"Being crazy" is generally a negative characterization today, yet many celebrated artists, leaders, and successful individuals have achieved greatness despite suffering from mental illness. This book explores the many different representations of mental illness that exist―and sometimes persist―in both traditional and new media across eras.
Mental health professionals and advocates typically point a finger at pop culture for sensationalizing and stigmatizing mental illness, perpetuating stereotypes, and capitalizing on the increased anxiety that invariably follows mass shootings at schools, military bases, or workplaces; on public transportation; or at large public gatherings. While drugs or street gangs were once most often blamed for public violence, the upswing of psychotic perpetrators casts a harsher light on mental illness and commands media's attention. What aspects of popular culture could play a role in mental health across the nation? How accurate and influential are the various media representations of mental illness? Or are there unsung positive portrayals of mental illness?
This standout work on the intersections of pop culture and mental illness brings informed perspectives and necessary context to the myriad topics within these important, timely, and controversial issues. Divided into five sections, the book covers movies; television; popular literature, encompassing novels, poetry, and memoirs; the visual arts, such as fine art, video games, comics, and graphic novels; and popular music, addressing lyrics and musicians' lives. Some of the essays reference multiple media, such as a filmic adaptation of a memoir or a video game adaptation of a story or characters that were originally in comics. With roughly 20 percent of U.S. citizens taking psychotropic prescriptions or carrying a psychiatric diagnosis, this timely topic is relevant to far more individuals than many people would admit.
Chapter 1. Psychoanalytic Renditions and Film Noir Traditions
Chapter 2. The Meme of Escaped (Male) Mental Patients in American Horror Films
Chapter 3. Filming Hallucinations for A Beautiful Mind, Black Swan, Spider, and Take Shelter
Chapter 4. Dissociative Identity Disorder in Horror Cinema (You D.I.D.n’t See That Coming)
Chapter 5. Spirit Possession, Mental Illness, and the Movies, or What’s Gotten into You?
Chapter 6. Hitchcock: Master of Suspense and Mental Illness
Chapter 7. McMurphy the Trickster, Foucault, and One Flew Over the Cuckoo’s Nest
Chapter 8. “Nature Played Me a Dirty Trick”: Illness vs. Tolerance in Gay-Themed Film
Chapter 9. Women’s Agency as Madness: “The Yellow Wallpaper” to Penny Dreadful
Chapter 10. Orange Is the New Color for Mental Illness
Chapter 11. Suffering Soldiers and PTSD: From Saigon to Walton’s Mountain
Chapter 12. Mirth and Mental Illness: Television Comedy and the Human Condition
Chapter 13. How Traditional Holiday TV Movies Depict Mental Illness
Chapter 14. Cotard’s Syndrome in True Detective, Alien Invaders, Zombies, and Pod People
Chapter 15. House, Monk, Dexter, and Hannibal: “Super-Powered” Mentally Ill TV Characters
Chapter 16. Sanity and Perception in Philip K. Dick’s Clans of the Alphane Moon
Chapter 17. Medea, Mothers, and Madness: Classical Culture in Popular Culture
Chapter 18. Narratives in The Snake Pit, I Never Promised You a Rose Garden, and Girl, Interrupted
Chapter 19. Edgar Allan Poe’s Unreliable Narrators, or “Madmen Know Nothing”
Chapter 20. Lovecraft and “An Open Slice of Howling Fear”
Chapter 21. Mind Games: Representations of Madness in Video Games
Chapter 22. Graphic Narratives: Bechdel’s Fun Home and Forney’s Marbles
Chapter 23. The X-Men as Metaphors: When Gayness Was Illness
Chapter 24. Arkham Asylum’s Criminally Insane Inmates and Psychotic Psychiatrists
Chapter 25. Halfworld’s Loonies in Rocket Raccoon Comics—Serious or Satire?
Chapter 26. Van Gogh and the Changing Perceptions of Mental Illness and Art
Chapter 27. From the Beats to Jean-Michel Basquiat: Cultural Madness and Mad Art
Chapter 28. “Autists” and Merchandising “Autistic Art”
Chapter 29. Slipping into Silent Hill: Transnational Trauma
Chapter 30. Kurt Cobain, Nirvana, and Generation X’s Suicide Symbol
Chapter 31. Metallica, Heavy Metal, and “Suicide Music”