BOOKS AND DISSERTATIONS
Adams, Laurie. The Methodologies of Art: An Introduction. New York: Icon Editions, 1996.
Adler, Edward J. “American Painting and the Vietnam War.” PhD diss. New York University, 1985.
Alberro, Alex. “Deprivileging Art: Seth Siegelaub and the Politics of Conceptual Art.” PhD diss. Northwestern University, 1996.
Alberro, Alexander, and Patricia Norvell, eds. Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner, by Patricia Norvell. Berkeley: University of California Press, 2001.
Alberro, Alex, and Blake Stimson, eds. Conceptual Art: A Critical Anthology. Cambridge: MIT Press, 1999.
Albright, Thomas. Art in the San Francisco Bay Area, 1945–1980: An Illustrated History. Berkeley: University of California Press, 1985.
Archer, Michael. Art Since 1960. New York: Thames and Hudson, 2002.
Aristotle, and Theodore Alois Buckley. Treatise on Rhetoric. Amherst, NY: Prometheus Books, 1995.
Arlen, Michael J. Living-Room War. New York: Penguin, 1982.
Arrighi, Giovanni, Terence K. Hopkins, and Immanuel Maurice Wallerstein. Antisystemic Movements. New York: Verso, 1989.
Art Workers’ Coalition: “Documents,” “Open Hearing.” Seville: Editorial Doble J., 2009.
Aulich, James, and Jeffrey Walsh, eds. Vietnam Images: War and Representation. New York: St. Martin’s Press, 1989.
Ault, Julie, ed. Alternative Art New York, 1965–1985. Minneapolis: University of Minnesota Press, 2002.
Azoulay, Ariella. Death’s Showcase: The Power of Image in Contemporary Democracy. Cambridge: MIT Press, 2001.
Baker, Stephen. Visual Persuasion. New York: McGraw-Hill, 1961.
Baranik, Rudolf, Charlene Spurlock, and William Spurlock. Rudolf Baranik: Napalm Elegy and Other Work. Dayton: Wright State University Art Galleries, 1977.
Barthes, Roland, and Stephen Heath. Image, Music, Text. London: Fontana Press, 1987.
Basilio, Miriam. “Re-inventing Spain: Images of the Nation in Painting and Propaganda, 1936–1943.” PhD diss. New York University, 2002.
Battcock, Gregory. Idea Art: A Critical Anthology. New York: Dutton, 1973.
Baynes, Ken, et al. Art in Society. Woodstock, NY: Overlook Press, 1975.
Bercht, Fatima, ed. Voces y Visiones: Highlights from El Museo Del Barrio’s Permanent Collection: El Museo Del Barrio, 1969–2003. New York: Museo del Barrio, 2003.
Berger, Maurice. How Art Becomes History: Essays on Art, Society, and Culture in Post–New Deal America. New York: Icon Editions, 1992.
. Labyrinths: Robert Morris, Minimalism, and the 1960s. New York: Harper and Row, 1989.
. Representing Vietnam: The Antiwar Movement in America, 1965–1973. New York: Bertha and Karl Leubsdorf Art Gallery, Hunter College, 1988.
Bernays, Edward L. Propaganda. New York: H. Liveright, 1928.
Bishop, Claire, ed. Participation. Cambridge: MIT Press, 2006.
Blum, David. Tick . . . Tick . . . Tick . . . : The Long Life and Turbulent Times of “60 Minutes.” New York: HarperCollins, 2004.
Bradle y, Will, and Charles Esche, eds. Art and Social Change: A Critical Reader. London: Tate Publishing, 2007.
Browne, Malcolm. The New Face of War. Indianapolis: Bobbs-Merrill, 1965.
Brownmiller, Susan. Against Our Will: Men, Women, and Rape. New York: Simon and Schuster, 1975.
Bruckner, D. J. R., Seymour Chwast, and Steven Heller. Art Against War: 400 Years of Protest in Art. New York: Abbeville Press, 1984.
