Acting, Ensemble |
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1982 |
Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean |
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Chicago International Film Festival: Grand Prix |
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1978 |
A Wedding |
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New York Film Festival, shown opening night |
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1977 |
3 Women |
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Cannes Film Festival: Best Actress, Shelley Duvall |
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New York Film Festival: Best Supporting Actress, Sissy Spacek |
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1976 |
Buffalo Bill and the Indians, or Sitting Bull’s History Lesson |
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Berlin International Film Festival: Golden Bear, Best Film |
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1975 |
Nashville |
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National Society of Film Critics Award: Best Film, Best Director |
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New York Film Critics Circle Award: Best Film, Best Director |
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National Board of Review: Best Film, Best Director |
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David di Donatello Award, Italy |
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AFI (Australian Film Institute) Film Awards, Australia, Best Foreign Film |
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Academy Award nominations for Best Film, Best Director |
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Academy Award: Best Song, “I’m Easy” |
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1972 |
Images |
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Cannes Film Festival: Best Actress, Susannah York |
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1970 |
M*A*S*H |
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Cannes Film Festival: Palme d’Or (Best Film) |
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National Society of Film Critics Award: Best Film |
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Academy Award nominations for Best Film, Best Director |
CAREER HONORS
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2006 |
Hamptons International Film Festival: Golden Starfish Award for Career Achievement in Directing |
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2005 |
Honorary Academy Award in recognition of a career that has repeatedly reinvented the art form and inspired filmmakers and audiences alike |
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2001 |
Women in Film: Mentor Award |
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2000 |
Independent Feature Project: Gotham Awards; Bravo Lifetime Achievement Award |
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1999 |
American Society of Cinematographers: Board of Governors Award |
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1998 |
Classically Independent Film Festival, San Francisco, California: Independent Director Honoree |
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1996 |
Venice Film Festival: Golden Lion |
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1996 |
University of Michigan: honorary doctorate of fine arts |
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1996 |
American Film Institute: honorary doctorate of fine arts |
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1995 |
American Cinema Editors (ACE): award for unique and distinguished contributions to the art and craft of the motion picture |
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1994 |
Directors Guild of America: D. W. Griffith Award for distinguished achievement in motion picture direction |
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1994 |
Film Society of Lincoln Center, Gala Tribute honoree |
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1994 |
Cinema Arts Centre Award for unique achievement in advancing the art of independent film |
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1992 |
IFP: John Cassavetes Award, for significantly extending the possibilities of film art |
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1992 |
USA Film Festival: Great Director Award |
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1991 |
Cinema Audio Society: Lifetime Achievement Award |