Bibliography

Archival Materials

MOSCOW

RGBRO: Rossiiskaya Gosudarstvennaya Biblioteka imeni V. I. Lenina, Rukopisnyi Otdel Fond 411, A. N. Verstovskii.

RGALI: Rossiiskii Gosudarstvennyi Arkhiv Literatury i Iskusstv

Fond 191, op. 1, ed. kh. 2057: P. A. Efremov, materials on Karl Bryullov; op. 2, ed. kh. 224: on the Vielgorskii brothers.

Fond 794, op. 1, ed. kh. 113: Karl Lyudvig Didlo (Charles-Louis Didelot).

Fond 860, op. 1, ed. kh. 348: Yu. V. Sobolev, typescripts.

Fond 872: V. Ya. Stepanova: archival notes on Imperial Theater management, 1752-1820.

Fond 952: Mikhail Glinka, musical score.

Fond 1915, op. 1, n. 1, 737: Police reports on Aleksandr Alyabev.

Fond 1925, op. 2, ed. kh. 30: Service records of Mikhail and Matvei Vielgorskii.

Fond 2729, op. 1, ed. kh. 3: V. D. Tikhomirov, autograph papers on Didelot, Perrot, St. Léon, Petipa.

GTsTMRO: Gosudarstvennyi Tsentralnyi Teatralnyi Muzei imeni A. A. Bakhrushina, Rukopisnyi otdel

(All followed by opis 1; items unnumbered.)

Fond 24, V. V. Bezekirskii.

Fond 53, A. N. Verstovskii.

Fond 108, P. A. Karatygin.

Fond 143, D. T. Lenskii.

Fond 178, P. S. Mochalov.

Fond 200, A. N. Ostrovskii.

Fond 222, Ludwig (Louis) Maurer.

Karta Krepostnogo Teatra. Large-format, colored wall map, unnumbered and undated (but 1920s), catalogued under title.

GTsMMKRO: Gosudarstvennyi Tsentralnyi Muzei Muzykalnoi Kultury imeni M. I. Glinki, Rukopisnyi Otdel.

Fond 40, A. A. Alyabev, d. 264-66: ms. programs.

Fond 59, Anton Rubinshtein.

Fond 170, V. V. Bezekirskii, op. 3, ed. kh. 4621: Coronation March.

Fond 255, Dzhon Fild (John Field).

Fond 364, Aleksei Verstovskii: inv. 218, n. 8871: correspondence, Verstovskii-Gedeonov; and 214-17, 219, 222-35, 285-88.

GTsMMKF: Gosudarstvennyi Tsentralnyi Muzei Muzykalnoi Kultury imeni M. I. Glinki, Fonoteka.

(Magnetic tapes recorded live, some unidentified by date or performance, with catalogue numbers where present; lyricist in parentheses when known, followed by performer(s), if any.)

Alyabev, Aleksandr. Prolog (1825). All-Union Radio Chorus and Orchestra.

———. “Solovei” (A. I. Delvig). Antonina Nezhdanova and piano. DI-13392.

———. Volshebnyi Baraban: vodevil (1827). N. Rabinovich, Leningrad Radio Symphony Orchestra.

Davydov, Stepan. “Kaby zavtra” and song from Lesta, Dneprovskaya rusalka. Soprano and piano.

Field, John. Ten Nocturnes. Svetlana Potanina, recorded on All-Union Radio, 1979.

Fomin, E. Overture to The Miller, Wizard, Deceiver, and Matchmaker. V. Kornachev, the Vladimir Chamber Ensemble. Also on Melodiya S-90 20665 001 (1990).

———. Two arias from Amerikanets. Opera. Svetlana Erofeeva and chamber orchestra.

Genishta, Iosif [Osip Jeništa]. “Elegiya: pogaslo dnevnoe svetilo” (Pushkin). Georgii Vinogradov, tenor, and Georgii Orentirikher, piano.

Kashin, Daniil. "Devitsy-krasavitsy" (Pushkin). G. Sakharova, soprano, with balalaikas.

“Twelve Variations for Harp,” Olga Erdeli, harp.

———. “Variations on a Russian Theme.” Galina Barkova, harp.

———. Variations on “Vo sadu li, v ogorode.” Dmitrii Blagoi, piano.

———. “Ya ne znala ni o chem v svete” (A. F. Merzlyakov). Lyudmila Zykina, voice, R. Bromberg, piano.

———. “Zashchitnikam Petrov Grada.” Male voices of the All-Union Radio Song Ensemble.

Kozlovskii, Osip [Jozef Kozlowski]. Incidental music to Fingal (Ozerov). Soprano and harp.

———. Two polonaises. V. Kornachev, the Vladimir Chamber Ensemble. Also on Melodiya S-90 20665 001 (1990).

———. Two songs, “Prezhestokaya sudbina” and "Pchelka."

Varlamov, Aleksandr. “Beleet parus odinokii” (Lermontov). I. S. Kozlovskii. DI-6095.

———. “Krasnyi sarafan” (N. G. Tsyganov). I. Arkhipova. DI-5842.

———. “Vdol po ulitse metelitsa metët” (folk lyrics). Nikolai Gedda, tenor.

Verstovskii, Aleksei. Askoldova Mogila. Opera. The Taras Shevchenko Academic Theater Orchestra and Opera Company of Kiev, 1959.

———. “Chërnaya shal” (Pushkin). I. S. Kozlovskii, Gennadii Rozhdestvenskii, Bolshoi Symphony Orchestra, 1959. DI-18145.

———. Kto brat, kto sestra? opera-vodevil (libretto, Aleksandr Griboedov and P. A. Vyazemskii). Dramatic Theater of the All-Union Radio Committee.

———. “Staryi muzh” (Pushkin, from “The Gypsies”). L. Myasnikova and piano. DI-16559-16560.

Vielgorskii, Matvei. Tema i Variatsii. Svyatoslav Knushevitskii, cello, and Naum Valter, piano (radio, 1965).

Zhilin, Aleksei. “Kak na dubochke dva golubtsy.” Dmitrii Blagoi, piano.

———. “Waltz.” S. Ponyatovskii, viola, and T. Sergeeva, piano.

RNBRO:

Rossiiskaya Natsionalnaya Biblioteka, Rukopisnyi Otdel

Fond 142, Vielgorskie: ed. kh. 125: Matvei: On the appointment of Anton Rubinshtein as pianist to Her Imperial Majesty, 1852.

Fond 539, V. F. Odoevskii, op. 2, n. 43, 44: notes.

Fond 654, Anton Rubinshtein, op. 1, ed. kh. 1: copy of his baptismal certificate at the Nikolskaya Church in Berdichev, 28 June, 1831; ed. kh. 4: notes on first Moscow recital, July 11, 1839; unnumbered: eight programs in his hand (mostly in German).

Fond 739, V. V. Stasov.

Fond 861, I. I. Shishkin, n. i, "Biografiya" from Knizhki Nedeli (Nov. 1899) 7-35 and (Dec. 1899) 42-68; n. 2, ms. biog. of Apollon Mokhritskii; n. 165, ticket, 1855, from Ministry of the Court School of Painting and Sculpture of the Moscow Art Society to Shishkin for a trip to Vyatka.

RNBOE: Rossiiskaya Natsionalnaya Biblioteka, Otdel Estampov

Sobranie (sometimes Kollektsiya) Rybakova. Papka 7, Martynov, A. E.: aquarelles; un-titled, chromolithograph views of St. Petersburg, 1820s, En-237k.

———. Papka 10: Cris de Petérsbourg [1830s]; Nouvelle collection: quarante-deux vues de Saint-Pétersbourg et de ses environs, 1826, black and white lithographs, E1-227.

Sobranie Sergeya Levitskogo: early Russian photographs.

Vues de Pawlowsk par Thurner (1820s), etchings, unnumbered.

RNBFF: Rossiiskaya Natsionalnaya Biblioteka, Filial, Fonoteka

Rubinshtein [Rubinstein], Anton. Demon. Opera. A. Melik-Pashaev and the Bolshoi Theater (1950).

SPBKF: Sankt-Peterburgskaya Gosudarstvennaya Konservatoriya imeni N. A. Rimskogo-Korsakova, Fonoteka.

(Magnetic tapes and vinyl records, some unidentified by date or performance, with catalogue numbers where present; lyricist in parentheses when known, followed by performer, if any.)

Alyabev, Aleksandr. Uvertyura. DI-8917.

Bortnyanskii, D. S. Kheruvimskaya pesnya. DI-11661.

———. Sokol. Opera.

Fomin, E. Suita iz opery "Orfei." DI-14899.

Glinka, Mikhail. Kamarinskaya; Ruslan i Lyudmila. Opera. IIA2.

Haydn, Joseph. Sotvorenie Mira. DI-7502.

Kozlovskii, Osip [Jozef Kozlowski]. Incidental music to Fingal (Ozerov). Orchestral original. Mag-1612. IIAi. Lvov, Aleksei. “Bozhe tsarya khrani.” IIA3.

———. Violin Concerto (1840). Sergei Stadler, violin, with Vladislav Chernushenko and the Leningrad Philharmonia Orchestra. On A. Lvov; A. Arenskii, Melodiya, stereo, S-m-25083-005. Folder Lyadov, 26978.

Rubinshtein [Rubinstein], Anton. “Barcarole” (1853), DI-8598. Piano; “Pevets” (1849-50), DI-16527; "Noch" (1852), DI-16527; “Zhelanie” (1850), DI-13006; “Romans-Melodiya,” DI-6305.

———. Dramaticheskaya simfoniya (No. 4). B. Khaikin and the Bolshoi Theater Orchestra. Folder Rubinshtein, No. 5771.

———. Russkaya. DI-5828.

Vielgorskii, Matvei. Tema i variatsii. Cello. DI-5525.

Viotti, Giovanni Battista. Sonata for Harp and Violin in B Major. On Vera Dulova, arfa.

Melodiya, stereo, 33: C-10-13745-6. Wieniawski, Henryk. Vospominanie o Moskve. Andrei Korsakov, violin, and Iolanta

Miroshnikova, piano. On G. Venyavskii, Melodiya, stereo, S-10-19161-2. Folder Venyavskii, 10438. IIB1.

SPBGTB: Sankt-Peterburgskaya Gosudarstvennaya Teatralnaya Biblioteka

Manuscript copy of A. A. Shakhovskoi, “Polubarskie zatei” (undated).

IRLPD: Institut Russkoi Literatury (Pushkinskii Dom)

Fond 371: N. V. Kukolnik, op. i. “Kratkaya biograficheskaya spravka N. V. Kukolnika”; n. 141, censor’s copy of Ruka vsevyshnyago otechestva spasil (1834); n. 125, War Ministry to Kukolnik, Nov. 13, 1846; n. 127, Kukolnik to War Ministry, Sept. 12, 1848; n. 41, “Rech v Taganroge,” Apr. 1861; n. 21, “Zhizn russkikh gorodov: i, Voronezh,” 1849.

Fond 50: Vielgorskie, ed. kh. 19. Ch. Didelot, “Observations, demandes, et reglements relatifs a la danse,” Mar. 22, 28, 31, 1828; n. 125, Cecile Cherubini to Matvei Vielgorskii, May 18, 1842; n. 130, Bernhard Romberg to Matvei Vielgorskii, June 12, 1840; n. 134, Pauline Viardot to Matvei Vielgorskii, 32 letters, 1845-52; n. 166, membership certificate to the St. Petersburg Philharmonic Society for Matvei Vielgorskii, Jan. 29, 1827; n. 173, St. Petersburg Philharmonic Society letter to Mikhail Vielgorskii, May 1, 1852.

GRMFZh: Gosudarstvennyi Russkii Muzei, Fond Zhivopisi XVIII—Pervoi Poloviny XIX veka

Undisplayed paintings.

GASO: Gosudarstvennyi Arkhiv Smolenskoi Oblast

Fond I, Kantselyariya smolenskogo gubernatora: op. 1, d. 13, 15, 20, 23, 34, 102, 111, 349; op. 4, d. 129; op. 7, d. 9, 186. Fond 1260: Inv. opis n. I (1812-96).

Published Works

PRIMARY PUBLISHED SOURCES

Afanasev, N. Ya. “Vospominaniya,” IV, 41 (July 1890) 23-48; (Aug. 1890) 255-76.

Agin, A. and E. E. Bernardskii. Sto chetyre risunki k poeme N. V. Gogolya “Mertvyya dushi.” 2d ed. St. Petersburg, 1892.

Aksakov, Konstantin. Osvobozhdenie Moskvy v 1612 godu. Moscow, 1848. Aksakov, Sergei. The Family Chronicle. Tr. M. C. Beverley. New York, 1961.

———. Sobranie sochinenii. 4 v. Moscow, 1895-1900, mixed editions.

———. Years of Childhood. Tr. Alec Brown. New York, 1960.

Aleksandrov, A. [Durova]. “Dva slova iz zhiteiskago slovarya,” OZ, 7/1 (1839) 38-52.

Aleksei Gavrilovich Venetsianov. Moscow, 1957. Reproductions.

Aleksei Gavrilovich Venetsianov: stati, pisma, sovremenniki o khudozhnike. Leningrad, 1980.

“Aleksei Nikolaevich Olenin,” RS (Oct. 1875) 280-96. Alyabev, A. Shest romansov. Moscow, 1834.

Andrei Osipovich Karelin: tvorcheskoe nasledie. Nizhnii Novgorod, 1990. Early photographs.

Annenkov, P. V. The Extraordinary Decade: Literary Memoirs. Ed. A. P. Mendel. Tr. I. R. Titunik. Ann Arbor, 1968.

Arkhiv Direktsii Imperatorskikh Teatrov, 1746-1801 gg. 4 v. St. Petersburg, 1892.

Arnold, Yurii. Vospominaniya. 3 v. Moscow, 1892-93.

Aronson, M. and S. Reiser, eds. Literaturnye kruzhki i salony. Leningrad, 1929.

Artynov, Aleksandr. Vospominaniya krestyanina sela Ugodich, Yaroslavskoi gubernii

Rostovskago uezda. Moscow, 1882. Atava, Sergei [S. N. Terpigorev]. Potrevozhennyya teni. St. Petersburg, 1888.

———. Sobranie sochinenii. 6 v. St. Petersburg, n.d.

Babochka. Journal of the 1820s.

Bakarev, V. A. “Usadba nachala XIX v.: iz zapisok arkhitektora,” KA, 5 (1936) 254-62. Batyushkov, K. N. “Progulka v Akademiyu Khudozhestv” in Sochineniya Batyushkova. 2 v. St. Petersburg, 1850, 1:131-68.

Belinskii, V. G. Polnoe sobranie sochinenii. 13 v. Moscow, 1953-59.

Belinsky [Belinskii], V. G. Selected Philosophical Works. Moscow, 1948.

Belliustin, I. S. Description of the Clergy in Rural Russia: the Memoir of a Nineteenth-Century Parish Priest. Ed. Gregory Freeze. Ithaca, 1985.

Benckendorf [Benkendorf], A. Kh. “Zapiski Grafa A. Kh. Benkendorfa (1832-1837gg.)” in Shilder, Imperator Nikolai Pervyi, 2:647-764.

Bergman, Ingmar. The Magic Lantern. New York, 1988.

Berkov, P. N. Istoriya russkoi komedii XVIII v. Leningrad, 1977.

Berlioz, Hector. Autobiography. Tr. R. Holmes. 2 v. London, 1884.

Bezekirskii, V. V. Izzapisnoi knizhkiartista, 1850-1910. St. Petersburg, 1910.

Blagovo, Dmitrii. Razskazy babushki: iz vospominanii pyati pokolenii. St. Petersburg, 1885.

Bobkov, F. D. “Iz zapisok byvshago krepostnogo cheloveka,” IV (May) 446-74; (June) 734-64; (July) 142-64; all 1907.

Boborykin, P. D. Vospominaniya. 2 v. Leningrad, 1965.

———. Za polveka (moi vospominaniya). Ed. B. P. Kozmin (Moscow, 1929).

Bremner, Robert. Excursions in the Interior of Russia. 2d ed. 2 v. London, 1840.

Brodskii, N. L., ed. Literaturnye salony i kruzhki: pervaya polovina XIX veka. Leningrad, 1930.

Bulgarin, Faddei. Ivan Vejeeghen. 2 v. Philadelphia, 1832.

———. Ivan Vyzhigin. 4 v. St. Petersburg, 1829.

Burdin, F. A. “Vospominaniya artista ob imperatore Nikolae Pavloviche,” IV, 23 (Jan. 1886) 144-53.

Buturlin, M. D. “Teatr grafa Kamenskago v Orle v 1827 i 1828 godakh,” RA, 7/10 (1869) 1707-12.

———. “Zapiski,” RA, 1-4 (1897) 213-47, 396-444, 579-652; 5-8 (1897) 5-74, 177-256, 541-601; 9-10 (1897) 33-106, 237-82; 8 (1898) 529-90.

Caigniez, L.-C. and J. M. T. Baudouin d’Aubigny, La pie voleuse, ou la servante de Palaiseau: melodrame historique. Paris, 1815. Tr. as [Kene], Soroka Vorovka, ili palezosskaya sluzhanka. St. Petersburg, 1816.

Campbell, Stuart, ed. Russians on Russian Music 1830-1880: An Anthology Cambridge, 1994.

Chaikovskii, Modest. Zhizn Petra Ilicha Chaikovskogo. 3 v. Moscow, 1900-1902.

Chernetsov, Grigory and Nikanor. Puteshestvie po Volge. Moscow, 1970. Choiseul-Gouffier, Comtesse de. Historical Memoirs of Alexander I and the Court of Russia. Chicago, 1901.

Clyman, Toby and Judith Vowles, eds. Russia Through Women’s Eyes: Autobiographies from Tsarist Russia. New Haven, 1996.

Cumberland, Richard. The Jew (1794) in L. I. Newman, ed., Richard Cumberland: Critic and Friend of the Jews. New York, 1919, pp. 61-124.

Custine, Astolphe, Marquis de. Journey for Our Time: The Russian Journals. Ed. and tr. P. P. Kohler. Chicago, 1951.

———. Letters from Russia. Ed. and tr. Robin Buss. London, 1991.

Dal, Vladimir. Tolkovyi slovar zhivogo velikorusskogo yazyka. 4 v. St. Petersburg, 1903-9.

Damskiizhurnal. Moscow, 1827-33.

Delo Petrashevtsev. 3 vols. Moscow, 1937-51.

D. M. “Neskolko slov o dvorovykh lyudyakh,” OZ, 119/7 (July 1858) 46-54.

Dmitriev, Nikolai. “Studencheskiya vospominaniya o Moskovskom Universitete,” Nedalëkoe proshloe. St. Petersburg, 1865 (167-247). Also signed N. D. in OZ, 122 (July 1858) 81-95; (Sept. 1858) 1-42; (Jan. 1859) 1-14; all s.p.

Dobrolyubov, N. G. “Razvrat Nikolaya Pavlovicha i ego priblizhnykh lyubimtsev,” Golos minuvshego, i (Jan. 1922) 64-68.

———. Selected Philosophical Essays. Moscow, 1948.

———. Sobranie sochinenii. 9 v. Moscow, 1961-64.

Dolgorukii, I. M. Puteshestvie v Kiev v 1817 godu. Moscow, 1870.

Dostoevskii, Fëdor. The House of the Dead. Tr. C. Garnett. New York, 1959.

———. “Nyetochka Nezvanov” in The Friend of the Family. Tr. of Netochka Nezvanova by Constance Garnett. New York, 1949.

Dyukanzh, Viktor [Victor Ducange]. Tereza, ilizhenevskayasirota. Moscow, 1833.

Edwards, Sutherland. The Russians at Home: Unpolitical Sketches. 2d ed. London, 1861.

E., F. v. [F. A. von Ettinger]. Bashnya Veselukha, ili Smolensk i zhiteli ego shestdesyat let nazad (1845). Smolensk, 1992.

Ertaulov, Gurii. “Vospominaniya o nekogda znamenitom teatre Grafa S. M. Kamenskago v g. Orle,” Delo (June 1873) 184-219.

Feoktistov, E. M. “Glava iz vospominianii,” ed. B. Modzalevskii in Atenei, bk. 3. Leningrad, 1926, pp. 84-114.

F. G. Volkov i russkii teatr ego vremeni: sbornik materialov. Moscow, 1953.

Filonov, A. G. “V novo-cherkasskom teatre” in Filonov, Ocherki Dona. St. Petersburg, 1859, pp. 69-82.

Finland and Russia. London, 1849 (Vol. 2 of Handbook for Northern Europe). Fiziologiya Peterburga. Ed. V. I. Kushelov. Moscow, 1991.