Bryan-Wilson, Julia. Art Workers: Radical Practice in the Vietnam War Era. Berkeley: University of California Press, 2009.
Cameron, Dan. Peter Saul. New York: Distributed Art Publishers, 2008.
Chipp, Herschel B., ed. Theories of Modern Art: A Source Book by Artists and Critics. Berkeley: University of California Press, 1968.
Churcher, Betty, and Australian War Memorial. The Art of War. Carleton: Miegunyah Press, 2004.
Compton, Michael, David Sylvester, and Robert Morris. Robert Morris: The Tate Gallery, 28 April–6 June 1971. London: Tate Gallery, 1971.
Craven, David. Abstract Expressionism as Cultural Critique: Dissent During the McCarthy Period. Cambridge: Cambridge University Press, 1999.
Crow, Thomas. The Rise of the Sixties. New Haven: Yale University Press, 1996.
Debray, Regis. Revolution in the Revolution? Armed Struggle and Political Struggle in Latin America. Westport, CT: Greenwood Press, 1967.
de Zegher, Catherine M., ed. Persis tent Vestiges: Drawing from the American–Vietnam War. New York: Drawing Center, 2005.
Dijkstra, Bram. American Expressionism: Art and Social Change, 1920–1950. New York: Harry N. Abrams, 2003.
Dubin, Steven C. Arresting Images: Impolitic Art and Uncivil Actions. New York: Rout-ledge, 1992.
Duncan, David Douglas. I Protest! New York: New American Library, 1968.
Edelman, Murray J. From Art to Politics: How Artistic Creations Shape Political Conceptions. Chicago: University of Chicago Press, 1995.
Ewen, Stuart. All Consuming Images: The Politics of Style in Contemporary Culture. New York: Basic Books, 1988.
Fall, Bernard. Hell in a Very Small Place. New York: Lippincott, 1966.
Farber, David. The Sixties: From Memory to History. Chapel Hill: University of North Carolina Press, 1994.
Fitzgerald, Frances. Fire in the Lake: The Vietnamese and the Americans in Vietnam. Boston: Back Bay Books, 2002.
Fogle, Douglas, Walker Art Center, and UCLA Hammer Museum of Art and Cultural Center. The Last Picture Show: Artists Using Photography, 1960–1982. Minneapolis: Walker Art Center, 2003.
Foley, Michael S. Confronting the War Machine: Draft Resistance During the Vietnam War. Chapel Hill: University of North Carolina Press, 2003.
Foot, M. R. D., and Imperial War Museum (Great Britain). Art and War: Twentieth-Century Warfare as Depicted by War Artists. London: Headline, 1990.
Franklin, H. Bruce. Vietnam and Other American Fantasies. Amherst: University of Massachusetts Press, 2000.
Frascina, Francis. Art, Politics, and Dissent: Aspects of the Art Left in Sixties America. New York: St. Martin’s Press, 1999.
Frasconi, Antonio. Antonio Frasconi: Exposición Retrospectiva. Ed. Museo Nacional de Artes Visuales de Montevideo. Montevideo, Uruguay: Ministerio de Educacion y Cultura, Museo Nacional de Artes Visuales, 1986.
. Woodcuts. New York: Typophiles, 1957.
Frieling, Rudolf, and San Francisco Museum of Modern Art. The Art of Participation: 1950 to Now. New York: Thames and Hudson, 2008.
Fry, Edward F., et al. Robert Morris: Works of the Eighties. Chicago: Museum of Contemporary Art, 1985.
Gitlin, Todd. The Sixties: Years of Hope, Days of Rage. New York: Bantam Books, 1987.
Glenn, Constance W., and James A. Rosenquist. Time Dust, James Rosenquist: Complete Graphics, 1962–1992. New York: Rizzoli, 1993.
Godfrey, Tony. Conceptual Art. London: Phaidon, 1998.
Goldstein, Ann, Diedrich Diederichsen, and Museum of Contemporary Art. A Minimal Future? Art as Object, 1958–1968. Cambridge: MIT Press, 2004.
