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—— English Court Theatre, 1558–1642 (Cambridge: Cambridge University Press, 1999).

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—— A Strange Horse-Race (London: Joseph Hunt, 1613).

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Estok, Simon C. ‘Afterword: Ecocriticism on the Lip of a Lion’, in Lynne Bruckner and Dan Brayton (eds), Ecocritical Shakespeare (Farnham: Ashgate, 2011), pp. 239–46.

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Falconer, A. F. Shakespeare and the Sea (London: Constable, 1964).

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Fenton, Edward. Certaine Secrete Wonders of Nature (London: Henry Bynneman, 1569).

Fisher, John. The Sermon of Joh[a]n the Bysshop of Rochester made Agayn the P[er] nicious Doctryn of Martin Luther (London: Wynkyn de Worde, [1527?] 1527).

Fleming, Abraham. A Bright Burning Beacon (London: Henry Denham, 1580).

Fletcher, John. Comedies and Tragedies Written by Francis Beaumont and John Fletcher ... Never Printed Before (London: Humphrey Robinson, 1647).

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Foakes, R. A. Illustrations of the English Stage, 1580–1642 (Stanford, CA: University of California Press, 1985).

—— Shakespeare and Violence (Cambridge: Cambridge University Press, 2003).

—— ‘Performance and Text: King Lear,’ Medieval and Renaissance Drama in England 17 (2005), 86–98.

Foakes, R. A. and R. T. Rickert (eds). Henslowe’s Diary (Cambridge: Cambridge University Press, 1961).

Freehafer, John. ‘Leonard Digges, Ben Johnson, and the Beginning of Shakespeare Idolatry’, Shakespeare Quarterly 21:1 (Winter, 1970), 63–75.

Friesen, Ryan Curtis. Supernatural Fiction in Early Modern Drama and Culture (Eastbourne: Sussex Academic Press, 2010).

Frye, Northrop. The Great Code: The Bible and Literature (New York: Harcourt Brace Jovanovich, 1982).

Fulke, William. A Goodly Gallery with a most Pleasant Prospect (London: William Griffith, 1563).

Garrard, Greg. Ecocriticism: The New Critical Idiom (London: Routledge, 2004).

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Golding, Arthur. A Discourse upon the Earthquake (London: Henry Bynneman, 1580).

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Greenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare (New York: Norton, 2004).

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—— ‘The Tempest’s Tempest at Blackfriars’, Shakespeare Survey 41 (1989), 91–102.

—— The Shakespearean Playing Companies (Oxford: Clarendon Press, 1996).

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Gurr, Andrew and Mariko Ichikawa. Staging in Shakespeare’s Theatres (Oxford: Oxford University Press, 2000).

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Harrison, G. B. The Life and Death of Robert Devereux Earl of Essex (London: Cassell., 1937).

Harrison, Robert Pogue. Forests: The Shadow of Civilisation (Chicago: University of Chicago Press, 1993).

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—— The Silver Age, Including The Love of Jupiter to Alcmena: The Birth of Hercules. And The Rape of Proserpine (London: Nicholas Okes, 1613).

—— The Brazen Age (London: Nicholas Okes, 1613).

—— The Iron Age (London: Nicholas Okes, 1632).

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—— The Profitable Arte of Gardening (London: Henry Bynneman, 1574).

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—— The Ecological Thought (Cambridge, MA: Harvard University Press, 2010).

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Nicholl, Allardyce. Stuart Masques and the Renaissance Stage (New York: Benjamin Blom, Inc., 1968).

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—— The Three First Bookes of Ovid de Tristibus translated into English, trans. Thomas Churchyard (London: Thomas Marsh, 1580).

—— Ovid’s Metamorphosis Englished, trans. George Sandys (London: Robert Young, 1628).

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Perkins, William. A Discourse of the Damned Art of Witchcraft (Cambridge: Cantrel Legge, 1608).

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Serlio, Sebastiano. The Five Books of Architecture: An Unabridged Reprint of the English Edition of 1611 (New York: Dover Publications, 1982).

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—— Biblical References in Shakespeare’s Plays (Newark: University of Delaware Press, 1999).

Shakelton, Francis. A Blazyng Starre or Burnyng Beacon, Seene the 10 of October Laste (London: John Kingston, 1580).

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—— Julius Caesar, Arden 3rd Series, ed. David Daniell (London: Thomson Learning, 2005).

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—— The Tempest, Arden 3rd Series, ed. Virginia Mason Vaughan and Alden T. Vaughan (London: Cengage Learning, 1999).

—— The Tempest, Oxford Shakespeare, ed. Stephen Orgel (Oxford: Oxford University Press, 1998).

—— The Tempest, New Cambridge Shakespeare, ed. David Lindley (Cambridge: Cambridge University Press, 2002).

Shapiro, James. 1599: A Year in the Life of William Shakespeare (London: Faber and Faber, 2005).

Shirley, Frances Ann. Shakespeare’s Use of Off-Stage Sounds (Lincoln, NE: University of Nebraska Press, 1963).

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Smith, Bruce. The Acoustic World of Early Modern England (Chicago: University of Chicago Press, 1999).

Sohmer, Steve. Shakespeare’s Mystery Play: The Opening of the Globe Theatre 1599 (Manchester: Manchester University Press, 1999).

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