Gagarin, G. G. “Vospominaniya knyazya G. G. Gagarina o Karle Pavloviche Bryullove,”

Novoe vremya (Dec. 14, 1899). Tr. from a French ms. of 1849. Gagarin, S. P. Vseobshchii geograficheskii slovar. 3 v. Moscow, 1843. Galakhov, A. D. “Literaturnaya kofeinya v Moskve v 1830-1840 gg.,” RS, 17 (Apr.1886) 181-98; (June 1886) 691-706.

Gatsiskii, A. S. “Aleksandr Dmitrievich Ulybyshev,” RA, 1 (1886) 55-68.

———. Nizhegorodskii teatr (1798-1867). Nizhny Novgorod, 1867.

Gerakov, Gavril. Prodolzhenie putevykh zapisok po mnogim guberniyam, 1820-go I nachala 1821-go. Petrograd [sic], 1828.

———. Putevyya zapiski po mnogim rossiiskim guberniyam, 1820. Petrograd [sic], 1828.

Gertsen [Herzen], Aleksandr. Sochineniya. 9 v. Moscow, 1955.

Ginzburg, S. L., ed. Russkii muzykalnyi teatr, 1700-1835 gg.: khrestomatiya. Leningrad, 1941.

Glinka, Mikhail. Polnoe sobranie pisem. Ed. N. Findeizen. St. Petersburg, 1907.

———. Zapiski. Ed. V. Bogdanov-Berezovskii. Leningrad, 1953. Tr. as Memoirs by R. Mudge. Westport, 1980.

Goncharov, Ivan. Oblomov. Tr. D. Magarshack. London, 1954.

———. “Pisma stolichnogo druga k provintsialnomu zhenikhu” in Yu. G. Oksman, ed., Feletony sorokovykh godov. Moscow, 1930, pp. 39-88.

Gorbunov, I. F. Sochineniya, 3 v. St. Petersburg, 1904-7.

Gorod glazami khudozhnikov: Peterburg—Petrograd—Leningrad v proizvedeniyakh zhivopisi igrafiki. Leningrad, 1978. Gosudarstvennaya Tretyakovskaya Galereya: istoriya i kollektsii. Moscow, 1986. Gosudarstvennyi Russkii Muzei. Zhivopis XVIII-nachalo XX veka. Leningrad, 1980. Gosudarstvennyi Russkii Muzei. Zhivopis XVIII-pervoi poloviny XIX vekov: novye

postupleniya, 1977-1987. Leningrad, 1990. Griboedov, A. S. Polnoe sobranie sochinenii, 3 v. St. Petersburg, 1911-17. Grigorev, Apollon. My Literary and Moral Wanderings. Tr. R. Matlaw. New York, 1962.

———. Teatralnaya kritika. Ed. A. Ya. Altshuller et al. Leningrad, 1985.

Grigorovich, D. V. “Derevnya,” Povesti irazskazy, 7 v. St. Petersburg, 1872, 1:3-71.

———. Polnoe sobranie sochinenii. 12 v. Moscow, 1896.

Gurowski, Adam de. Russia As It Is. 2d ed. New York, 1854.

Haxthausen, August von. The Russian Empire, Its People, Institutions, and Resources (1856). Tr. R. Farie. 2 v. London, 1968.

———. Studies on the Interior of Russia. Ed. S. Frederick Starr. Tr. Eleanore Schmidt. Chicago, 1972.

Herzen [Gertsen], Alexander. My Past and Thoughts. Ed. D. Macdonald. Berkeley, 1982. Illyustrirovannyi semeinyi listok, 1859-61.

Insarskii, V. A. “Vospominaniya V. A. Insarskago: trevogi v teatralnom upravlenii,” RS (Oct. 1874) 303-14.

———. Zapiski Vasiliya Antonovicha Insarskago. St. Petersburg, 1914.

Ivanchin-Pisarev, Nikolai. Otechestvennaya galleriya. 2 v. Moscow, 1832.

Ivanov, N. I. “Vospominaniya teatralnogo antreprener,” IV (Oct.) 64-89; (Nov.) 321-45; (Dec.) 581-605; all 1891.

Jesse, William. Notes of a Half-Pay in Search of Health: Russia, Circassia, and the Crimea in 1839-40. 2 v. London, 1841.

Kaiser, Daniel and Gary Marker, eds. Reinterpreting Russian History: Readings, 860-1860s. New York, 1994.

Kapkanishchikov, A. P. “Kniga pamyati Alekseya Petrovicha Kapkanishchikova” in Iz istorii voronezhskogo kraya, 181-206.

Karatygin, A. V. “Russkii teatr v tsarstvovanie Aleksandra I, 1801-1825: iz zhurnala,” RS (Oct. 1880) 257-75.

Karatygin, P. A. “Dom na Peterburskoi Storone,” RP, 2 (1843) 92-119.

———. Zapiski. Leningrad, 1929.

Karsavina, Tamara. Theatre Street. London, 1930.

“Kartiny proshedshago: zapiski russkoi artistki,” Muzykalnyi i teatralnyi vestnik (Sept. 15) 492-94; (Sept. 22) 492-95; (Oct. 6) 529-52; (Oct. 27) 578-80; (Nov. 24) 64244; (Dec. 15) 699-700; (Dec. 22, 1857) 709-15; (Dec. 29) 720-25; all 1857.

Katalog arkhivnikh fondov gosarkhiva Smolenskoi oblasti i ego filiala v g. Vyazme (Dosovetskii period). Smolensk, 1989.

Keller, E. E. Prazdnichnaya kultura Peterburga: ocherk istorii. St. Petersburg, 2001.

Kelly, Catriona, ed. An Anthology of Russian Women’s Writing, 1777-1992. Oxford, 1994.

Keppen, Pëtr. Devyataya reviziya: izsledovanie o chisle zhitelei v Rossii v 1851 godu. St.

Petersburg, 1857.

Khmelnitskii, Nikolai. Sochineniya. 3 v. St. Petersburg, 1849.

Khrapovitskii, A. I. “Dnevnik,” RS (Feb. 1879) 341-56. Knyazhnin, Ya. B. Sochineniya. 2 v. St. Petersburg, 1847-48.

Kohn, Hans, ed. The Mind of Modern Russia: Historical and Political Thought of Russia’s Great Age. New York, 1955. Kolokol. 1857-67.

Komarovskii, E. F. “Iz zapisok,” RA (Oct. 1867) 1276-1330.

Koni, A. F. Vospominaniya o pisatelyakh. Leningrad, 1965.

Koni, F. A. Teatr F. A. Koni. 4 v. St. Petersburg, 1870-71.

Kostenetskii, Yakov. “Vospominaniya iz moei studencheskoi zhizni,” RA, 1 (1887) 98-117; 2 (1887) 229-42; 3 (1887) 321-49; 5 (1887) 73-81; 6 (1887) 217-42.

Kotzebue, August von. Die deutschen Kleinstädter (1803). Ed. H. Schumacher. Berlin, 1964.

———. Menschenhass und Reue: Schauspiel in fünf Aufzügen in Jürg Nathes, ed., August von Kotzebue: Schauspiele. Frankfurt/Main, 1972), pp. 43-126. Tr. as [Kotsebu], Nenavist k lyudyam i raskayanie. 4th ed. Orël, 1826.

———. Das merkwiirdigste Jahr meines Lebens (1803). Munich, 1965. Tr. as [Kotsebu], Dostopamyatnyi god moei zhizni. 2 v. N.p., 1879.

Kozlov, I. I. Polnoe sobranie stikhotvorenii. Leningrad, 1963.

Kramskoi, Ivan. Ivan Nikolaevich Kramskoi: ego zhizn, perepiska, i khudozhestvenno-kriticheskiya stati. St. Petersburg, 1888.

Kratkii istoricheskii ocherk deistvii S.-Peterburgskago Zhenskago Patrioticheskago Obshchestva. St. Petersburg, 1848.

Krepostnichestvo i volya. Moscow, 1911.

Krestovskii, V. V. Peterburgskyya trushchoby. 4 v. St. Petersburg, 1864.

Kropotkin, P. A. Memoirs of a Revolutionist. Ed. J. A. Rogers. New York, 1962.

Krylov, I. A. Sochineniya. 2 v. Moscow, 1956.

Krylov, N. A. “Kadety sorokovykh godov,” IV (Sept. 1901) 943-47.

Krymskaya voina, 1853-1856—geroicheskaya oborona Sevastopolya: pervye fotoreportazhi. Moscow, 1977. Photos.

Kryukovskii, Matvei. Pozharskoi, tragediya v trekh deistviyakh. 2d ed. St. Petersburg, 1810.

Kugushev, Grigory. Kornet Otletaev: povest. Moscow, 1853.

Kukolnik, N. V. “Iz vospominanii,” IV, 45/7 (July, 1891) 79-99.

———. Sochineniya dramaticheskiya. 3 v. St. Petersburg, 1851-52.

Kvitka, G. F. “Dvoryanskie vybory” in Dramaticheskiya sochineniya. 2 v. St. Petersburg, 1862, 2:1-218.

Labzina, Anna. Days of a Russian Noblewoman: The Memories of Anna Labzina, 17581821. Ed. G. Marker and R. May. DeKalb, 2001. Lavrov, I. I. Stsena i zhizn v provintsii i v stolitse. Moscow, 1889.

Leonova, Darya. “Vospominaniya artistki Imperatorskikh Teatrov,” IV (Jan.) 120-44;

(Feb.) 326-51; (Mar.) 632-59; (Apr. 75-83); all 1891. Leskov, N. S. “The Make-Up Artist” in The Enchanted Pilgrim and Other Stories. Tr. D.

Magarshack. Westport, 1977, pp. 283-303. Limonov, Yu. A., ed. Rossiya pervoi poloviny XIX v. glazami inostrantsev. Leningrad, 1991.

Liszt, Franz. Selected Letters. Ed. and tr. A. Williams. Oxford, 1998. Lomakin, G. Ya. “Avtobiograficheskiya zapiski,” RS (Mar.) 645-66; (June) 675-89; (Aug.) 465-85; all 1886. Lopukhov, Fëdor. Shestdesyat let v balete. Moscow, 1966.

Lvov, A. F. “Zapiski Alekseya Fëdorovicha Lvova,” RA, 4 (1884) 225-60 and 5 (1884) 65-114.

Lvov, F. F. “Obshchestvo Pooshchreniya Khudozhnikov v 1850-1862 gg.,” RS (July 1881) 633-54.

Lvov, V. V. “Zheleznaya doroga: shutka-vodevil v i deistvii,” Raut (1852) 339-61.

Lyons, Marvin. Russia in Original Photographs, 1860-1920. London, 1977.

“Lyubopytnyi prikaz Knyazya A. B. Kurakina,” RA, 11 (1893) 387-93. Machtet, G. A. Polnoe sobranie sochinenii. 10 v. St. Petersburg, 1911-13. Maksimov, Sergei.

“Literaturnaya ekspeditsiya,” RM (Feb. 1890) 17-50.

Martynov, Andrei. Saint-Petérsbourg. Text by Dominique Fernandez. Paris, 1994.

Medvedev, P. M. Vospominaniya. Leningrad, 1929.

Medvedev, P. V. “Dnevnik Pavla Vasilevicha Medvedeva, 1854-1864 gg.” Transcribed from archival documents by Jeffrey Burds.

Melgunov, S. P., ed. Krepostnoe pravo i krestyanskaya zhizn. Moscow, 1911.

Melnikov, I. A. “Zapiski,” RS, 137 (Jan. 1909) 55-66; (Feb. 1909) 349-64.

Merder, N. I. “Lyudi bylago vremeni: iz razskazov Very Ivanovny Annenkovoi i drugikh starozhilov,” RA, i (1906) 105-21.

———. “Otzhivye tipy,” IV (Mar. 1890) 537-52.

Merzlyakov, M. “Poseshchenie teatra,” Biblioteka dlya chteniya, 31 (June, 1864) 1-40; s.p.

Meshcherskii, A. V. “Iz moei stariny,” RA (1901) 95-118 and 470-504.

Mikhailov, M. L. Sochineniya. 3 v. Petrograd, 1915.

———. Sochineniya. 3 v. Moscow, 1958.

Milstein, Nathan. From Russia to the West: The Musical Memoirs and Reminiscences. Ed. S. Volkov. New York, 1990.

Milyukov, A. P. Dobroe staroe vremya. St. Petersburg, 1872.

Morozov, P. Minuvshii vek. St. Petersburg, 1902.

Moskovskii Universitet v vospominaniyakh sovremennikov (1755-1917). Moscow, 1989.

Murzakevich, Nikifor. Istoriyagoroda Smolenska. Ed. I. I. Orlovskii. Smolensk, 1903.

Mussorgsky [Musorgskii], Modest. The Mussorgsky Reader: A Life of Modest Petrovich Mussorgsky in Letters and Documents. Ed. and tr. J. Leyda. New York, 1947.

Myrone, Martin. Representing Britain, 1500-2000: 100 Works from the Tate Collections. London, 2000.

Nekrasov, N. A. Sobranie sochinenii. 4 v. Moscow, 1979.

Nekrologiya pokoinago chlena vysochaishe utverzhdennago Obshchestva Pooshchreniya Khudozhnikov kollezhskago sovetnika i kavalera Alekseya Romanovicha Tomilova. St. Petersburg, 1849.

Neva Symphony: Leningrad in Works of Graphic Art and Painting. Leningrad, 1975.

Nikitenko, A. V. Diary of a Russian Censor. Tr. H. Jacobson. Amherst, 1975.

———. Up from Serfdom: My Childhood and Youth in Russia, 1804-1824. Tr. H. Jacobson. New Haven, 2001. Nikitin, Pavel. Istoriia goroda Smolenska. Smolensk, 1848.

Nikoleva, Mariya. “Cherty starinnago dvoryanskago byta,” RA, 9 (1893) 107-20; 10 (1893) 129-96.

Nikulina-Kositskaya, Lyubov. “Notes” in Clyman, Russia Through Women’s Eyes, 108-57.

———. “Zapiski,” RS (Jan.) 65-80; (Feb.) 281-304; (Mar.) 611-24; all 1878.

Odoevskii, V. F. Muzykalno-literaturnoe nasledie. Moscow, 1956.

Ogarëv, N. P. Izbrannye proizvedeniya. 2 v. Moscow, 1956.

Onnore, I. I. “Odinadtsat let v teatre,” RS (Jan. 1910) 95-108.

Ostrovskii, A. N. Plays. Tr. G. R. Noyes. New York, 1917.

———. Polnoe sobranie sochineniya. 10 v. Moscow, 1973-78.

Osykov, B. Ya rodilsya v sele Krasnom. Belgorod, n.d. Ozerov, V. A. Tragedii. St. Petersburg, 1907.

Pacini, Giovanni. L'ultimo giorno di Pompeii: melodramma tragico. Naples, 1825.

Palma [P. Alminskii]. Aleksei Slobodin: semeinaya istoriya. St. Petersburg, 1873.

Panaeva, Avdotiya. Vospominaniya, 1829-1870. Ed. K. Chukovskii. 2d ed. Leningrad, 1928.

Panorama Nevskogo Prospekta. St. Petersburg, 2003. Lithographs based on Sadovnikov. Panteon. Journal.

Parizhskie teatry, ili sobranie zamechatelneishikh teatralnykh kostyumov. Moscow, 1829.

Passenens, M. P. D. de. La Russie et l’esclavage. 2 v. Paris, 1822.

Pavlov, N. F. Imeniny (1835). St. Petersburg, 1922.

“Perepiska A. N. Verstovskago’s A. M. Gedeonovym” in EIT (1913), 2:33-55.

Petrov, P. N., ed. Sbornik materialov dlya istorii Imperatorskoi S.-Peterburgskoi Akademii Khudozhestv za sto let eya sushchestvovaniya. 4 v. St. Petersburg, 1864-87.

P. I. Chaikovskii. Moscow, 1978. A photographic record.

Pisemskii, A. F. “Gorkaya sudbina” in Pisemskii, Polnoe sobranie sochinenii. 24 v. St. Petersburg, 1895-96, 23:55-109.

Pobedonostsev, K. P. Sochineniya. St. Petersburg, 1996.

Pocock, Isaac. The Magpie, or the Maid? a Melo Drame. London, 1816.

Polevoi, Nikolai. Dramaticheskiya sochineniya N. A. Polevogo iz russkoi istorii. St. Petersburg, 1899.

Portret v russkoi zhivopisi XVIII-XIX vekov. Moscow, 1988. Reproductions.

Portretnaya miniatyura: iz sobraniya Gosudarstvennogo Russkogo Muzeya, XVIII-nachalo XX veka. Ed. K. V. Mikhailova and G. V. Smirnov. 2 v. Leningrad, 1974.

Potekhin, A. A. Mishura. Moscow, 1858.

———. Sochineniya. 12 v. St. Petersburg, 1904.

———. Sud lyudskoi—ne bozhii: drama iznarodnago byta. Moscow, 1855.

P. R., “Zapiski starogo aktera,” RS (Jan.) 113-37; (Feb.) 387-413; (March) 560-75; all 1905.

[Purlevskii, Savva]. “Vospominaniya krepostnago, 1800-1869,” RV (July 1877) 320-47 and (Sept. 1877) 34-67.

Pushkin, A. S. Eugene Onegin: A Novel in Verse. Tr. V. Nabokov. 4 v. Princeton, 1964.

———. Sobranie sochinenii. 10 v. Moscow, 1974-75. Pushkinskii Peterburg. Leningrad, 1974. Graphics.

Pustynnik, P. “Teatralnaya publika,” Literaturnaya gazeta, 46 (Nov. 13, 1847) 727-31.

Putevoditel ot Moskvy do S.-Peterburga i obratno. 2d ed. Moscow, 1847.

Radishchev, Aleksandr. A Journey from St. Petersburg to Moscow. Ed. R. Thaler. Tr. L. Wiener. Cambridge, Mass., 1958.

Raeff, Marc, ed. Russian Intellectual History: An Anthology. New York, 1966.

Raikes, Thomas. The City of the Czar; or, a Visit to St. Petersburg in the Winter of 182930. 2 v. Philadelphia, 1838.

Ramazanov, Nikolai. “Vospominaniya o Karle Pavloviche Bryullove,” Moskvityanin, 16 (Aug. 1852) 1-28.

Reeve, F. D., ed. An Anthology of Russian Plays. 2 v. New York, 1961.

Repin, Ilya. Dalekoe blizkoe. Leningrad, 1982.

Rimskii-Korsakov, V. N. “Iz vospominanii i materialov semeinogo arkhiva” in Rimskii-Korsakov: issledovaniya, materialy, pisma. 2 v. Moscow, 1954, 1:113-76. Rimsky-Korsakov [Rimskii-Korsakov], Nikolai. My Musical Life. Tr. J. Joffe. New York, 1936.

Romanov, N. M. Russkie portrety XVIII i XIX vekov. 5 v. St. Petersburg, 1905-9; reprint Moscow, 1999-2000. Reproductions.

Rossiya-Russia. Journal.

Rossiiskii featr. 43 v. St. Petersburg, 1786-1794.

Rostislavov, Dmitrii. Provincial Russia in the Age of Enlightenment: The Memoir of a Priest’s Son. Ed. A. Martin. DeKalb, 2002.

[Rozanov, A. I.]. “Zapiski selskago svyashchennika” (title varies), RS (Mar. 1879) 55462; (Nov. 1879) 433-60; (Jan. 1880) 39-78; (Mar. 1880) 456-94.

Rozanov, I. and N. Sidorov, eds. Komicheskaya opera XVIII veka. Moscow, 1913.

Rozen [Rosen], A. E. Zapiski dekabrista. Irkutsk, 1984.

Rubinshtein [Rubinstein], Anton. Avtobiograficheskiya vospominaniya A. G. Rubinshteina, 1829-1889 gg. 2d ed. St. Petersburg, 1889.

Rubinstein [Rubinshtein], Anton. Autobiography of Anton Rubinstein, 1829-1889. Tr. A. Delano. Boston, 1890.

———. Conversation on Music. Tr. J. P. Morgan. New York, 1892.

Russkaya elegiya kontsa XVIII-nachala XIX v: antologiya. Moscow, 1983.

Russkii teatr. N.p., n.d. 1840s. A collection of two dozen plays and vaudevilles.

Sadovnikov, V. Vidy Peterburga: akvareli V. Sadovnikova. Leningrad, 1970.

Saltykov-Shchedrin, M. E. The Golovevs. Tr. I. P. Foote. Oxford, 1986.

———. Gubernskie ocherki, 1856-1857 in Sobranie sochinenii. 20 v. Moscow, 1965-77, vol. 2.