Goldstein, Ann, Anne Rorimer, and Museum of Contemporary Art. Reconsidering the Object of Art: 1965–1975. Cambridge: MIT Press, 1995.
Gombrich, Ernst H., and Richard Woodfield. The Essential Gombrich: Selected Writings on Art and Culture. London: Phaidon, 1996.
Goodwin, Archie, et al. Blazing Combat. Seattle: Fantagraphics Books, 2009.
Greenberg, Clement, and John O’Brian. Clement Greenberg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1986.
Greene, Felix. Vietnam! Vietnam! Palo Alto, CA: Fulton, 1966.
Griffiths, Philip Jones. Vietnam Inc. London: Phaidon, 2001.
Gumpert, Lynn, Leon Golub, Ned Rifkin, and New Museum of Contemporary Art. Golub. New York: New Museum of Contemporary Art, 1984.
Haacke, Hans, with Benjamin Buchloh, Rosalind Deutsche, and Walter Grasskamp. Hans Haacke: For Real. Dusseldorf: Richter Verlag, 2007.
Hahne, Ron, Ben Morea, and Black Mask. Black Mask and Up Against the Wall Motherfucker: The Incomplete Works. London: Unpopular Books and Sabotage Editions, 1993.
Halberstam, David. The Best and the Brightest. New York: Ballantine, 1993.
. The Making of a Quagmire. New York: Alfred A. Knopf, 1965.
Handler, Beth. “The Art of Activism: Artists and Writers Protest, the Art Workers’ Coalition, and the New York Art Strike Protest the Vietnam War.” PhD diss. Yale University, 2001.
Hemingway, Andrew. Artists on the Left: American Artists and the Communist Movement, 1926–1956. New Haven: Yale University Press, 2002.
Hendricks, Jon, Jean Toche, Guerrilla Art Action Group, et al. GAAG, The Guerrilla Art Action Group, 1969–1976: A Selection. New York: Printed Matter, 1978.
Herr, Michael. Dispatches. New York: Vintage, 1977.
Herring, George C. America’s Longest War: The United States and Vietnam, 1950–1975. New York: Wiley, 1979.
Hopps, Walter. Kienholz: A Retrospective. Ed. Rosetta Brooks and Whitney Museum of American Art. New York: Whitney Museum of American Art, 1996.
Hudson, Anna, and Gertrude Kearns. Conflict, Conscience, and the Artist–Healer. Toronto: Mount Sinai Hospital, 2005.
Iles, Chrissie. Into the Light: The Projected Image in American Art, 1964–1977. Ed. Whitney Museum of American Art. New York: Harry N. Abrams, 2001.
Jagusch, Sybille A., ed. Antonio Frasconi at the Library of Congress: A Lecture Presented on May 18, 1989, for International Children’s Book Day by Antonio Frasconi. Washington, DC: Library of Congress, 1993.
Jones, Betsy B., and the Museum of Modern Art. The Artist as Adversary: Works from the Museum Collections (Including Promised Gifts and Extended Loans). New York: Museum of Modern Art, 1971.
Jones, Caroline A., et al. Bay Area Figurative Art, 1950–1965. Berkeley: University of California Press, 1990.
Judt, Tony. Past Imperfect: French Intellectuals, 1944–1956. Berkeley: University of California Press, 1994.
Kardon, Janet, and University of Pennsylvania, Institute of Contemporary Art. 1967: At the Crossroads: March 13–April 26, 1987, Institute of Contemporary Art, University of Pennsylvania. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1987.
Karnow, Stanley. Vietnam: A History. New York: Penguin, 1984.
Kelly, Patricia. 1968: Art and Politics in Chicago. Chicago: DePaul University Art Museum, 2008.
Kultermann, Udo. Art and Life. New York: Praeger, 1971.
Kunzle, David. American Posters of Protest, 1966–70. Ed. New School Art Center. New York: New School Art Center, 1971.
Lambert-Beatty, Carrie. Being Watched: Yvonne Rainer and the 1960s. Cambridge: MIT Press, 2008.
Lippard, Lucy R. A Different War: Vietnam in Art. Ed. Independent Curators Incorporated and Whatcom Museum of History and Art. Bellingham, WA: Whatcom Museum of History and Art, 1990.
. Get the Message? A Decade of Art for Social Change. New York: Dutton, 1984.
. May Stevens: Big Daddy, 1967–75: Lerner-Heller Gallery, March 11–29, 1975. New York: Lerner-Heller Gallery, 1975.
Lowenthal, Abraham F. The Dominican Intervention. Baltimore: Johns Hopkins University Press, 1994.
Lucie-Smith, Edward. Judy Chicago: An American Vision. New York: Watson-Guptill, 2000.
Mailer, Norman. The Armies of the Night. New York: New American Library, 1968.
Maranis, David. They Marched into Sunlight: War and Peace, Vietnam and America, October 1967. New York: Simon and Schuster, 2003.
Marcuse, Herbert. An Essay on Liberation. Boston: Beacon Press, 1969.
Martin, Bradford D. The Theater Is in the Street: Politics and Performance in Sixties America. Amherst: University of Massachusetts Press, 2004.
Marzorati, Gerald. A Painter of Darkness: Leon Golub and His Times. New York: Penguin, 1992.
McQuiston, Liz. Graphic Agitation. London: Phaidon, 1995.
Meyer, James. Minimalism: Art and Polemics of the Sixties. New Haven: Yale University Press, 2001.
Meyer, Ursula. Conceptual Art. New York: Dutton, 1972.
Miles, Barry, and Maggs Bros, ed. 4973: Berkeley Protest Posters, 1970. London: Francis Boutle Publishers, 2000.
Millon, Henry A., and Linda Nochlin. Art and Architecture in the Service of Politics. Cambridge: MIT Press, 1978.
Mitchell, W. J. Thomas. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press, 1986.
Monte, James K., Marcia Tucker, and Whitney Museum of American Art. Anti-illusion: Procedures/Materials. New York: Whitney Museum of American Art, 1969.
Moore, Alan. “Collectives: Protest, Counter-Culture, and Political Postmodernism in New York City Artists Organizations, 1969–1985.” PhD diss. City University of New York, 2000.
Morris, Robert. Continuous Project Altered Daily: 1969. New York: Multiples, 1970.
. Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge: MIT Press, 1993.
Morris, Robert, Corcoran Gallery of Art, and Detroit Institute of Arts. Robert Morris. Washington, DC: Corcoran Gallery of Art, 1969.
Morris, Robert, and France Association LAC. Robert Morris: Recent Felt Pieces and Drawings, 1996–1997: Association LAC (Lieu d’Art Contemporain) Sigean. Hannover: Kunstverein Hannover, 1997.
Morris, Robert, and Grey Art Gallery and Study Center. Robert Morris: The Felt Works. New York: Grey Art Gallery and Study Center, New York University, 1989.
Morris, Robert, Marti Mayo, and Contemporary Arts Museum. Robert Morris: Selected Works, 1970–1980: December 12, 1981–February 14, 1982, Contemporary Arts Museum, Houston, Texas. Houston: The Museum, 1981.
Morris, Robert, and Nuova Icona. Robert Morris: Tar Babies of the New World Order. Venice: Nuova Icona, 1997.
Morris, Robert, and Nena Tsouti-Schillinger. Have I Reasons: Work and Writings, 1993–2007. Durham: Duke University Press, 2008.
Morris, Robert, and University of Pennsylvania, Institute of Contemporary Art. Robert Morris/Projects: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 23 to April 27, 1974. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1974.
, et al. Robert Morris: Less Than: Invito a Luciano Fabro, Sol LeWitt, Eliseo Mattiacci, Robert Morris, Richard Serra. Prato: Gliori, 2005.
, et al. Robert Morris: Rétrospective, 1961–1994. Paris: Centre Georges Pompidou, 1995.