Segel, Harold, ed. The Literature of Eighteenth-Century Russia. 2 v. New York, 1967.

Seletskii, P. D. “Zapiski,” KS, 8 (Jan.) 247-96; (Mar.) 443-64; (Apr.) 609-43; (May) 77-87; (June) 239-66; (July) 484-504; (Aug.) 609-26; (Sept.) 82-103; all 1884.

Selivanov, I. “Teatr v Tambove,” RP, 16 (1842) 22-27; s.p.

Selivanov, V. V. Predaniya i vospominaniya. St. Petersburg, 1881.

Semevskii, M. I. [Mikhail Sevskii]. “Progulka v Nizhnii Novgorod,” RV (July) 16-23, (Aug.) 281-303, and (Sept.) 128-43; all 1860.

Senelick, Laurence, ed. National Theater in Northern and Eastern Europe, 1746-1900. New York, 1991.

———, ed. Russian Comedy of the Nikolaian Era. Amsterdam, 1997.

———, ed. Russian Dramatic Theory from Pushkin to the Symbolists. Austin, 1981.

———, ed. Russian Satiric Comedy: Six Plays. New York, 1983.

Seryakov, L. A. “Moya trudovaya zhizn,” RS (Sept.) 161-184; (Oct.) 339-66; (Nov.)

Shakhovskoi, A. A. Komedii, stikhotvoreniya. Leningrad, 1961. 506-16; all 1875.

———. Lomonosov, ilirekrut stikhotvorets. St. Petersburg, 1816.

———. Sochineniya. St. Petersburg, 1898.

Shalikov, P. I. Drugoe puteshestvie v Malorossiyu. Moscow, 1804.

———. Puteshestvie vMalorossiyu. Moscow, 1803.

Shchepkin, M. S. “Zapiski” in Mikhail Semënovich Shchepkin: zhizn i tvorchestvo. 2 v. Moscow, 1984, 1:50-128.

Shchepkina, Aleksandra. Vospominaniya. Moscow, 1915.

Shenig [Schönig?], N. I. “Vospominaniya,” RA, 3 (1880) 267-325. hestakova, L. I. “M. I. Glinka,” RS (Dec. 1884) 593-604.

———. “Poslednye gody zhizni i konchina M. I. Glinki,” RS (Dec. 1870) 610-32.

Shevchenko, Taras. Povest Tarasa Shevchenko "Khudozhnik": illyustratsii, dokumenty. In Russian and English. Kiev, 1989.

Shipov, N. N. “Istoriya moei zhizni: razskaz byvshago krepostnago krestyanina,” RS (May) 133-48; (June) 221-40; (July) 437-78; (Aug.) 665-78; all 1881.

Skalkovskii, K. A. Vospominaniyamolodosti, 1843-1869. St. Petersburg, 1906.

Smirnova, A. O. “Iz zapisok,” RA, 9-12 (1895) 77-90.

Smolenskiya gubernskiya vedomosti. 1853.

Sollogub, V. A. Peterburgskie stranitsy vospominanii. St. Petersburg, 1993.

———. The Tarantas (1845). Tr. W. E. Brown. Ann Arbor, 1989.

Solntsev, F. G. “Moya zhizn i khudozhestvenno-arkheologicheskie trudy,” RS (Jan.) 109-28; (Feb.) 311-23; (Mar.) 617-44; (May) 147-60; (June) 263-302; all 1876.

Spohr, Ludwig. The Musical Journeys of Louis Spohr. Tr. H. Pleasants. Norman, 1961.

Staël, Mme. de. Corinne, a Story of Italy. Philadelphia, 1880.

Stanislavsky [Stanislavskii], Konstantin. Building a Character. Tr. E. Hapgood. New York, 1987.

———. My Life in Art. Tr. J. J. Robbins. London, 1924.

Stasov, V. V. Izbrannye sochineniya. 2 v. Moscow, 1937.

———. Selected Essays on Music. Tr. F. Jonas. New York, 1968.

———. “Uchilishche pravovedeniya sorok let tomu nazad, 1836-42,” RS (Dec. 1880) 1015-42; (Feb. 1881) 393-422; (Mar. 1881) 573-602; (June 1881) 247-79.

[Stepanov, P. A.] P. S. “Vospominaniya o M. I. Glinke,” RS (July 1871) 38-58.

Stephens, J. L. Incidents of Travel in Greece, Turkey, Russia, and Poland (1838). 7th ed. 2 v. New York, 1849.

Stikhotvornaya komediya, komicheskaya opera, vodevil kontsa XVIII-nachala XIX vek. 2 v. Leningrad, 1990.

Stupin, A. V. “Sobstvennoruchnyya zapiski o zhizni” in Shchukinskii sbornik. 5 vols. Moscow, 1902-6, 3:369-482.

Sumarokov, Pavel. Progulka po 12-ti guberniyam’s istoricheskimi i statisticheskimi zamechaniyami v 1838. St. Petersburg, 1839. Sushkov, N. V. “Kartiny russkago byta v starinu,” Raut (1852) 463-71.

Sverbeev, D. N. Zapiski. 2 v. Moscow, 1899.

Svetopis: khudozhestvennyi zhurnal. St. Petersburg, 1858-59.

Syn otechestva.

Szymanowska, Elena. “Dnevnik Eleny Shimanovskoi,” ed. I. Karasinskaya in Igor Belza, ed., Russko-Polskie muzykalnyesvyazy. Moscow, 1963, pp. 82-118.

Szymanowska, Maria. “Nocturne” in James Briscoe, ed., Historical Anthology of Music by Women. Bloomington, 1987, pp. 103-8.

Tchaikovsky [Chaikovskii], P. I. Tchaikovsky: A Self-Portrait. Ed. A. Orlova. Tr. R. M. Davison. Oxford, 1990.

Timofeev, A. V. Khudozhnik. 3 v. St. Petersburg, 1834.

Tolstoy, L. N. Voina I Mir. Moscow, 2003.

Tomei, Christine, ed. Russian Women Writers. 2 v. New York, 1999.

Troinitskii, A. The Serf Population in Russia According to the 10th National Census (1861). Tr. E. Herman. Newtonville, 1982.

Tsebrikov, M. Materialy dlya geografii i statistiki Rossii, sobranye ofitserami generalnago shtaba. Smolenskaya guberniya. St. Petersburg, 1862.

Tourgeneff [Turgenev], N. La Russie et les russes. 3 v. Paris, 1847.

Turgenev, Ivan. Polnoe sobranie sochinenii i pisem: sochineniya. 15 v. Moscow, 1960-68.

———. Sketches from a Hunter’s Album. Tr. R. Freeborn. London, 1990.

Valk, S. N., ed. Krestyanskoe dvizhenie v Rossii v 1796-1825gg.: sbornik dokumentov. Moscow, 1961.

Vazem, E. O. Zapiski baleriny Sankt-Peterburgskogo Bolshogo Teatra, 1867-1884. Ed. N. A. Shuvalov. Leningrad, 1937.

Veltman, A. F. Serdtse idumka (1838). Moscow, 1986.

Velyashev, A. P. Opisanie prazdnika dannogo v Moskve 19 maiya... Moscow, 1814. Verstovskii, A. N. Askoldova mogila: romanticheskaya opera (1835). Ed. B. Dobrokhotov. Moscow, 1963. Piano and voices.

———. "Avtobiografiya." Ed. B. Modzalevskii, in Biryuch Petrogradskikh gosudarstvennykh akademicheskikh teatrov. Vol. 2, Petrograd, 1920, pp. 227-41.

———. Gromoboi: opera. Piano arrangement by A. Dubuque. M, n.d.

Vidy S.-Peterburga i okrestnostei: litografirovannoe izdanie Obshchestva Pooshchreniya

Khudozhestv (1821-1826). Leningrad, 1960. Commentary by G. Komelova. Vigel, F. F. Zapiski. Moscow, 2000.

Vinnitskii, F. N. ''Razskazy iz bylogo vremeni," Chteniya v Imperatorskom Obshchestve Istorii i Drevnostei Rossiiskikh pri Moskovskom Universitete (Jan.-Mar. 1874) 63-110.

Vodovozova, E. N. Na zare zhizni. 2 v. Moscow, 1964. Volodina, T. Russian Interior. Moscow, 2000. Reproductions.

Von Geldern, James and Louise McReynolds, eds. Entertaining Tsarist Russia: Tales, Songs, Plays, Movies, Jokes, Ads, and Images from Russian Urban Life, 1779-1917. Bloomington, 1998.

Vonlyarlyarskii, V. Moi vospominaniya, 1852-1939. Berlin, 1939.

Vrangel [Wrangel], Nikolai. Vospominaniya (ot krepostnogo prava do bolshevikov). Berlin, 1924. Vsevolozhskii, N. S. Puteshestvie chrez yuzhnuyu Rossiyu, Krym, i Odessii ... na 1836 I 1837 godakh. 2 v. Moscow, 1839.

Vzglyad skvozd stoletiya. Moscow, 1977.

Wallace, Donald Mackenzie. Russia. New York, 1905.

Wiley, Roland, ed. A Century of Russian Ballet: Documents and Accounts, 1810-1910. Oxford, 1990.

———. Tchaikovsky's Ballets: Swan Lake, Sleeping Beauty, Nutcracker. Oxford, 1985.

Wilmot, Martha and Catherine Wilmot. The Russian Journals. Ed. Marchioness of Londonderry and H. M. Hyde. London, 1935.

Yakhontov, A. N. “Peterburgskaya italyanskaya opera v 1840-kh godakh,” RS (Dec. 1886) 735-48.

Yaroslavskie portrety XVIII-XIX vekov: Yaroslavl, Pereslavl-Zalesskii, Rostov Yaroslavskii, Rybinsk, Uglich. Moscow, 1984. With commentary.

Yaroslavskiya gubernskiya vedomosti.

Yunge, Ekaterina. “Iz moikh vospominanii 1843-1860,” VE, 40/1-2 (Jan.-Feb.) 767806; 40/3-4 (Mar.-Apr.) 138-89 and 763-94; 40/5-6 (May-June) 256-91; all 1905.

———. Vospominaniya, 1843-60. Reprint of the above, St. Petersburg, n.d.

Yurkevich, P. I. “Iz vospominanii Peterburgskago starozhila,” IV, 10 (Oct. 1882) 156-74. Zagoskin, Mikhail. Askoldova mogila. 3 v. Moscow, 1833.

———. Blagorodnyi teatr, komediya v chetyrekh deistviyakh. Moscow, 1828.

———. G-n Bogatonov, ili provintsial v stolitse in Polnoe sobranie sochinenii. Vol. 5 Petrograd, n.d., pp. 72-126.

———. “Kontsert besov” in Nezhdannye gosti. Moscow, 1994, pp. 90-102.

Zaitsev, I. K. “Vospominaniya starogo uchitelya,” RS (June, 1887) 662-712.

Zhadovskaya, Yuliya. Polnoe sobranie sochinenii. 3 v. St. Petersburg, 1885-94.

Zhdanov, Mikhail. Putevyya zapiski po Rossii v 20-i gubernyakh. St. Petersburg, 1843.

Zhikharëv, S. P. Zapiski sovremennika. 2 v. Leningrad, 1989.

Zhirkevich, I. S. “Zapiski,” RS (Aug. 1875) 554-80.

Zhurnal peshekhodtsev ot Moskvy do Rostova, i obratno v Moskve. Moscow, 1830.

Zotov, R. M. “Zapiski,” IV (June) 762-97; (July) 26-50; (Aug.) 301-21; (Sept.) 593-616; (Oct.) 27-53; (Nov.) 400-427; (Dec.) 765-96; all 1896.

Zotov, V. R. “Peterburg v sorokovykh godakh,” IV (Jan.) 29-53; (Feb.) 324-43; (Mar.) 553-72; (Apr.) 92-115; (May) 290-319; (June) 535-59; all 1890.

SECONDARY WORKS

Abraham, Gerald. On Russian Music (1939). New York, 1980.

———. “V. V. Stasov: Man and Critic” in Stasov, Selected Essays on Music.

Adamson, Andy. “The Russian Imperial Ballet” in Leach, History of Russian Theatre, 182-98.

Adorno, Theodor. Introduction to the Sociology of Music. Tr. E. B. Ashton. New York, 1976.

Albrekht [Albrecht], E. K. Obshchii obzor deyatelnosti vysochaishe utverzhdënnago S.-Peterburgskago Filarmonicheskago Obshchestva. St. Petersburg, 1884.

———. Obshchii obzor stoletnoi yubilei S.-Peterburgskago Filarmonicheskago Obshchestva. St. Petersburg, 1902.

———. Proshloe i nastoyashchee orkestra (ocherk sotsialnogo polozheniya muzykantov). St. Petersburg, 1886.

———. S.-Peterburgskaya Konservatoriya. St. Petersburg, 1891.

Alekseeva, Tatyana. Khudozhniki shkoly Venetsianova. Moscow, 1982.

———. Venetsianov and His School. Tr. C. Justice and Yu. Kleiner. Leningrad, 1984.

Aleksei Fëdorovich Lvov: ego gimn i deyatelnost. St. Petersburg. 1908. Alexander, John. Bubonic Plague in Early Modern Russia. Baltimore, 1980.

Alfimov, Evgenii and A. Mishin, eds. Smoliane. Moscow, 1980.

Alpers, Svetlana. “The Museum as a Way of Seeing” in Karp, Exhibiting Cultures, pp. 25-32.

Altschuller, Anatoly. “Actors and Acting, 1820-1850” in Leach, History of Russian Theatre, 104-23.

Altshuller, Mark, “Vladislav Aleksandrovich Ozerov” in Levitt, Early Modern Russian Writers, 265-72.

Anchipolovskii, Zinovii. Staryi teatr: Voronezh, 1787-1917. Voronezh, 1996. Anderson, Roger and Paul Debreczeny, eds. Russian Narrative and Visual Art: Varieties of Seeing. Gainesville, 1994.

Andreev, A. Yu. Moskovskii Universitet v obshchestvennoi i kulturnoi zhizni Rossii nachala XIX veka. Moscow, 2000.

Andreeva, Vera. Pervye khudozhniki Peterburga. Leningrad, 1989.

Anton Grigorevich Rubinshtein: sbornik statei. St. Petersburg, 1997.

“A. N. Verstovskii,” Niva, 30/9 (1899) 177-78.

“A. N. Verstovskii,” Radio-programmy (Aug. 11, 1936).

Aptekar, M. Russkaya istoricheskaya zhivopis. Moscow, 1939.

Arapov, Pimen. Letopis russkago teatra. St. Petersburg, 1861.

Art du ballet en Russie, 1738-1940. Paris, 1991.

Asafev, B. “Kompozitor iz pleyady slavyano-rossiiskikh bardov Aleksei Nikolaevich Verstovskii,” SM, 8-9 (1946) 73-80.

Aseev, B. “Zhivye traditsii,” Teatralnaya zhizn, 16 (Aug. 1963) 22-25.

Ashcroft, Irina. “Peterburgskie trushchoby: A Russian Version of Mystères de Paris,” Revue de littérature comparée, 53/2 (Apr.-June 1979) 163-75.

Austin, Paul. The Exotic Prisoner in Russian Romanticism. New York, 1997.

Baehr, Stephen. The Paradise Myth in Eighteenth-Century Russia: Utopian Patterns in Early Secular Russian Literature and Culture. Stanford, 1991.

Bakhrushin, Yu. A. Istoriya russkogo baleta. 3d ed. Moscow, 1977.

Balmuth, Daniel. Censorship in Russia, 1865-1905. Washington, 1979.

Balzac dans l’Empire russe. Paris, 1993.

Balzer, Harley, ed. Russia's Missing Middle Class: The Professions in Russian History. Armonk, 1996.

Barbier, Patrick. The World of the Castrati. Tr. M. Crosland. London, 1996.

Barchatova [Barkhatova], Elena. “Die ersten Photographien in Russland” in Russische Photographie, 24-29.

Barenboim, L. Anton Grigorevich Rubinshtein: zhizn, artisticheskii put, tvorchestvo, muzykalno-obshchestvennaya deyatelnost. 2 v. Leningrad, 1957-62.

Barkhatova, Elena, et al., eds. A Portrait of Tsarist Russia: Unknown Photographs from the Soviet Archives. New York, 1989.

-, et al. Russkaya fotografiya seredina XIX-nachalo XX veka. Moscow, 1996.

Barratt, Glynn. The Rebel on the Bridge: A Life of the Decembrist Baron Andrey Rozen (1803-84). London, 1975.

Barrell, John. The Dark Side of the Landscape: The Rural Poor in English Painting, 1730-1840. Cambridge, 1980.

———. “The Public Prospect and the Private View: The Politics of Taste in Eighteenth-Century Britain” in Pugh, Reading Landscape, 19-40.

Barsukov, N. Zhizn i trudy M. I. Pogodina. 22 v. St. Petersburg, 1888-1910.

Barrett, Thomas. “The Remaking of the Lion of Dagestan: Shamil in Captivity,” RR, 53/3 (1994) 353-66.

Bartlett, Roger, Anthony Cross, and Karen Rasmussen, eds. Russia and the World of the Eighteenth Century. Columbus, 1988. Barzun, Jacques. Berlioz and his Century. New York, 1956.

Baschmakoff, Natalia. “Lokalnyi tekst, golos pamyati i poetika prostranstva” (ms.). Baschmakoff, Natalia and Paul Fryer, eds. Modernization in the Russian Provinces. Helsinki, 2000.

Baumgarten, Caroline. Die spätklassische russische Komödie zwischen 1805 und 1822: Studien zu Sachovskoj, Zagoskin, Chmel’nickij, und Griboedov. Munich, 1998.

Baye, Joseph. Smolensk: les origines: l’epopee de Smolensk en 1812 après des documents inédits. Paris, 1912.

Baxandall, Michael. Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style. Oxford, 1972.

Beaumont, Cyril. The Complete Book of Ballets. New York, 1938.

Becker, Howard. Art Worlds. Berkeley, 1982.

Belchikov, N. F. Taras Shevchenko (zhizn i tvorchestvo). Leningrad, 1956.

Belousov, A. F. and T. V. Tsivyan, eds. Russkaya provintsiya: mif—tekst—realnost. Moscow, 2000.

Belozerskaya, N. A. “Fëdor Grigorevich Solntsev,” RS, 18 (June 1887) 713-37.

Belyakov, B. N., V. G. Blinova, and N. D. Bordyug, Opernaya i kontsertnaya deyatelnost v Nizhnem-Novgorode—gorode Gorkom (1798-1980). Gorky, 1980.

Belza, Igor. Mariya Shimanovskaya. Moscow, 1956.

Benjamin, Walter. “Little History of Photography” in Selected Works, ed. M. W. Jennings. 3 v. Cambridge, Mass, 1999, 2:507-30.

Bergmans, Paul. Henry Vieuxtemps. Turnhoud, 1920.

Bermingham, Ann. “Reading Constable” in Pugh, Reading Landscape, 97-120.

Bernandt, G. “V. F. Odoevskii—muzykalnyi pisatel,” SM, 8 (1939) 49-54.

Bernstein, Lina. “Women on the Verge of a New Language: Russian Salon Hostesses in the First Half of the Nineteenth Century” in Goscilo, Russia, 209-24.

Bers [Behrs], A. A. “Aleksei Fëdorovich Lvov kak muzykant i kompositor,” RS, 31/102 (Apr. 1900) 145-68.

Beskin, Emil. “Lev Gurych Sinichkin,” Novyizritel, 50 (1924) 3-5.

Bespalova, E. P., ed. Kostyum v Rossii XV-nachalo XX veka. Moscow, 2000.

Billington, James. Mikhailovsky and Russian Populism. Oxford, 1958.

Biograficheskiya svedeniya o chlenakh Akademii i voobshche khudozhnikakh, umershikh v 1875-1878 gg. St. Petersburg, 1879. Biograficheskiya svedeniya o chlenakh Akademii i voobshche khudozhnikakh, umershikh v 1873-1875 gg. St. Petersburg, 1876.

Blanning, T. C. W. The Culture of Power and the Power of Culture: Old Regime Europe, 1660-1789. New York, 2002.

Blaukopf, Kurt. Musical Life in a Changing Society: Aspects of Musical Sociology. Portland, 1992.

Bloom, Peter, ed. Music in Paris in the 1830s. Stuyvesant, 1987.

Blum, Jerome. The End of the Old Order in Rural Europe. Princeton, 1978.

———. Lord and Peasant in Russia from the Ninth to the Nineteenth Century. Princeton, 1961.

Bocharnikova, Ella. Bolshoi teatr: kratkii istoricheskii ocherk. Moscow, 1987.