Museo del Barrio. Arte [no Es] Vida: Actions by Artists of the Americas, 1960–2000. Ed. Deborah Cullen. New York: El Museo del Barrio, 2008.
Newman, Amy. Challenging Art: “Artforum,” 1962–1974. New York: SoHo Press, 2003.
New School Art Center, ed. Protest and Hope: An Exhibition of Contemporary American Art. New York: New School Art Center, 1967.
Oates, Joyce Carol. Where I’ve Been, and Where I’m Going. New York: Plume, 1999.
Obler, Geraldine. “Aspects of Social Protest in American Art, 1963–1973.” PhD diss. Columbia University, 1974.
O’Brien, Mark, and Craig Little. Reimaging America: The Arts of Social Change. Philadelphia: New Society Publishers, 1990.
O’Brien, Tim. Going After Cacciato. New York: Broadway Books, 1999.
Owens, Craig, and Scott Stewart Bryson. Beyond Recognition: Representation, Power, and Culture. Berkeley: University of California Press, 1992.
Perlmutter, David D. Visions of War: Picturing Warfare from the Stone Age to the Cyber Age. New York: St. Martin’s Press, 2001.
Pincus-Witten, Robert. Postminimalism. New York: Out of London Press, 1977.
Plagens, Peter. Sunshine Muse: Art on the West Coast, 1945–1970. Berkeley: University of California Press, 1999.
Ranciere, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2004.
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Richardson, Peter. A Bomb in Every Issue: How the Short, Unruly Life of “Ramparts” Magazine Changed America. New York: New Press, 2009.
Rickards, Maurice. Posters of Protest and Revolution. New York: Walker, 1970.
Robins, Corinne. The Pluralist Era: American Art, 1968–1981. New York: Harper and Row, 1984.
Rorimer, Anne. New Art in the 60s and 70s: Redefining Reality. New York: Thames and Hudson, 2001.
Rosenthal, T. G., Francis Hoyland, and British Broadcasting Corporation. The Artist and War in the 20th Century. London: BBC Publications, 1967.
Rosler, Martha. Martha Rosler: Positions in the Life World. Ed. M. Catherine de Zegher and Ikon Gallery. Cambridge: MIT Press, 1998.
Roy, Jules. The Battle of Dienbienphu. New York: Harper and Row, 1965.
Rubin, David S., et al. Wally Hedrick: Selected Works. San Francisco: San Francisco Art Institute, 1985.
Rutberg, Jack. Hans Burkhardt: Paintings of the 1960s. Los Angeles: Jack Rutberg Fine Arts, 2008.
. Hans Burkhardt: The War Paintings: A Catalogue Raisonné. Northridge: Santa Susana Press and California State University, Northridge, 1984.
Sandler, Irving. American Art of the 1960s. New York: Harper and Row, 1988.
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Saul, Peter, et al. Peter Saul. Newport Beach, CA: Orange County Museum of Art, 2008.
Sayres, Sohnya, et al., eds. The 60s Without Apology. Minneapolis: University of Minneapolis, 1984.
Schalk, David L. The Spectrum of Political Engagement: Mounier, Benda, Nizan, Brasillach, Sartre. Princeton: Princeton University Press, 1979.
. War and the Ivory Tower: Algeria and Vietnam. New York: Oxford University Press, 1991.
Schmidt, Hans-Werner, and Edward Kienholz. Edward Kienholz, the Portable War Memorial: Moralischer Appell Und Politische Kritik. Frankfur t: Fischer Taschenbuch Verlag, 1988.
Schmidt Campbell, Mary, and Studio Museum in Harlem, eds. Tradition and Conflict: Images of a Turbulent Decade, 1963–1973. New York: Studio Museum in Harlem, 1985.
Schneemann, Carolee, and Bruce R. McPherson. Carolee Schneemann: Imaging Her Erotics: Essays, Interviews, Projects. Cambridge: MIT Press, 2002.
. More Than Meat Joy: Complete Performance Works and Selected Writings. New Paltz, NY: Documentext, 1979.