Bohac, Rodney. “Everyday Forms of Resistance: Serf Opposition to Gentry Extractions, 1800-1860” in Esther Kingston-Mann et al., eds., Peasant Economy, Culture, and Politics of European Russia, 1800-1921. Princeton, 1991, pp. 236-60.

Boime, Albert. The Academy and French Painting in the Nineteenth Century. New Haven, 1986.

Bonnell, Victoria. Iconography of Power: Soviet Political Posters under Lenin and Stalin. Berkeley, 1997.

Botkina, A. P. Pavel Mikhailovich Tretyakov. Moscow, 1986.

Boulton, Marjorie. The Anatomy of Drama. London, 1960.

Bourdieu, Pierre. Distinction: A Social Critique of the Judgment of Taste. Tr. R. Nice. Cambridge, Mass., 1984.

Bowen, Catherine Drinker. “Free Artist”: The Story of Anton and Nicholas Rubinstein. New York, 1939.

Bowlt, John. “Nineteenth-Century Russian Caricature” in Stavrou, Art and Culture, 221-36.

———. “Russian Painting in the Nineteenth Century” in Stavrou, Art and Culture, 113-39.

Bozhe, tsarya khrani. St. Petersburg, [1990].

Bozhe, tsarya khrani: russkii narodnyigimn (1910). Novgorod, 1991.

Bradley, Joseph. “Merchant Moscow After Hours: Voluntary Associations and Leisure” in West, Merchant Moscow, 133-43.

Bramsted, Ernest, Aristocracy and the Middle Classes in Germany: Social Types in German Literature, 1830-1900 (1937). Chicago, 1964.

Bratton, Jackie, Jim Cook, and Christine Gledhill, eds. Melodrama: Stage, Picture, Screen. London, 1994.

Brettell, Richard and Caroline Brettell. Painters and Peasants in the Nineteenth Century. Geneva, 1983.

Brooks, Jeffrey. When Russia Learned to Read: Literacy and Popular Literature, 18611917. Princeton, 1985.

Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven, 1976.

Brouwer, Sander. Character in the Short Prose of Ivan Sergeevič Turgenev. Amsterdam, 1996.

———. “Turgenev's Sportsman's Sketches as an Artistic Whole” in De Haard, Semiotic Analysis, 67-84. Brower, Daniel. Training the Nihilists: Education and Radicalism in Tsarist Russia. Ithaca, 1975.

Brown, David. Mikhail Glinka: A Biographical and Critical Study. London, 1974.

———. Tchaikovsky. 4 v. London, 1978-91.

Brown, Edward J. Stankevich and His Moscow Circle, 1830-1840. Stanford, 1966.

Brown, Malcolm. “Native Song and National Consciousness in Nineteenth-Century Russian Music” in Stavrou, Art and Culture, 57-84.

Brown, William E. A History of Russian Literature of the Romantic Period. 4 v. Ann Arbor, 1986.

Bruford, W. H. Culture and Society in Classical Weimar, 1775-1806. Cambridge, 1962.

Buckler, Julie. “Divas in the Drawing Room: Opera as Literature in Prerevolutionary Russia.” Harvard University Dissertation, 1996.

———. The Literary Lorgnette: Attending Opera in Imperial Russia. Stanford, 2000.

———. Mapping St. Petersburg: Imperial Text and Cityshape. Princeton, 2005.

———. “Melodramatizing Russia: Nineteenth-Century Views from the West” in McReynolds, Imitations of Life, 2002, 55-78.

Budaev, D. I. and M. N. Levitin, eds. Istorii zhivye golosa (episody iz proshlogo Smolenska). Smolensk, 1992.

———. “Materialy iz smolenskoi gubernii na stranitsakh gertsenskogo 'Kolokola' ” in Koshelëv, Smolenskii krai, 34-42.

Bugrov, Yu. A. Svet kurskikh ramp, 3 v. Kursk, 1995-2002.

Burbank, Jane and David Ransel, eds. Imperial Russia: New Histories for the Empire. Bloomington, 1998.

Burgess, Malcolm. “Fairs and Entertainers in 18th-Century Russia,” Slavonic Review, 3 8 (1959) 95-113.

———. “Russian Public Theatre Audiences of the 18th and Early 19th Centuries,” SEER, 37/88 (Dec. 1958) 160-83.

Buryshkin, Pavel. Moskva kupecheskaya. New York, 1954. Burke, Joseph. English Art, 1714-1800. Oxford, 1976.

Burke, Peter. Eyewitnessing: The Uses of Images as Historical Evidence. Ithaca, 2001.

Burmistrova, L. P. Provintsialnaya gazeta v epokhu prosvetitelei (gubernskie vedomosti Povolzhya i Urala, 1840-1850 gg.). Kazan, 1985.

Bushnell, John. “Did Serf Owners Control Serf Marriage? Orlov Serfs and Their Neighbors, 1773-1861,” SR, 52/3 (Fall 1993) 419-45.

Butorov, Aleksei. Sobirateli i metsenaty Moskovskogo Angliiskogo Kluba. Moscow, 2002.

Campbell, Joseph. The Hero with a Thousand Faces. London, 1988.

Campbell, Margaret. The Great Cellists. London, 1988.

Campbell, Stuart. V. F. Odoevsky and the Formation of Russian Musical Taste in the Nineteenth Century. New York, 1989.

Cannadine, David. Aspects of Aristocracy. New Haven, 1994.

———. Ornamentalism: How the British Saw Their Empire. London, 2001.

———. Pleasures of the Past. London, 1997.

Carpenter, Ellon. “Women Music Scholars in the Soviet Union” in J. L. Zaimont, ed. The Musical Woman, vol. 3. Westport, 1991, pp. 456-516. Cassiday, Julie. “Northern Poetry for a Northern People: Text and Context in Ozerov’s Fingal,” SEER, 78/2 (Apr. 2000) 240-66.

———. “Reflections of the St. Petersburg Theater and Russian Theatricality in S. P. Zhikharev’s Zapiski sovremennika.” Ms.

Cavender, Mary. “Nests of Gentry: Family, Estate, and Local Loyalties in Provincial Tver', 1820-1860.” University of Michigan Dissertation, 1997.

Chayanova, Olga. Torzhestvo muz. Moscow, 1925.

Chernov, N. “Krepostnye aktrisy orlovskogo teatra,” Teatralnaya zhizn, 4 (1961) 28-29.

———. Literaturnye mesta orlovskoioblasti. Orël, 1959.

Choldin, Marianna Tax. A Fence Around the Empire: Russian Censorship of Western Ideas Under the Tsars. Durham, 1985.

Christian, David. “Living Water”: Vodka and Russian Society on the Eve of Emancipation. Oxford, 1990.

Christiansen, Rupert. Prima Donna: A History. 2d ed. London, 1995.

Christoff, Peter. Introduction to Nineteenth-Century Russian Slavophilism: A Study in Ideas. Vol. 1: A. S. Xomjakov. The Hague, 1961. Vol. 2: I. V. Kireevskij. The Hague, 1972. Vol. 3: K. S. Aksakov. Princeton, 1983. Vol. 4: Iu. F. Samarin. Boulder, 1991.

Chto chitat o smolenskoi oblasti. Smolensk, 1979.

Chudinova, I. A. “Peterburg—zvuchashchii gorod” in Geografiya iskusstva: sbornik statei. Moscow, 1996, pp. 137-53.

Chuikina, Sofiya. “Professionalnaya reintegratsiya dvoryanstva.” Paper, Renvall Institute, Helsinki, 1998.

———. “Sotsialnaya sreda pomestnogo dvoryanstva.” European University of St. Petersburg M.A. Thesis, 1997.

Chulos, Chris, “Orthodox Identity at Russian Holy Places” in Chulos and Timo Pirainen, eds., National Identity in Contemporary Russia. Aldershot, 1999, pp. 1-24.

———. “Religious and Secular Aspects of Pilgrimage in Modern Russia” Byzantium and the North, 9 (1999) 21-58.

Citron, Marcia. Gender and the Musical Canon. Cambridge, 1993.

Clark, Kenneth. Landscape into Art. London, 1949.

Clark, Peter. British Clubs and Society: The Origins of an Associational World. Oxford, 2000.

Clarke, T. J. The Absolute Bourgeois: Artists and Politics in France, 1848-1851. Greenwich, 1973.

Clay, Catherine. Ethos and Empire: The Ethnographic Expedition of the Imperial Russian Naval Ministry, 1855-1862. Ann Arbor, 1989.

Clowes, Edith, Samuel Kassow, and James West, eds. Between Tsar and People: Educated Society and the Quest for Public Identity in Later Imperial Russia. Princeton, 1991.

Clowes, Edith. “Merchants on Stage and in Life: Theatricality and Public Consciousness” in West, Merchant Moscow, 147-59.

Cockfield, Jamie. White Crow: The Life and Times of the Grand Duke Nicholas Mikhailovich Romanov, 1859-1919. Westport, 2002.

Coldicott, Anne-Louise. “Performance Practice in Beethoven’s Day” in Barry Cooper, ed., The Beethoven Compendium. London, 1991, pp. 280-89.

Coleman, Arthur. “Kotzebue and Russia,” Germanic Review, 5/4 (Oct. 1930) 323-41. Collins, Bradley. Leonardo, Psychoanalysis, and Art History. Evanston, 1997.

Confino, Michael. Domaines et seigneurs en Russie vers la fin du XVIIIe siècle. Paris, 1963.

———. Société et mentalités collectives en Russie sous l’ancien regime. Paris, 1991.

Corbin, Alain. Village Bells: Sound and Meaning in the French Countryside. Tr. M. Thom. New York, 1998.

Cornwell, Neil. The Life, Times, and Milieu of V. F. Odoevsky, 1804-1869. London, 1986.

———, ed. The Society Tale in Russian Literature. Amsterdam, 1998.

Cracraft, James. The Petrine Revolution in Russian Imagery. Chicago, 1997.

Craske, Michael. Art in Europe. Oxford, 1997.

Crisp, Olga. Studies in the Russian Economy Before 1914. London, 1976.

Crofton, Ian, ed. A Dictionary of Art Quotations. London, 1988.

Cross, Anthony. By the Banks of the Neva: Chapters in the Lives and Careers of the British in Eighteenth-Century Russia. Cambridge, 1997.

Crosten, William. French Grand Opera: An Art and a Business. New York, 1948.

Crow, Thomas. Painters and Public Life in Eighteenth-Century Paris. New Haven, 1985. Curtiss, J. S. The Russian Army Under Nicholas I. Durham, 1965.

Dahlhaus, Carl, ed. Studien zur Trivialmusik des 19. Jahrhunderts. Regensburg, 1967.

Danilov, N. I. “Teatr” in Ocherki istorii voronezhskogo kraya, pp. 444-52.

Danilov, S. S. Ocherki po istorii russkogo dramaticheskogo teatra. Moscow, 1948.

—, and S. S. Mokulskii, eds. O teatre: sbornik statei. Leningrad, 1940.

———. Russkii dramaticheskii teatr XIX veka. 2 v. Leningrad, 1957-74.

Danilov, V. V. “Dedushka russkikh istoricheskikh zhurnalov,” IV (July 1915) 109-29.

De Haard, Eric et al., eds. Semiotic Analysis of Literary Texts: to Honour Jan van der Eng on the Occasion of his 65th Birthday. Amsterdam, 1990.

Demidenko, Yuliya. Interer v Rossii: traditsii, moda, stil. St. Petersburg, 2000.

Dennis, David. Beethoven in German Politics, 1870-1989. New Haven, 1996.

De-Ribas, A. Staraya Odessa: istoricheskie ocherki i vospominaniya. Odessa, 1913.

Deshkova, Irina. Illyustrirovannaya entsiklopediya baleta v rasskazakh i istoricheskikh anekdotakh. Moscow, 1995.

Desyat let simfonicheskoi muzyki, 1917-1927. Leningrad, 1928.

Dmitrieva, E. E. and O. N. Kuptsova, Zhizn usadebnogo mifa: utrachennyi i obretennyi rai. Moscow, 2003.

Dmitrieva, N. Moskovskoe Uchilishche Zhivopisi, Vayaniya, i Zodchestva. Moscow, 1951.

Dobrokhotov, Boris. A. A. Alyabev. Moscow, 1947.

———. A. A. Alyabev: kamerno-instrumentalnoe tvorchestvo. Moscow, 1948.

———. A. A. Alyabev: tvorcheskii put. Moscow, 1966.

———. A. N. Verstovskii. Moscow, 1949.

———. “Krestyane sela Novospasskogo o Glinke” in M. I. Glinka: sbornik statei, pp. 361-67.

Dobysh, G. Zvëzdy russkoi stseny. Moscow, 1992.

Dodge, William R. “Abolitionist Sentiment in Russia, 1762-1855.” University of Wisconsin Dissertation, 1950. Donakowski, Conrad. A Muse for the Masses: Ritual and Music in an Age of Democratic

Revolution. Chicago, 1972.

Donohue, Joseph. Theatre in the Age of Kean. Oxford, 1975.

Donskov, Andrew. The Changing Image of the Peasant in Nineteenth Century Drama. Helsinki, 1972.

Dowler, Wayne, Dostoevsky, Grigor’ev, and Native Soil Conservatism. Toronto, 1982.

Drizen, N. V. Materialy k istorii russkago teatra. Moscow, 1905.

———. Stoletie Imperatorskikh Sanktpeterburgskikh Teatrov. St. Petersburg, n.d.

Druskin, M. S. and Yu. V. Keldysh, eds. Ocherki po istorii russkoi muzyki, 1700-1825. Leningrad, 1956.

Druzhinin, N. M. Gosudarstvennye krestyane i reforma P. D. Kiseleva. 2 v. Moscow, 1946-58.

Duleba, Wladyslaw. Wieniawski. Cracow, 1974.

Dunlop, Carolyn. The Russian Court Chapel Choir, 1796-1917. Amsterdam, 2000.

Dunning, Chester. Russia's First Civil War: The Time of Troubles and the Founding of the Romanov Dynasty. University Park, 2001.

Dynnik, Tatyana. Krepostnoi teatr. Leningrad, 1933.

Edgerton, William. “Ambivalence as the Key to Kniazhnin’s Tragedy, Vadim Novgorodskii” in Bartlett, Russia and the World, 306-15.

Efros, N. M. S. Shchepkin (1920). Moscow, 2001.

Egorov, Yu. N. “Reaktsionnaya politika tsarizma v voprosakh universitetskogo obrazovaniya v 30-50-kh gg. XIX v.,” Istoricheskie nauki, 3 (1960) 60-75.

Eidelman, Natan. Conspiracy Against the Tsar: A Portrait of the Decembrists. Tr. C. Carlile. Moscow, 1985.

Eklov, B., J. Bushnell, and L. Zakharova, eds. Russia's Great Reforms, 1855-1881. Bloomington, 1994.

Elets, Yu. Biografiya Krestovskogo. St. Petersburg, 1898.

Elias, Norbert. The Civilizing Process: The History of Manners (1939). Tr. E. Jephcott. New York, 1978.

Elizarova, N. A. Teatry Sheremetevykh. Moscow, 1944.

Ely, Christopher. “Critics in the Native Soil: Landscape and Conflicting Ideals of Nationality in Imperial Russia,” Ecumene, 7/3 (2000) 253-70.

———. “The Origins of Russian Scenery: Volga River Tourism and Russian Landscape Aesthetics,” SR, 62/4 (Winter 2003) 666-82.

———. This Meager Nature: Landscape and National Identity in Imperial Russia. De-Kalb, 2001.

Emmons, Terence. The Russian Landed Gentry and the Peasant Emancipation of 1861. Cambridge, 1968.

Emmons, Terence and Wayne Vucinich, eds. The Zemstvo in Russia. New York, 1982.

Engel, Barbara. Mothers and Daughters: Women of the Intelligentsia in Nineteenth-Century Russia. Cambridge, 1983.

Engelstein, Laura. Castration and the Heavenly Kingdom: A Russian Folk Tale. Ithaca, 1999.

Ershov, A. Stareishii russkii khor. Leningrad, 1978.

Etkind, Aleksandr. “Umirayushchii sfinks: krug Golitsyna-Labzina i Peterburgskii period russkoi misticheskoi traditsii,” Studiaslavica finlandensia, 13, (1996) 17-46. Evreinov, Nikolai. Krepostnye aktëry: istoricheskii ocherk. St. Petersburg, 1911.

Evtuhov, Catherine. “The Gubernskie Vedomosti and Local Culture, 1838-1860.” Ms., 1999.

Evtuhov, C., B. Gasparov, A. Ospovat, and M. Von Hagen, eds. Kazan, Moscow, St. Petersburg: Multiple Faces of the Russian Empire. Moscow, 1997.

Ezerskaya, N. A. Peredvizhniki i natsionalnye khudozhestvennye shkoly narodov Rossii. Moscow, 1987.

Fairweather, Maria. The Pilgrim Princess: A Life of Princess Zinaida Volkonsky. London, 1999.

Fanger, Donald. Dostoevsky and Romantic Realism: A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol. Cambridge, Mass., 1967.

———. “The Peasant and Russian Literature” in Wayne Vucinich, ed., The Peasant in Nineteenth-Century Russia. Stanford, 1968, pp. 231-62.

Fateev, P. S. Mikhail Mikhailov—revolyutsioner, pisatel, publitsist. Moscow, 1969.

Fëdorov, S. I. Marino Knyazei Baryatinskikh. Kursk, 1994.

Fëdorov, V. A. “Krestyanin-otkhodnik v Moskve (konets XVIII-pervaya polovina XIX v.)” in Russkiigorod. Moscow, 1976, pp. 165-80.

Fëdorovskaya. L. A. Kompozitor Stepan Davydov. Leningrad, 1977.

Fedosyuk, Yu. A. Chto neponyatno u klassikov, ili Entsiklopediya russkogo byta XIX veka. Moscow, 1998.

Fellinger, Imogen. “Die Begriffe Salon und Salonmusik in der Musikanschauung des 19. Jahrhunderts” in Dahlhaus, Studien, 131-41.

Field, Daniel, The End of Serfdom: Nobility and Bureaucracy in Russia, 1855-1861. Cambridge, Mass., 1976.

———. Rebels in the Name of the Tsar. Boston, 1989. Fifty Russian Artists. Moscow, 1985.

Figes, Orlando, Natasha's Dance: A Cultural History of Russia. New York, 2002. Filarmonicheskoe Obshchestvo Sankt-Peterburga, 1802-1915, 1992-1997. St. Petersburg, 1997.

Findeizen [Findeisen], N. F. Anton Grigorevich Rubinshtein. Moscow, 1907.

———. “The Earliest Russian Operas,” MQ, 19/3 (July, 1933) 331-40.

———. Mikhail Ivanovich Glinka. Moscow, 1896.

———. Ocherk deyatelnosti S.-Peterburgskago otdeleniya Imperatorskago Russkago Muzykalnago Obshchestva (1859-1909). St. Petersburg, 1909.

Fishman, David. Russia's First Modern Jews: The Jews of Shklov. New York, 1995.

Fitzpatrick, Anne. The Great Russian Fair: Nizhnii Novgorod, 1840-90. London, 1990.

Fitzpatrick, Sheila. “Ascribing Class: The Construction of Social Identity in Soviet Russia,” JMH, 65/4 (1993) 745-70.

Fleishman, Avrom. “Three Ways of Thinking About Fiction and Society” in Russianness: Studies on a Nation’s Identity. Ann Arbor, 1990, pp. 183-95.

Flynn, James. The University Reform of Tsar Alexander I, 1802-1835. Washington, 1988.

Fradkina, Eleonora. Zal Dvoryanskogo Sobraniya: zametki o kontsertnoi zhizni Sankt-Peterburga. St. Petersburg, 1994.

Frame, Murray. The St. Petersburg Imperial Theaters: Stage and State in Revolutionary Russia, 1900-1920. Jefferson, 2000. Frank, Joseph. Dostoevsky: The Seeds of Revolt. Princeton, 1976.

Frank, Stephen. Crime, Cultural Conflict, and Justice in Rural Russia, 1856-1914. Berkeley, 1999.

Freeze, Gregory. The Parish Clergy in Nineteenth-Century Russia: Crisis, Reform, Counter-Reform. Princeton, 1983.

Frid, E. L., ed. Russkaya muzykalnaya literatura. Pt. 2. 3d ed. Leningrad, 1970.

Frieden, Nancy. Russian Physicians in an Era of Reform and Revolution, 1856-1905. Princeton, 1981.

Friedman, Rebecca. “In the Company of Men: Student Life and Russian Masculinity, 1825-1855.” University of Michigan Dissertation, 2000.

Friedlaender, Walter. David to Delacroix. Cambridge, Mass., 1952.

Frierson, Cathy. Peasant Icons: Representations of Rural People in Late Nineteenth- Century Russia. New York, 1993.

Fuller, William. Strategy and Power in Russia, 1600-1914. New York, 1992. Garden, Edward. Balakirev. New York, 1967.

Gasiorowska, Xenia. The Image of Peter the Great in Russian Fiction. Madison, 1979.

Genêt-Delacroix, Marie Claude. Art et état sous la IIIe République. Paris, 1992.

Gerbel, Nikolai, ed. Russkie poety v biograficheskakh i obraztsakh. St. Petersburg, 1873.

Gerould, Daniel, ed. Melodrama. New York, 1980.

Gershenzon, Mikhail. Griboedovskaya Moskva. 2d ed. Moscow, 1916.

Giesemann, Gerhard. Kotzebue in Russland: Materialien zu einer Wirkungsgeschichte. Frankfurt, 1968.

Ginisty, Paul. La melodrame. Paris, n.d.

Ginzburg, L. S. Anri Vetan [Henry Vieuxtemps]. Moscow, 1983.

———. Russkoe violonchelnoe iskusstvo do 60-kh godov XIX veka. Moscow, 1957.

Glagoleva, Olga. “Dream and Reality of Russian Provincial Young Ladies, 1700-1850,” Carl Beck Papers in Russian and East European Studies, 1405 (Jan. 2000).

———. Russkaya provintsialnaya starina: ocherki kultury i byta tulskoi gubernii XVII-pervoi poloviny XIX vv. Tula, 1993.

Gleason, Abbott. Young Russia: The Genesis of Russian Radicalism in the 1860s. Chicago, 1983.

Glinskii, B. “Aleksei Antipovich Potekhin,” IV, 11-12 (1908) 987-1004.

Goffman, Erving. The Presentation of Self in Everyday Life. New York, 1959.

Gohstand, Robert. “The Geography of Trade in Nineteenth-Century Russia,” Studies in Russian Historical Geography, 2 (1983) 329-74.

Goldfrank, David. The Origins of the Crimean War. London, 1994.

Golub, Spencer. The Recurrence of Fate: Studies in Theater History and Culture. Iowa City, 1994.

Golubeva, E. “Iz istorii Obshchestva Pooshchreniya Khudozhnikov,” Iskusstvo, 10 (1961) 67-72.

Gordeeva, Evgeniya. Moguchaya kuchka. Moscow, 1966.

Gorodetzky, Nadejda. “Princess Zinaide Volkonsky,” OSP, 5 (1954) 93-106.

Gorshkov, Boris. “Serfs on the Move: Peasant Seasonal Migration in Pre-Reform Russia, 1800-61,” Kritika, 1/4 (Fall 2000) 627-56.

Goscilo, Helena. “Keeping A-Breast of the Waist-land: Women’s Fashion in Early Nineteenth-Century Russia” in Goscilo, Russia, 31-63.

-, and Beth Holmgren, eds. Russia, Women, Culture. Bloomington, 1996.

Gosudarstvennyi Akademicheskii Malyi Teatr segodnya. Moscow, 1997.

Gozenpud, Abram. Dom Engelgardta: iz istorii kontsertnoi zhizni Peterburga pervoi poloviny XIX veka. St. Petersburg, 1992.

———. Opernyi slovar. Moscow, 1965.

———. “Pogibshii talant (A. S. Gussakovskii),” SM, 4 (Apr. 1951) 76-83.

———. Russkii opernyi teatr XIX veka (1857-1872). Leningrad, 1971.

———. Russkii opernyi teatr +XIX veka (1836-1850). Leningrad, 1969.

Grabowicz, George. The Poet as Mythmaker: A Study of Symbolic Meaning in Taras ōevčnko. Cambridge, Mass., 1982.

Gray, Rosalind. Russian Genre Painting in the Nineteenth Century. Oxford, 2000.

Green, Michael. ''Italian Scandal as Russian Tragedy: Kheraskov’s Venetsianskaia Monakhinia" in Bartlett, Russia and the World, 388-99.

Greene, Diana. “Mid-Nineteenth-Century Domestic Ideology in Russia” in Marsh, Women and Russian Culture, 78-97.

Griswold, Wendy. Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576-1980. Chicago, 1986.

Grits, T. S. “K istorii 'Sorokivorovki',” Literaturnoe nasledstvo, 63 (1965) 655-60.

Gronow, Jukka. The Sociology of Taste. London, 1997.

Grossman, Leonid. Pushkin v teatralnykh kreslakh: kartiny russkoi stseny, 1817-1820. Leningrad, 1926.

Gubkina, N. V. Nemetskii muzykalnyi teatr v Peterburge v pervoi treti XIX veka. St. Petersburg, 2003.

Guex, Jules. Le theatre et la société française de 1815 a 1848. Paris, 1900. Gusev, V. and E. Petrova. Sankt-Peterburg: portret goroda i gorozhan. St. Petersburg, 2003.

Haberer, Erich. Jews and Revolution in Nineteenth-Century Russia. Cambridge, 1995. Hall, James. Illustrated Dictionary of Symbols in Eastern and Western Art. London, 1994.

Hamburg, Gary. Boris Chicherin and Early Russian Liberalism, 1828-1866. Stanford, 1992.

Hamburger, Klára. Liszt. Budapest, 1987.

Hamilton, George Heard. The Art and Architecture of Russia. Baltimore, 1954. Hamm, Michael. Kiev: A Portrait, 1800-1917. Princeton, 1993.

Hammarberg, Gitta. “Flirting with Words: Domestic Albums” in Goscilo, Russia, 297320.

Hare, Richard. The Art and Artists of Russia. London, 1965.

Harris, James R. The Great Urals: Regionalism and the Evolution of the Soviet System.

Ithaca, 1999. Hartley, Janet. Alexander I. London, 1994.

———. A Social History of the Russian Empire, 1650-1825. London, 1999.

Haskell, Henry, ed. The Attentive Listener: Three Centuries of Music Criticism. Princeton, 1996.

Harrigan, Stephen. The Gates of the Alamo. New York, 2000.

Harvard Dictionary of Music. 2d ed. Ed. Willi Apel. Cambridge, 1969. Haugen, Einar and Camilla Cai. Ole Bull: romantisk musiker og kosmopolitisk nordmann. Oslo, 1992.

Haumant, Émile, La culture française en Russie, 1700-1900. Paris, 1910.

Hays, Michael and Anastasia Nikolopoulou, eds. Melodrama: The Cultural Emergence of a Genre. New York, 1996.

Haywood, Richard. The Beginnings of Railway Development in Russia in the Reign of Nicholas I, 1835-1842. Durham, 1969.

———. Russia Enters the Railway Age, 1842-1855. Boulder, 1998.

Healey, Don. “Moscow” in David Briggs, ed., Queer Sites: Gay Urban Histories since 1600. London, 1999, pp. 38-60.

Heiser, Edmund, Literary Portraits in the Works of Dostoevskij. Munich, 1989.

Hellberg, Elena. Imperial Imprints. Helsinki, 2004.

Herlihy, Patricia. “Commerce and Architecture in Odessa in Late Imperial Russia” in William Brumfield et al., eds., Commerce in Russian Urban Culture, 1861-1914. Washington, 2001, pp. 180-94.

———. Odessa: A History, 1794-1914. Cambridge, Mass., 1986.

———. “The South Ukraine as an Economic Region in the Nineteenth Century” in I. S. Koropeckyj, ed., Ukrainian Economic History: Interpretive Essays. Cambridge, Mass., 1991, pp. 308-38.

Herman, David. Poverty of the Imagination: Nineteenth-Century Russian Literature about the Poor. Evanston, 2001.

Herresthal, Harald. Norwegische Musik. Oslo, 1987.

Hickey, Michael. “Smolensk in Revolution.” Northern Illinois University Dissertation, 1993.

Hilton, Alison. “The Art of Ilia Repin: Tradition and Innovation in Russian Realism.” 2 v. Columbia University Dissertation, 1979.

———. Russian Folk Art. Bloomington, 1995.

———. “Russian Folk Art and 'High' Art in the Early Nineteenth Century” in Stavrou, Art and Culture, 237-54.

———. Russian Impressionism. Forthcoming.

Hirsch, Julia. Family Photographs: Content, Meaning, and Effect. New York, 1981.

Hoch, Steven, Serfdom and Social Control. Chicago, 1986.

Hodge, Thomas. A Double Garland: Poetry and Art-Song in Early Nineteenth-Century Russia. Evanston, 2000.

—. “Mutatis Mutandis: Poetry and the Musical Romance in Early Nineteenth Century Russia.” Stanford University Dissertation, 1992.

———. “Susanin, Two Glinkas, and Ryleev: History-Making in A Life for the Tsar” in Wachtel, Intersections and Transpositions, 3-19.

Holde, Arthur. Jews in Music. London, 1960.

Holden, Anthony. Tchaikovsky. London, 1995.

Holoman, D. Kern. Berlioz. Cambridge, Mass., 1989.

Honour, Hugh. Neo-classicism. Harmondsworth, 1968.

Hoover, Marjorie. Alexander Ostrovsky. Boston, 1981.

Hudson, Hugh. The Rise of the Demidov Family and the Russian Iron Industry in the Eighteenth Century. Newtonville, 1986. Hudson, Richard. Stolen Time: The History of Tempo Rubato. Oxford, 1994.

Hughes, Lindsey. “From Caftans to Corsets: The Sartorial Transformation of Women During the Reign of Peter the Great” in Peter Barta, ed., Gender and Sexuality in Russian Civilization. London, 2001, pp. 17-32.

———. “N. A. Lvov and the Russian Country House” in Bartlett, Russia and the World, 289-300.

———. Russia in the Age of Peter the Great. New Haven, 1998.

Hunt, Lynn. The Family Romance of the French Revolution. Berkeley, 1992.

Hunter-Stiebel, Penelope. Stroganoff: The Palace and Collections of a Russian Noble Family. New York, 2000.

Huttunen, Tomi, Pekka Pesonen, and Sanna Turoma. “Modernism and Postmodernism: Means of Understanding 20th Century Russian Culture” in Markku Kangaspuro, ed., Russia: More Different than Most. Helsinki, 1999, pp. 29-44.

Ieromonakh Leonid. “Korennaya Yarmarka” (1876) in Korennoi pustina chetyre veka, 1 (1997) 34-35.

Ignatov, I. N. Teatr i zriteli, vol. 1: Pervaya polovina XIX st. Moscow, 1916.

Ilin, M. “Borodin” in Izbrannye proizvedeniya. 3 v. Moscow, 1962, 3:315-63.

Imperatorskaya Akademiya Khudozhestv: Muzei. Petrograd, 1915.

Imperatorskaya Akademiya Khudozhestv: vtoraya polovina XVIII, pervaya polovina XIX veka. Moscow, 1997.

Isakov, S. K. et al. Akademiya Khudozhestv: istoricheskii ocherk. Moscow, 1940.

Istoricheskaya spravka o Bolshom Teatre v svyazi’s Imperatorskimi Moskovskimi teatrami. Moscow, 1900. Istoricheskii ocherk Smolenska. St. Petersburg, 1894.

Istoriya dorevolyutsionnnoi Rossii v dnevnikakh i vospominaniyakh. 2 v. Moscow, 1977-78.

Istoriya russkogo dramaticheskogo teatra. 7 v. Moscow, 1977-87.

Istoriya russkoi dramaturgii: XVIII-pervaya polovina XIX veka. Leningrad, 1982.

Istoriya zheleznodorozhnogo transporta Rossii, vol. 1: 1836-1917. St. Petersburg, 1994.

Ivanov, A. “Pervye spektakli,” Rabochii put (Smolensk), Aug. 22, 1972, p. 3.

Ivanova, E. A. “Mikhailovskii Dvorets” in Iz istorii muzei: sbornik statei i publitkatsii. St.

Petersburg, 1995, pp. 256-58. Iz istorii kultury kurskogo kraya. Kursk, 1995. Iz istorii smolenskogo kraya. Smolensk, 1958.

Iz istorii voronezhskogo kraya—k dvukhstoletiyu voronezhskogo kraevedeniya: sbornik statei, no. 8. Voronezh, 2000.

Jahn, Hubertus. Fromme Pilger, artige Arme, und streunende Gauner: Bettelei, Armut, und soziale Imagination in Russland. Erlangen University Habilitationsschrift, 1998.

———. “Der St. Peterburger Heumarkt im 19. Jahrhundert: Metamorphosen eines Stadtviertels,” JGO, n.s. 44 (1996) 162-77.

Janson, H. W. History of Art. 5th ed. Rev. A. Janson. New York, 1995.

Jenkins, Maya. “Pisemsky's Bitter Fate: The First Outstanding Drama of Russian Peasant Life,” CSP, 3 (1958) 76-88.

Jenkins, Michael. Arakcheev: Grand Vizier of the Russian Empire. New York, 1969.

Jenkins, Reese. Images and Enterprise: Technology and the American Photographic Industry, 1839-1925. Baltimore, 1975. Johnson, James H. Listening in Paris: A Cultural History. Berkeley, 1995.

———. “Musical Experience and the Formation of a French Musical Public,” JMH, 64 (June 1992) 191-226.

Jones, Robert. The Emancipation of the Russian Nobility. Princeton, 1973. Kaganov, Grigory. Images of Space: St. Petersburg in the Visual and Verbal Arts. Tr. S. Monas. Stanford, 1997.

Kahn, Andrew. “Readings of Imperial Rome from Lomonosov to Pushkin,” SR, 52/4 (Winter 1993) 745-68.

Kahn, Bonnie. Cosmopolitan Culture: The Gilt-Edged Dream of a Tolerant City. New York, 1987.

Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History, and Musical Genre. Cambridge, Mass., 1996. Kann, P. Ya. Progulki po Peterburgu. St. Petersburg, 1994.

Kann-Novikova, E. “Glinka na Smolenshchine,” Literaturnyi Smolensk, 13 (1954) 213-34.

Karatygin, P. A. “Aleksei Semënovich Yakovlev, 1773-1817,” RS (Oct., 1880) 276-85.

Karlinsky, Simon. “Gomoseksualizm v russkoi kulture i literature: kratkii obzor,” Literaturnoe obozrenie, 11 (1991) 104-7.

———. Russian Drama from Its Beginnings to the Age of Pushkin. Berkeley, 1985.

———. “Russia's Gay History and Literature from the Eleventh to the Twentieth Centuries” in Winston Leyland, ed., Gay Roots: Twenty Years of Gay Sunshine. San Francisco, 1991, pp. 81-104.

———. “Russia's Gay Literature and Culture: The Impact of the October Revolution” in

Martin Duberman et al., eds. Hidden from History: Reclaiming the Gay and Lesbian Past. New York, 1989, pp. 347-64, 552-59.

———. The Sexual Labyrinth of Nikolai Gogol. Cambridge, Mass. 1976.

Karp, Ivan and Steven Lavine, eds. Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, 1991.

Kastorskii, S. V. “Pisatel-dramaturg A. A. Potekhin” in Iz istorii russkikh literaturnykh otnoshenii XVIII-XX vekov. Moscow, 1959, pp. 177-98.

Kazachkov, S. “Dva stilya—dve traditsii,” SM, 2 (Feb. 1971) 80-88.

Keldanay-Mohr, Irmgard. Unterhaltungsmusik als soziokulturelles Phdnomen des 19. Jahrhunderts. Regensburg, 1977.

Kelly, Catriona. Refining Russia: Advice Literature, Polite Culture, & Gender from Catherine to Yeltsin. Oxford, 2000.

———. “Teacups and Coffins: The Culture of Russian Merchant Women, 1850-1917” in Marsh, Women in Russia and Ukraine, 55-77.

Kelly, Laurence. Diplomacy and Murder in Teheran: Alexander Griboyedov and Imperial Russia’s Mission to the Shah of Persia. London, 2002.

Kendall, Alan. Tchaikovsky: A Biography. London, 1988.

Khoprova, T. et al. Ocherki po istorii russkoi muzyki XIX veka. Leningrad, 1960.

Kimball, Alan. “Conspiracy and Circumstance in Saratov, 1859-1864” in Rex Wade and Scott Seregny, eds., Politics and Society in Provincial Russia: Saratov, 1590-1917. Columbus, 1989, pp. 28-48.

Kimbell, David. Italian Opera. Cambridge, 1991. Kimerling, Elise. See Wirtschafter, Elise Kimerling

Kirichinskii, E. N. Zabytyi poet-nationalist. Kharkov, 1910. On Kukolnik. Kirsanova, R. M. Kostyum v russkoi khudozhestvennoi kulture, 18-pervoi poloviny 20 vv. Moscow, 1995.

———. Rozovaya ksendreika i dradelamovoi platok: kostyum—veshch i obraz v russkoi literature XIX v. Moscow, 1989.

———. Stsenicheskii kostyum i teatralnaya publika v Rossii XIX veka. Kaliningrad, 1997.

Kiselëva, Lyubov. “Zhizn za tsarya: slovo—muzyka—ideologiya v russkom teatre 1830-kh godov,” Rossiya-Russia, 3 (1999) 173-85.

Kleberg, Lars. “Litteraturen och vardagslivet: En Presentation av Jurij Lotmans arbeten inom semiotikapovedenija,” Svantevit, 2 (1980) 119-34.

Klier, John. Russia Gathers Her Jews. DeKalb, 1986.

Klinchin, A. P. Mikhail Semënovich Shchepkin. Moscow, 1964.

———. Nikolai Khrisanfovich Rybakov. Moscow, 1972.

Knight, Nathaniel. “Science, Empire, and Nationality: Ethnography in the Russian Geographical Society, 1845-1853” in Burbank, Imperial Russia, 108-41.

“Knyaz kompozitor,” Kurskaya pravda, Feb. 28, 2003, p. 4.

Kogan, L. A. Krepostnye volnodumtsy. Moscow, 1966.

Kogut, Adolf [Adolph Kohut]. Znamenitye Evrei. Tr. A. A. Frek. 2 v. Odessa, 1902.

Kolchin, Peter. Unfree Labor: American Slavery and Russian Serfdom. Cambridge, Mass., 1987.

Kollar, V. A. “Ocherk istorii muzykalnogo teatra v Nizhnem Novgorode” in Shteinpress, Izmuzykalnogo proshlogo, 298-303.

Komelova, G. “Peterburgskoe Obshchestvo Pooshchreniya Khudozhestv i ego deyatelnost v 20-40-kh gg. XIX v.,” Soobshcheniya Gosudarstvennogo Ermitazha (1958) 34-36.

———. Russkayagravyura i litografiya XVIII-nachala XX vv. Leningrad, 1960.

Kondakov, S. N., ed. Spisok russkikh khudozhnikov. St. Petersburg, 1914 (v. 2 of the following).

———. ed. Yubileinyi spravochnik Imperatorskoi Akademii Khudozhestv, 1764-1914. 2 v. St. Petersburg, 1914.

Korf, M. “Materialy i cherty k biografii Imperator Nikolya i k istorii ego tsarstvovaniya” in SIRIO, 98 (1896) 1-100.

Kornilov, P. E. “Aleksandr Vasilevich Stupin” in Leonov, Russkoe iskusstvo (1954) 155-68.

———. Arzamasskaya shkola zhivopisi. Leningrad, 1947.

Koroleva, N. V. “Dekabristy i teatr” in Dekabristy i russkaya kultura. Leningrad, 1975, pp. 231-66.

Koshelëv, Ya. R., ed. Smolenskii krai v istorii russkoi kultury. Smolensk, 1973.

Koshman, L. V. “Gorod i obshchestvenno-kulturnaya zhizn” in Ocherki russkoi kultury XIX veka, 12-72.

Kosny, Witold. “Towards a Poetics of Classical Russian Vaudeville” in Andrew Donskov et al., eds., Slavic Drama: the Question of Innovation. Ottawa, 1991, pp. 190-99.

———. “Vodevil D. T. Lenskogo 'Lev Gurych Sinichkin’ ” in De Haard, Semiotic Analysis, 365-76. Kotelnikova, I. “A. M. Prevo—kommissioner Obshchestva Pooshchreniya Khudozhestv: izdatel pervoi poloviny XIX v.,” Soobshcheniya Gosudarstvennogo Ordena Lenina Ermitazha, 18 (1967) 9-n.

Kots, E. S. Krepostnaya intelligentsiya. Leningrad, 1926.

Kozlyakov, V. N. and A. A. Sevastyanova. “Kulturnaya sreda provintsialnogo goroda” in Ocherki russkoi kultury XIX veka, 125-202.

Krasovskaya, Vera. Istoriya russkogo baleta. Leningrad, 1978.

———. Russkii baletnyi teatr ot vozniknoveniya do serediny XIX veka. Leningrad, 1958.