Schudson, Michael. Advertising, the Uneasy Persuasion: Its Dubious Impact on American Society. New York: Basic Books, 1984.
Selz, Peter. Art of Engagement: Visual Politics in California and Beyond. Ed. Susan Landauer and San Jose Museum of Art. Berkeley: University of California Press, 2006.
Shikes, Ralph E. The Indignant Eye: The Artist as Social Critic in Prints and Drawings from the Fifteenth Century to Picasso. Boston: Beacon Press, 1969.
Siegel, Jeanne. Artwords: Discourse on the 60s and 70s. Ann Arbor: UMI Research Press, 1992.
Siegel, Katy, et al. High Times, Hard Times: New York Painting, 1967–1975. New York: Independent Curators International, 2006.
Silver, Kenneth E. “Esprit de Corps: The Great War and French Art, 1914–1925.” PhD diss. Yale University, 1981.
Small, Melvin. Johnson, Nixon, and the Doves. New Brunswick: Rutgers University Press, 1989.
Sontag, Susan. Regarding the Pain of Others. New York: Farrar, Straus & Giroux, 2003.
Spurlock, William H., et al. Napalm Elegy and Other Works: Conversation with Rudolf Baranik, Charlene Spurlock, and William Spurlock. Dayton: Wright State University Art Galleries, 1977.
Starkweather, Frank, University of Michigan Department of Anthropology, and University of Michigan Museum of Art. Traditional Igbo Art, 1966: An Exhibition of Wood Sculpture Carved in 1965–66. Ann Arbor: University of Michigan, 1968.
Stermer, Dugald, and Susan Sontag. The Art of Revolution. New York: McGraw-Hill, 1970.
Stiles, Kristine, and Peter Howard Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Berkeley: University of California Press, 1996.
Stimson, Blake, and Gregory Sholette. Collectivism After Modernism: The Art of Social Imagination After 1945. Minneapolis: University of Minnesota Press, 2007.
Stimson, Malcolm Blake. “A Theory of the Neo-Avant-Garde.” PhD diss. Cornell University, 1998.
Stone, I. F. In a Time of Torment. New York: Random House, 1967.
Storr, Robert, ed. Nancy Spero: The War Series, 1966–1970. Milan: Charta, 2003.
Studio Museum in Harlem. Symbols and Other Works by Benny Andrews: April 25 to June 6. New York: Studio Museum in Harlem, 1971.
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Taylor, Brandon. Contemporary Art: Art Since 1970. Upper Saddle River, NJ: Pearson/Prentice Hall, 2005.
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Vogelgesang, Sandy. The Long Dark Night of the Soul: The American Intellectual Left and the Vietnam War. New York: Harper and Row, 1974.
Von Blum, Paul. Other Visions, Other Voices: Women Political Artists in Greater Los Angeles. Lanham, MD: University Press of America, 1994.
Wallace, Michele. Invisibility Blues. London: Verso, 1990.
Wallis, Brian, ed. Hans Haacke: Unfinished Business. Cambridge: MIT Press, 1987.
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ARTICLES AND ESSAYS
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. “Art: Reviewing the Above Statement.” New York Free Press, October 31, 1968.
. “The Art Critic as Social Reformer, with a Question Mark.” Art in America, vol. 59, no. 5 (1971), 26–27.
. “Informative Exhibition at the Museum of Modern Art.” Arts, Summer 1970, 24–27.
Chomsky, Noam. “On Resistance.” New York Review of Books, December 7, 1967.
. “The Responsibility of Intellectuals.” New York Review of Books, February 23, 1967.
Delot, Sébastien. “New York, 1968: Une exposition de groupe manifeste à la galerie Paula Cooper.” Les Cahiers du Mnam, vol. 82, no. 99 (2007), 82–95.
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Frankenstein, Alfred V. “Saul’s Caricature of Agony.” San Francisco Examiner-Chronicle, August 11, 1968, 37.