Kratkii obzor deyatelnosti S.-Peterburgskago Filarmonicheskago Obshchestva. St. Petersburg, 1902.

Krivtsova, M. A. “Iz istorii khudozhestvennoi zhizni vtoroi poloviny XIX-nachala XX vv.: M. I. Ponomarev” in Iz istorii voronezhskogo kraya, 93-102.

Kruti, I. A. Russkii teatr v Kazani. Moscow, 1958.

Krutov, V. V. Bozhe, tsarya khrani: istoriya pervogo rossiiskogo gimna. Moscow, 1998. Kubasov, Ivan. “Teatralnyya intrigi v 1822 godu,” RS (Nov. 1901) 293-304.

Kufferath, Maurice. Henri Vieuxtemps: sa vie et son oeuvre. Brussels, 1882.

Kurmacheva, M. D. Krepostnaya intelligentsiya Rossii vtoraya polovina XVIII-nachalo XIX veka. Moscow, 1983. Kurskii oblastnoi dramaticheskii teatr im. A. S. Pushkina. Kursk, 1979. Kursk: kraevedcheskii slovar-spravochnik. Kursk, 1977.

Kuznetsov, Evgenii. Iz istorii proshlogo russkoi estrady. Moscow, 1958.

Kuznetsov, K. A. Glinka i ego sovremenniki. Moscow, 1926. Kuznetsov, Yu. Ermitazh. Leningrad, 1965.

Kuznetsova, A. I. and V. Ya. Libson. Bolshoi Teatr: istoriya sooruzheniya i rekonstruktsiya zdaniya. 2d ed. Moscow, 1995.

Lang, Paul Henry. Music in Western Civilization. New York, 1941.

Laqueur, Thomas. “Bodies, Details, and the Humanitarian Narrative” in Lynn Hunt, ed., The New Cultural History. Berkeley, 1989, pp. 176-204.

Laskina, M. N. P. S. Mochalov: letopis zhizni i tvorchestva. Moscow, 2000.

Layton, Susan. Russian Literature and Empire. Cambridge, 1994.

Leach, Robert and Victor Borovsky, eds. A History of Russian Theatre. Cambridge, 1999.

Lebedev, A. K. Russkaya istoricheskayazhivopis do Oktyabrya 1917 goda. Moscow, 1962. Leblanc, Ronald. “Teniers, Flemish Art, and the Natural School Debate,” SR, 50/3 (Fall 1991) 576-89.

Lebrecht, Norman. When the Music Stops: Managers, Maestros, and the Corporate Murder of Classical Music. London, 1996.

Ledkovsky, Marina. “Avdotiya Panaeva: Her Salon and Her Life,” Russian Literature Triquarterly, 9 (Spring 1974) 423-32.

Leichtentritt, Hugo. Music, History, and Ideas. Cambridge, Mass., 1938.

Leikin, N. A. Aktery-lyubiteli. 2d ed. St. Petersburg, 1892.

Leningradskaya Gosudarstvennaya Ordena Trudovogo Krasnogo Znameni Filarmoniya imeni D. D. Shostakovicha. Leningrad, 1991.

Leonov, A. I., ed. Russkoe iskusstvo: ocherki o zhizni i tvorchestve khudozhnikov. Pervaya polovina devyatnadtsatogo veka. Moscow, 1954.

———. ed. Russkoe iskusstvo: ocherki o zhizni i tvorchestve khudozhnikov. Seredina devyatnadtsatogo veka. Moscow, 1958.

Leonteva, G. K. Aleksei Gavrilovich Venetsianov. Leningrad, 1980.

———. Karl Briullov: Artist of Russian Romanticism. St. Petersburg, 1996.

Leppert, Richard. Art and the Committed Eye: The Cultural Functions of Imagery. Boulder, 1996.

———. “Cultural Control, Idolatry, and the Piano Virtuoso: Franz Liszt” in Parakilas, Piano Roles, 252-81.

———. Music and Image: Domesticity, Ideology, and Socio-Cultural Formation in Eighteenth-Century England. Cambridge, 1988.

Lepskaya, Liya. Repertuar Sheremetevykh krepostnykh teatrov. Moscow, n.d. Letkova, Ekaterina. “Krepostnaya intelligentsiya,” OZ (Nov. 1883) 157-18.

Levashëva, O. E. “A. N. Verstovskii,” SM, 6 (1949) 65-73.

———. “Muzyka v kruzhke A. A. Delviga,” Voprosy muzykovedeniya: ezhegodnik, 2 (1955) 323-60.

Levine, Lawrence. Highbrow/Lowbrow. Cambridge, Mass., 1988.

Levitina, Viktoriya. Russkii teatr i Evrei. 2 v. Jerusalem, 1988.

Levitt, Marcus, ed. Early Modern Russian Writers: Late Seventeenth and Eighteenth Centuries. Detroit, 1995.

———. “The Illegal Staging of Sumarokov’s Sinav i Truvor in 1770 and the Problem of Authorial Status in Eighteenth-Century Russia,” SEEJ, 43/2 (1999) 299-323.

Lewis, Roger. The Real Life of Laurence Olivier. London, 1996.

Lichtenfeld, Monika. “Triviale und anspruchsvolle Musik in den Konzerten um 1850” in Dahlhaus, Studien, 143-50.

Lincoln, W. Bruce. Between Heaven and Hell: The Story of a Thousand Years of Artistic Life in Russia. New York, 1998.

———. “The Circle of Grand Duchess Yelena Pavlovna, 1847-1861,” SEER, 48/112 (July 1970) 373-87.

———. Conquest of a Continent: Siberia and the Russians. New York, 1994.

———. In the Vanguard of Reform: Russian Enlightened Bureaucrats, 1825-1861. DeKalb, 1982.

———. “The Karlovka Reform,” SR, 28/3 (Sept. 1969) 463-70.

———. Nicholas I: Emperor and Autocrat of All the Russias. Bloomington, 1978.

———. Sunlight at Midnight: St. Petersburg and the Rise of Modern Russia. New York, 2000.

Lindenmeyr, Adele. Poverty Is Not a Vice. Princeton, 1996.

Linge, Ola. Ole Bull: livshistoria—mannen—kunstnaren. Oslo, 1953.

Lisovskii, V. G. Akademiya khudozhestv. St. Petersburg, 1997.

Listova, N. Aleksandr Varlamov: ego zhizn i pesennoe tvorchestvo. Moscow, 1968.

Litovchenko, E. N. Nauchno-issledovatelskii Muzei Rossisskoi Akademii Khudozhestv. St. Petersburg, 1996.

Litvinova, T. N. “Sozdanie dvoryanskikh soslovnykh organov v voronezhskoi gubernii, 1785-1801 gg.” in Iz istorii voronezhskogo kraya, 57-77.

Livanova, Tamara and Vladimir Protopopov. Glinka: tvorcheskii put. 2 v. Moscow, 1955. Livanova, Tamara. Muzyka doglinskogo perioda. Moscow, 1946. Popular essay.

Locke, Ralph. Music, Musicians, and the Saint-Simonians. Chicago, 1986.

Loesser, Arthur. Men, Women, and Pianos. New York, 1951.

Lo Gatto, Ettore. Storia del teatro russo. 2 v. Florence, 1963.

Lohr, Eric and Marshall Poe, eds. The Military and Society in Russia, 1450-1917. Leiden, 2002.

Lokhanskii, V. V. “Russkie kolokolnye zapevy” in B. V. Raushenbakh, ed., Kolokola: istoriya isovremennost. Moscow, 1985, pp. 18-27.

Lokshin, D. Vydayushchiesya russkie khory i ikh direzhery. Moscow, 1953.

———. Zamechatelnye russkie khory i ikh direzhery. Moscow, 1963.

Lotman, Yurii. Besedy o russkoi kultury: byt i traditsii russkogo dvoryanstva (XVIII-nachalo XIX veka). St. Petersburg, 1994.

———. Roman A. S. Pushkina "Evgenii Onegin". Leningrad, 1980.

———. Semiotics of Russian Cultural History. Ed. A. D. and A. S. Nakhimovsky. Ithaca, 1985.

——— and E. A. Pogasyan. Velikosvetskie obedy. St. Petersburg, 1996.

Lough, John. Paris Theatre Audiences in the Seventeenth and Eighteenth Centuries. Oxford, 1957.

Lounsbery, Anne. “ 'No This Is Not the Provinces': Provinciality and Russian National Identity in Gogol’s Dead Souls.” Ms.

Lovell, Sephen. Summerfolk: A History of the Dacha, 1710-2000. Ithaca, 2003.

Lukomskii, G. and V. Lukomskii. Kostroma. Kostroma, 1913.

Lure, F. M. Blistatelnyi Peterburg. St. Petersburg, 2002.

Lysykh, V. N. ''Istoriya kurskoi korenskoi yarmarki," Kurskaya byl (June 2003) 7-8.

Macleod, Dianne. Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge, 1996.

Maegd-Soep, Carolina. The Emancipation of Women in Russian Literature and Society. Ghent, 1978.

Mai, Ekkehard and Anke Repp-Eckert, eds. Historienmalerei in Europa: Paradigmen in Form, Funktion, und Ideologie. Mainz, 1990.

Malia, Martin. Alexander Herzen and the Birth of Russian Socialism. New York, 1965.

———. Russia Under Western Eyes. Berkeley, 1999.

Mally, Lynn. Revolutionary Acts: Amateur Theater and the Soviet State, 1917-1938. Ithaca, 2000.

Malnick, Bertha. “A. A. Shakhovskoi,” SEER, 32/78 (Dec. 1953) 29-51.

———. “The Actors Shchepkin and Sosnitsky,” SEER, 38 Aji (June 1960) 289-313.

———. “Russian Serf Theatres,” SEER, 30/75 (June 1952) 393-411.

Malyi zal imeni M. I. Glinki. St. Petersburg, 1997.

Mandel, Oscar. August von Kotzebue, the Comedy, the Man. University Park, 1990.

Marasinova, E. N. and T. P. Kazhdan. “Kultura russkoi usadby,” Ocherki russkoi kultury XIX veka, 265-377.

Marrese, Michelle. A Woman’s Kingdom: Noblewomen and the Control of Property in Russia, 1700-1861. Ithaca, 2002.

Marsh, Rosalind, ed. Women and Russian Culture: Projections and Self-Perceptions. New York, 1998.

-, ed. Women in Russia and Ukraine. Cambridge, 1996.

Martin, Alexander. “The Response of the Population of Moscow to the Napoleonic Occupation of 1812” in Lohr, Military and Society, 469-89.

———. Romantics, Reformers, Reactionaries: Russian Conservative Thought and Politics in the Reign of Alexander I. DeKalb, 1997.

Martinsen, Deborah, ed. Literary Journals in Imperial Russia. Cambridge, 1997.

Martorella, Rosanne. The Sociology of Opera. New York, 1982.

Mashkovtsev, N. G. “Aleksei Gavrilovich Venetsianov” in Leonov, Russkoe iskusstvo (1954) 571-96.

Massie, Suzanne. Land of the Firebird: The Beauty of Old Russia. New York, 1980.

———. Pavlovsk: The Life of a Russian Palace. London, 1990.

Mayer, Arno. The Persistence of the Old Regime. New York, 1981.

Mayor, A. Hyatt. Prints and People: A Social History of Printed Pictures. New York, 1971.

Maza, Sarah. Servants and Masters in Eighteenth-Century France. Princeton, 1983.

Mazour, Anatole. The First Russian Revolution, 1825 (1937). Stanford, 1964.

———. Women in Exile: Wives of the Decembrists. Tallahassee, 1975.

McConnell, Allen. “Catherine the Great and the Fine Arts” in Ezra Mendelsohn and Marshall Shatz, eds., Imperial Russia, 1700-1917, State, Society, Opposition: Essays in Honor of Marc Raeff. DeKalb, 1988, pp. 37-57.

McGrew, Roderick. Russia and the Cholera, 1823-32. Madison, 1965.

McLean, Hugh. Nikolai Leskov: The Man and His Art. Cambridge, Mass., 1977.

McReynolds, Louise and Joan Neuberger, eds. Imitations of Life: Two Centuries of Melodrama in Russia. Durham, 2002.

McReynolds, Louise. Russia at Play: Leisure-Time Activities at the End of the Tsarist Era. Ithaca, 2002.

Medvedeva, Irina. Ekaterina Semënova: zhizn i tvorchestvo tragicheskoi aktrisa. Moscow, 1964.

Meeks, Carroll. The Railroad Station: An Architectural History. New Haven, 1956.

Mellers, Wilfrid. The Masks of Orpheus: Seven Stages in the Story of European Music. Manchester, 1987.

Melnikov, A. P. Stoletie nizhegorodskoi yarmarki, 1817-1917. [Nizhny Novgorod, 1917].

Metzner, Paul. Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris

During the Age of Revolution. Berkeley, 1998.

M. I. Glinka: sbornik statei. Moscow, 1958.

Mikhailova, R. F. “Vopros o teatralnoi monopolii v 1856-1858 gg.,” Istoricheskie nauki, 3 (1960) 76-86.

Mikhail Semënovich Shchepkin: zhizn i tvorchestvo. 2 v. Moscow, 1984.

Mikhnevich, Vladimir. Ocherk istorii muzyki v Rossii v kulturno-obshchestvennom otnoshenii. St. Petersburg, 1879.

Milovidov, Ivan. “Dve chukhlomskikh dramy,” RS (Nov. 1889) 335-60.

Milyukov, P. N. Outlines of Russian Culture, Ed. M. Karpovich. 3 v. Philadelphia, 1942.

Mimoza [pseudonym]. “Opera nashikh babushek,” Moskovskaya gazeta, Sept. 20, 1910, p. 4. Mironov, Boris. Russkiigorod v 1740-1860-egody. Leningrad, 1990.

———. A Social History of Imperial Russia, 1700-1917. 2 v. Boulder, 2000.

Mitchell, W. J. T., ed. Landscape and Power. Chicago, 1994.

M. N. Zagoskin: biograficheskii ocherk. St. Petersburg, 1889.

Moleva, N. and E. Belyutin. Pedagogicheskaya sistema Akademii Khudozhestv XVIII veka. Moscow, 1956.

———. Russkaya khudozhestvennaya shkola pervoi poloviny XIX veka. Moscow, 1963.

Monas, Sidney. The Third Section: Police and Society in Russia under Nicholas I. Cambridge, Mass., 1961.

Moon, David. The Russian Peasantry, 1600-1930: The World the Peasants Made. London, 1999.

———. Russian Peasants and Tsarist Legislation on the Eve of Reform: Interaction Between Peasants and Officialdom, 1825-1855. London, 1992.

Mooser, R. Aloys. L'opéra comique français en Russie au XVIII siècle. Geneva, 1954.

Morov, A. G. Tri veki russkoi stseny. Moscow, 1978.

Morozov, Sergei. Russkaya khudozhestvennaya fotografiya: ocherki iz istorii fotografii, 1839-1917. Moscow, 1955.

Morrisey, Susan. “In the Name of Freedom: Suicide, Serfdom, and Autocracy in Russia,” SEER, 82/2 (Apr. 2004) 268-91

Moser, Charles. Antinihilism in the Russian Novel of the 1860s. The Hague, 1964.

———. Pisemsky: A Provincial Realist. Cambridge, Mass., 1969.

Moskovskaya Konservatoriya, 1866-1966. Moscow, 1966.

Moskovskoe Kupecheskoe Sobranie: istoricheskii ocherk. Moscow, 1914.

Munro, George. “Academy of Fine Arts,” MERSH, 1:17-19.

Muratov, A. M. Sergei Konstantinovich Zaryanko. St. Petersburg, 2003.

Murav, Harriet. Russian Legal Fictions. Ann Arbor, 1998.

———. “The Theater of Sukhovo-Kobylin.” Ms.

Muravëva, O. S. Kak vospityvalirusskogo dvoryanina. Moscow, 1995.

Muzalevskii, V. I. Russkoe fortepyannoe iskusstvo: XVIII-pervaya polovina XIX veka. Leningrad, 1961.

Muzyka v XIX veke. St. Petersburg, 1901.

Natanson. V. Iz muzykalnogo proshlogo Moskovskogo Universiteta. Moscow, 1955. Nathans, Benjamin. Beyond the Pale: The Jewish Encounter with Late Imperial Russia. Berkeley, 2002.

———. “Habermas' 'Public Sphere’ in the Era of the French Revolution,” French Historical Studies, 16/3 (Spring 1990) 620-644.

Nathans, Heather. “Forging a Powerful Engine: Building Theaters and Elites in Post-Revolutionary Boston and Philadelphia” in Explorations in Early American Culture (Pennsylvania History, 56[1999]) m-43.

Nechaeva, V. S. “ 'Dmitrii Kalinin’ i krepostnaya deistvitelnost” in her V. G. Belinskii: nachalo zhiznennogo puti i literaturnoi deyatelnosti, 1811-1830. Moscow, 1949, pp. 307-26.

Nechkina, M. V. Dvizhenie Dekabristov. 2 v. Moscow, 1955.

Negorov, N. “Krepostnoi teatr,” Teatr i iskusstvo, 6 (Feb. 6) 131-34; 7 (Feb. 15) 151-54; 8 (Feb. 20) 171-74; 9 (Feb. 27) 191-94; 10 (Mar. 6) 211-14; all 1911. Nekrylova, Anna. Russkie narodnye gorodskie prazdniki, uveseleniya, i zrelishcha: konets XVIII-nachalo XX veka. 2d ed. Leningrad, 1988.

Nettel, Richard. The Orchestra in England: A Social History. London, 1972.

Netting, Anthony. “Images and Ideas in Russian Peasant Art,” SR, 3 5/1 (Mar. 1976) 4868.

Neuberger, Joan and Valerie Kivelson, eds. Visual Documents of Russian History and Culture. Forthcoming.

Newlin, Thomas. “Rural Ruses: Illusion and Anxiety on the Russian Estate, 1775-1815,” SR, 57/2 (Summer 1998) 295-319.

———. The Voice in the Garden: Andrei Bolotov and the Anxieties of Russian Pastoral, 1738-1833. Evanston, 2001. Nikolaev, A. A. Dzhon Fild. Moscow, 1979.

Nikoltsev, G. D. and L. A. Shilov, “Iz istorii muzykalnoi zhizni Peterburgskogo Universiteta” in Ocherki po istorii Leningradskogo Universiteta, 4 (Leningrad, 1982) 110-135.

Nochlin, Linda. Realism. Harmondsworth, 1971.

Norman, John. “Alexander II as a Patron of Russian Art” in Norman, ed., New Perspectives on Russian and Soviet Artistic Culture. London, 1994, pp. 25-40.

———. “Pavel Tretiakov and Merchant Art Patronage, 1850-1900” in Clowes, Between Tsar and People, 93-107.

———. “Pavel Tret’iakov (1832-1898): Merchant Patronage and the Russian Realists.” Indiana University Dissertation, 1989.

Norris, Jeremy. The Russian Piano Concerto. Bloomington, 1994.

Norris, Stephen. “Images of 1812: The Patriotic War in Russian Culture.” Ms., 2000.

———. “Russian Images of War: The Lubok and Wartime Culture, 1812-1917.” University of Virginia Dissertation, 2002.

Obolenskaya, S. V. “Obraz nemtsa v russkoi narodnoi kultury XVIII-XIX vv.,” Odissei: chelovek v istorii (1991) 160-85.

Obolensky [Obolenskaya], Chloe. The Russian Empire: A Portrait in Photographs. New York, 1979.

Obukhov, V. Grigorii Soroka. Leningrad, 1982.

Ocherki istorii voronezhskogo kraya. Voronezh, 1961.

Ocherki russkoi kultury XIX veka: obshchestvenno-kulturnaya sreda. Moscow, 1998.

Oksman, Yu. G. Feletony sorokovykh godov. Moscow, 1930.

Olkhovskii, Evgenii. Peterburgskie istorii: gorod i intelligentsiya v minuvshem stoletii (1810-e-1910-egody). St. Petersburg, 1998.

Olkhovsky, Yuri. Vladimir Stasov and Russian National Culture. Ann Arbor, 1983.

Opochnin, E. N. Russkii teatr: ego nachalo i razvitie. 5 v. St. Petersburg, 1887.

———. Teatralnaya starina. Moscow, 1902.

Orlova, Alexandra. M. I. Glinka: letopis zhizni i tvorchestva. Moscow, 1952. Tr. as Glinka's Life in Music: A Chronicle by R. Hoops. Ann Arbor, 1998,

Orlovskii starozhil [pseudonym]. Bylyya chudaki v orlovskoi gubernii. 2d ed. Orël, 1919.

Orlovsky, Daniel. The Limits of Reform: The Ministry of Internal Affairs in Imperial Russia, 1802-1881. Cambridge, Mass., 1981.

Osbourne, Richard. Rossini. London, 1986. Osetinskii, O. “Khudozhestvennyi rukovoditel Malogo Teatra, narodnyi artist SSSR Yurii Solomin,” Vek, 41-356 (1999) 9. Interview.

Ovsyannikov, Yu. M. Kartiny russkogo byta. Moscow, 2000.

Owen, Thomas. Capitalism and Politics in Russia: A Social History of the Moscow Merchants, 1855-1905. Cambridge, 1981.

Ozarovskii, Yu. “Khram Talii i Melpomeny (teatr aleksandrovskoi epokhi,” SG (July-Sept. 1908) 513-28.

Pallot, Judith and Dennis Shaw. Landscape and Settlement in Romanov Russia, 1613-1917. Oxford, 1990.

Pamyati Glinki, 1857-1957: issledovaniya imaterialy. Moscow, 1958.

Panofsky, Erwin. The Iconography of Coreggio’s Camera di San Paolo. London, 1961.

———. Studies in Iconology: Humanist Themes in the Art of the Renaissance (1939). New York, 1962.

Parakilas, James, ed. Piano Roles: Three Hundred Years of Life with the Piano. New Haven, 2000.

Paskhalov, V. I. Anton Grigorevich Rubinshtein. Moscow, 1989. Pastukhova, Z. I. Po smolenshchine. Moscow, 1985.

Paulson, Ronald. The Beautiful, Novel, and Strange. Baltimore, 1996.

Pekacz, Jolanta. Music in the Culture of Polish Galicia, 1772-1914.

Rochester, 2002. Perkins, Etta. “Mobility in the Art Profession in Tsarist Russia,” JGO, n.s. 39/2 (1991) 225-33.

———. “Noble Patronage, 1740s-1850,” CASS, 23/4 (Winter 1989) 429-42.

Perrot, Michelle, ed. From the Fires of Revolution to the Great War. Vol. 5 (1990) of A History of Private Life. Ed. Philippe Aries et al. 5 v. Cambridge, Mass., 1987-91.

“Pervaya gubernskaya vystavka v Rossii” in Materialy po izucheniyu smolenskoi oblasti. Moscow, 1967.

Petinova, Elena. Vasilii Andreevich Tropinin. Leningrad, 1987. Petrov, G. F. Russkii Muzei. Leningrad, 1972.

Petrovskaya, Ira. Istochnikovedenie istorii russkoi muzykalnoi kultury XVIII-nachalo

XX veka. Moscow, 1983.

———. Muzykalnoe obrazovanie i muzykalnye obshchestvennye organizatsii v Peterburge, 1801-1917: entsiklopediya. St. Petersburg, 1999.

———, and V. Somina, Teatralnyi Peterburg: nachalo XVIII veka-oktyabr 1917 goda. St. Petersburg, 1994.

———. Teatr i zritelprovintsialnoi Rossii vtoraya polovina XIX veka. Leningrad, 1979.

Pevsner, Nikolaus. Academies of Art, Past and Present (1940). Cambridge, 1973.

Pies, Eike. Das Theater in Schleswig, 1618-1839. Kiel, 1970.

Piggott, Patrick. The Life and Music of John Field, 1782-1837: The Creator of the Nocturne. London, 1973.

Pipes, Richard. Property and Freedom. New York, 1999.

———. Russia Under the Old Regime. New York, 1974.

Pogozhev, V. P. Stoletie organizatsii Imperatorskikh Moskovskikh Teatrov. 2 v. St. Petersburg, 1906-8.

Popova, Tatyana. Borodin. 2d ed. (Moscow, 1960).

Preston, Katherine. Opera on the Road: Traveling Opera Troupes in the United States, 1825-1860. Urbana, 1993. Prilezhaeva-Barskaya, B. Krepostnoi khudozhnik: o zhizni khudozhnika V. A. Tropinina. Leningrad, 1956. A children’s book.

Propp, Vladimir. The Morphology of Folktales. 3d ed. Austin, 1971.

Pugh, Simon, ed. Reading Landscape: Country—City—Capital. Manchester, 1990.

Putintsev, V. “Krepostnaya aktrisa Kuzmina,” Voprosy literatury, 9 (Sept. 1963) 190-95.

Puzyrevskii, A. I. Imperatorskoe Russkoe Muzykalnoe Obshchestvo v pervyya 50 let ego deyatelnosti (1859-1909). St. Petersburg, 1909.

———. Ocherk pyatidesyatiletiya deyatelnosti S.-Peterburgskoi Konservatorii. St. Petersburg, 1912.

Pyatidesyatiletie S.-Peterburgskago Zhenskago Patrioticheskago Obshchestva. St. Petersburg, 1862. Pylyaev, M. I. Staroe zhite (1892). St. Petersburg, 2000.

———. Zabytoe proshloe okrestnostei Peterburga. St. Petersburg, 1996.

Raab, Nigel. “The City of Perm: Emancipation before the Emancipation.” Ms., 1999.

Radoux, J. Theodore. Vieuxtemps. Paris, [1895].

Raeff, Marc. The Origins of the Russian Intelligentsia. New York, 1966.

———. The Decembrist Movement. Englewood Cliffs, 1966.

Rahill, Frank. The World of Melodrama. University Park, 1967.

Rak, V. D. “Aleksandr Aleksandrovich Shakhovskoi” in Levitt, Early Modern Russian Writers, 348-55.

Rakova, M. “Russkii kamernyi portret vtoroi chetverti XIX veka” in Ocherki po istorii russkogo portreta pervoi poloviny XIX veka. Moscow, 1966.

Raleigh, Donald, ed. Provincial Landscapes: Local Dimensions of Soviet Power. Pittsburgh, 2001.

Ramazanov, Nikolai. “Vasilii Andreevich Tropinin,” RV, 11 (1861) 50-83.

Rand, Richard et al. Intimate Encounters: Love and Domesticity in Eighteenth-Century France. Princeton, 1997.

Ransel, David. “An Eighteenth-Century Russian Merchant Family in Prosperity and Decline” in Burbank, Imperial Russia, 256-80.

———. “Enlightenment and Tradition: The Aestheticized Life of an Eighteenth-Century Provincial Merchant” in Laura Engelstein and Stephanie Sandler, eds., Self and Story in Russian History. Ithaca, 2000, pp. 305-29.

———. Mothers of Misery: Child Abandonment in Russia. Princeton, 1988.

———. “Neither Nobles nor Peasants: Primitivist Portraiture and the Emergence of the Merchant Estate” in Neuberger, Visual Documents.

Ratajczak, Dobrochna. “Teatr prowincjionalny i prowincja teatralna w XIX stuleciu” in Polski teatr:prowincjialny rekonesans. Lodz, 1987, pp. n-33.

Regina, Kristen. “Karl Briullov’s Portrait of Countess Samoilova.” University of Maryland M.A. Thesis, 2002. Reiss, Jozef. Wieniawski. Cracow, 1985.

Revutskii, D. “T. G. Shevchenko i ukrainskaya narodnaya pesnya,” SM, 3 (1939) 81-93. Revyakin, A. I. Moskva v zhizni i tvorchestve A. N. Ostrovskogo. Moscow, 1962.

Reyfman, Irina. Ritualized Violence Russian Style: The Duel in Russian Culture and Literature. Stanford, 1999.

Riasanovsky, Nicholas. The Image of Peter the Great in Russian History and Thought. New York, 1985.

———. Nicholas I and Official Nationality in Russia, 1825-1855. Berkeley, 1959.

———. “Pogodin and ōevyrëv in Russian Intellectual History,” Harvard Slavic Studies, 4 (1957) 148-67.

———. Russia and the West in the Teaching of the Slavophiles. Cambridge, Mass., 1952.

Rice, Tamara. Russian Art. Middlesex, 1949.

Ridenour, Robert. Nationalism, Modernism, and Personal Rivalry in Nineteenth-Century Russian Music. Ann Arbor, 1981.

Rieber, Alfred. Merchants and Entrepreneurs in Imperial Russia. Chapel Hill, 1982.

Rodina, T. M. “L'évolution du théâtre russe de 1800 á 1850,” Cahiers d’histoire mondiale, Special number (1958) 212-29.

Rogger, Hans. National Consciousness in Eighteenth-Century Russia. Cambridge, Mass., 1960.

Romanovich-Slavatinskii, A. V. Dvoryanstvo v Rossii ot nachala XVIII veka do otmeny krepostnago prava. St. Petersburg, 1870. 2d ed. Kiev, 1912.

Roosevelt, Priscilla. Apostle of Russian Liberalism: Timofei Granovsky. Newtonville, 1986.

———. “The Country House as a Setting and Symbol in Nineteenth-Century Literature and Art” in Anderson, Russian Narrative and Visual Art, 41-62.

———. “Emerald Thrones and Living Statues: Theater and Theatricality on the Russian Estate,” RR, 50/1 (Jan. 1991) 1-23.

———. Life on the Russian Country Estate: A Social and Cultural History. New Haven, 1995.

———. “Tatiana's Garden: Noble Sensibilities and Estate Park Design in the Romantic Era,” SR, 49/3 (Fall 1990) 335-49.

Ropert, André. La misère et la gloire: histoire culturelle du monde russe de Van mil á nos jours. Paris, 1992.

Rosen, Charles. The Romantic Generation. Cambridge, Mass., 1995.

Rosenholm, Arja. Gender Awakening: Femininity and the Russian Woman Question of the 1860s. Helsinki, 1999.

Rosenthal, Michael, Christiana Payne, and Scott Wilcox, eds. Prospects for the Nation: Recent Essays in British Landscape, 1750-1880. New Haven, 1997.

Rosselli, John. Music and Musicians in Nineteenth-Century Italy. London, 1991.

Rossiev, Pavel. “M. S. Shchepkin, gastroler,” EIT, 3 (1912) 60-67.

Rosslyn, Wendy. “Female Employees in the Russian Imperial Theatres (1785-1825)” in Rosslyn, ed. Women and Gender in 18th-Century Russia. Aldershot, 2003, pp. 257-77.

———. “Petersburg Actresses On and Off Stage (1775-1825)” in Anthony Cross, ed. St Petersburg, 1703-1825. London, 2003, pp. 119-47.

Rozanov, A. S. M. I. Glinka. 2d ed. Moscow, 1987.

———. Muzykalnyi Pavlovsk. Leningrad, 1978.

Rozman, Gilbert. Urban Networks in Russia, 1750-1800. Princeton, 1976.

Ruane, Christine. “Caftan to Business Suit: The Semiotics of Russian Dress” in West, Merchant Moscow, 53-60.

———. “The Discourse of Clothes Shopping in Pre-Revolutionary Russia.” Ms.

Ruban, V. V. Zabitye imena: rasskazy ob ukrainskikh khudozhnikakh XIX—nachala XX veka. Kiev, 1990. Ruble, Blair. “St. Peterburg’s Courtyards and Washington’s Alleys: Officialdom’s Neglected Neighbors.” Kennan Institute Occasional Papers, No. 285.

Ruckman, Jo Ann. The Moscow Business Elite: A Social and Cultural Portrait of Two Generations, 1840-1905. DeKalb, 1984.

Russian Museum: Survey of the Collection. St. Petersburg, 1992.

Russische Photographie, 1840-1940. Berlin, 1993.

Russkie kompozitory. Chelyabinsk, 2001.

Russkii Muzei Imperatora Aleksandra III. St. Petersburg, n.d.

Ruud, Charles. Fighting Words: Imperial Censorship and the Russian Press. Toronto, 1982.

Rybkin, N. Generalissimus Suvorov: zhizn ego v svoikh votchinakh. Moscow, 1874.

Ryabkov, G. T. Smolenskii krai v period feodalizma (vtoroi poloviny XVIII-pervoi poloviny XIX vv.). Smolensk, 1984.

Ryan, James R. Picturing Empire: Photography and the Visualization of the British Empire. London, 1997.

Rydel, Christine. “Nestor Vasil’evich Kukol’nik” in Rydel, Russian Literature (1999), 67-78.

———. ed. Russian Literature in the Age of Pushkin and Gogol: Poetry and Drama. Detroit, 1999.

———. ed. Russian Literature in the Age of Pushkin and Gogol: Prose. Detroit, 1998.

Saburova, Tatyana. “Fruhe Meister der russischen Photographie” in Russische Photographie, 31-40. Sadie, Stanley, ed. History of Opera. London, 1989.

Sakhnovskii, V. G. Krepostnoi usadebnyi teatr. Leningrad, 1924.

Samson, Jim. The Music of Chopin. London, 1985. Sankt-Peterburg—Petrograd—Leningrad. St. Petersburg, 1992.

Sarabianov [Sarabyanov], Dmitri. Russian Art from Neoclassicism to the Avant-Garde: Painting, Sculpture, Architecture. London, 1990.

Sarabyanov, Dmitrii. Orest Adamovich Kiprenskii. Leningrad, 1982.

———. Pavel Andreevich Fedotov. Leningrad, 1985.

———. Russkaya zhivopis XIX veka. Moscow, 1959.

Saunders, David. The Ukrainian Impact on Russian Culture. Edmonton, 1985.

Savelov, A. M. “Dvoryanskoe soslovie v ego bytom i obshchestvennom znachenii,” DS, 5 (1996) 59-69.

Savinov, A. N. “Akademicheskaya zhivopis” in I. E. Grabar, ed., Istoriya russkogo iskusstva. 13 v. Moscow, 1953-64, 8/2:110-28.

———. Akademiya Khudozhestv. Moscow, 1948.

———. Aleksei Gavrilovich Venetsianov: zhizn i tvorchestvo. Moscow, 1955.

———. “Grigorii Vasilevich Soroka, 1823-64” in Leonov, Russkoe iskusstvo (1954) 64352.

———. “Istoricheskaya zhivopis,” Istoriya russkogo iskusstva, 7:162-92.

———. Karl Pavlovich Bryullov. Moscow, 1966.

Sazhin, V. N. “Iz biografii pisatelya N. V. Kukolnika” in Issledovanie pamyatnikov pismennoi kultury v sobraniyakh iarkhivakh. Leningrad, 1985, pp. 105-12.

Schleifman, Nurit. “A Russian Daily Newspaper and Its New Readership: Severnaia Pchela,” Cahiers du monde russe et soviétique, 28/2 (Apr.-June 1987) 127-44. Schonle, Andreas. Authenticity and Fiction in the Russian Literary Journey, 1790-1840. Cambridge, Mass., 2000.

———. “The Scare of the Self: Sentimentalism, Privacy, and Private Life in Russian Culture, 1780-1820,” SR, 57/4 (Winter 1998) 723-46.

Schrader, Abby. Languages of the Lash: Corporal Punishment and Identity in Imperial Russia. DeKalb, 2002.

Schuler, Catherine. Women in Russian Theater: The Actress in the Silver Age. London, 1996.

Schwarz, Boris. “Beethoveniana in Soviet Russia,” MQ, 47/1 (Jan. 1961) 4-21.

———. Great Masters of the Violin. New York, 1983.

Seaman, Gerald. History of Russian Music. Oxford, 1967.

———. “Moscow and St Petersburg” in Alexander Ringer, ed., The Early Romantic Era. London, 1990, pp. 236-58.

Seddon, J. H. The Petrashevtsy. Manchester, 1985.

Segel, Harold. “Classicism and Classical Antiquity in Eighteenth- and Early Nineteenth-Century Russian Literature” in John Garrard, ed., The Eighteenth Century in Russia. Oxford, 1973, pp. 48-71.

Semënov, V. P., ed. Rossiya: polnoe geograficheskoe opisanie nashego otechestva, vol. 9: Verkhnee Podneprove i Belorussiya, St. Petersburg, 1905.

Semevskii, V. I. Krepostnoe pravo i krestyanskaya reforma v proizvedeniyakh M. E. Saltykova. Rostov-on-Don, [1900].

———. Krestyanskii vopros v Rossii v XVIII i pervoi polovine XIX veka. 2 v. St. Petersburg, 1888.

Senelick, Laurence. “The Erotic Bondage of Serf Theatre,” RR, 50/1 (Jan. 1991) 24-34.

———. “Russian Serf Theater and the Early Years of Mikhail Shchepkin,” Theater Quarterly, 10/38 (1980) 8-16.

———. Serf Actor: The Life and Art of Mikhail Shchepkin. Westport, 1984.

———. “Theatre” in Nicholas Rzhevsky, ed., The Cambridge Companion to Modern

Russian Culture. Cambridge, 1998, pp. 264-98.

Sennett, Richard. The Fall of Public Man. New York, 1977.

Serman, Ilya. Konstantin Batyushkov. New York, 1974.

Shapiro, Yu. Ermitazh i ego shedevry. Leningrad, 1973.

———. Ermitazh:putevoditel. Leningrad, 1983.

Shatskov, Vladimir. “Pavel Aleksandrovich Katenin” in Rydel, Russian Literature (1999), 107-18.

Shatz, Marshall. “The Noble Landowner in Russian Comic Operas of the Time of Catherine the Great: The Patriarchal Image,” CASS, 3/1 (Spring 1969) 22-38.

Shaw, Dennis and Judith Pallot. Landscape and Settlement in Romanov Russia, 1613-1917. Oxford, 1990.

Shchepetov, K. N. Iz zhizni krepostnykh krestyan Rossii XVII-XIX vekov. Moscow, 1963.

———. Krepostnoepravo v votchinakh Sheremetevykh (1708-1885). Moscow, 1947.

Shcherbakova, T. Mikhail i Matvei Vielgorskie: ispolniteli, prosvetiteli, metsenaty. Moscow, 1990.

Shepard, Elizabeth. “The Society Tale and the Innovative Argument in Russian Prose Fiction of the 1820s,” Russian Literature, 10 (1981) m-62. Shestakova, Nataliya. Progulki po teatralnoi Moskve. Moscow, 1989.

Shevyrëv, A. P. “Kulturnaya sreda stolichnogo goroda: Peterburg i Moskva” in Ocherki russkoi kultury XIX veka, 73-124.

Shilder, N. K. Imperator Aleksandr Pervyi: ego zhizn i tsarstvovanie. 2 v. St. Petersburg, 1903.

———. Imperator Nikolai Pervyi. 2 v. St. Petersburg, 1903.

Shtakelberg [Stackelberg], K. K. “Russkii narodnyi gimn,” IV, 137(July 1914) 115-131. Shteinpress, Boris. A. A. Alyabev v izgnanii. Moscow, 1959.

———, ed. Izmuzykalnogo proshlogo: sbornik ocherkov. Moscow, 1960.

———. “Matvei Yurevich Vielgorskii,” SM, 8-9 (1946) 73-80.

———. Stranitsy iz zhizni A. A. Alyabeva. Moscow, 1956.

Shubin, V. F., ed. Aleksandrinskii—Pushkinskii—Aleksandrinskii. St. Petersburg, 1995. Shumova, M. N. Russkaya zhivopis pervoi poloviny XIX veka. Moscow, 1978.

———. Russkaya zhivopis serediny XIX veka. Moscow, 1984.

———. Vasily Perov. Leningrad, 1989.

Shurygina, Lyudmila. Pervye shagi. Smolensk, 1963.

Simmons, Ernest. English Literature and Culture in Russia (1553-1840). Cambridge, Mass., 1935.

Sirotinin, A. N. “Ekaterina Semënovna Semënova,” IV (Sept. 1886) 474-508.

Sivkov, K. V. “Krepostnye khudozhniki v sele Arkhangelskom: stranitsa iz istorii krepostnoi intelligentsii nachala XIX v.,” IV, 6 (1940) 195-214.

Skonechnaya, Ada. Moskovskii Parnas. Moscow, 1983.

Slavyanskaya mifologiya: entsiklopedicheskii slovar. Moscow, 1995.

Slonim, Marc. Russian Theater from the Empire to the Soviets. Cleveland, 1961.

Slonimskii, Yu. Didlo. Leningrad, 1958.

Smirnov, D. Nizhegorodskaya starina. Nizhny Novgorod, 1995 (reprint). Smirnov, I. A. Smolensk—gorodrusskoi slavy. Moscow, 1982.

Smith, Bonnie. Ladies of Leisure. Princeton, 1981.

Smith, Douglas. Working the Rough Stone: Freemasonry and Society in Eighteenth-Century Russia. DeKalb, 1999.

Smolenskaya oblast: kraevedcheskii slovar. Moscow, 1978.

Smolenskaya starina. Smolensk, 1911-12, 1916.

Sobirateli i metsenaty Moskovskogo Angliiskogo Kluba. (Moscow, 2002).