Frascina, Francis. “Meyer Schapiro’s Choice: My Lai, Guernica, MoMA, and the Art Left, 1969–70: Part I.” Journal of Contemporary History, vol. 30, no. 3 (1995), 481–511.
. “Meyer Schapiro’s Choice: My Lai, Guernica, MoMA, and the Art Left, 1969–70: Part II.” Journal of Contemporary History, vol. 30, no. 4 (1995), 705–728.
Glueck, Grace. “500 in Art Strike Sit on Steps of Metropolitan.” New York Times, May 23, 1970.
. “Art Notes.” New York Times, October 27, 1968.
. “Art Notes.” New York Times, November 1, 1970.
. “Peace Plus.” Art in America, vol. 58, no. 5 (1970), 38.
. “A Strange Assortment of Flags Is Displayed at People’s Flag Show.” New York Times, November 10, 1970.
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. “Letter.” Artforum, vol. 7, no. 7 (1969), 4.
Greenberg, Clement. “Avant-Garde and Kitsch.” Partisan Review, vol. 6 (Fall 1939), 34–49.
. “Interview Conducted by Lily Leino.” In Clement Greenberg: The Collected Essays and Criticism, Volume 4. Ed. John O’Brien, 311–312. Chicago: University of Chicago Press, 1995.
. “Towards a Newer Laocoon.” Partisan Review, vol. 7 (Fall 1940), 296–310.
Griffin, Tim. “Domesticity at War: Beatriz Colomina and Homi K. Bhabha in Conversation.” Artforum, vol. 45, no. 10 (2007), 442–447.
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Israel, Matthew. “A Magnet for the With-It Kids: The Jewish Museum, New York, of the 1960s.” Art in America, vol. 95, no. 9 (2007), 72–83.
. “As Landmark: An Introduction to ‘Harlem on My Mind.’” Art Spaces Archives Project, December 2004.
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Jones, D. A. N. “The Monstrous Thing.” New York Review of Books, December 17, 1964, 8–9.
Kastner, Jeffrey, Mark di Suvero, Irving Petlin, and Rirkrit Tiravanija. “Peace Tower: Irving Petlin, Mark di Suvero, and Rirkrit Tiravanija Revisit The Artists’ Tower of Protest, 1966.” Artforum, vol. 44, no. 7 (2006), 252–257.
Kay, Jane Holtz. “Artists as Social Reformers.” Art in America, vol. 57, no. 1 (1969), 44–47.
Kelly, Mike. “Myth Science: On Öyvind Fahlström.” In Foul Perfection: Essays and Criticism. Ed. John C. Welchman, 158–177. Cambridge: MIT Press, 2003.
Kozloff, Max. “A Collage of Indignation.” The Nation, February 20, 1967.
. “The Late Roman Empire in the Light of Napalm.” Artnews, vol. 69, no. 7 (1978), 58–60, 76–78.
Kramer, Hilton. “‘Miracles,’ ‘Information,’ ‘Recommended Reading.’” New York Times, July 12, 1970.
Levi-Strauss, David. “Where the Camera Cannot Go: Leon Golub on the Relation Between Art and Photography.” Aperture, vol. 162 (Winter 2001), 52–64.
Lewis, Michael J. “Art, Politics, and Clement Greenberg.” Commentary, June 1998.
Lippard, Lucy. “The Dilemma.” Arts, November 1970, 27–29.
. “Flagged Down: The Judson Three and Friends.” Art in America, vol. 60, no. 3 (1972), 48.
MacDonald, Dwight. “A Day at the White House.” New York Review of Books, July 15, 1965, 10–15.
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McCarthy, David. “Dirty Freaks and High School Punks: Peter Saul’s Critique of the Vietnam War.” American Art, vol. 23 (Spring 2009), 78–103.
. “Fantasy and Force: A Brief Consideration of Artists and War in the American Century.” Art Journal, vol. 62, no. 4 (2003), 93–100.
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Morgan, Robert C. “Carolee Schneemann’s Viet-Flakes (1965).” In After the Deluge: Essays on Art in the Nineties, 36–40. New York: Red Bass, 1993.
“Nation: Festival of the Arts.” Time, June 25, 1965.
Nemser, Cindy. “Artists and the System: Far from Cambodia.” Village Voice, May 28, 1970.
Pepper, William F. “The Children of Vietnam.” Ramparts, vol. 5 (January 1967), 44–68. Perreault, John. “Art: Repeating Absurdity.” Village Voice, December 14, 1967.
. “Art on Strike.” Village Voice, May 28, 1970.
. “Faith and Fire.” Village Voice, October 31, 1968.
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Rosenberg, Harold. “Art of Bad Conscience.” New Yorker, December 16, 1967.
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Schwartz, Therese. “The Politicization of the Avant-Garde: Part I.” Art in America vol. 59, no. 6 (1971), 97–105.
Shepherd, Richard. “Robert Lowell Rebuffs Johnson as Protest over Foreign Policy.” New York Times, June 3, 1965.
Siegel, Jeanne. “Carl Andre: Art Worker, in an Interview with Jeanne Siegel.” Studio International, vol. 180, no. 927 (1970), 175–176.
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Whelton, Clark. “The Flag as Art: Bars and Stripes Forever.” Village Voice, November 19, 1970.
“White Out Blacked Out: Protest by Art Community Gets Silent Treatment.” Los Angeles Free Press, May 21, 1965.
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SPECIAL COLLECTIONS
Carolee Schneemann Papers, Special Collections, Getty Research Institute, Los Angeles.
Center for the Study of Political Graphics, Los Angeles.
Charles Brittin Papers, Special Collections, Getty Research Institute, Los Angeles.
Daedalus Foundation, New York.
David Zwirner Gallery Library, New York.
Department of Prints and Illustrated Books, Museum of Modern Art, New York.
Downtown Collection, Fales Library and Special Collections, Elmer Holmes Bobst Library, New York University.
Harold Rosenberg Papers, Special Collections, Getty Research Institute, Los Angeles.
Irving Sandler Papers, Special Collections, Getty Research Institute, Los Angeles.
Lucy Lippard Papers, Archives of American Art, Smithsonian Institution, Washington, DC.
Michael Rossman Political Poster Collection (in the possession of Lincoln Cushing), Berkeley, CA.
Museum of Television and Radio, New York.
New Left Collection, Hoover Institution, Stanford University.
PAD/D Archive, Special Collections, Museum of Modern Art Library, New York.
Paula Cooper Gallery Library and Archives, New York.
Ronald Feldman Gallery Library, New York.
PERSONAL INTERVIEWS
Abeles, Sigmund. February 24, 2009.
Acconci, Vito. April 3, 2009.
Andre, Carl. April 15, 2009.
Aptekar, Bernard. February 27, 2008.
Berger, Maurice. July 10, 2008.
Bochner, Mel. February 6, 2009.
Brown, Kay, February 24, 2009.
Cajori, Charles. February 3, 2009.
Chwast, Seymour. February 12, 2009.
Dean, Peter. March 6, 2009.
Duncan, David Douglas. February 24, 2009.
Garcia, Rupert. February 12, 2009.
Glaubman, Evelyn. March 27, 2009.
Grooms, Red. March 10, 2009.
Haacke, Hans, March 10, 2009.
Heller, Steven. February 6, 2009.
Iles, Chrissie. January 27, 2009.
Indiana, Robert. February 24, 2009.
Lippard, Lucy. July 30, 2009.
Oka Doner, Michele. March 12, 2009.
Petlin, Irving. April 2, 2009.
Pitman Weber, John. March 7, 2009.
Ray, Violet. April 14, 2009.
Rosler, Martha. April 3, 2008.
Saul, Peter. April 6, 2009.
Schneemann, Carolee. March 24, 2009.
Smith, Joel. April 7, 2009.
Spero, Nancy. May 6, 2008.
Stevens, May. February 12, 2009.
Weege, William. March 3, 2009.