Sobko, N. Kratkii istoricheskii ocherk Imperatorskago Obshchestva Pooshchreniya Khudozhestv. St. Petersburg, 1890.

Sokolov, Vadim. Ryadom's Pushkinym. Moscow, 1998.

Solkin, David. “The Battle of the Ciceros: Richard Wilson and the Politics of Landscape in the Age of John Wilkes” in Pugh, Reading Landscape, 41-65.

———. Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. New Haven, 1993.

Sosnina, N. and I. Shangina. Russkii traditsionnyi kostyum. St. Petersburg, 1998.

Soubies, Albert. Histoire de la musique en Russie. Paris 1898.

Squire, P. S. The Third Department: The Establishment and Practices of the Political Police in the Russia of Nicholas I. Cambridge, 1968.

Stanislawsky, Michael. Tsar Nicholas I and the Jews. Philadelphia, 1983. Stanyukovich, Vladimir. Domashnyi krepostnoi teatr Sheremetevykh XVIII vek. Leningrad, 1927.

Stapp, William. Robert Cornelius: Portraits from the Dawn of Photography Washington, 1983.

Starikova, L. M. Moskva starodavnyaya. Kaliningrad, 2000.

———. Teatralnaya zhizn starinnoi Moskvy. Moscow, 1988.

Starr, S. Frederick. Decentralization and Self-Government in Russia, 1830-1870. Princeton, 1972.

———. “Russian Art and Society, 1800-1850” in Stavrou, Art and Culture, 87112.

State Russian Museum: Guidebook. St. Petersburg, 1997.

Stavrou, Theofanis, ed. Art and Culture in Nineteenth-Century Russia. Bloomington, 1983.

Stennik, Yu. V. “Ivan Andreevich Krylov” in Levitt, Early Modern Russian Writers, 197-207.

Sternin, G. Yu. Khudozhestvennaya zhizn Rossii na rubezhe XIX-XX vekov. Moscow, 1970.

Stites, Richard. “Circles on a Square: The Heart of St. Petersburg Culture in the Early 19^th Century” in Neuberger, Visual Documents.

———. “The Creative Provinces in Early Nineteenth Century Russia” in Baschmakoff, Modernization in the Russian Provinces, 306-23.

———. “The Domestic Muse: Music at Home in the Twilight of Serfdom” in Wachtel, Intersections and Transpositions, 187-205.

———. “The Misanthrope, the Orphan, and the Magpie: Imported Melodrama in the Twilight of Serfdom” in McReynolds, Imitations of Life, 25-54.

———. Revolutionary Dreams. New York, 1989.

———. Russian Popular Culture. Cambridge, 1992.

———. “The Veselukha Tower: Social and Cultural Space in Old Smolensk” in Arja Rosenholm and Natalia Baschmakoff, eds., Aspektija: Festschrift for Professor Marja Lehnonen. Tampere, 1995, pp. 295-305.

———. The Women’s Liberation Movement in Russia. Princeton, 1978.

Stoletie S.-Peterburgskago Angliiskago Sobraniya. St. Petersburg, 1870.

Stolpyanskii, P. N. Muzyka i muzitsirovanie v starom Peterburge (1926). Leningrad, 1989.

———. Staryi Peterburg i Obshchestvo Pooshchreniya Khudozhestv. Leningrad, 1928.

———. “Torgovlya lyudmi v starom Peterburge,” Nasha starina, i (Jan. 1916) 30-43; 3 (Mar. 1916) 204-20. I have not seen the Feb. issue. Stuart, Mary. Aristocrat-Librarian in Service to the Tsar: Aleksei Nikolaevich Olenin and the Imperial Public Library. Boulder, 1986.

Sukhodolov, V. N. ''Graf N. P. Sheremetev i Praskovya Zhemchugova," Otechestvo: kraevedcheskii almanakh. Moscow, 1994, pp. 99-108.

Surits, E., ed. Russkii balet i ego zvezdy. Moscow, 1998.

Swann, Alfred. “The Nature of the Russian Folk-Song,” MQ, 29/4 (1943) 498-516.

Swartz, Anne. “Chopin as Modernist in Nineteenth-Century Russia” in John Rink and Jim Samson, eds., Chopin Studies, vol. 2. Cambridge, 1994, pp. 35-49.

———. “Women Patrons and Performers in St. Petersburg, 1820-1840.” Ms. Swift, E. Anthony. Popular Theater and Society in Tsarist Russia. Berkeley, 2002.

Swift, Mary Grace. A Loftier Flight: The Life and Accomplishments of Charles-Louis Didelot, Balletmaster. Middletown, 1974.

Szwankowski, Eugeniusz. Teatr Wojciecha Bogulslawskiego w latach 1799-1814. Wroclaw, 1954.

Taneev, S. V. “Iz proshlogo imperatorskikh teatrov, 1825-1856,” RV, 184/8 (Aug. 1886) 851-86.

Taranovskaya, M. Z. Arkhitektura teatrov Leningrada. Leningrad, 1988.

Taras Shevchenko, 1814-1861: A Documentary Biography of Ukraine’s Poet Laureate and National Hero. Washington, 1960.

Tarasulo, Itzhak. “Peasant Revolts against Landlords in Russia in 1812.” Ms.

Tarle, Evgenii. Napoleon's Invasion of Russia. New York, 1942.

Taruskin, Richard. Defining Russia Musically: Historical and Hermeneutical Essays. Princeton, 1997.

———. Musorgsky: Eight Essays and an Epilogue. Princeton, 1993.

———. “Realism as Preached and Practiced: The Russian Opera Dialogue,” MQ, 56/3 (July 1970) 431-54.

———. Stravinsky and the Russian Traditions: A Biography of the Works through Mavra. 2 v. New York, 1996.

Tawa, Nicholas. High-Minded and Low-Down: Music in the Lives of Americans, 1800-1861. Boston, 2000.

Taylor, Joshua. “Russian Painters and the Pursuit of Light” in Stavrou, Art and Culture, 140-52.

Taylor, Ronald. Franz Liszt. London, 1986.

———. Robert Schumann. London, 1982.

Teatr Opery i Baleta imeni S. M. Kirova. Leningrad, 1976.

Teatr: spravochnye i bibliograficheskie izdaniya. Moscow, 1983.

Thompson, E. P. “Patrician Society, Plebeian Culture,” Journal of Social History, 7/4 (Summer 1974) 382-405.

Thorpe, Richard. “Academic Theater in Revolutionary Russia.” Princeton University Dissertation, 1990.

Thurston, Gary. The Popular Theater Movement in Russia, 1862-1919. Evanston, 1998. Timofeev, Grigorii. A. A. Alyabev: ocherk zhizni i tvorchestva. Moscow, 1912.

Tishkin, G. A. Zhenskii vopros v Rossii v 50-60gg XIX v. Leningrad, 1984.

Todd, William Mills. Fiction and Society in the Age of Pushkin. Cambridge, Mass., 1986. Tolstoy, Nikolai. The Tolstoys: Twenty-Four Generations of Russian History. London, 1983.

Tovrov, Jessica. The Russian Noble Family: Structure and Change. New York, 1987.

Trainin, V. Ya. Aleksandr Aleksandrovich Alyabev, 1787-1851. Leningrad, 1968.

Trofimov, I. T. Pisateli Smolenshchiny. Smolensk, 1959.

“Tsenzura v tsarstvovanie Imperatora Nikolaya I,” RS (July) 151-67; (Aug.) 397-404; (Sept.) 643-48; all 1901.

Tsinkovich-Nikolaeva, V. “Kupecheskaya tema v repertuare Aleksandrinskogo Teatra, 1832-1842 godov” in Traditsii stsenicheskogo realizma: Akademicheskii Teatr Dramy im. A. S. Pushkina. Leningrad, 1980, pp. 110-26. Tuller, David. Cracks in the Iron Closet: Travels in Gay and Lesbian Russia. Boston, 1996.

Ungurianu, Dan. “Mikhail Nikolaevich Zagoskin” in Rydel, Russian Literature (1998), 344-55.

Valkenier, Elizabeth. Ilya Repin and the World of Russian Art. New York, 1990.

———. “The Intelligentsia and Art” in Stavrou, Art and Culture, 153-71.

———. “The Peredvizhniki and the Spirit of the 1860s,” RR, 3 (1975) 247-65.

———. Russian Realist Art, the State, and Society: The Peredvizhniki and Their Tradition. Ann Arbor, 1977.

Van Regemorter, J. L. ''Deux images idéales de la paysannerie russe á la fin du XVIIIe siècle," Cahiers du monde russe et soviétique, 11/1 (Jan.-Mar. 1968) 5-19.

Vanslov, V. V. et al. Istoriya russkogo iskusstva. 3 v. Moscow, 1991.

Varneke, Boris. History of the Russian Theater (1939). Tr. B. Brasol. New York, 1951.

———. Istoriyarusskago teatra. 2d expanded ed. [St. Petersburg, 1914].

Venturi, Franco. Roots of Revolution: A History of the Populist and Socialist Movements in Nineteenth Century Russia. New York, 1966.

Vereshchagin, V. “Zhenskiya mody aleksandrovskago vremeni,” SG (July-Sept. 1908) 472-93.

Vetrinskii, Ch. Vissarion Grigorevich Belinskii. St. Petersburg, n.d. Viola, Lynne. “Popular Resistance in the Stalinist 1930s: Soliloquy of a Devil’s Advocate,” Kritika, 1/1 (Winter 2000) 45-70. Vitale, Serena. Pushkin's Button. New York, 1995.

Vnukova, T. A. “Kurskii dramaticheskii teatr im. A. S. Pushkina: stareishii v Rossii” in Iz istorii kultury kurskogo kraya, 56-73.

V okrestnostyakh Moskvy: iz istorii russkoi usadebnoi kultury XVIII-XIX vekov. Moscow, 1979.

Volf, A. I. Khronika peterburgskikh teatrov’s kontsa 1826 do nachala 1855 goda. 2 v. St. Petersburg, 1877.

Volgina, Yu. I. Vasilii Tropinin. Moscow, 2000.

Volk, S. S. Istoricheskie vzglyady Dekabristov. Moscow, 1958.

Volkov, Solomon. St. Petersburg: A Cultural History. New York, 1995.

Vorontsov, Yu. V. “Muzyka” in Ocherki istorii voronezhskogo kraya, 460-80.

Vrangel [Wrangel], N. N., S. Makovskii, and A. Trubnikov. “Arakcheev i iskusstvo,” SG (July-Sept. 1908) 439-71.

Vrangel [Wrangel], N. N. “A. V. Stupin i ego ucheniki,” RA, 1 (1906) 432-48.

———, “Iskusstvo i gosudar Nikolai Pavlovich,” SG (July-Sept. 1913) 53-163.

———. “Romantizm v zhivopisi aleksandrovskoi epokhi,” SG (July-Sept. 1908) 377438.

———. Venok mertvym: khudozhestvenno-istoricheskiya stati. St. Petersburg, 1913.

Vsevolodskii-Gerngross, Vsevolod. Iskusstvo deklamatsii. Leningrad, 1925.

———. Istoriya russkogo teatra. 2 v. Leningrad, 1929.

———. Istoriya teatralnago obrazovaniya v Rossii. St. Petersburg, 1913.

———. Teatrv Rossii v epokhu Otechestvennoi Voiny. St. Petersburg, 1912.

Wachtel, Andrew. The Battle for Childhood: Creation of a Russian Myth. Stanford, 1990.

-, ed. Intersections and Transpositions: Russian Music, Literature, and Society. Evanston, 1998.

———. An Obsession with History: Russian Writers Confront the Past. Stanford, 1994.

Wade, Rex and Scott Seregny, eds. Politics and Society in Provincial Russia: Saratov, 1590-1917. Columbus, 1989.

Walicki, Andrzej. A History of Russian Thought from the Enlightenment to Marxism. Tr. H. Andrews-Rusiecka. Stanford, 1979.

Walker, Alan. Franz Liszt, vol. 1: The Virtuoso Years, 1811-1847. 2d ed. Ithaca, 1987.

Ward, Charles. Moscow and Leningrad: A Topographical Guide to Russian Cultural History. 2 v. Munich, 1989-92.

Warner, Elizabeth. The Russian Folk Theater. The Hague, 1977.

Weber, William. Music and the Middle Class: The Social Structure of Concert Life in London, Paris, and Vienna. London, 1975.

Weilguny, Hedwig and Willy Handrich. Franz Liszt. Leipzig, 1980.

Weinstock, Herbert. Rossini: A Biography. New York, 1968.

Weintraub, Jeff. “The Theory and Politics of the Public/Private Distinction” in Weintraub and Krushan Kumar, eds. Public and Private in Thought and Practice: Perspectives on a Grand Dichotomy. Chicago, 1997, pp. 101-42.

Welter, Barbara. “The Cult of True Womanhood, 1800-1860,” American Quarterly, 18 (Summer 1966) 151-74.

Wes, Marinus. Classics in Russia, 1780-1855. Leiden, 1992.

Wesling, Molly. Napoleon in Russian Cultural Mythology. New York, 2001.

West, James et al., eds. Merchant Moscow: Images of Russia’s Vanished Bourgeoisie. Princeton, 1998.

West, James. “The Romantic Landscape in Early Nineteenth-Century Russian Art and Literature” in Anderson, Russian Narrative and Visual Art, n-40.

White, Mary Jo. “Nikolai Alekseevich Polevoi” in Rydel, Russian Literature (1998) 27280.

Whittaker, Cynthia. The Origins of Modern Russian Education. DeKalb, 1984.

Williams, Edward. The Bells of Russia: History and Technology. Princeton, 1985.

Williams, Raymond. The Long Revolution. London, 1961.

Williams, Susan S. Confounding Images: Photography and Portraiture in Antebellum American Fiction. Philadelphia, 1997.

Wirtschafter, Elise Kimerling. “Drama and Society in Imperial Russia, 1740s to 1790s.” Ms.

———. From Serf to Russian Soldier. Princeton, 1990.

———. “Military Service and Social Hierarchy: The View from Eighteenth-Century Russian Theater” in Lohr, Military and Society, 221-40.

———. The Play of Ideas in Russian Enlightenment Theater. DeKalb, 2003.

———. Social Identity in Imperial Russia. DeKalb, 1997.

———. Soldiers' Children, 1719-1856: A Study of Social Engineering in Imperial Russia. Berlin, 1982.

———. Structures of Society: Imperial Russia’s "People of Various Ranks". DeKalb, 1994.

Woodhouse, Jenny. “Tales from Another Country: Fictional Treatments of the Russian Peasantry, 1847-1861,” Rural History, 2/2 (1991) 171-86. Worbs, Hans Christoph. “Salonmusik” in Dahlhaus, Studien, 121-30.

Worobec, Christine. Peasant Russia: Family and Community in the Post-Emancipation Period. Princeton, 1991.

———. Possessed: Women, Witches, and Demons in Imperial Russia. DeKalb, 2001.

Wortman, Richard. The Development of a Russian Legal Consciousness. Chicago, 1976.

———. Scenarios of Power: Myth and Ceremony in Russian Monarchy. 2 v. Princeton, 1994-2000.

———. “Theatricality, Myth, and Authority,” RR, 50 (Jan. 1991) 48-52.

Yablochkov, Mikhail. Istoriya dvoryanskago sosloviya v Rossii. St. Petersburg, 1876. Yakovkina, N. I. Istoriya russkoi kultury XIX vek. St. Petersburg, 2000.

———. Ocherki russkoi kultury pervoi poloviny XIX veka. Leningrad, 1989.

Yarmolinsky, Avrahm. Road to Revolution. New York, 1959.

Yartsev, A. A. Osnovanie i osnovatelrusskago teatra (F. G. Volkov). Moscow, 1900.

Yatsevich, A. Pushkinskii Peterburg. Leningrad, 1931; expanded ed. St. Petersburg, 1993.

Young, Percy. The Concert Tradition. London, 1965.

“Yubilei narodnoi opery,” Niva, 41/37 (1910) 619-20. On Verstovsky.

Zablotskii-Desyatovskii, A. P. Graf P. D. Kiselëv i ego vremya. 4 v. St. Petersburg, 1882.

Zaitsev, Pavlo. Taras Shevchenko: A Life. Ed. G. Luckyj. Toronto, 1988.

Zapotocky, Christine. “Venetsianov and the Slavophiles.” Ms.

Zarubin, V. I. Bolshoi Teatr: pervye postanovki oper na russkoi stsene, 1825-1993. Moscow, 1994.

Zetlin [Tsetlin], Mikhail. The Decembrists. Tr. G. Panin. New York, 1958.

———. The Five (1959). Westport, 1975.

Zelnik, Reginald. Labor and Society in Imperial Russia, 1855-1870. Stanford, 1971.

———. “The Sunday School Movement in Russia, 1859-1862,” JMH, 27 (June 1965) 151-70.

Zheleznodorozhnyi transport: entsiklopediya. Moscow, 1995.

Zipperstein, Steven. The Jews of Odessa: A Cultural History, 1794-1881. Stanford, 1985.

Zorin, Andrei. “ 'Beskrovnaya pobeda’ Knyazya Pozharskogo,” Novoe literaturnoe obozrenie 38/4 (1999) m-28.

———. Kormya dvuglavogo orla: literatura i gosudarstvennaya ideologiya v Rossii v poslednei treti XVIII-pervoi treti XIX veka. Moscow, 2001.

Zotov, A. “Puti razvitiya russkogo iskusstva pervoi poloviny XIX veka,” Iskusstvo, 15/2 (Mar.-Apr. 1952) 70-79.

RECORDINGS (SEE ALSO “ARCHIVES” ABOVE)

M. Balakirev, N. Medtner, Igor Zhukov. LP Melodiya S 10 04993 4.

Boiledieu, François-Adrien. Le Calife de Bagdad. Musidisc CD MUS 201852.

Bortnyansky, Teplov, Kozlovsky: Songs and Chamber Music. CD OPS 30-179 HM 90.

Field, John. Piano Music, Nocturnes and Sonatas. CD Naxos, 8.550761.

Glinka, Mikhail. Aragonskaya khota, Vals Fantasiya, Simfoniya na dve Russkie temy. CD Record, 90. Also contains incidental music to N. Kukolnik, Prince Kholmskii; Vospominaniya o letnoi nochi v Madride; Pervonachalnaya polka; Andante cantabile I rondo. Evgenii Svetlanov and the State Philharmonic Orchestra.

———. Glinka Romances. LP Melodia S 10-12089-90. Evgenii Nesterenko, bass; Evgenii Shenderovich, piano.

———. M. Glinka: Proshchanie’s Peterburgom. LP Melodiya, R10.

———. M. Glinka: Romansy. Cassette Extraphone, 97012. Galina Pisarenko, voice; Vera Shubina, piano.

———. Patrioticheskaya pesnya. LP RSFSR Aprelevskii Zavod Gramplastinok.

Lvov, Alexei. Two versions of “God Save the Tsar” on The Rise and Fall of the Russian Empire. CD. David Schimmelpenninck, comp.; Nicolas Picolas, producer.

Moskva: muzykalnye uveseleniya. A. Verstovskii. Marina Filippova, mezzo-soprano. IML CD 080.

Rubinstein [Rubinshtein], Anton. Piano Music. 2 CDs Marco Polo 8.223176, 8.223177. Banowetz.

Servais: Souvenirs & Caprices. Deutsche Harmonium Mundi, 77108-2-RG. CD ddd 1990/1988. Liner notes by Kenneth Slowik.

Viotti, Giovanni Battista. Kontsert N. 22 dlya skripki’s orkestrom lya minor. LP Melodiya, stereo 33 C 10-09931-2. Oleg Krysa, violin; Mark Ermler with the USSR Academic Symphony Orchestra.

Von Geldern, James and Louise McReynolds, eds. Entertaining Tsarist Russia. CD, Bloomington, 1998.

FILM, VIDEO

Kompozitor Glinka. Moscow, 1952. Dir. Grigorii Alexandrov; music arranged by V. Shebalin and conducted by Evgenii Mravinskii; V. Smirnov as Glinka, Yurii Lyubimov as Dargomyzhskii, Svyatoslav Rikhter as Franz Liszt, Lyubov Orlova as Glinka’s sister. Folk dances by the Igor Moiseev ensemble.

Baryshnya-krestyanka. Moscow, 1995. Video. Dir. Aleksei Sakharov.

Early Russian Cinema. 10 video cassettes, 26 films. New York, 1992.

Lev Gurych Sinichkin. 1956. WMNB Video.

Oblomov. Moscow, 1980. Dir. Nikita Mikhalkov.

Russian Folk Song and Dance. Video Kultur, V 1107.

Voina i mir. Moscow, 1967. Dir. Sergei Bondarchuk.